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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A168D it is the complementary color #B5E972. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A168D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A168D shade: #4F1688, #60289B, #713AAE, #824CC1 and #935ED4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A168D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A168D shade: #4A168D, #39047A, #280067, #170054 and #060041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A168D shade: #4A168D, #6A168D, #8A168D, #8D166F and #8D164F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A168D shade: #4A168D, #29168D and #16168D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A168D shade matches the following richer shades: #4A168D and #48089A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A168D shade: #4A168D, #4B237F, #4D3072, #4F3D65 and #504A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A168D shade: #16218D, #29168D, #49168D, #69168D and #89168D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A168D shade: #240A45, #371069, #4A168D, #5C1BB0 and #6F21D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A168D shade: #4A168D, #8D1641 and #168D1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A168D shade: #4A168D, #8D4916 and #168D49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A168D shade: #4A168D, #8D1641, #598D16 and #168D61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A168D shade: #4A168D, #8D161D, #598D16 and #168D85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

Complementary color

CMYK 22 / 0 / 51 / 9

HEX #B5E972

RGB 181 233 114

HSL 86.22, 0.73%, 0.68%

LAB 86.66, -35.59, 51.98

 

CMYK 42 / 84 / 0 / 47

HEX #4F1688

RGB 79 22 136

HSL 270, 0.72%, 0.31%

LAB 23.72, 47.52, -51.74

 

CMYK 38 / 74 / 0 / 39

HEX #60289B

RGB 96 40 155

HSL 269.22, 0.59%, 0.38%

LAB 30.33, 47.6, -52.58

 

CMYK 35 / 67 / 0 / 32

HEX #713AAE

RGB 113 58 174

HSL 268.45, 0.5%, 0.45%

LAB 37.1, 46.98, -52.93

 

CMYK 33 / 61 / 0 / 24

HEX #824CC1

RGB 130 76 193

HSL 267.69, 0.49%, 0.53%

LAB 43.89, 46.09, -53.05

 

CMYK 31 / 56 / 0 / 17

HEX #935ED4

RGB 147 94 212

HSL 266.95, 0.58%, 0.6%

LAB 50.64, 45.12, -53.05

 

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

CMYK 53 / 97 / 0 / 52

HEX #39047A

RGB 57 4 122

HSL 266.95, 0.94%, 0.25%

LAB 17.28, 46.89, -53.57

 

CMYK 61 / 100 / 0 / 60

HEX #280067

RGB 40 0 103

HSL 263.3, 1%, 0.2%

LAB 12.16, 42.12, -49.76

 

CMYK 73 / 100 / 0 / 67

HEX #170054

RGB 23 0 84

HSL 256.43, 1%, 0.16%

LAB 7.43, 35.98, -44.89

 

CMYK 91 / 100 / 0 / 75

HEX #060041

RGB 6 0 65

HSL 245.54, 1%, 0.13%

LAB 3.8, 25.29, -37.62

 

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

CMYK 25 / 84 / 0 / 45

HEX #6A168D

RGB 106 22 141

HSL 282.35, 0.73%, 0.32%

LAB 28.28, 53.1, -47.25

 

CMYK 2 / 84 / 0 / 45

HEX #8A168D

RGB 138 22 141

HSL 298.49, 0.73%, 0.32%

LAB 33.77, 59.07, -38.11

 

CMYK 0 / 84 / 21 / 45

HEX #8D166F

RGB 141 22 111

HSL 315.13, 0.73%, 0.32%

LAB 32.67, 55.17, -21.01

 

CMYK 0 / 84 / 44 / 45

HEX #8D164F

RGB 141 22 79

HSL 331.26, 0.73%, 0.32%

LAB 31.35, 51.41, -2.27

 

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

CMYK 71 / 84 / 0 / 45

HEX #29168D

RGB 41 22 141

HSL 249.58, 0.73%, 0.32%

LAB 19.92, 44.37, -61.28

 

CMYK 84 / 84 / 0 / 45

HEX #16168D

RGB 22 22 141

HSL 240, 0.73%, 0.32%

LAB 18.66, 43.12, -63.41

 

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

CMYK 53 / 95 / 0 / 40

HEX #48089A

RGB 72 8 154

HSL 266.3, 0.9%, 0.32%

LAB 23.29, 55.06, -63.65

 

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

CMYK 41 / 72 / 0 / 50

HEX #4B237F

RGB 75 35 127

HSL 266.09, 0.57%, 0.32%

LAB 24.42, 38.64, -44.96

 

