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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CA360 it is the complementary color #B35C9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CA360. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CA360 shade: #51A35B, #62B56E, #73C781, #84D994 and #95EBA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CA360. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CA360 shade: #4CA360, #3B914D, #2A7F3A, #196D27 and #085B14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CA360 shade: #4CA260, #50A24C, #67A24C, #7EA24C and #95A24C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CA360 shade: #4CA260, #4CA277, #4CA28F, #4C9FA2 and #4C88A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CA360 shade matches the following richer shades: #4CA260, #39B656, #25C94B and #12DD41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CA360 shade: #4CA260, #608F6B, #737C75, #86687F and #9A558A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CA360 shade: #68A24C, #51A24C, #4CA25F, #4CA276 and #4CA28D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CA360 shade: #326A3F, #3F864F, #4CA260, #63B576 and #7FC28E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CA360 shade: #4CA360, #4C7FA2 and #A24C5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CA360 shade: #4CA360, #5F4CA2 and #A25F4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CA360 shade: #4CA360, #4C7FA2, #A24C90 and #A2704C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CA360 shade: #4CA360, #4C65A2, #A24C90 and #A28A4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 41 / 36

HEX #4CA360

RGB 76 163 96

HSL 133.79, 0.36%, 0.47%

LAB 60.41, -41.2, 27.03

 

Complementary color

CMYK 0 / 49 / 11 / 30

HEX #B35C9F

RGB 179 92 159

HSL 313.79, 0.36%, 0.53%

LAB 51.54, 44.21, -20.68

 

CMYK 50 / 0 / 44 / 36

HEX #51A35B

RGB 81 163 91

HSL 127.32, 0.34%, 0.48%

LAB 60.52, -40.67, 29.86

 

CMYK 46 / 0 / 39 / 29

HEX #62B56E

RGB 98 181 110

HSL 128.67, 0.36%, 0.55%

LAB 67.1, -40.54, 28.53

 

CMYK 42 / 0 / 35 / 22

HEX #73C781

RGB 115 199 129

HSL 130, 0.43%, 0.62%

LAB 73.6, -40.33, 27.28

 

CMYK 39 / 0 / 32 / 15

HEX #84D994

RGB 132 217 148

HSL 131.29, 0.53%, 0.68%

LAB 79.99, -40.09, 26.11

 

CMYK 37 / 0 / 29 / 8

HEX #95EBA7

RGB 149 235 167

HSL 132.56, 0.68%, 0.75%

LAB 86.3, -39.83, 25.01

 

CMYK 53 / 0 / 41 / 36

HEX #4CA360

RGB 76 163 96

HSL 133.79, 0.36%, 0.47%

LAB 60.41, -41.2, 27.03

 

CMYK 59 / 0 / 47 / 43

HEX #3B914D

RGB 59 145 77

HSL 132.56, 0.42%, 0.4%

LAB 53.72, -41.16, 28.46

 

CMYK 67 / 0 / 54 / 50

HEX #2A7F3A

RGB 42 127 58

HSL 131.29, 0.5%, 0.33%

LAB 46.94, -40.84, 29.97

 

CMYK 77 / 0 / 64 / 57

HEX #196D27

RGB 25 109 39

HSL 130, 0.63%, 0.26%

LAB 40.07, -40, 31.48

 

CMYK 91 / 0 / 78 / 64

HEX #085B14

RGB 8 91 20

HSL 128.67, 0.84%, 0.19%

LAB 33.1, -38.2, 32.63

 

CMYK 53 / 0 / 41 / 36

HEX #4CA260

RGB 76 162 96

HSL 133.95, 0.36%, 0.47%

LAB 60.09, -40.77, 26.61

 

CMYK 51 / 0 / 53 / 36

HEX #50A24C

RGB 80 162 76

HSL 117.21, 0.36%, 0.47%

LAB 59.95, -42.74, 36.88

 

CMYK 36 / 0 / 53 / 36

HEX #67A24C

RGB 103 162 76

HSL 101.16, 0.36%, 0.47%

LAB 61, -35.4, 38.39

 

