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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CEB6E it is the complementary color #B31491. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CEB6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CEB6E shade: #51EB69, #62FD7C, #73FF8F, #84FFA2 and #95FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CEB6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CEB6E shade: #4CEB6E, #3BD95B, #2AC748, #19B535 and #08A322

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CEB6E shade: #4BEB6E, #54EB4B, #7FEB4B, #AAEB4B and #D5EB4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CEB6E shade: #4BEB6E, #4BEB98, #4BEBC3, #4BE7EB and #4BBCEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CEB6E shade matches the following richer shades: #4BEB6E and #3BFB64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CEB6E shade: #4BEB6E, #5CDB77, #6CCA80, #7CBA89 and #8CAA92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CEB6E shade: #81EB4B, #56EB4B, #4BEB6B, #4BEB96 and #4BEBC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CEB6E shade: #16CD3D, #26E64F, #4BEB6E, #71EF8C and #96F3AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CEB6E shade: #4CEB6E, #4BABEB and #EB4B6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CEB6E shade: #4CEB6E, #6B4BEB and #EB6B4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CEB6E shade: #4CEB6E, #4BABEB, #EB4BCB and #EB8B4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CEB6E shade: #4CEB6E, #4B7BEB, #EB4BCB and #EBBB4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 53 / 8

HEX #4CEB6E

RGB 76 235 110

HSL 132.83, 0.8%, 0.61%

LAB 82.96, -66.44, 48.37

 

Complementary color

CMYK 0 / 89 / 19 / 30

HEX #B31491

RGB 179 20 145

HSL 312.83, 0.8%, 0.39%

LAB 41.42, 68.32, -27.98

 

CMYK 66 / 0 / 55 / 8

HEX #51EB69

RGB 81 235 105

HSL 129.35, 0.79%, 0.62%

LAB 83.01, -66.18, 50.76

 

CMYK 61 / 0 / 51 / 1

HEX #62FD7C

RGB 98 253 124

HSL 130.06, 0.97%, 0.69%

LAB 89.07, -66.66, 49.43

 

CMYK 55 / 0 / 44 / 0

HEX #73FF8F

RGB 115 255 143

HSL 132, 1%, 0.73%

LAB 90.39, -60.99, 42.18

 

CMYK 48 / 0 / 36 / 0

HEX #84FFA2

RGB 132 255 162

HSL 134.63, 1%, 0.76%

LAB 91.25, -53.88, 34.08

 

CMYK 42 / 0 / 29 / 0

HEX #95FFB5

RGB 149 255 181

HSL 138.11, 1%, 0.79%

LAB 92.24, -46.16, 25.98

 

CMYK 68 / 0 / 53 / 8

HEX #4CEB6E

RGB 76 235 110

HSL 132.83, 0.8%, 0.61%

LAB 82.96, -66.44, 48.37

 

CMYK 73 / 0 / 58 / 15

HEX #3BD95B

RGB 59 217 91

HSL 132.15, 0.68%, 0.54%

LAB 76.87, -65.61, 49.74

 

CMYK 79 / 0 / 64 / 22

HEX #2AC748

RGB 42 199 72

HSL 131.46, 0.65%, 0.47%

LAB 70.74, -64.35, 51.04

 

CMYK 86 / 0 / 71 / 29

HEX #19B535

RGB 25 181 53

HSL 130.77, 0.76%, 0.4%

LAB 64.57, -62.48, 52.09

 

CMYK 95 / 0 / 79 / 36

HEX #08A322

RGB 8 163 34

HSL 130.06, 0.91%, 0.34%

LAB 58.38, -59.81, 52.6

 

CMYK 68 / 0 / 53 / 8

HEX #4BEB6E

RGB 75 235 110

HSL 133.13, 0.8%, 0.61%

LAB 82.93, -66.61, 48.34

 

CMYK 64 / 0 / 68 / 8

HEX #54EB4B

RGB 84 235 75

HSL 116.63, 0.8%, 0.61%

LAB 82.81, -68.78, 63.18

 

