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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CDAAD it is the complementary color #B32552. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CDAAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CDAAD shade: #51DAA8, #62ECBB, #73FECE, #84FFE1 and #95FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CDAAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CDAAD shade: #4CDAAD, #3BC89A, #2AB687, #19A474 and #089261

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CDAAD shade: #4DDAAD, #4DDA87, #4DDA61, #5FDA4D and #85DA4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CDAAD shade: #4DDAAD, #4DDAD3, #4DBBDA, #4D95DA and #4D6EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CDAAD shade matches the following richer shades: #4DDAAD, #3BEBB4 and #2AFDBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CDAAD shade: #4DDAAD, #5EC9A7, #6FB7A1, #81A69A and #929594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CDAAD shade: #4DDA60, #4DDA85, #4DDAAB, #4DDAD1 and #4DBEDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CDAAD shade: #24B184, #2BD39E, #4DDAAD, #6FE1BD and #91E8CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CDAAD shade: #4CDAAD, #4D60DA and #DA724D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CDAAD shade: #4CDAAD, #AB4DDA and #DAAB4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CDAAD shade: #4CDAAD, #4D60DA, #DA4D7C and #DAC74D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CDAAD shade: #4CDAAD, #644DDA, #DA4D7C and #C3DA4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 21 / 15

HEX #4CDAAD

RGB 76 218 173

HSL 160.99, 0.66%, 0.58%

LAB 78.87, -48.5, 11.12

 

Complementary color

CMYK 0 / 79 / 54 / 30

HEX #B32552

RGB 179 37 82

HSL 340.99, 0.66%, 0.42%

LAB 40.44, 57.93, 9.83

 

CMYK 63 / 0 / 23 / 15

HEX #51DAA8

RGB 81 218 168

HSL 158.1, 0.65%, 0.59%

LAB 78.88, -48.77, 13.8

 

CMYK 58 / 0 / 21 / 7

HEX #62ECBB

RGB 98 236 187

HSL 158.7, 0.78%, 0.65%

LAB 85.09, -48.92, 12.66

 

CMYK 55 / 0 / 19 / 0

HEX #73FECE

RGB 115 254 206

HSL 159.28, 0.99%, 0.72%

LAB 91.23, -48.96, 11.6

 

CMYK 48 / 0 / 12 / 0

HEX #84FFE1

RGB 132 255 225

HSL 165.37, 1%, 0.76%

LAB 92.51, -41.53, 3.71

 

CMYK 42 / 0 / 4 / 0

HEX #95FFF4

RGB 149 255 244

HSL 173.77, 1%, 0.79%

LAB 93.64, -33.25, -4.38

 

CMYK 65 / 0 / 21 / 15

HEX #4CDAAD

RGB 76 218 173

HSL 160.99, 0.66%, 0.58%

LAB 78.87, -48.5, 11.12

 

CMYK 71 / 0 / 23 / 22

HEX #3BC89A

RGB 59 200 154

HSL 160.43, 0.56%, 0.51%

LAB 72.61, -48.09, 12.35

 

CMYK 77 / 0 / 26 / 29

HEX #2AB687

RGB 42 182 135

HSL 159.86, 0.63%, 0.44%

LAB 66.29, -47.43, 13.72

 

CMYK 85 / 0 / 29 / 36

HEX #19A474

RGB 25 164 116

HSL 159.28, 0.74%, 0.37%

LAB 59.91, -46.42, 15.24

 

CMYK 95 / 0 / 34 / 43

HEX #089261

RGB 8 146 97

HSL 158.7, 0.9%, 0.3%

LAB 53.46, -44.89, 16.95

 

CMYK 65 / 0 / 21 / 15

HEX #4DDAAD

RGB 77 218 173

HSL 160.85, 0.66%, 0.58%

LAB 78.89, -48.34, 11.16

 

CMYK 65 / 0 / 38 / 15

HEX #4DDA87

RGB 77 218 135

HSL 144.68, 0.66%, 0.58%

LAB 78.15, -56.17, 30.01

 

