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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CB267 it is the complementary color #B34D98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CB267. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CB267 shade: #51B262, #62C475, #73D688, #84E89B and #95FAAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CB267. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CB267 shade: #4CB267, #3BA054, #2A8E41, #197C2E and #086A1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CB267 shade: #4CB267, #4DB24C, #68B24C, #84B24C and #9FB24C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CB267 shade: #4CB267, #4CB283, #4CB29E, #4CAAB2 and #4C8FB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CB267 shade matches the following richer shades: #4CB267, #37C75D, #23DB54 and #0EF04A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CB267 shade: #4CB267, #619D71, #75897A, #8A7484 and #9F5F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CB267 shade: #69B24C, #4EB24C, #4CB266, #4CB281 and #4CB29C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CB267 shade: #337846, #409556, #4CB267, #69BE80 and #86CB98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CB267 shade: #4CB267, #4C84B2 and #B24C5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CB267 shade: #4CB267, #664CB2 and #B2664C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CB267 shade: #4CB267, #4C84B2, #B24C99 and #B27A4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CB267 shade: #4CB267, #4C66B2, #B24C99 and #B2994C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

Complementary color

CMYK 0 / 57 / 15 / 30

HEX #B34D98

RGB 179 77 152

HSL 315.88, 0.4%, 0.5%

LAB 48.46, 50.48, -21.28

 

CMYK 54 / 0 / 45 / 30

HEX #51B262

RGB 81 178 98

HSL 130.52, 0.39%, 0.51%

LAB 65.34, -45.85, 32.38

 

CMYK 50 / 0 / 40 / 23

HEX #62C475

RGB 98 196 117

HSL 131.63, 0.45%, 0.58%

LAB 71.8, -45.8, 31.03

 

CMYK 46 / 0 / 36 / 16

HEX #73D688

RGB 115 214 136

HSL 132.73, 0.55%, 0.65%

LAB 78.18, -45.66, 29.75

 

CMYK 43 / 0 / 33 / 9

HEX #84E89B

RGB 132 232 155

HSL 133.8, 0.68%, 0.71%

LAB 84.48, -45.45, 28.55

 

CMYK 40 / 0 / 30 / 2

HEX #95FAAE

RGB 149 250 174

HSL 134.85, 0.91%, 0.78%

LAB 90.7, -45.22, 27.42

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 63 / 0 / 48 / 37

HEX #3BA054

RGB 59 160 84

HSL 134.85, 0.46%, 0.43%

LAB 58.71, -46.08, 31.08

 

CMYK 70 / 0 / 54 / 44

HEX #2A8E41

RGB 42 142 65

HSL 133.8, 0.54%, 0.36%

LAB 52.08, -45.58, 32.61

 

CMYK 80 / 0 / 63 / 51

HEX #197C2E

RGB 25 124 46

HSL 132.73, 0.66%, 0.29%

LAB 45.39, -44.55, 34.13

 

CMYK 92 / 0 / 75 / 58

HEX #086A1B

RGB 8 106 27

HSL 131.63, 0.86%, 0.22%

LAB 38.62, -42.6, 35.39

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 57 / 0 / 57 / 30

HEX #4DB24C

RGB 77 178 76

HSL 119.41, 0.4%, 0.5%

LAB 64.92, -49.97, 42.78

 

CMYK 42 / 0 / 57 / 30

HEX #68B24C

RGB 104 178 76

HSL 103.53, 0.4%, 0.5%

LAB 65.99, -42.11, 44.3

 

CMYK 26 / 0 / 57 / 30

HEX #84B24C

RGB 132 178 76

HSL 87.06, 0.4%, 0.5%

LAB 67.48, -32.19, 46.41

 

CMYK 11 / 0 / 57 / 30

HEX #9FB24C

RGB 159 178 76

HSL 71.18, 0.4%, 0.5%

LAB 69.28, -21.48, 48.94

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 57 / 0 / 26 / 30

HEX #4CB283

RGB 76 178 131

HSL 152.35, 0.4%, 0.5%

LAB 65.76, -40.85, 15.29

 

CMYK 57 / 0 / 11 / 30

HEX #4CB29E

RGB 76 178 158

HSL 168.24, 0.4%, 0.5%

LAB 66.4, -34.51, 1.33

 

CMYK 57 / 4 / 0 / 30

HEX #4CAAB2

RGB 76 170 178

HSL 184.71, 0.4%, 0.5%

LAB 64.56, -25.24, -12.51

 

CMYK 57 / 20 / 0 / 30

HEX #4C8FB2

RGB 76 143 178

HSL 200.59, 0.4%, 0.5%

LAB 56.48, -10.93, -24.81

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 72 / 0 / 53 / 22

HEX #37C75D

RGB 55 199 93

HSL 135.83, 0.57%, 0.5%

LAB 71.18, -59.86, 42.02

 

