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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49E8E6 it is the complementary color #B61719. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49E8E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49E8E6 shade: #4EE8E1, #5FFAF4, #70FFFF, #81FFFF and #92FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49E8E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49E8E6 shade: #49E8E6, #38D6D3, #27C4C0, #16B2AD and #05A09A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49E8E6 shade: #49E8E6, #49E8BB, #49E890, #49E865 and #57E849

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49E8E6 shade: #49E8E6, #49BFE8, #4994E8, #4969E8 and #4949E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49E8E6 shade matches the following richer shades: #49E8E6 and #38F9F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49E8E6 shade: #49E8E6, #59D8D6, #6AC7C6, #7AB7B6 and #8BA6A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49E8E6 shade: #49E891, #49E8BB, #49E8E5, #49C0E8 and #4996E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49E8E6 shade: #18C6C4, #24E4E1, #49E8E6, #6EEDEB and #92F1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49E8E6 shade: #49E8E6, #6649E8 and #E8A649

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49E8E6 shade: #49E8E6, #E549E8 and #E8E549

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49E8E6 shade: #49E8E6, #6649E8, #E8494C and #CBE849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49E8E6 shade: #49E8E6, #9649E8, #E8494C and #9BE849

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

Complementary color

CMYK 0 / 87 / 86 / 29

HEX #B61719

RGB 182 23 25

HSL 359.25, 0.78%, 0.4%

LAB 38.95, 59.43, 42.6

 

CMYK 66 / 0 / 3 / 9

HEX #4EE8E1

RGB 78 232 225

HSL 177.27, 0.77%, 0.61%

LAB 84.36, -41.22, -8.43

 

CMYK 62 / 0 / 2 / 2

HEX #5FFAF4

RGB 95 250 244

HSL 177.68, 0.94%, 0.68%

LAB 90.48, -41.7, -9.26

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

CMYK 74 / 0 / 1 / 16

HEX #38D6D3

RGB 56 214 211

HSL 178.86, 0.66%, 0.53%

LAB 78.25, -39.74, -10.12

 

CMYK 80 / 0 / 2 / 23

HEX #27C4C0

RGB 39 196 192

HSL 178.47, 0.67%, 0.46%

LAB 72.04, -38.7, -9.13

 

CMYK 88 / 0 / 3 / 30

HEX #16B2AD

RGB 22 178 173

HSL 178.08, 0.78%, 0.39%

LAB 65.77, -37.34, -8.04

 

CMYK 97 / 0 / 4 / 37

HEX #05A09A

RGB 5 160 154

HSL 177.68, 0.94%, 0.32%

LAB 59.44, -35.59, -6.81

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

CMYK 69 / 0 / 19 / 9

HEX #49E8BB

RGB 73 232 187

HSL 163.02, 0.78%, 0.6%

LAB 83.29, -51.51, 10.02

 

CMYK 69 / 0 / 38 / 9

HEX #49E890

RGB 73 232 144

HSL 146.79, 0.78%, 0.6%

LAB 82.46, -60.49, 31.13

 

CMYK 69 / 0 / 56 / 9

HEX #49E865

RGB 73 232 101

HSL 130.57, 0.78%, 0.6%

LAB 81.88, -67.11, 51.18

 

CMYK 63 / 0 / 69 / 9

HEX #57E849

RGB 87 232 73

HSL 114.72, 0.78%, 0.6%

LAB 81.96, -67.33, 63.06

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

CMYK 69 / 18 / 0 / 9

HEX #49BFE8

RGB 73 191 232

HSL 195.47, 0.78%, 0.6%

LAB 72.56, -20.17, -30.03

 

CMYK 69 / 36 / 0 / 9

HEX #4994E8

RGB 73 148 232

HSL 211.7, 0.78%, 0.6%

LAB 60.27, 3.56, -49.24

 

CMYK 69 / 55 / 0 / 9

HEX #4969E8

RGB 73 105 232

HSL 227.92, 0.78%, 0.6%

LAB 48.69, 29.83, -67.81

 

CMYK 69 / 69 / 0 / 9

HEX #4949E8

RGB 73 73 232

HSL 240, 0.78%, 0.6%

LAB 41.23, 49.2, -80

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

CMYK 78 / 0 / 1 / 2

HEX #38F9F6

RGB 56 249 246

HSL 179.07, 0.94%, 0.6%

LAB 89.51, -45.47, -11.82

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

CMYK 59 / 0 / 1 / 15

HEX #59D8D6

RGB 89 216 214

HSL 179.06, 0.62%, 0.6%

LAB 79.67, -35.13, -9.54

 

