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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CFC86 it is the complementary color #B30379. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CFC86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CFC86 shade: #51FC81, #62FF94, #73FFA7, #84FFBA and #95FFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CFC86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CFC86 shade: #4CFC86, #3BEA73, #2AD860, #19C64D and #08B43A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CFC86 shade: #4AFC84, #4AFC54, #6FFC4A, #9FFC4A and #CFFC4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CFC86 shade: #4AFC84, #4AFCB4, #4AFCE4, #4AE3FC and #4AB3FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CFC86 shade matches the following richer shades: #4AFC84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CFC86 shade: #4AFC84, #59ED89, #67DE8E, #76CF94 and #85C099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CFC86 shade: #70FC4A, #4AFC53, #4AFC82, #4AFCB2 and #4AFCE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CFC86 shade: #03F051, #21FB69, #4AFC84, #72FCA0 and #9BFDBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CFC86 shade: #4CFC86, #4AA0FC and #FC4A58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CFC86 shade: #4CFC86, #824AFC and #FC824A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CFC86 shade: #4CFC86, #4AA0FC, #FC4AC3 and #FCA64A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CFC86 shade: #4CFC86, #4A6AFC, #FC4AC3 and #FCDB4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 47 / 1

HEX #4CFC86

RGB 76 252 134

HSL 139.77, 0.97%, 0.64%

LAB 88.39, -68.83, 43.76

 

Complementary color

CMYK 0 / 98 / 32 / 30

HEX #B30379

RGB 179 3 121

HSL 319.77, 0.97%, 0.36%

LAB 39.63, 67.56, -15.96

 

CMYK 68 / 0 / 49 / 1

HEX #51FC81

RGB 81 252 129

HSL 136.84, 0.97%, 0.65%

LAB 88.43, -68.77, 46.21

 

CMYK 62 / 0 / 42 / 0

HEX #62FF94

RGB 98 255 148

HSL 139.11, 1%, 0.69%

LAB 89.98, -63.83, 39.12

 

CMYK 55 / 0 / 35 / 0

HEX #73FFA7

RGB 115 255 167

HSL 142.29, 1%, 0.73%

LAB 90.76, -57.07, 30.82

 

CMYK 48 / 0 / 27 / 0

HEX #84FFBA

RGB 132 255 186

HSL 146.34, 1%, 0.76%

LAB 91.67, -49.63, 22.55

 

CMYK 42 / 0 / 20 / 0

HEX #95FFCD

RGB 149 255 205

HSL 151.7, 1%, 0.79%

LAB 92.71, -41.66, 14.39

 

CMYK 70 / 0 / 47 / 1

HEX #4CFC86

RGB 76 252 134

HSL 139.77, 0.97%, 0.64%

LAB 88.39, -68.83, 43.76

 

CMYK 75 / 0 / 51 / 8

HEX #3BEA73

RGB 59 234 115

HSL 139.2, 0.81%, 0.57%

LAB 82.39, -68.03, 45.25

 

CMYK 81 / 0 / 56 / 15

HEX #2AD860

RGB 42 216 96

HSL 138.62, 0.69%, 0.51%

LAB 76.34, -66.84, 46.77

 

CMYK 87 / 0 / 61 / 22

HEX #19C64D

RGB 25 198 77

HSL 138.03, 0.78%, 0.44%

LAB 70.27, -65.15, 48.26

 

CMYK 96 / 0 / 68 / 29

HEX #08B43A

RGB 8 180 58

HSL 137.44, 0.91%, 0.37%

LAB 64.16, -62.79, 49.61

 

CMYK 71 / 0 / 48 / 1

HEX #4AFC84

RGB 74 252 132

HSL 139.55, 0.97%, 0.64%

LAB 88.32, -69.45, 44.63

 

CMYK 71 / 0 / 67 / 1

HEX #4AFC54

RGB 74 252 84

HSL 123.37, 0.97%, 0.64%

LAB 87.83, -75.26, 65.02

 