CMYK 46 / 0 / 68 / 8

HEX #7FEB4B

RGB 127 235 75

HSL 100.5, 0.8%, 0.61%

LAB 84.19, -58.01, 65.05

 

CMYK 28 / 0 / 68 / 8

HEX #AAEB4B

RGB 170 235 75

HSL 84.38, 0.8%, 0.61%

LAB 86.24, -43.75, 67.82

 

CMYK 9 / 0 / 68 / 8

HEX #D5EB4B

RGB 213 235 75

HSL 68.25, 0.8%, 0.61%

LAB 88.96, -27.28, 71.45

 

CMYK 68 / 0 / 53 / 8

HEX #4BEB6E

RGB 75 235 110

HSL 133.13, 0.8%, 0.61%

LAB 82.93, -66.61, 48.34

 

CMYK 68 / 0 / 35 / 8

HEX #4BEB98

RGB 75 235 152

HSL 148.88, 0.8%, 0.61%

LAB 83.54, -59.8, 28.51

 

CMYK 68 / 0 / 17 / 8

HEX #4BEBC3

RGB 75 235 195

HSL 165, 0.8%, 0.61%

LAB 84.41, -50.57, 7.43

 

CMYK 68 / 2 / 0 / 8

HEX #4BE7EB

RGB 75 231 235

HSL 181.5, 0.8%, 0.61%

LAB 84.3, -38.43, -13.8

 

CMYK 68 / 20 / 0 / 8

HEX #4BBCEB

RGB 75 188 235

HSL 197.63, 0.8%, 0.61%

LAB 71.87, -17.37, -32.73

 

CMYK 68 / 0 / 53 / 8

HEX #4BEB6E

RGB 75 235 110

HSL 133.13, 0.8%, 0.61%

LAB 82.93, -66.61, 48.34

 

CMYK 76 / 0 / 60 / 2

HEX #3BFB64

RGB 59 251 100

HSL 132.81, 0.96%, 0.61%

LAB 87.41, -75.46, 57.99

 

CMYK 68 / 0 / 53 / 8

HEX #4BEB6E

RGB 75 235 110

HSL 133.13, 0.8%, 0.61%

LAB 82.93, -66.61, 48.34

 

CMYK 58 / 0 / 46 / 14

HEX #5CDB77

RGB 92 219 119

HSL 132.76, 0.64%, 0.61%

LAB 78.62, -56.15, 38.76

 

CMYK 47 / 0 / 37 / 21

HEX #6CCA80

RGB 108 202 128

HSL 132.77, 0.47%, 0.61%

LAB 74.18, -43.8, 28.53

 

CMYK 33 / 0 / 26 / 27

HEX #7CBA89

RGB 124 186 137

HSL 132.58, 0.31%, 0.61%

LAB 70.32, -30.19, 18.66

 

CMYK 18 / 0 / 14 / 33

HEX #8CAA92

RGB 140 170 146

HSL 132, 0.15%, 0.61%

LAB 66.82, -15.15, 8.98

 

CMYK 45 / 0 / 68 / 8

HEX #81EB4B

RGB 129 235 75

HSL 99.75, 0.8%, 0.61%

LAB 84.27, -57.42, 65.16

 

CMYK 63 / 0 / 68 / 8

HEX #56EB4B

RGB 86 235 75

HSL 115.88, 0.8%, 0.61%

LAB 82.86, -68.38, 63.24

 

CMYK 68 / 0 / 54 / 8

HEX #4BEB6B

RGB 75 235 107

HSL 132, 0.8%, 0.61%

LAB 82.9, -67.01, 49.68

 

CMYK 68 / 0 / 36 / 8

HEX #4BEB96

RGB 75 235 150

HSL 148.13, 0.8%, 0.61%

LAB 83.5, -60.18, 29.49

 

CMYK 68 / 0 / 18 / 8

HEX #4BEBC0

RGB 75 235 192

HSL 163.88, 0.8%, 0.61%

LAB 84.34, -51.28, 8.9

 

