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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CEAD2 it is the complementary color #B3152D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CEAD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CEAD2 shade: #51EACD, #62FCE0, #73FFF3, #84FFFF and #95FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CEAD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CEAD2 shade: #4CEAD2, #3BD8BF, #2AC6AC, #19B499 and #08A286

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CEAD2 shade: #4CEAD2, #4CEAA7, #4CEA7D, #4CEA53 and #71EA4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CEAD2 shade: #4CEAD2, #4CD7EA, #4CADEA, #4C82EA and #4C58EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CEAD2 shade matches the following richer shades: #4CEAD2 and #3CFADD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CEAD2 shade: #4CEAD2, #5DDAC7, #6DC9BB, #7DB9B0 and #8DA9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CEAD2 shade: #4CEA7C, #4CEAA6, #4CEACF, #4CDAEA and #4CB0EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CEAD2 shade: #18CCB1, #28E5C8, #4CEAD2, #71EEDB and #96F2E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CEAD2 shade: #4CEAD2, #524CEA and #EA914C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CEAD2 shade: #4CEAD2, #CF4CEA and #EACF4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CEAD2 shade: #4CEAD2, #524CEA, #EA4C67 and #E4EA4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CEAD2 shade: #4CEAD2, #814CEA, #EA4C67 and #B5EA4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

Complementary color

CMYK 0 / 88 / 75 / 30

HEX #B3152D

RGB 179 21 45

HSL 350.89, 0.79%, 0.39%

LAB 38.39, 59.6, 30.47

 

CMYK 65 / 0 / 12 / 8

HEX #51EACD

RGB 81 234 205

HSL 168.63, 0.78%, 0.62%

LAB 84.49, -46.82, 2.3

 

CMYK 61 / 0 / 11 / 1

HEX #62FCE0

RGB 98 252 224

HSL 169.09, 0.96%, 0.69%

LAB 90.6, -47.15, 1.32

 

CMYK 55 / 0 / 5 / 0

HEX #73FFF3

RGB 115 255 243

HSL 174.86, 1%, 0.73%

LAB 92.41, -40.76, -5.81

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

CMYK 73 / 0 / 12 / 15

HEX #3BD8BF

RGB 59 216 191

HSL 170.45, 0.67%, 0.54%

LAB 78.35, -45.7, 0.74

 

CMYK 79 / 0 / 13 / 22

HEX #2AC6AC

RGB 42 198 172

HSL 170, 0.65%, 0.47%

LAB 72.13, -44.85, 1.9

 

CMYK 86 / 0 / 15 / 29

HEX #19B499

RGB 25 180 153

HSL 169.55, 0.76%, 0.4%

LAB 65.86, -43.69, 3.19

 

CMYK 95 / 0 / 17 / 36

HEX #08A286

RGB 8 162 134

HSL 169.09, 0.91%, 0.33%

LAB 59.54, -42.11, 4.63

 

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

CMYK 68 / 0 / 29 / 8

HEX #4CEAA7

RGB 76 234 167

HSL 154.56, 0.79%, 0.61%

LAB 83.53, -56.28, 20.8

 

CMYK 68 / 0 / 47 / 8

HEX #4CEA7D

RGB 76 234 125

HSL 138.61, 0.79%, 0.61%

LAB 82.84, -63.92, 41.09

 

CMYK 68 / 0 / 65 / 8

HEX #4CEA53

RGB 76 234 83

HSL 122.66, 0.79%, 0.61%

LAB 82.38, -69.25, 59.52

 

CMYK 52 / 0 / 68 / 8

HEX #71EA4C

RGB 113 234 76

HSL 105.95, 0.79%, 0.61%

LAB 83.38, -61.51, 63.66

 

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

CMYK 68 / 8 / 0 / 8

HEX #4CD7EA

RGB 76 215 234

HSL 187.22, 0.79%, 0.61%

LAB 79.66, -31.08, -20.26

 

CMYK 68 / 26 / 0 / 8

HEX #4CADEA

RGB 76 173 234

HSL 203.16, 0.79%, 0.61%

LAB 67.55, -9.5, -38.89

 

CMYK 68 / 44 / 0 / 8

HEX #4C82EA

RGB 76 130 234

HSL 219.49, 0.79%, 0.61%

LAB 55.53, 15.5, -57.91

 

CMYK 68 / 62 / 0 / 8

HEX #4C58EA

RGB 76 88 234

HSL 235.44, 0.79%, 0.61%

LAB 44.88, 41.39, -75.13

 

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

CMYK 76 / 0 / 12 / 2

HEX #3CFADD

RGB 60 250 221

HSL 170.84, 0.95%, 0.61%

LAB 89.18, -52.18, 0.72

 

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

CMYK 57 / 0 / 9 / 15

HEX #5DDAC7

RGB 93 218 199

HSL 170.88, 0.63%, 0.61%

LAB 79.95, -39.21, -1.1

 

