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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A0F9D it is the complementary color #B5F062. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A0F9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A0F9D shade: #4F0F98, #6021AB, #7133BE, #8245D1 and #9357E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A0F9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A0F9D shade: #4A0F9D, #39008A, #280077, #170064 and #060051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A0F9D shade: #4A0E9E, #710E9E, #980E9E, #9E0E7E and #9E0E57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A0F9D shade: #4A0E9E, #230E9E and #0E0E9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A0F9D shade matches the following richer shades: #4A0E9E and #4800AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A0F9D shade: #4A0E9E, #4C1C90, #4F2A82, #513874 and #544666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A0F9D shade: #0E219E, #210E9E, #480E9E, #6E0E9E and #950E9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A0F9D shade: #270753, #380B78, #4A0E9E, #5C12C4 and #6E16E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A0F9D shade: #4A0F9D, #9E0E48 and #0E9E0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A0F9D shade: #4A0F9D, #9E480E and #0E9E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A0F9D shade: #4A0F9D, #9E0E48, #659E0E and #0E9E65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A0F9D shade: #4A0F9D, #9E0E1D, #659E0E and #0E9E90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 90 / 0 / 38

HEX #4A0F9D

RGB 74 15 157

HSL 264.93, 0.83%, 0.34%

LAB 24.42, 54.34, -63.6

 

Complementary color

CMYK 25 / 0 / 59 / 6

HEX #B5F062

RGB 181 240 98

HSL 84.93, 0.83%, 0.66%

LAB 88.46, -40.22, 61.19

 

CMYK 48 / 90 / 0 / 40

HEX #4F0F98

RGB 79 15 152

HSL 268.03, 0.82%, 0.33%

LAB 24.55, 53.65, -60.31

 

CMYK 44 / 81 / 0 / 33

HEX #6021AB

RGB 96 33 171

HSL 267.39, 0.68%, 0.4%

LAB 30.68, 54.55, -61.7

 

CMYK 41 / 73 / 0 / 25

HEX #7133BE

RGB 113 51 190

HSL 266.76, 0.58%, 0.47%

LAB 37.11, 54.38, -62.38

 

CMYK 38 / 67 / 0 / 18

HEX #8245D1

RGB 130 69 209

HSL 266.14, 0.6%, 0.55%

LAB 43.66, 53.7, -62.68

 

CMYK 36 / 62 / 0 / 11

HEX #9357E4

RGB 147 87 228

HSL 265.53, 0.72%, 0.62%

LAB 50.24, 52.8, -62.77

 

CMYK 53 / 90 / 0 / 38

HEX #4A0F9D

RGB 74 15 157

HSL 264.93, 0.83%, 0.34%

LAB 24.42, 54.34, -63.6

 

CMYK 59 / 100 / 0 / 46

HEX #39008A

RGB 57 0 138

HSL 264.78, 1%, 0.27%

LAB 18.82, 51.99, -61.17

 

CMYK 66 / 100 / 0 / 53

HEX #280077

RGB 40 0 119

HSL 260.17, 1%, 0.23%

LAB 14.3, 46.21, -56.65

 

CMYK 77 / 100 / 0 / 61

HEX #170064

RGB 23 0 100

HSL 253.8, 1%, 0.2%

LAB 9.82, 40.41, -51.72

 

CMYK 93 / 100 / 0 / 68

HEX #060051

RGB 6 0 81

HSL 244.44, 1%, 0.16%

LAB 5.72, 33.47, -45.71

 

CMYK 53 / 91 / 0 / 38

HEX #4A0E9E

RGB 74 14 158

HSL 265, 0.84%, 0.34%

LAB 24.44, 54.85, -64.18

 

CMYK 28 / 91 / 0 / 38

HEX #710E9E

RGB 113 14 158

HSL 281.25, 0.84%, 0.34%

LAB 30.14, 59.64, -54.61

 

CMYK 4 / 91 / 0 / 38

HEX #980E9E

RGB 152 14 158

HSL 297.5, 0.84%, 0.34%

LAB 36.85, 65.96, -43.43

 

CMYK 0 / 91 / 20 / 38

HEX #9E0E7E

RGB 158 14 126

HSL 313.33, 0.84%, 0.34%

LAB 36.16, 62.45, -24.79

 

CMYK 0 / 91 / 45 / 38

HEX #9E0E57

RGB 158 14 87

HSL 329.58, 0.84%, 0.34%

LAB 34.54, 58.1, -2.4

 

CMYK 53 / 91 / 0 / 38

HEX #4A0E9E

RGB 74 14 158

HSL 265, 0.84%, 0.34%

LAB 24.44, 54.85, -64.18

 

CMYK 78 / 91 / 0 / 38

HEX #230E9E

RGB 35 14 158

HSL 248.75, 0.84%, 0.34%

LAB 20.6, 52.06, -70.68

 

CMYK 91 / 91 / 0 / 38

HEX #0E0E9E

RGB 14 14 158

HSL 240, 0.84%, 0.34%

LAB 19.54, 51.38, -72.47

 

CMYK 53 / 91 / 0 / 38

HEX #4A0E9E

RGB 74 14 158

HSL 265, 0.84%, 0.34%

LAB 24.44, 54.85, -64.18

 

CMYK 58 / 100 / 0 / 33

HEX #4800AC

RGB 72 0 172

HSL 265.12, 1%, 0.34%

LAB 24.82, 61.04, -72.07

 

CMYK 53 / 91 / 0 / 38

HEX #4A0E9E

RGB 74 14 158

HSL 265, 0.84%, 0.34%

LAB 24.44, 54.85, -64.18

 