CMYK 32 / 58 / 0 / 55

HEX #4D3072

RGB 77 48 114

HSL 266.36, 0.41%, 0.32%

LAB 26.47, 28.07, -33.39

 

CMYK 22 / 40 / 0 / 60

HEX #4F3D65

RGB 79 61 101

HSL 267, 0.25%, 0.32%

LAB 29.26, 16.89, -20.64

 

CMYK 9 / 16 / 0 / 65

HEX #504A58

RGB 80 74 88

HSL 265.71, 0.09%, 0.32%

LAB 32.5, 5.6, -7.36

 

CMYK 84 / 77 / 0 / 45

HEX #16218D

RGB 22 33 141

HSL 234.45, 0.73%, 0.32%

LAB 20.76, 37.08, -59.93

 

CMYK 71 / 84 / 0 / 45

HEX #29168D

RGB 41 22 141

HSL 249.58, 0.73%, 0.32%

LAB 19.92, 44.37, -61.28

 

CMYK 48 / 84 / 0 / 45

HEX #49168D

RGB 73 22 141

HSL 265.71, 0.73%, 0.32%

LAB 23.38, 47.92, -55.44

 

CMYK 26 / 84 / 0 / 45

HEX #69168D

RGB 105 22 141

HSL 281.85, 0.73%, 0.32%

LAB 28.11, 52.92, -47.52

 

CMYK 3 / 84 / 0 / 45

HEX #89168D

RGB 137 22 141

HSL 297.98, 0.73%, 0.32%

LAB 33.6, 58.88, -38.4

 

CMYK 48 / 86 / 0 / 73

HEX #240A45

RGB 36 10 69

HSL 266.44, 0.75%, 0.15%

LAB 9.17, 27.44, -31.53

 

CMYK 48 / 85 / 0 / 59

HEX #371069

RGB 55 16 105

HSL 266.29, 0.74%, 0.24%

LAB 16.52, 38.15, -43.82

 

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

CMYK 48 / 85 / 0 / 31

HEX #5C1BB0

RGB 92 27 176

HSL 266.17, 0.73%, 0.4%

LAB 29.9, 57.4, -66

 

CMYK 48 / 84 / 0 / 17

HEX #6F21D4

RGB 111 33 212

HSL 266.15, 0.73%, 0.48%

LAB 36.41, 66.38, -76.36

 

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

CMYK 0 / 84 / 54 / 45

HEX #8D1641

RGB 141 22 65

HSL 338.32, 0.73%, 0.32%

LAB 30.92, 50.15, 6.37

 

CMYK 84 / 0 / 82 / 45

HEX #168D1A

RGB 22 141 26

HSL 122.02, 0.73%, 0.32%

LAB 51.03, -52.55, 48.14

 

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

CMYK 0 / 48 / 84 / 45

HEX #8D4916

RGB 141 73 22

HSL 25.71, 0.73%, 0.32%

LAB 38.7, 25.18, 40.93

 

CMYK 84 / 0 / 48 / 45

HEX #168D49

RGB 22 141 73

HSL 145.71, 0.73%, 0.32%

LAB 51.5, -46.85, 27.6

 

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

CMYK 0 / 84 / 54 / 45

HEX #8D1641

RGB 141 22 65

HSL 338.32, 0.73%, 0.32%

LAB 30.92, 50.15, 6.37

 

CMYK 37 / 0 / 84 / 45

HEX #598D16

RGB 89 141 22

HSL 86.22, 0.73%, 0.32%

LAB 53.2, -35.56, 52.11

 

CMYK 84 / 0 / 31 / 45

HEX #168D61

RGB 22 141 97

HSL 157.82, 0.73%, 0.32%

LAB 51.93, -41.88, 14.87

 

CMYK 48 / 84 / 0 / 45

HEX #4A168D

RGB 74 22 141

HSL 266.22, 0.73%, 0.32%

LAB 23.51, 48.06, -55.22

 

CMYK 0 / 84 / 79 / 45

HEX #8D161D

RGB 141 22 29

HSL 356.47, 0.73%, 0.32%

LAB 30.22, 48.03, 28.95

 

CMYK 37 / 0 / 84 / 45

HEX #598D16

RGB 89 141 22

HSL 86.22, 0.73%, 0.32%

LAB 53.2, -35.56, 52.11

 

CMYK 84 / 0 / 6 / 45

HEX #168D85

RGB 22 141 133

HSL 175.97, 0.73%, 0.32%

LAB 52.86, -32.17, -4.54

 

Description

Color code: HEX #4A168D | qconv.com Color code: HEX #4A168D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 22 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 22 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 84 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 84% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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