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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A19CB it is the complementary color #B5E634. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A19CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A19CB shade: #4F19C6, #602BD9, #713DEC, #824FFF and #9361FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A19CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A19CB shade: #4A19CB, #3907B8, #2800A5, #170092 and #06007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A19CB shade: #4A19CC, #7A19CC, #AB19CC, #CC19BD and #CC198C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A19CB shade: #4A19CC, #1A19CC and #1919CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A19CB shade matches the following richer shades: #4A19CC and #4206DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A19CB shade: #4A19CC, #522BB9, #5B3EA7, #635094 and #6B6381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A19CB shade: #1948CC, #1919CC, #4819CC, #7819CC and #A819CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A19CB shade: #2F1082, #3D14A7, #4A19CC, #5D2AE4 and #794EE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A19CB shade: #4A19CB, #CC1978 and #31CC19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A19CB shade: #4A19CB, #CC4819 and #19CC48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A19CB shade: #4A19CB, #CC1978, #9CCC19 and #19CC6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A19CB shade: #4A19CB, #CC1943, #9CCC19 and #19CCA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 88 / 0 / 20

HEX #4A19CB

RGB 74 25 203

HSL 256.52, 0.78%, 0.45%

LAB 30.55, 63.1, -80.94

 

Complementary color

CMYK 21 / 0 / 77 / 10

HEX #B5E634

RGB 181 230 52

HSL 76.52, 0.78%, 0.55%

LAB 85.33, -38.69, 74.77

 

CMYK 60 / 87 / 0 / 22

HEX #4F19C6

RGB 79 25 198

HSL 258.73, 0.78%, 0.44%

LAB 30.48, 62.21, -78.11

 

CMYK 56 / 80 / 0 / 15

HEX #602BD9

RGB 96 43 217

HSL 258.28, 0.7%, 0.51%

LAB 36.41, 62.34, -79.29

 

CMYK 52 / 74 / 0 / 7

HEX #713DEC

RGB 113 61 236

HSL 257.83, 0.82%, 0.58%

LAB 42.62, 61.68, -79.86

 

CMYK 49 / 69 / 0 / 0

HEX #824FFF

RGB 130 79 255

HSL 257.39, 1%, 0.65%

LAB 48.96, 60.65, -80.06

 

CMYK 42 / 62 / 0 / 0

HEX #9361FF

RGB 147 97 255

HSL 258.99, 1%, 0.69%

LAB 54, 54.46, -71.78

 

CMYK 64 / 88 / 0 / 20

HEX #4A19CB

RGB 74 25 203

HSL 256.52, 0.78%, 0.45%

LAB 30.55, 63.1, -80.94

 

CMYK 69 / 96 / 0 / 28

HEX #3907B8

RGB 57 7 184

HSL 256.95, 0.93%, 0.37%

LAB 25.21, 61.65, -78.66

 

CMYK 76 / 100 / 0 / 35

HEX #2800A5

RGB 40 0 165

HSL 254.55, 1%, 0.32%

LAB 20.7, 57.83, -74.76

 

CMYK 84 / 100 / 0 / 43

HEX #170092

RGB 23 0 146

HSL 249.45, 1%, 0.29%

LAB 16.78, 52.57, -69.65

 

CMYK 95 / 100 / 0 / 50

HEX #06007F

RGB 6 0 127

HSL 242.83, 1%, 0.25%

LAB 13.05, 47.32, -63.93

 

CMYK 64 / 88 / 0 / 20

HEX #4A19CC

RGB 74 25 204

HSL 256.42, 0.78%, 0.45%

LAB 30.67, 63.36, -81.33

 

CMYK 40 / 88 / 0 / 20

HEX #7A19CC

RGB 122 25 204

HSL 272.51, 0.78%, 0.45%

LAB 36.35, 68.09, -71.76

 

CMYK 16 / 88 / 0 / 20

HEX #AB19CC

RGB 171 25 204

HSL 288.94, 0.78%, 0.45%

LAB 43.82, 75.02, -59.27

 

CMYK 0 / 88 / 7 / 20

HEX #CC19BD

RGB 204 25 189

HSL 305.03, 0.78%, 0.45%

LAB 48.52, 78.34, -42.7

 

CMYK 0 / 88 / 31 / 20

HEX #CC198C

RGB 204 25 140

HSL 321.45, 0.78%, 0.45%

LAB 46.21, 72.21, -17.15

 

CMYK 64 / 88 / 0 / 20

HEX #4A19CC

RGB 74 25 204

HSL 256.42, 0.78%, 0.45%

LAB 30.67, 63.36, -81.33

 

CMYK 87 / 88 / 0 / 20

HEX #1A19CC

RGB 26 25 204

HSL 240.34, 0.78%, 0.45%

LAB 27.5, 61.02, -86.68

 

CMYK 88 / 88 / 0 / 20

HEX #1919CC

RGB 25 25 204

HSL 240, 0.78%, 0.45%

LAB 27.47, 60.99, -86.74

 

CMYK 64 / 88 / 0 / 20

HEX #4A19CC

RGB 74 25 204

HSL 256.42, 0.78%, 0.45%

LAB 30.67, 63.36, -81.33

 

CMYK 70 / 97 / 0 / 13

HEX #4206DE

RGB 66 6 222

HSL 256.67, 0.95%, 0.45%

LAB 30.79, 71.47, -91.58

 

CMYK 64 / 88 / 0 / 20

HEX #4A19CC

RGB 74 25 204

HSL 256.42, 0.78%, 0.45%

LAB 30.67, 63.36, -81.33

 