CMYK 89 / 0 / 70 / 20

HEX #16CD3D

RGB 22 205 61

HSL 132.79, 0.81%, 0.45%

LAB 72.34, -69.19, 57.15

 

CMYK 83 / 0 / 66 / 10

HEX #26E64F

RGB 38 230 79

HSL 132.81, 0.79%, 0.53%

LAB 80.5, -73.6, 58.89

 

CMYK 68 / 0 / 53 / 8

HEX #4BEB6E

RGB 75 235 110

HSL 133.13, 0.8%, 0.61%

LAB 82.93, -66.61, 48.34

 

CMYK 53 / 0 / 41 / 6

HEX #71EF8C

RGB 113 239 140

HSL 132.86, 0.8%, 0.69%

LAB 85.57, -55.74, 37.43

 

CMYK 38 / 0 / 30 / 5

HEX #96F3AA

RGB 150 243 170

HSL 132.9, 0.79%, 0.77%

LAB 88.68, -42.57, 26.72

 

CMYK 68 / 0 / 53 / 8

HEX #4CEB6E

RGB 76 235 110

HSL 132.83, 0.8%, 0.61%

LAB 82.96, -66.44, 48.37

 

CMYK 68 / 27 / 0 / 8

HEX #4BABEB

RGB 75 171 235

HSL 204, 0.8%, 0.61%

LAB 66.99, -8.23, -40.31

 

CMYK 0 / 68 / 54 / 8

HEX #EB4B6B

RGB 235 75 107

HSL 348, 0.8%, 0.61%

LAB 55.84, 63.24, 17.42

 

CMYK 68 / 0 / 53 / 8

HEX #4CEB6E

RGB 76 235 110

HSL 132.83, 0.8%, 0.61%

LAB 82.96, -66.44, 48.37

 

CMYK 54 / 68 / 0 / 8

HEX #6B4BEB

RGB 107 75 235

HSL 252, 0.8%, 0.61%

LAB 44.46, 53.57, -76.3

 

CMYK 0 / 54 / 68 / 8

HEX #EB6B4B

RGB 235 107 75

HSL 12, 0.8%, 0.61%

LAB 60.5, 47.39, 41.54

 

CMYK 68 / 0 / 53 / 8

HEX #4CEB6E

RGB 76 235 110

HSL 132.83, 0.8%, 0.61%

LAB 82.96, -66.44, 48.37

 

CMYK 68 / 27 / 0 / 8

HEX #4BABEB

RGB 75 171 235

HSL 204, 0.8%, 0.61%

LAB 66.99, -8.23, -40.31

 

CMYK 0 / 68 / 14 / 8

HEX #EB4BCB

RGB 235 75 203

HSL 312, 0.8%, 0.61%

LAB 58.98, 73.75, -33.97

 

CMYK 0 / 41 / 68 / 8

HEX #EB8B4B

RGB 235 139 75

HSL 24, 0.8%, 0.61%

LAB 67, 31.24, 48.93

 

CMYK 68 / 0 / 53 / 8

HEX #4CEB6E

RGB 76 235 110

HSL 132.83, 0.8%, 0.61%

LAB 82.96, -66.44, 48.37

 

CMYK 68 / 48 / 0 / 8

HEX #4B7BEB

RGB 75 123 235

HSL 222, 0.8%, 0.61%

LAB 53.66, 20, -61.45

 

CMYK 0 / 68 / 14 / 8

HEX #EB4BCB

RGB 235 75 203

HSL 312, 0.8%, 0.61%

LAB 58.98, 73.75, -33.97

 

CMYK 0 / 20 / 68 / 8

HEX #EBBB4B

RGB 235 187 75

HSL 42, 0.8%, 0.61%

LAB 78.29, 5.89, 61.12

 

Description

Color code: HEX #4CEB6E | qconv.com Color code: HEX #4CEB6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 235 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 235 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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