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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD024 it is the complementary color #B32FDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD024 shade: #51D01F, #62E232, #73F445, #84FF58 and #95FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD024 shade: #4CD024, #3BBE11, #2AAC00, #199A00 and #088800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD024 shade: #4CD024, #7AD024, #A8D024, #D0C824 and #D09A24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD024 shade: #4CD024, #24D02B, #24D059, #24D087 and #24D0B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD024 shade matches the following richer shades: #4CD024 and #41E310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD024 shade: #4CD024, #57BC38, #61A84C, #6C9460 and #768073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD024 shade: #A8D024, #7AD024, #4CD024, #24D02A and #24D058

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD024 shade: #328918, #3FAD1E, #4CD024, #65DD40 and #81E363

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD024 shade: #4CD024, #24D0CA and #D02491

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD024 shade: #4CD024, #244CD0 and #D0244C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD024 shade: #4CD024, #24D0CA, #A824D0 and #D0242A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD024 shade: #4CD024, #24A2D0, #A824D0 and #D05224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

Complementary color

CMYK 18 / 79 / 0 / 14

HEX #B32FDB

RGB 179 47 219

HSL 286.05, 0.7%, 0.52%

LAB 47.92, 73.74, -61.2

 

CMYK 61 / 0 / 85 / 18

HEX #51D01F

RGB 81 208 31

HSL 103.05, 0.74%, 0.47%

LAB 74.16, -63.25, 68.4

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 53 / 0 / 72 / 4

HEX #73F445

RGB 115 244 69

HSL 104.23, 0.89%, 0.61%

LAB 86.39, -65.11, 69.33

 

CMYK 48 / 0 / 65 / 0

HEX #84FF58

RGB 132 255 88

HSL 104.19, 1%, 0.67%

LAB 90.38, -63.05, 66.7

 

CMYK 42 / 0 / 58 / 0

HEX #95FF6B

RGB 149 255 107

HSL 102.97, 1%, 0.71%

LAB 91.22, -56.37, 60.03

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 69 / 0 / 91 / 25

HEX #3BBE11

RGB 59 190 17

HSL 105.43, 0.84%, 0.41%

LAB 67.87, -62.55, 65.43

 

CMYK 76 / 0 / 100 / 33

HEX #2AAC00

RGB 42 172 0

HSL 105.35, 1%, 0.34%

LAB 61.65, -60.32, 62.44

 

CMYK 84 / 0 / 100 / 40

HEX #199A00

RGB 25 154 0

HSL 110.26, 1%, 0.3%

LAB 55.4, -57.22, 57.34

 

CMYK 94 / 0 / 100 / 47

HEX #088800

RGB 8 136 0

HSL 116.47, 1%, 0.27%

LAB 49.08, -53.44, 52.21

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 41 / 0 / 83 / 18

HEX #7AD024

RGB 122 208 36

HSL 90, 0.7%, 0.48%

LAB 75.69, -51.39, 69.15

 

CMYK 19 / 0 / 83 / 18

HEX #A8D024

RGB 168 208 36

HSL 73.95, 0.7%, 0.48%

LAB 78.21, -34.45, 72.34

 

CMYK 0 / 4 / 83 / 18

HEX #D0C824

RGB 208 200 36

HSL 57.21, 0.7%, 0.48%

LAB 78.95, -13.93, 74.15

 

CMYK 0 / 26 / 83 / 18

HEX #D09A24

RGB 208 154 36

HSL 41.16, 0.7%, 0.48%

LAB 67.01, 10.16, 63.99

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 83 / 0 / 79 / 18

HEX #24D02B

RGB 36 208 43

HSL 122.44, 0.7%, 0.48%

LAB 73.33, -70.23, 64.23

 

CMYK 83 / 0 / 57 / 18

HEX #24D059

RGB 36 208 89

HSL 138.49, 0.7%, 0.48%

LAB 73.68, -65.82, 46.83

 

CMYK 83 / 0 / 35 / 18

HEX #24D087

RGB 36 208 135

HSL 154.53, 0.7%, 0.48%

LAB 74.34, -58.07, 24.78

 

CMYK 83 / 0 / 13 / 18

HEX #24D0B5

RGB 36 208 181

HSL 170.58, 0.7%, 0.48%

LAB 75.34, -47.24, 1.68

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 71 / 0 / 93 / 11

HEX #41E310

RGB 65 227 16

HSL 106.07, 0.87%, 0.48%

LAB 79.67, -72.92, 75.47

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 54 / 0 / 70 / 26

HEX #57BC38

RGB 87 188 56

HSL 105.91, 0.54%, 0.48%

LAB 68.23, -53.15, 55.17

 