CMYK 47 / 81 / 0 / 44

HEX #4C1C90

RGB 76 28 144

HSL 264.83, 0.67%, 0.34%

LAB 24.89, 46.72, -54.82

 

CMYK 39 / 68 / 0 / 49

HEX #4F2A82

RGB 79 42 130

HSL 265.23, 0.51%, 0.34%

LAB 26.53, 36.53, -43.39

 

CMYK 30 / 52 / 0 / 55

HEX #513874

RGB 81 56 116

HSL 265, 0.35%, 0.34%

LAB 29, 24.78, -30.59

 

CMYK 18 / 31 / 0 / 60

HEX #544666

RGB 84 70 102

HSL 266.25, 0.19%, 0.34%

LAB 32.31, 13.09, -16.51

 

CMYK 91 / 79 / 0 / 38

HEX #0E219E

RGB 14 33 158

HSL 232.08, 0.84%, 0.34%

LAB 22.48, 42.69, -67.58

 

CMYK 79 / 91 / 0 / 38

HEX #210E9E

RGB 33 14 158

HSL 247.92, 0.84%, 0.34%

LAB 20.46, 51.97, -70.9

 

CMYK 54 / 91 / 0 / 38

HEX #480E9E

RGB 72 14 158

HSL 264.17, 0.84%, 0.34%

LAB 24.19, 54.65, -64.6

 

CMYK 30 / 91 / 0 / 38

HEX #6E0E9E

RGB 110 14 158

HSL 280, 0.84%, 0.34%

LAB 29.66, 59.21, -55.42

 

CMYK 6 / 91 / 0 / 38

HEX #950E9E

RGB 149 14 158

HSL 296.25, 0.84%, 0.34%

LAB 36.31, 65.44, -44.32

 

CMYK 53 / 92 / 0 / 67

HEX #270753

RGB 39 7 83

HSL 265.26, 0.84%, 0.18%

LAB 10.61, 33.46, -38.87

 

CMYK 53 / 91 / 0 / 53

HEX #380B78

RGB 56 11 120

HSL 264.77, 0.83%, 0.26%

LAB 17.63, 44.14, -51.72

 

CMYK 53 / 91 / 0 / 38

HEX #4A0E9E

RGB 74 14 158

HSL 265, 0.84%, 0.34%

LAB 24.44, 54.85, -64.18

 

CMYK 53 / 91 / 0 / 23

HEX #5C12C4

RGB 92 18 196

HSL 264.94, 0.83%, 0.42%

LAB 31.1, 64.73, -75.87

 

CMYK 53 / 91 / 0 / 9

HEX #6E16E9

RGB 110 22 233

HSL 265.02, 0.83%, 0.5%

LAB 37.43, 74, -86.72

 

CMYK 53 / 90 / 0 / 38

HEX #4A0F9D

RGB 74 15 157

HSL 264.93, 0.83%, 0.34%

LAB 24.42, 54.34, -63.6

 

CMYK 0 / 91 / 54 / 38

HEX #9E0E48

RGB 158 14 72

HSL 335.83, 0.84%, 0.34%

LAB 34.09, 56.84, 6.73

 

CMYK 91 / 0 / 91 / 38

HEX #0E9E0E

RGB 14 158 14

HSL 120, 0.84%, 0.34%

LAB 56.66, -59.02, 56.12

 

CMYK 53 / 90 / 0 / 38

HEX #4A0F9D

RGB 74 15 157

HSL 264.93, 0.83%, 0.34%

LAB 24.42, 54.34, -63.6

 

CMYK 0 / 54 / 91 / 38

HEX #9E480E

RGB 158 72 14

HSL 24.17, 0.84%, 0.34%

LAB 41.11, 32.73, 47.06

 

CMYK 91 / 0 / 54 / 38

HEX #0E9E48

RGB 14 158 72

HSL 144.17, 0.84%, 0.34%

LAB 57.09, -53.67, 35.05

 

CMYK 53 / 90 / 0 / 38

HEX #4A0F9D

RGB 74 15 157

HSL 264.93, 0.83%, 0.34%

LAB 24.42, 54.34, -63.6

 

CMYK 0 / 91 / 54 / 38

HEX #9E0E48

RGB 158 14 72

HSL 335.83, 0.84%, 0.34%

LAB 34.09, 56.84, 6.73

 

CMYK 36 / 0 / 91 / 38

HEX #659E0E

RGB 101 158 14

HSL 83.75, 0.84%, 0.34%

LAB 59.21, -38.79, 59.29

 

CMYK 91 / 0 / 36 / 38

HEX #0E9E65

RGB 14 158 101

HSL 156.25, 0.84%, 0.34%

LAB 57.55, -48.28, 20.28

 

CMYK 53 / 90 / 0 / 38

HEX #4A0F9D

RGB 74 15 157

HSL 264.93, 0.83%, 0.34%

LAB 24.42, 54.34, -63.6

 

CMYK 0 / 91 / 82 / 38

HEX #9E0E1D

RGB 158 14 29

HSL 353.75, 0.84%, 0.34%

LAB 33.29, 54.58, 33.29

 

CMYK 36 / 0 / 91 / 38

HEX #659E0E

RGB 101 158 14

HSL 83.75, 0.84%, 0.34%

LAB 59.21, -38.79, 59.29

 

CMYK 91 / 0 / 9 / 38

HEX #0E9E90

RGB 14 158 144

HSL 174.17, 0.84%, 0.34%

LAB 58.57, -37.27, -2.43

 

Description

Color code: HEX #4A0F9D | qconv.com Color code: HEX #4A0F9D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 15 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 15 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 90 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 90% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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