CMYK 46 / 0 / 7 / 21

HEX #6DC9BB

RGB 109 201 187

HSL 170.87, 0.46%, 0.61%

LAB 75.21, -30.84, -1.53

 

CMYK 32 / 0 / 5 / 27

HEX #7DB9B0

RGB 125 185 176

HSL 171, 0.3%, 0.61%

LAB 71, -21.33, -1.62

 

CMYK 17 / 0 / 2 / 34

HEX #8DA9A5

RGB 141 169 165

HSL 171.43, 0.14%, 0.61%

LAB 67.09, -10.45, -1.17

 

CMYK 68 / 0 / 47 / 8

HEX #4CEA7C

RGB 76 234 124

HSL 138.23, 0.79%, 0.61%

LAB 82.83, -64.08, 41.56

 

CMYK 68 / 0 / 29 / 8

HEX #4CEAA6

RGB 76 234 166

HSL 154.18, 0.79%, 0.61%

LAB 83.51, -56.49, 21.3

 

CMYK 68 / 0 / 12 / 8

HEX #4CEACF

RGB 76 234 207

HSL 169.75, 0.79%, 0.61%

LAB 84.43, -47.06, 1.15

 

CMYK 68 / 7 / 0 / 8

HEX #4CDAEA

RGB 76 218 234

HSL 186.08, 0.79%, 0.61%

LAB 80.53, -32.52, -18.95

 

CMYK 68 / 25 / 0 / 8

HEX #4CB0EA

RGB 76 176 234

HSL 202.03, 0.79%, 0.61%

LAB 68.41, -11.14, -37.55

 

CMYK 88 / 0 / 13 / 20

HEX #18CCB1

RGB 24 204 177

HSL 171, 0.79%, 0.45%

LAB 73.9, -47.44, 1.74

 

CMYK 83 / 0 / 13 / 10

HEX #28E5C8

RGB 40 229 200

HSL 170.79, 0.78%, 0.53%

LAB 82.2, -50.7, 1.52

 

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

CMYK 53 / 0 / 8 / 7

HEX #71EEDB

RGB 113 238 219

HSL 170.88, 0.79%, 0.69%

LAB 86.89, -39.39, -1.44

 

CMYK 38 / 0 / 6 / 5

HEX #96F2E4

RGB 150 242 228

HSL 170.87, 0.78%, 0.77%

LAB 89.67, -30.56, -1.91

 

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

CMYK 65 / 68 / 0 / 8

HEX #524CEA

RGB 82 76 234

HSL 242.28, 0.79%, 0.61%

LAB 42.62, 49.21, -78.83

 

CMYK 0 / 38 / 68 / 8

HEX #EA914C

RGB 234 145 76

HSL 26.2, 0.79%, 0.61%

LAB 68.22, 27.74, 49.76

 

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

CMYK 12 / 68 / 0 / 8

HEX #CF4CEA

RGB 207 76 234

HSL 289.75, 0.79%, 0.61%

LAB 56.46, 72, -55.74

 

CMYK 0 / 12 / 68 / 8

HEX #EACF4C

RGB 234 207 76

HSL 49.75, 0.79%, 0.61%

LAB 83.25, -4.82, 65.82

 

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

CMYK 65 / 68 / 0 / 8

HEX #524CEA

RGB 82 76 234

HSL 242.28, 0.79%, 0.61%

LAB 42.62, 49.21, -78.83

 

CMYK 0 / 68 / 56 / 8

HEX #EA4C67

RGB 234 76 103

HSL 349.75, 0.79%, 0.61%

LAB 55.73, 62.27, 19.59

 

CMYK 3 / 0 / 68 / 8

HEX #E4EA4C

RGB 228 234 76

HSL 62.28, 0.79%, 0.61%

LAB 89.79, -20.7, 72.29

 

CMYK 68 / 0 / 10 / 8

HEX #4CEAD2

RGB 76 234 210

HSL 170.89, 0.79%, 0.61%

LAB 84.5, -46.3, -0.32

 

CMYK 45 / 68 / 0 / 8

HEX #814CEA

RGB 129 76 234

HSL 260.13, 0.79%, 0.61%

LAB 46.68, 56.43, -72.02

 

CMYK 0 / 68 / 56 / 8

HEX #EA4C67

RGB 234 76 103

HSL 349.75, 0.79%, 0.61%

LAB 55.73, 62.27, 19.59

 

CMYK 23 / 0 / 68 / 8

HEX #B5EA4C

RGB 181 234 76

HSL 80.13, 0.79%, 0.61%

LAB 86.6, -39.19, 68.01

 

Description

Color code: HEX #4CEAD2 | qconv.com Color code: HEX #4CEAD2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 234 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 234 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 10 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 10% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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