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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD9FF it is the complementary color #B32600. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD9FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD9FF shade: #51D9FA, #62EBFF, #73FDFF, #84FFFF and #95FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD9FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD9FF shade: #4CD9FF, #3BC7EC, #2AB5D9, #19A3C6 and #0891B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD9FF shade: #4CD9FF, #4CA8FF, #4C78FF, #504CFF and #804CFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD9FF shade: #4CD9FF, #4CA8FF, #4C78FF and #4C4CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD9FF shade matches the following richer shades: #4CD9FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD9FF shade: #4CD9FF, #5AD0F0, #69C8E2, #77C0D3 and #86B7C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD9FF shade: #4CFFC3, #4CFFF3, #4CDBFF, #4CABFF and #4C7CFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD9FF shade: #00C4F8, #23D0FF, #4CD9FF, #75E1FF and #9FEAFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD9FF shade: #4CD9FF, #934CFF and #FFDB4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD9FF shade: #4CD9FF, #FF4CDB and #DBFF4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD9FF shade: #4CD9FF, #934CFF, #FF704C and #B7FF4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD9FF shade: #4CD9FF, #C94CFF, #FF704C and #82FF4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

Complementary color

CMYK 0 / 79 / 100 / 30

HEX #B32600

RGB 179 38 0

HSL 12.74, 1%, 0.35%

LAB 39.53, 54.45, 52.49

 

CMYK 68 / 13 / 0 / 2

HEX #51D9FA

RGB 81 217 250

HSL 191.72, 0.94%, 0.65%

LAB 80.89, -26.62, -26.89

 

CMYK 62 / 8 / 0 / 0

HEX #62EBFF

RGB 98 235 255

HSL 187.64, 1%, 0.69%

LAB 86.62, -31.31, -20.78

 

CMYK 55 / 1 / 0 / 0

HEX #73FDFF

RGB 115 253 255

HSL 180.86, 1%, 0.73%

LAB 92.18, -36.8, -12.37

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

CMYK 75 / 16 / 0 / 7

HEX #3BC7EC

RGB 59 199 236

HSL 192.54, 0.82%, 0.58%

LAB 74.72, -24.74, -28.9

 

CMYK 81 / 17 / 0 / 15

HEX #2AB5D9

RGB 42 181 217

HSL 192.34, 0.7%, 0.51%

LAB 68.42, -23.45, -28.28

 

CMYK 87 / 18 / 0 / 22

HEX #19A3C6

RGB 25 163 198

HSL 192.14, 0.78%, 0.44%

LAB 62.06, -21.82, -27.59

 

CMYK 96 / 19 / 0 / 30

HEX #0891B3

RGB 8 145 179

HSL 191.93, 0.91%, 0.37%

LAB 55.64, -19.75, -26.8

 

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

CMYK 70 / 34 / 0 / 0

HEX #4CA8FF

RGB 76 168 255

HSL 209.16, 1%, 0.65%

LAB 67.1, 0.31, -51.04

 

CMYK 70 / 53 / 0 / 0

HEX #4C78FF

RGB 76 120 255

HSL 225.25, 1%, 0.65%

LAB 54.23, 28.98, -71.64

 

CMYK 69 / 70 / 0 / 0

HEX #504CFF

RGB 80 76 255

HSL 241.34, 1%, 0.65%

LAB 44.37, 55.57, -87.74

 

CMYK 50 / 70 / 0 / 0

HEX #804CFF

RGB 128 76 255

HSL 257.43, 1%, 0.65%

LAB 48.23, 61.81, -81.25

 

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

CMYK 70 / 34 / 0 / 0

HEX #4CA8FF

RGB 76 168 255

HSL 209.16, 1%, 0.65%

LAB 67.1, 0.31, -51.04

 

CMYK 70 / 53 / 0 / 0

HEX #4C78FF

RGB 76 120 255

HSL 225.25, 1%, 0.65%

LAB 54.23, 28.98, -71.64

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

CMYK 63 / 13 / 0 / 6

HEX #5AD0F0

RGB 90 208 240

HSL 192.8, 0.83%, 0.65%

LAB 78.21, -23.75, -25.63

 

CMYK 54 / 12 / 0 / 11

HEX #69C8E2

RGB 105 200 226

HSL 192.89, 0.68%, 0.65%

LAB 75.95, -20.99, -21.52

 