CMYK 56 / 0 / 71 / 1

HEX #6FFC4A

RGB 111 252 74

HSL 107.53, 0.97%, 0.64%

LAB 88.68, -68.57, 69.88

 

CMYK 37 / 0 / 71 / 1

HEX #9FFC4A

RGB 159 252 74

HSL 91.35, 0.97%, 0.64%

LAB 90.54, -54.69, 72.37

 

CMYK 18 / 0 / 71 / 1

HEX #CFFC4A

RGB 207 252 74

HSL 75.17, 0.97%, 0.64%

LAB 93.18, -37.49, 75.86

 

CMYK 71 / 0 / 48 / 1

HEX #4AFC84

RGB 74 252 132

HSL 139.55, 0.97%, 0.64%

LAB 88.32, -69.45, 44.63

 

CMYK 71 / 0 / 29 / 1

HEX #4AFCB4

RGB 74 252 180

HSL 155.73, 0.97%, 0.64%

LAB 89.1, -60.81, 21.81

 

CMYK 71 / 0 / 10 / 1

HEX #4AFCE4

RGB 74 252 228

HSL 171.91, 0.97%, 0.64%

LAB 90.17, -49.66, -1.44

 

CMYK 71 / 10 / 0 / 1

HEX #4AE3FC

RGB 74 227 252

HSL 188.43, 0.97%, 0.64%

LAB 83.66, -31.79, -23.74

 

CMYK 71 / 29 / 0 / 1

HEX #4AB3FC

RGB 74 179 252

HSL 204.61, 0.97%, 0.64%

LAB 69.98, -7.13, -44.88

 

CMYK 71 / 0 / 48 / 1

HEX #4AFC84

RGB 74 252 132

HSL 139.55, 0.97%, 0.64%

LAB 88.32, -69.45, 44.63

 

CMYK 71 / 0 / 48 / 1

HEX #4AFC84

RGB 74 252 132

HSL 139.55, 0.97%, 0.64%

LAB 88.32, -69.45, 44.63

 

CMYK 62 / 0 / 42 / 7

HEX #59ED89

RGB 89 237 137

HSL 139.46, 0.8%, 0.64%

LAB 84.22, -60.71, 37.03

 

CMYK 54 / 0 / 36 / 13

HEX #67DE8E

RGB 103 222 142

HSL 139.66, 0.64%, 0.64%

LAB 80.22, -51.01, 29.32

 

CMYK 43 / 0 / 29 / 19

HEX #76CF94

RGB 118 207 148

HSL 140.22, 0.48%, 0.64%

LAB 76.45, -39.65, 21.18

 

CMYK 31 / 0 / 20 / 25

HEX #85C099

RGB 133 192 153

HSL 140.34, 0.32%, 0.64%

LAB 72.88, -27.23, 13.66

 

CMYK 56 / 0 / 71 / 1

HEX #70FC4A

RGB 112 252 74

HSL 107.19, 0.97%, 0.64%

LAB 88.71, -68.33, 69.92

 

CMYK 71 / 0 / 67 / 1

HEX #4AFC53

RGB 74 252 83

HSL 123.03, 0.97%, 0.64%

LAB 87.82, -75.35, 65.4

 

CMYK 71 / 0 / 48 / 1

HEX #4AFC82

RGB 74 252 130

HSL 138.88, 0.97%, 0.64%

LAB 88.3, -69.75, 45.55

 

CMYK 71 / 0 / 29 / 1

HEX #4AFCB2

RGB 74 252 178

HSL 155.06, 0.97%, 0.64%

LAB 89.06, -61.22, 22.78

 

CMYK 71 / 0 / 11 / 1

HEX #4AFCE1

RGB 74 252 225

HSL 170.9, 0.97%, 0.64%

LAB 90.1, -50.42, 0

 