CMYK 84 / 0 / 62 / 14

HEX #23DB54

RGB 35 219 84

HSL 135.98, 0.72%, 0.5%

LAB 77.08, -70, 52.99

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 38 / 0 / 28 / 38

HEX #619D71

RGB 97 157 113

HSL 136, 0.24%, 0.5%

LAB 59.75, -29.28, 17.02

 

CMYK 15 / 0 / 11 / 46

HEX #75897A

RGB 117 137 122

HSL 135, 0.08%, 0.5%

LAB 55.15, -10.32, 5.63

 

CMYK 0 / 16 / 4 / 46

HEX #8A7484

RGB 138 116 132

HSL 316.36, 0.09%, 0.5%

LAB 51.34, 11.51, -5.56

 

CMYK 0 / 40 / 11 / 38

HEX #9F5F8E

RGB 159 95 142

HSL 315.94, 0.25%, 0.5%

LAB 48.89, 33.09, -14.91

 

CMYK 41 / 0 / 57 / 30

HEX #69B24C

RGB 105 178 76

HSL 102.94, 0.4%, 0.5%

LAB 66.03, -41.78, 44.37

 

CMYK 56 / 0 / 57 / 30

HEX #4EB24C

RGB 78 178 76

HSL 118.82, 0.4%, 0.5%

LAB 64.95, -49.71, 42.82

 

CMYK 57 / 0 / 43 / 30

HEX #4CB266

RGB 76 178 102

HSL 135.29, 0.4%, 0.5%

LAB 65.23, -46.42, 30.13

 

CMYK 57 / 0 / 28 / 30

HEX #4CB281

RGB 76 178 129

HSL 151.18, 0.4%, 0.5%

LAB 65.72, -41.28, 16.32

 

CMYK 57 / 0 / 12 / 30

HEX #4CB29C

RGB 76 178 156

HSL 167.06, 0.4%, 0.5%

LAB 66.35, -35.02, 2.36

 

CMYK 58 / 0 / 42 / 53

HEX #337846

RGB 51 120 70

HSL 136.52, 0.4%, 0.34%

LAB 45.05, -33.69, 21.06

 

CMYK 57 / 0 / 42 / 42

HEX #409556

RGB 64 149 86

HSL 135.53, 0.4%, 0.42%

LAB 55.34, -40.06, 25.72

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 45 / 0 / 33 / 25

HEX #69BE80

RGB 105 190 128

HSL 136.24, 0.4%, 0.58%

LAB 70.45, -39.39, 23.51

 

CMYK 34 / 0 / 25 / 20

HEX #86CB98

RGB 134 203 152

HSL 135.65, 0.4%, 0.66%

LAB 76.1, -32.37, 18.69

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 57 / 26 / 0 / 30

HEX #4C84B2

RGB 76 132 178

HSL 207.06, 0.4%, 0.5%

LAB 53.23, -4.67, -29.85

 

CMYK 0 / 57 / 49 / 30

HEX #B24C5B

RGB 178 76 91

HSL 351.18, 0.4%, 0.5%

LAB 46.16, 42.88, 12.19

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 43 / 57 / 0 / 30

HEX #664CB2

RGB 102 76 178

HSL 255.29, 0.4%, 0.5%

LAB 39.93, 35.58, -50.8

 

CMYK 0 / 43 / 57 / 30

HEX #B2664C

RGB 178 102 76

HSL 15.29, 0.4%, 0.5%

LAB 51.26, 27.95, 27.84

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 57 / 26 / 0 / 30

HEX #4C84B2

RGB 76 132 178

HSL 207.06, 0.4%, 0.5%

LAB 53.23, -4.67, -29.85

 

CMYK 0 / 57 / 14 / 30

HEX #B24C99

RGB 178 76 153

HSL 314.71, 0.4%, 0.5%

LAB 48.18, 50.82, -22.32

 

CMYK 0 / 31 / 57 / 30

HEX #B27A4C

RGB 178 122 76

HSL 27.06, 0.4%, 0.5%

LAB 55.99, 16.84, 33.75

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 57 / 43 / 0 / 30

HEX #4C66B2

RGB 76 102 178

HSL 224.71, 0.4%, 0.5%

LAB 44.59, 13.55, -43.43

 

CMYK 0 / 57 / 14 / 30

HEX #B24C99

RGB 178 76 153

HSL 314.71, 0.4%, 0.5%

LAB 48.18, 50.82, -22.32

 

CMYK 0 / 14 / 57 / 30

HEX #B2994C

RGB 178 153 76

HSL 45.29, 0.4%, 0.5%

LAB 63.97, -0.33, 43.28

 

Description

Color code: HEX #4CB267 | qconv.com Color code: HEX #4CB267 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 178 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 178 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 42 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 42% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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