CMYK 65 / 0 / 56 / 15

HEX #4DDA61

RGB 77 218 97

HSL 128.51, 0.66%, 0.58%

LAB 77.63, -62.05, 48

 

CMYK 56 / 0 / 65 / 15

HEX #5FDA4D

RGB 95 218 77

HSL 112.34, 0.66%, 0.58%

LAB 77.94, -60.26, 57.24

 

CMYK 39 / 0 / 65 / 15

HEX #85DA4D

RGB 133 218 77

HSL 96.17, 0.66%, 0.58%

LAB 79.42, -49.26, 59.28

 

CMYK 65 / 0 / 21 / 15

HEX #4DDAAD

RGB 77 218 173

HSL 160.85, 0.66%, 0.58%

LAB 78.89, -48.34, 11.16

 

CMYK 65 / 0 / 3 / 15

HEX #4DDAD3

RGB 77 218 211

HSL 177.02, 0.66%, 0.58%

LAB 79.85, -38.82, -7.69

 

CMYK 65 / 14 / 0 / 15

HEX #4DBBDA

RGB 77 187 218

HSL 193.19, 0.66%, 0.58%

LAB 71, -21.84, -24.82

 

CMYK 65 / 32 / 0 / 15

HEX #4D95DA

RGB 77 149 218

HSL 209.36, 0.66%, 0.58%

LAB 60.01, -1.14, -41.86

 

CMYK 65 / 50 / 0 / 15

HEX #4D6EDA

RGB 77 110 218

HSL 225.96, 0.66%, 0.58%

LAB 49.24, 22.45, -59

 

CMYK 65 / 0 / 21 / 15

HEX #4DDAAD

RGB 77 218 173

HSL 160.85, 0.66%, 0.58%

LAB 78.89, -48.34, 11.16

 

CMYK 75 / 0 / 23 / 8

HEX #3BEBB4

RGB 59 235 180

HSL 161.25, 0.81%, 0.58%

LAB 83.78, -56.17, 14.34

 

CMYK 83 / 0 / 26 / 1

HEX #2AFDBA

RGB 42 253 186

HSL 160.95, 0.98%, 0.58%

LAB 89.06, -63.3, 18.61

 

CMYK 65 / 0 / 21 / 15

HEX #4DDAAD

RGB 77 218 173

HSL 160.85, 0.66%, 0.58%

LAB 78.89, -48.34, 11.16

 

CMYK 53 / 0 / 17 / 21

HEX #5EC9A7

RGB 94 201 167

HSL 160.93, 0.5%, 0.58%

LAB 74.15, -39.03, 7.68

 

CMYK 39 / 0 / 12 / 28

HEX #6FB7A1

RGB 111 183 161

HSL 161.67, 0.33%, 0.58%

LAB 69.34, -27.71, 4.11

 

CMYK 22 / 0 / 7 / 35

HEX #81A69A

RGB 129 166 154

HSL 160.54, 0.17%, 0.58%

LAB 65.18, -15.16, 2.07

 

CMYK 2 / 0 / 1 / 42

HEX #929594

RGB 146 149 148

HSL 160, 0.01%, 0.58%

LAB 61.43, -1.28, 0.14

 

CMYK 65 / 0 / 56 / 15

HEX #4DDA60

RGB 77 218 96

HSL 128.09, 0.66%, 0.58%

LAB 77.62, -62.17, 48.45

 

CMYK 65 / 0 / 39 / 15

HEX #4DDA85

RGB 77 218 133

HSL 143.83, 0.66%, 0.58%

LAB 78.12, -56.53, 30.99

 

CMYK 65 / 0 / 22 / 15

HEX #4DDAAB

RGB 77 218 171

HSL 160, 0.66%, 0.58%

LAB 78.85, -48.79, 12.15

 

CMYK 65 / 0 / 4 / 15

HEX #4DDAD1

RGB 77 218 209

HSL 176.17, 0.66%, 0.58%

LAB 79.8, -39.35, -6.71

 