CMYK 42 / 0 / 55 / 34

HEX #61A84C

RGB 97 168 76

HSL 106.3, 0.38%, 0.48%

LAB 62.57, -40.08, 40.19

 

CMYK 27 / 0 / 35 / 42

HEX #6C9460

RGB 108 148 96

HSL 106.15, 0.21%, 0.48%

LAB 57.28, -24.1, 23.2

 

CMYK 8 / 0 / 10 / 50

HEX #768073

RGB 118 128 115

HSL 106.15, 0.05%, 0.48%

LAB 52.43, -6.31, 5.79

 

CMYK 19 / 0 / 83 / 18

HEX #A8D024

RGB 168 208 36

HSL 73.95, 0.7%, 0.48%

LAB 78.21, -34.45, 72.34

 

CMYK 41 / 0 / 83 / 18

HEX #7AD024

RGB 122 208 36

HSL 90, 0.7%, 0.48%

LAB 75.69, -51.39, 69.15

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 83 / 0 / 80 / 18

HEX #24D02A

RGB 36 208 42

HSL 122.09, 0.7%, 0.48%

LAB 73.32, -70.29, 64.51

 

CMYK 83 / 0 / 58 / 18

HEX #24D058

RGB 36 208 88

HSL 138.14, 0.7%, 0.48%

LAB 73.67, -65.96, 47.27

 

CMYK 64 / 0 / 82 / 46

HEX #328918

RGB 50 137 24

HSL 106.19, 0.7%, 0.32%

LAB 50.26, -46.25, 48.24

 

CMYK 64 / 0 / 83 / 32

HEX #3FAD1E

RGB 63 173 30

HSL 106.15, 0.7%, 0.4%

LAB 62.54, -55.57, 58.01

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 54 / 0 / 71 / 13

HEX #65DD40

RGB 101 221 64

HSL 105.86, 0.7%, 0.56%

LAB 78.95, -60.91, 63.39

 

CMYK 43 / 0 / 56 / 11

HEX #81E363

RGB 129 227 99

HSL 105.94, 0.7%, 0.64%

LAB 82.11, -52.07, 52.81

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 83 / 0 / 3 / 18

HEX #24D0CA

RGB 36 208 202

HSL 177.91, 0.7%, 0.48%

LAB 75.92, -41.45, -8.79

 

CMYK 0 / 83 / 30 / 18

HEX #D02491

RGB 208 36 145

HSL 321.98, 0.7%, 0.48%

LAB 47.9, 71.51, -17.52

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 83 / 63 / 0 / 18

HEX #244CD0

RGB 36 76 208

HSL 226.05, 0.7%, 0.48%

LAB 38.02, 35.54, -71.6

 

CMYK 0 / 83 / 63 / 18

HEX #D0244C

RGB 208 36 76

HSL 346.05, 0.7%, 0.48%

LAB 45.9, 65.68, 21.93

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 83 / 0 / 3 / 18

HEX #24D0CA

RGB 36 208 202

HSL 177.91, 0.7%, 0.48%

LAB 75.92, -41.45, -8.79

 

CMYK 19 / 83 / 0 / 18

HEX #A824D0

RGB 168 36 208

HSL 286.05, 0.7%, 0.48%

LAB 44.43, 72.85, -60.61

 

CMYK 0 / 83 / 80 / 18

HEX #D0242A

RGB 208 36 42

HSL 357.91, 0.7%, 0.48%

LAB 45.41, 64.22, 41.52

 

CMYK 63 / 0 / 83 / 18

HEX #4CD024

RGB 76 208 36

HSL 106.05, 0.7%, 0.48%

LAB 74.05, -64.16, 67.06

 

CMYK 83 / 22 / 0 / 18

HEX #24A2D0

RGB 36 162 208

HSL 196.05, 0.7%, 0.48%

LAB 62.31, -17.05, -32.77

 

CMYK 19 / 83 / 0 / 18

HEX #A824D0

RGB 168 36 208

HSL 286.05, 0.7%, 0.48%

LAB 44.43, 72.85, -60.61

 

CMYK 0 / 61 / 83 / 18

HEX #D05224

RGB 208 82 36

HSL 16.05, 0.7%, 0.48%

LAB 51.35, 47.65, 50.19

 

Description

Color code: HEX #4CD024 | qconv.com Color code: HEX #4CD024 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 208 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 208 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 83 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 83% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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