CMYK 56 / 77 / 0 / 27

HEX #522BB9

RGB 82 43 185

HSL 256.48, 0.62%, 0.45%

LAB 31.86, 51.97, -68.16

 

CMYK 46 / 63 / 0 / 35

HEX #5B3EA7

RGB 91 62 167

HSL 256.57, 0.46%, 0.45%

LAB 34.92, 38.2, -52.4

 

CMYK 33 / 46 / 0 / 42

HEX #635094

RGB 99 80 148

HSL 256.76, 0.3%, 0.45%

LAB 38.77, 23.87, -34.75

 

CMYK 17 / 23 / 0 / 49

HEX #6B6381

RGB 107 99 129

HSL 256, 0.13%, 0.45%

LAB 43.7, 9.74, -15.54

 

CMYK 88 / 65 / 0 / 20

HEX #1948CC

RGB 25 72 204

HSL 224.25, 0.78%, 0.45%

LAB 36.37, 35.9, -72.01

 

CMYK 88 / 88 / 0 / 20

HEX #1919CC

RGB 25 25 204

HSL 240, 0.78%, 0.45%

LAB 27.47, 60.99, -86.74

 

CMYK 65 / 88 / 0 / 20

HEX #4819CC

RGB 72 25 204

HSL 255.75, 0.78%, 0.45%

LAB 30.48, 63.21, -81.65

 

CMYK 41 / 88 / 0 / 20

HEX #7819CC

RGB 120 25 204

HSL 271.84, 0.78%, 0.45%

LAB 36.08, 67.85, -72.22

 

CMYK 18 / 88 / 0 / 20

HEX #A819CC

RGB 168 25 204

HSL 287.93, 0.78%, 0.45%

LAB 43.33, 74.55, -60.08

 

CMYK 64 / 88 / 0 / 49

HEX #2F1082

RGB 47 16 130

HSL 256.32, 0.78%, 0.29%

LAB 18.31, 44.19, -57.02

 

CMYK 63 / 88 / 0 / 35

HEX #3D14A7

RGB 61 20 167

HSL 256.73, 0.79%, 0.37%

LAB 24.58, 54.22, -69.47

 

CMYK 64 / 88 / 0 / 20

HEX #4A19CC

RGB 74 25 204

HSL 256.42, 0.78%, 0.45%

LAB 30.67, 63.36, -81.33

 

CMYK 59 / 82 / 0 / 11

HEX #5D2AE4

RGB 93 42 228

HSL 256.45, 0.78%, 0.53%

LAB 37.09, 65.3, -84.49

 

CMYK 48 / 67 / 0 / 9

HEX #794EE9

RGB 121 78 233

HSL 256.65, 0.78%, 0.61%

LAB 46.17, 53.72, -72.31

 

CMYK 64 / 88 / 0 / 20

HEX #4A19CB

RGB 74 25 203

HSL 256.52, 0.78%, 0.45%

LAB 30.55, 63.1, -80.94

 

CMYK 0 / 88 / 41 / 20

HEX #CC1978

RGB 204 25 120

HSL 328.16, 0.78%, 0.45%

LAB 45.48, 70.2, -6.02

 

CMYK 76 / 0 / 88 / 20

HEX #31CC19

RGB 49 204 25

HSL 111.96, 0.78%, 0.45%

LAB 72.17, -68.3, 67.62

 

CMYK 64 / 88 / 0 / 20

HEX #4A19CB

RGB 74 25 203

HSL 256.52, 0.78%, 0.45%

LAB 30.55, 63.1, -80.94

 

CMYK 0 / 65 / 88 / 20

HEX #CC4819

RGB 204 72 25

HSL 15.75, 0.78%, 0.45%

LAB 48.94, 50.38, 52.49

 

CMYK 88 / 0 / 65 / 20

HEX #19CC48

RGB 25 204 72

HSL 135.75, 0.78%, 0.45%

LAB 72.14, -67.58, 52.53

 

CMYK 64 / 88 / 0 / 20

HEX #4A19CB

RGB 74 25 203

HSL 256.52, 0.78%, 0.45%

LAB 30.55, 63.1, -80.94

 

CMYK 0 / 88 / 41 / 20

HEX #CC1978

RGB 204 25 120

HSL 328.16, 0.78%, 0.45%

LAB 45.48, 70.2, -6.02

 

CMYK 24 / 0 / 88 / 20

HEX #9CCC19

RGB 156 204 25

HSL 76.09, 0.78%, 0.45%

LAB 76.27, -37.7, 72.73

 

CMYK 88 / 0 / 47 / 20

HEX #19CC6C

RGB 25 204 108

HSL 147.82, 0.78%, 0.45%

LAB 72.54, -62.58, 36.25

 

CMYK 64 / 88 / 0 / 20

HEX #4A19CB

RGB 74 25 203

HSL 256.52, 0.78%, 0.45%

LAB 30.55, 63.1, -80.94

 

CMYK 0 / 88 / 67 / 20

HEX #CC1943

RGB 204 25 67

HSL 345.92, 0.78%, 0.45%

LAB 44.14, 66.42, 25.07

 

CMYK 24 / 0 / 88 / 20

HEX #9CCC19

RGB 156 204 25

HSL 76.09, 0.78%, 0.45%

LAB 76.27, -37.7, 72.73

 

CMYK 88 / 0 / 21 / 20

HEX #19CCA2

RGB 25 204 162

HSL 165.92, 0.78%, 0.45%

LAB 73.55, -51.25, 9.31

 

Description

Color code: HEX #4A19CB | qconv.com Color code: HEX #4A19CB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 25 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 25 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 88 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 88% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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