CMYK 44 / 9 / 0 / 17

HEX #77C0D3

RGB 119 192 211

HSL 192.39, 0.51%, 0.65%

LAB 73.76, -17.84, -16.67

 

CMYK 32 / 7 / 0 / 23

HEX #86B7C5

RGB 134 183 197

HSL 193.33, 0.35%, 0.65%

LAB 71.53, -12.73, -12.3

 

CMYK 70 / 0 / 24 / 0

HEX #4CFFC3

RGB 76 255 195

HSL 159.89, 1%, 0.65%

LAB 90.32, -58.48, 15.84

 

CMYK 70 / 0 / 5 / 0

HEX #4CFFF3

RGB 76 255 243

HSL 175.98, 1%, 0.65%

LAB 91.47, -46.79, -7.31

 

CMYK 70 / 14 / 0 / 0

HEX #4CDBFF

RGB 76 219 255

HSL 192.07, 1%, 0.65%

LAB 81.52, -26.76, -28.59

 

CMYK 70 / 33 / 0 / 0

HEX #4CABFF

RGB 76 171 255

HSL 208.16, 1%, 0.65%

LAB 67.93, -1.39, -49.72

 

CMYK 70 / 51 / 0 / 0

HEX #4C7CFF

RGB 76 124 255

HSL 223.91, 1%, 0.65%

LAB 55.25, 26.53, -69.99

 

CMYK 100 / 21 / 0 / 3

HEX #00C4F8

RGB 0 196 248

HSL 192.58, 1%, 0.49%

LAB 73.71, -22.65, -36.97

 

CMYK 86 / 18 / 0 / 0

HEX #23D0FF

RGB 35 208 255

HSL 192.82, 1%, 0.57%

LAB 77.69, -25.13, -34.54

 

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

CMYK 54 / 12 / 0 / 0

HEX #75E1FF

RGB 117 225 255

HSL 193.04, 1%, 0.73%

LAB 84.41, -23.04, -24.08

 

CMYK 38 / 8 / 0 / 0

HEX #9FEAFF

RGB 159 234 255

HSL 193.13, 1%, 0.81%

LAB 88.66, -18, -17.48

 

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

CMYK 42 / 70 / 0 / 0

HEX #934CFF

RGB 147 76 255

HSL 263.8, 1%, 0.65%

LAB 50.21, 64.86, -77.95

 

CMYK 0 / 14 / 70 / 0

HEX #FFDB4C

RGB 255 219 76

HSL 47.93, 1%, 0.65%

LAB 88.18, -2.14, 71.42

 

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

CMYK 0 / 70 / 14 / 0

HEX #FF4CDB

RGB 255 76 219

HSL 312.07, 1%, 0.65%

LAB 62.96, 80.32, -36.57

 

CMYK 14 / 0 / 70 / 0

HEX #DBFF4C

RGB 219 255 76

HSL 72.07, 1%, 0.65%

LAB 94.78, -34.12, 77.02

 

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

CMYK 42 / 70 / 0 / 0

HEX #934CFF

RGB 147 76 255

HSL 263.8, 1%, 0.65%

LAB 50.21, 64.86, -77.95

 

CMYK 0 / 56 / 70 / 0

HEX #FF704C

RGB 255 112 76

HSL 12.07, 1%, 0.65%

LAB 64.46, 52.3, 46.34

 

CMYK 28 / 0 / 70 / 0

HEX #B7FF4C

RGB 183 255 76

HSL 84.13, 1%, 0.65%

LAB 92.62, -47.56, 74.16

 

CMYK 70 / 15 / 0 / 0

HEX #4CD9FF

RGB 76 217 255

HSL 192.74, 1%, 0.65%

LAB 80.95, -25.77, -29.47

 

CMYK 21 / 70 / 0 / 0

HEX #C94CFF

RGB 201 76 255

HSL 281.9, 1%, 0.65%

LAB 56.89, 74.73, -66.8

 

CMYK 0 / 56 / 70 / 0

HEX #FF704C

RGB 255 112 76

HSL 12.07, 1%, 0.65%

LAB 64.46, 52.3, 46.34

 

CMYK 49 / 0 / 70 / 0

HEX #82FF4C

RGB 130 255 76

HSL 101.9, 1%, 0.65%

LAB 90.22, -64.53, 70.95

 

Description

Color code: HEX #4CD9FF | qconv.com Color code: HEX #4CD9FF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 217 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 217 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 15 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 15% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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