CMYK 22 / 0 / 53 / 36

HEX #7EA24C

RGB 126 162 76

HSL 85.12, 0.36%, 0.47%

LAB 62.34, -26.85, 40.31

 

CMYK 8 / 0 / 53 / 36

HEX #95A24C

RGB 149 162 76

HSL 69.07, 0.36%, 0.47%

LAB 63.96, -17.52, 42.63

 

CMYK 53 / 0 / 41 / 36

HEX #4CA260

RGB 76 162 96

HSL 133.95, 0.36%, 0.47%

LAB 60.09, -40.77, 26.61

 

CMYK 53 / 0 / 27 / 36

HEX #4CA277

RGB 76 162 119

HSL 150, 0.36%, 0.47%

LAB 60.52, -36.31, 14.61

 

CMYK 53 / 0 / 12 / 36

HEX #4CA28F

RGB 76 162 143

HSL 166.74, 0.36%, 0.47%

LAB 61.1, -30.73, 1.99

 

CMYK 53 / 2 / 0 / 36

HEX #4C9FA2

RGB 76 159 162

HSL 182.09, 0.36%, 0.47%

LAB 60.73, -24.2, -9.27

 

CMYK 53 / 16 / 0 / 36

HEX #4C88A2

RGB 76 136 162

HSL 198.14, 0.36%, 0.47%

LAB 53.76, -11.96, -19.8

 

CMYK 53 / 0 / 41 / 36

HEX #4CA260

RGB 76 162 96

HSL 133.95, 0.36%, 0.47%

LAB 60.09, -40.77, 26.61

 

CMYK 69 / 0 / 53 / 29

HEX #39B656

RGB 57 182 86

HSL 133.92, 0.52%, 0.47%

LAB 65.75, -54.49, 38.81

 

CMYK 82 / 0 / 63 / 21

HEX #25C94B

RGB 37 201 75

HSL 133.9, 0.69%, 0.47%

LAB 71.33, -65.22, 50.39

 

CMYK 92 / 0 / 71 / 13

HEX #12DD41

RGB 18 221 65

HSL 133.89, 0.85%, 0.47%

LAB 77.41, -73.72, 60.95

 

CMYK 53 / 0 / 41 / 36

HEX #4CA260

RGB 76 162 96

HSL 133.95, 0.36%, 0.47%

LAB 60.09, -40.77, 26.61

 

CMYK 33 / 0 / 25 / 44

HEX #608F6B

RGB 96 143 107

HSL 134.04, 0.2%, 0.47%

LAB 55.27, -23.84, 14.19

 

CMYK 7 / 0 / 6 / 51

HEX #737C75

RGB 115 124 117

HSL 133.33, 0.04%, 0.47%

LAB 51.09, -4.78, 2.66

 

CMYK 0 / 22 / 5 / 47

HEX #86687F

RGB 134 104 127

HSL 314, 0.13%, 0.47%

LAB 47.63, 16.11, -8.16

 

CMYK 0 / 45 / 10 / 40

HEX #9A558A

RGB 154 85 138

HSL 313.91, 0.29%, 0.47%

LAB 45.91, 36.2, -17.12

 

CMYK 36 / 0 / 53 / 36

HEX #68A24C

RGB 104 162 76

HSL 100.47, 0.36%, 0.47%

LAB 61.05, -35.05, 38.46

 

CMYK 50 / 0 / 53 / 36

HEX #51A24C

RGB 81 162 76

HSL 116.51, 0.36%, 0.47%

LAB 59.99, -42.45, 36.93

 

CMYK 53 / 0 / 41 / 36

HEX #4CA25F

RGB 76 162 95

HSL 133.26, 0.36%, 0.47%

LAB 60.07, -40.94, 27.13

 

CMYK 53 / 0 / 27 / 36

HEX #4CA276

RGB 76 162 118

HSL 149.3, 0.36%, 0.47%

LAB 60.5, -36.53, 15.14

 