CMYK 99 / 0 / 66 / 6

HEX #03F051

RGB 3 240 81

HSL 139.75, 0.98%, 0.48%

LAB 83.41, -78.19, 61.2

 

CMYK 87 / 0 / 58 / 2

HEX #21FB69

RGB 33 251 105

HSL 139.82, 0.96%, 0.56%

LAB 87.16, -77.38, 55.47

 

CMYK 71 / 0 / 48 / 1

HEX #4AFC84

RGB 74 252 132

HSL 139.55, 0.97%, 0.64%

LAB 88.32, -69.45, 44.63

 

CMYK 55 / 0 / 37 / 1

HEX #72FCA0

RGB 114 252 160

HSL 140, 0.96%, 0.72%

LAB 89.74, -57.33, 32.95

 

CMYK 39 / 0 / 26 / 1

HEX #9BFDBB

RGB 155 253 187

HSL 139.59, 0.96%, 0.8%

LAB 92.05, -42.56, 22.71

 

CMYK 70 / 0 / 47 / 1

HEX #4CFC86

RGB 76 252 134

HSL 139.77, 0.97%, 0.64%

LAB 88.39, -68.83, 43.76

 

CMYK 71 / 37 / 0 / 1

HEX #4AA0FC

RGB 74 160 252

HSL 211.01, 0.97%, 0.64%

LAB 64.66, 3.61, -53.27

 

CMYK 0 / 71 / 65 / 1

HEX #FC4A58

RGB 252 74 88

HSL 355.28, 0.97%, 0.64%

LAB 58.32, 67.49, 32.32

 

CMYK 70 / 0 / 47 / 1

HEX #4CFC86

RGB 76 252 134

HSL 139.77, 0.97%, 0.64%

LAB 88.39, -68.83, 43.76

 

CMYK 48 / 71 / 0 / 1

HEX #824AFC

RGB 130 74 252

HSL 258.88, 0.97%, 0.64%

LAB 47.84, 62.29, -80.21

 

CMYK 0 / 48 / 71 / 1

HEX #FC824A

RGB 252 130 74

HSL 18.88, 0.97%, 0.64%

LAB 67.39, 42.45, 50.5

 

CMYK 70 / 0 / 47 / 1

HEX #4CFC86

RGB 76 252 134

HSL 139.77, 0.97%, 0.64%

LAB 88.39, -68.83, 43.76

 

CMYK 71 / 37 / 0 / 1

HEX #4AA0FC

RGB 74 160 252

HSL 211.01, 0.97%, 0.64%

LAB 64.66, 3.61, -53.27

 

CMYK 0 / 71 / 23 / 1

HEX #FC4AC3

RGB 252 74 195

HSL 319.21, 0.97%, 0.64%

LAB 61.25, 77.13, -25.67

 

CMYK 0 / 34 / 71 / 1

HEX #FCA64A

RGB 252 166 74

HSL 31.01, 0.97%, 0.64%

LAB 75.12, 23.96, 58.78

 

CMYK 70 / 0 / 47 / 1

HEX #4CFC86

RGB 76 252 134

HSL 139.77, 0.97%, 0.64%

LAB 88.39, -68.83, 43.76

 

CMYK 71 / 58 / 0 / 1

HEX #4A6AFC

RGB 74 106 252

HSL 229.21, 0.97%, 0.64%

LAB 50.44, 36.29, -76.13

 

CMYK 0 / 71 / 23 / 1

HEX #FC4AC3

RGB 252 74 195

HSL 319.21, 0.97%, 0.64%

LAB 61.25, 77.13, -25.67

 

CMYK 0 / 13 / 71 / 1

HEX #FCDB4A

RGB 252 219 74

HSL 48.88, 0.97%, 0.64%

LAB 87.9, -3.48, 71.8

 

Description

Color code: HEX #4CFC86 | qconv.com Color code: HEX #4CFC86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 252 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 252 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 47 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 47% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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