CMYK 47 / 0 / 1 / 22

HEX #6AC7C6

RGB 106 199 198

HSL 179.35, 0.45%, 0.6%

LAB 74.82, -27.82, -8.08

 

CMYK 33 / 0 / 1 / 28

HEX #7AB7B6

RGB 122 183 182

HSL 179.02, 0.3%, 0.6%

LAB 70.44, -19.75, -5.76

 

CMYK 16 / 0 / 0 / 35

HEX #8BA6A6

RGB 139 166 166

HSL 180, 0.13%, 0.6%

LAB 66.15, -9.29, -3.13

 

CMYK 69 / 0 / 38 / 9

HEX #49E891

RGB 73 232 145

HSL 147.17, 0.78%, 0.6%

LAB 82.47, -60.31, 30.64

 

CMYK 69 / 0 / 19 / 9

HEX #49E8BB

RGB 73 232 187

HSL 163.02, 0.78%, 0.6%

LAB 83.29, -51.51, 10.02

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E5

RGB 73 232 229

HSL 178.87, 0.78%, 0.6%

LAB 84.37, -40.8, -10.53

 

CMYK 69 / 17 / 0 / 9

HEX #49C0E8

RGB 73 192 232

HSL 195.09, 0.78%, 0.6%

LAB 72.85, -20.68, -29.59

 

CMYK 69 / 35 / 0 / 9

HEX #4996E8

RGB 73 150 232

HSL 210.94, 0.78%, 0.6%

LAB 60.83, 2.39, -48.35

 

CMYK 88 / 0 / 1 / 22

HEX #18C6C4

RGB 24 198 196

HSL 179.31, 0.78%, 0.44%

LAB 72.61, -39.48, -10.48

 

CMYK 84 / 0 / 1 / 11

HEX #24E4E1

RGB 36 228 225

HSL 179.06, 0.78%, 0.52%

LAB 82.54, -43.71, -11.21

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

CMYK 54 / 0 / 1 / 7

HEX #6EEDEB

RGB 110 237 235

HSL 179.06, 0.78%, 0.68%

LAB 86.94, -35.52, -9.77

 

CMYK 39 / 0 / 0 / 5

HEX #92F1F0

RGB 146 241 240

HSL 179.37, 0.77%, 0.76%

LAB 89.54, -28.3, -8.38

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

CMYK 56 / 69 / 0 / 9

HEX #6649E8

RGB 102 73 232

HSL 250.94, 0.78%, 0.6%

LAB 43.38, 53.01, -76.38

 

CMYK 0 / 28 / 69 / 9

HEX #E8A649

RGB 232 166 73

HSL 35.09, 0.78%, 0.6%

LAB 72.83, 15.6, 56.12

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

CMYK 1 / 69 / 0 / 9

HEX #E549E8

RGB 229 73 232

HSL 298.87, 0.78%, 0.6%

LAB 59.2, 77.47, -50.06

 

CMYK 0 / 1 / 69 / 9

HEX #E8E549

RGB 232 229 73

HSL 58.87, 0.78%, 0.6%

LAB 88.77, -16.79, 72.46

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

CMYK 56 / 69 / 0 / 9

HEX #6649E8

RGB 102 73 232

HSL 250.94, 0.78%, 0.6%

LAB 43.38, 53.01, -76.38

 

CMYK 0 / 69 / 67 / 9

HEX #E8494C

RGB 232 73 76

HSL 358.87, 0.78%, 0.6%

LAB 54.49, 61.12, 33.71

 

CMYK 13 / 0 / 69 / 9

HEX #CBE849

RGB 203 232 73

HSL 70.94, 0.78%, 0.6%

LAB 87.43, -29.96, 70.42

 

CMYK 69 / 0 / 1 / 9

HEX #49E8E6

RGB 73 232 230

HSL 179.25, 0.78%, 0.6%

LAB 84.4, -40.53, -11.02

 

CMYK 35 / 69 / 0 / 9

HEX #9649E8

RGB 150 73 232

HSL 269.06, 0.78%, 0.6%

LAB 48.35, 61.24, -68.06

 

CMYK 0 / 69 / 67 / 9

HEX #E8494C

RGB 232 73 76

HSL 358.87, 0.78%, 0.6%

LAB 54.49, 61.12, 33.71

 

CMYK 33 / 0 / 69 / 9

HEX #9BE849

RGB 155 232 73

HSL 89.06, 0.78%, 0.6%

LAB 84.57, -47.94, 66.58

 

Description

Color code: HEX #49E8E6 | qconv.com Color code: HEX #49E8E6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 232 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 232 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 1 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 1% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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