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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CAD8E it is the complementary color #B35271. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CAD8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CAD8E shade: #51AD89, #62BF9C, #73D1AF, #84E3C2 and #95F5D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CAD8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CAD8E shade: #4CAD8E, #3B9B7B, #2A8968, #197755 and #086542

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CAD8E shade: #4CAD8E, #4CAD74, #4CAD59, #58AD4C and #73AD4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CAD8E shade: #4CAD8E, #4CADA8, #4C98AD, #4C7DAD and #4C63AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CAD8E shade matches the following richer shades: #4CAD8E, #38C195, #23D69D and #0FEAA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CAD8E shade: #4CAD8E, #609987, #74857F, #887178 and #9D5C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CAD8E shade: #4CAD59, #4CAD73, #4CAD8D, #4CADA7 and #4C9AAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CAD8E shade: #33745F, #3F9176, #4CAD8E, #66BCA0 and #83C8B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CAD8E shade: #4CAD8E, #4C59AD and #AD664C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CAD8E shade: #4CAD8E, #8D4CAD and #AD8D4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CAD8E shade: #4CAD8E, #4C59AD, #AD4C6C and #ADA04C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CAD8E shade: #4CAD8E, #5C4CAD, #AD4C6C and #9DAD4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

Complementary color

CMYK 0 / 54 / 37 / 30

HEX #B35271

RGB 179 82 113

HSL 340.82, 0.39%, 0.51%

LAB 48.02, 42.64, 1.49

 

CMYK 53 / 0 / 21 / 32

HEX #51AD89

RGB 81 173 137

HSL 156.52, 0.36%, 0.5%

LAB 64.52, -36.15, 10.27

 

CMYK 49 / 0 / 18 / 25

HEX #62BF9C

RGB 98 191 156

HSL 157.42, 0.42%, 0.57%

LAB 71.05, -36.04, 9.22

 

CMYK 45 / 0 / 16 / 18

HEX #73D1AF

RGB 115 209 175

HSL 158.3, 0.51%, 0.64%

LAB 77.48, -35.88, 8.25

 

CMYK 42 / 0 / 15 / 11

HEX #84E3C2

RGB 132 227 194

HSL 159.16, 0.63%, 0.7%

LAB 83.83, -35.69, 7.35

 

CMYK 39 / 0 / 13 / 4

HEX #95F5D5

RGB 149 245 213

HSL 160, 0.83%, 0.77%

LAB 90.09, -35.5, 6.51

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 62 / 0 / 21 / 39

HEX #3B9B7B

RGB 59 155 123

HSL 160, 0.45%, 0.42%

LAB 57.85, -36.05, 8.53

 

CMYK 69 / 0 / 24 / 46

HEX #2A8968

RGB 42 137 104

HSL 159.16, 0.53%, 0.35%

LAB 51.13, -35.78, 9.8

 

CMYK 79 / 0 / 29 / 53

HEX #197755

RGB 25 119 85

HSL 158.3, 0.65%, 0.28%

LAB 44.31, -35.18, 11.26

 

CMYK 92 / 0 / 35 / 60

HEX #086542

RGB 8 101 66

HSL 157.42, 0.85%, 0.21%

LAB 37.39, -34.01, 12.97

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 56 / 0 / 33 / 32

HEX #4CAD74

RGB 76 173 116

HSL 144.74, 0.39%, 0.49%

LAB 63.9, -41.78, 20.91

 

CMYK 56 / 0 / 49 / 32

HEX #4CAD59

RGB 76 173 89

HSL 128.04, 0.39%, 0.49%

LAB 63.46, -46.47, 34.6

 

CMYK 49 / 0 / 56 / 32

HEX #58AD4C

RGB 88 173 76

HSL 112.58, 0.39%, 0.49%

LAB 63.74, -44.97, 41.49

 

CMYK 34 / 0 / 56 / 32

HEX #73AD4C

RGB 115 173 76

HSL 95.88, 0.39%, 0.49%

LAB 65.01, -36.15, 43.29

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 56 / 12 / 0 / 32

HEX #4C98AD

RGB 76 152 173

HSL 192.99, 0.39%, 0.49%

LAB 58.98, -17.37, -18.13

 

CMYK 56 / 28 / 0 / 32

HEX #4C7DAD

RGB 76 125 173

HSL 209.69, 0.39%, 0.49%

LAB 50.94, -2.19, -30.52

 

CMYK 56 / 43 / 0 / 32

HEX #4C63AD

RGB 76 99 173

HSL 225.77, 0.39%, 0.49%

LAB 43.47, 13.76, -42.29

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 71 / 0 / 23 / 24

HEX #38C195

RGB 56 193 149

HSL 160.73, 0.55%, 0.49%

LAB 70.28, -46.81, 11.76

 