CMYK 65 / 13 / 0 / 15

HEX #4DBEDA

RGB 77 190 218

HSL 191.91, 0.66%, 0.58%

LAB 71.87, -23.37, -23.48

 

CMYK 80 / 0 / 25 / 31

HEX #24B184

RGB 36 177 132

HSL 160.85, 0.66%, 0.42%

LAB 64.55, -46.8, 12.91

 

CMYK 80 / 0 / 25 / 17

HEX #2BD39E

RGB 43 211 158

HSL 161.07, 0.66%, 0.5%

LAB 75.81, -53.54, 14.68

 

CMYK 65 / 0 / 21 / 15

HEX #4DDAAD

RGB 77 218 173

HSL 160.85, 0.66%, 0.58%

LAB 78.89, -48.34, 11.16

 

CMYK 51 / 0 / 16 / 12

HEX #6FE1BD

RGB 111 225 189

HSL 161.05, 0.66%, 0.66%

LAB 82.33, -40.98, 7.73

 

CMYK 38 / 0 / 12 / 9

HEX #91E8CD

RGB 145 232 205

HSL 161.38, 0.65%, 0.74%

LAB 86.08, -32.22, 4.88

 

CMYK 65 / 0 / 21 / 15

HEX #4CDAAD

RGB 76 218 173

HSL 160.99, 0.66%, 0.58%

LAB 78.87, -48.5, 11.12

 

CMYK 65 / 56 / 0 / 15

HEX #4D60DA

RGB 77 96 218

HSL 231.91, 0.66%, 0.58%

LAB 45.64, 31.19, -64.82

 

CMYK 0 / 48 / 65 / 15

HEX #DA724D

RGB 218 114 77

HSL 15.74, 0.66%, 0.58%

LAB 59.41, 37.61, 38.56

 

CMYK 65 / 0 / 21 / 15

HEX #4CDAAD

RGB 76 218 173

HSL 160.99, 0.66%, 0.58%

LAB 78.87, -48.5, 11.12

 

CMYK 22 / 65 / 0 / 15

HEX #AB4DDA

RGB 171 77 218

HSL 280, 0.66%, 0.58%

LAB 50.72, 60.63, -56.18

 

CMYK 0 / 22 / 65 / 15

HEX #DAAB4D

RGB 218 171 77

HSL 40, 0.66%, 0.58%

LAB 72.61, 7.24, 53.63

 

CMYK 65 / 0 / 21 / 15

HEX #4CDAAD

RGB 76 218 173

HSL 160.99, 0.66%, 0.58%

LAB 78.87, -48.5, 11.12

 

CMYK 65 / 56 / 0 / 15

HEX #4D60DA

RGB 77 96 218

HSL 231.91, 0.66%, 0.58%

LAB 45.64, 31.19, -64.82

 

CMYK 0 / 65 / 43 / 15

HEX #DA4D7C

RGB 218 77 124

HSL 340, 0.66%, 0.58%

LAB 53.67, 58.77, 3.85

 

CMYK 0 / 9 / 65 / 15

HEX #DAC74D

RGB 218 199 77

HSL 51.91, 0.66%, 0.58%

LAB 79.78, -7.39, 61.35

 

CMYK 65 / 0 / 21 / 15

HEX #4CDAAD

RGB 76 218 173

HSL 160.99, 0.66%, 0.58%

LAB 78.87, -48.5, 11.12

 

CMYK 54 / 65 / 0 / 15

HEX #644DDA

RGB 100 77 218

HSL 249.79, 0.66%, 0.58%

LAB 42.88, 46.36, -69.24

 

CMYK 0 / 65 / 43 / 15

HEX #DA4D7C

RGB 218 77 124

HSL 340, 0.66%, 0.58%

LAB 53.67, 58.77, 3.85

 

CMYK 11 / 0 / 65 / 15

HEX #C3DA4D

RGB 195 218 77

HSL 69.79, 0.66%, 0.58%

LAB 83.06, -26.3, 64.25

 

Description

Color code: HEX #4CDAAD | qconv.com Color code: HEX #4CDAAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 218 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 218 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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