CMYK 53 / 0 / 13 / 36

HEX #4CA28D

RGB 76 162 141

HSL 165.35, 0.36%, 0.47%

LAB 61.05, -31.23, 3.04

 

CMYK 53 / 0 / 41 / 58

HEX #326A3F

RGB 50 106 63

HSL 133.93, 0.36%, 0.31%

LAB 40.16, -28.87, 18.64

 

CMYK 53 / 0 / 41 / 47

HEX #3F864F

RGB 63 134 79

HSL 133.52, 0.36%, 0.39%

LAB 50.3, -35.04, 22.98

 

CMYK 53 / 0 / 41 / 36

HEX #4CA260

RGB 76 162 96

HSL 133.95, 0.36%, 0.47%

LAB 60.09, -40.77, 26.61

 

CMYK 45 / 0 / 35 / 29

HEX #63B576

RGB 99 181 118

HSL 133.9, 0.36%, 0.55%

LAB 67.28, -38.88, 24.54

 

CMYK 35 / 0 / 27 / 24

HEX #7FC28E

RGB 127 194 142

HSL 133.43, 0.35%, 0.63%

LAB 72.92, -32.13, 19.59

 

CMYK 53 / 0 / 41 / 36

HEX #4CA360

RGB 76 163 96

HSL 133.79, 0.36%, 0.47%

LAB 60.41, -41.2, 27.03

 

CMYK 53 / 22 / 0 / 36

HEX #4C7FA2

RGB 76 127 162

HSL 204.42, 0.36%, 0.47%

LAB 51.06, -6.85, -23.95

 

CMYK 0 / 53 / 43 / 36

HEX #A24C5C

RGB 162 76 92

HSL 348.84, 0.36%, 0.47%

LAB 43.69, 37.2, 7.74

 

CMYK 53 / 0 / 41 / 36

HEX #4CA360

RGB 76 163 96

HSL 133.79, 0.36%, 0.47%

LAB 60.41, -41.2, 27.03

 

CMYK 41 / 53 / 0 / 36

HEX #5F4CA2

RGB 95 76 162

HSL 253.26, 0.36%, 0.47%

LAB 38.22, 29.26, -44.08

 

CMYK 0 / 41 / 53 / 36

HEX #A25F4C

RGB 162 95 76

HSL 13.26, 0.36%, 0.47%

LAB 47.48, 25.24, 22.55

 

CMYK 53 / 0 / 41 / 36

HEX #4CA360

RGB 76 163 96

HSL 133.79, 0.36%, 0.47%

LAB 60.41, -41.2, 27.03

 

CMYK 53 / 22 / 0 / 36

HEX #4C7FA2

RGB 76 127 162

HSL 204.42, 0.36%, 0.47%

LAB 51.06, -6.85, -23.95

 

CMYK 0 / 53 / 11 / 36

HEX #A24C90

RGB 162 76 144

HSL 312.56, 0.36%, 0.47%

LAB 45.45, 44.53, -21.34

 

CMYK 0 / 31 / 53 / 36

HEX #A2704C

RGB 162 112 76

HSL 25.12, 0.36%, 0.47%

LAB 51.6, 15.61, 27.85

 

CMYK 53 / 0 / 41 / 36

HEX #4CA360

RGB 76 163 96

HSL 133.79, 0.36%, 0.47%

LAB 60.41, -41.2, 27.03

 

CMYK 53 / 38 / 0 / 36

HEX #4C65A2

RGB 76 101 162

HSL 222.56, 0.36%, 0.47%

LAB 43.44, 8.84, -35.86

 

CMYK 0 / 53 / 11 / 36

HEX #A24C90

RGB 162 76 144

HSL 312.56, 0.36%, 0.47%

LAB 45.45, 44.53, -21.34

 

CMYK 0 / 15 / 53 / 36

HEX #A28A4C

RGB 162 138 76

HSL 43.26, 0.36%, 0.47%

LAB 58.4, 0.93, 36.27

 

Description

Color code: HEX #4CA360 | qconv.com Color code: HEX #4CA360 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 163 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 163 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 41 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 41% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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