CMYK 84 / 0 / 27 / 16

HEX #23D69D

RGB 35 214 157

HSL 160.89, 0.72%, 0.49%

LAB 76.61, -55.65, 16.32

 

CMYK 94 / 0 / 30 / 8

HEX #0FEAA4

RGB 15 234 164

HSL 160.82, 0.88%, 0.49%

LAB 82.71, -62.66, 21.11

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 37 / 0 / 12 / 40

HEX #609987

RGB 96 153 135

HSL 161.05, 0.23%, 0.49%

LAB 58.99, -22.96, 3.56

 

CMYK 13 / 0 / 5 / 48

HEX #74857F

RGB 116 133 127

HSL 158.82, 0.07%, 0.49%

LAB 54.05, -7.44, 1.14

 

CMYK 0 / 17 / 12 / 47

HEX #887178

RGB 136 113 120

HSL 341.74, 0.09%, 0.49%

LAB 49.98, 10.25, -0.49

 

CMYK 0 / 41 / 28 / 38

HEX #9D5C71

RGB 157 92 113

HSL 340.62, 0.26%, 0.49%

LAB 46.99, 29.36, -0.38

 

CMYK 56 / 0 / 49 / 32

HEX #4CAD59

RGB 76 173 89

HSL 128.04, 0.39%, 0.49%

LAB 63.46, -46.47, 34.6

 

CMYK 56 / 0 / 34 / 32

HEX #4CAD73

RGB 76 173 115

HSL 144.12, 0.39%, 0.49%

LAB 63.89, -41.98, 21.42

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8D

RGB 76 173 141

HSL 160.21, 0.39%, 0.49%

LAB 64.44, -36.37, 7.92

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA7

RGB 76 173 167

HSL 176.29, 0.39%, 0.49%

LAB 65.13, -29.78, -5.53

 

CMYK 56 / 11 / 0 / 32

HEX #4C9AAD

RGB 76 154 173

HSL 191.75, 0.39%, 0.49%

LAB 59.58, -18.43, -17.22

 

CMYK 56 / 0 / 18 / 55

HEX #33745F

RGB 51 116 95

HSL 160.62, 0.39%, 0.33%

LAB 44.26, -26.29, 5.36

 

CMYK 57 / 0 / 19 / 43

HEX #3F9176

RGB 63 145 118

HSL 160.24, 0.39%, 0.41%

LAB 54.67, -31.78, 6.87

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 46 / 0 / 15 / 26

HEX #66BCA0

RGB 102 188 160

HSL 160.47, 0.39%, 0.57%

LAB 70.41, -32.74, 6.14

 

CMYK 35 / 0 / 11 / 22

HEX #83C8B2

RGB 131 200 178

HSL 160.87, 0.39%, 0.65%

LAB 75.67, -26.61, 4.12

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 56 / 49 / 0 / 32

HEX #4C59AD

RGB 76 89 173

HSL 231.96, 0.39%, 0.49%

LAB 40.73, 20.12, -46.67

 

CMYK 0 / 41 / 56 / 32

HEX #AD664C

RGB 173 102 76

HSL 16.08, 0.39%, 0.49%

LAB 50.58, 25.9, 26.84

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 18 / 56 / 0 / 32

HEX #8D4CAD

RGB 141 76 173

HSL 280.21, 0.39%, 0.49%

LAB 44.02, 44.12, -41.06

 

CMYK 0 / 18 / 56 / 32

HEX #AD8D4C

RGB 173 141 76

HSL 40.21, 0.39%, 0.49%

LAB 60.3, 4.07, 38.82

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 56 / 49 / 0 / 32

HEX #4C59AD

RGB 76 89 173

HSL 231.96, 0.39%, 0.49%

LAB 40.73, 20.12, -46.67

 

CMYK 0 / 56 / 38 / 32

HEX #AD4C6C

RGB 173 76 108

HSL 340.21, 0.39%, 0.49%

LAB 45.82, 42.95, 1.22

 

CMYK 0 / 8 / 56 / 32

HEX #ADA04C

RGB 173 160 76

HSL 51.96, 0.39%, 0.49%

LAB 65.39, -6.26, 44.8

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 47 / 56 / 0 / 32

HEX #5C4CAD

RGB 92 76 173

HSL 249.9, 0.39%, 0.49%

LAB 38.66, 31.82, -49.94

 

CMYK 0 / 56 / 38 / 32

HEX #AD4C6C

RGB 173 76 108

HSL 340.21, 0.39%, 0.49%

LAB 45.82, 42.95, 1.22

 

CMYK 9 / 0 / 56 / 32

HEX #9DAD4C

RGB 157 173 76

HSL 69.9, 0.39%, 0.49%

LAB 67.71, -19.8, 47.12

 

Description

Color code: HEX #4CAD8E | qconv.com Color code: HEX #4CAD8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 173 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 173 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 18 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 18% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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