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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49D73B it is the complementary color #B628C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49D73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49D73B shade: #4ED736, #5FE949, #70FB5C, #81FF6F and #92FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49D73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49D73B shade: #49D73B, #38C528, #27B315, #16A102 and #058F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49D73B shade: #4AD73C, #73D73C, #9DD73C, #C7D73C and #D7BD3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49D73B shade: #4AD73C, #3CD758, #3CD781, #3CD7AB and #3CD7D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49D73B shade matches the following richer shades: #4AD73C, #3AEA29 and #2BFD16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49D73B shade: #4AD73C, #59C44F, #69B162, #789E75 and #888B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49D73B shade: #9ED73C, #75D73C, #4BD73C, #3CD756 and #3CD77F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49D73B shade: #2CA020, #35C227, #4AD73C, #69DE5E and #89E580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49D73B shade: #49D73B, #3CC7D7 and #D73C89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49D73B shade: #49D73B, #3C4BD7 and #D73C4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49D73B shade: #49D73B, #3CC7D7, #C73CD7 and #D74B3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49D73B shade: #49D73B, #3C99D7, #C73CD7 and #D77A3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 73 / 16

HEX #49D73B

RGB 73 215 59

HSL 114.62, 0.66%, 0.54%

LAB 76.27, -65.68, 62.19

 

Complementary color

CMYK 7 / 80 / 0 / 23

HEX #B628C4

RGB 182 40 196

HSL 294.62, 0.66%, 0.46%

LAB 46.24, 72.2, -50.63

 

CMYK 64 / 0 / 75 / 16

HEX #4ED736

RGB 78 215 54

HSL 111.06, 0.67%, 0.53%

LAB 76.37, -65.01, 64.03

 

CMYK 59 / 0 / 69 / 9

HEX #5FE949

RGB 95 233 73

HSL 111.75, 0.78%, 0.6%

LAB 82.48, -65.9, 63.67

 

CMYK 55 / 0 / 63 / 2

HEX #70FB5C

RGB 112 251 92

HSL 112.45, 0.95%, 0.67%

LAB 88.55, -66.47, 62.92

 

CMYK 49 / 0 / 56 / 0

HEX #81FF6F

RGB 129 255 111

HSL 112.5, 1%, 0.72%

LAB 90.48, -61.65, 57.23

 

CMYK 43 / 0 / 49 / 0

HEX #92FF82

RGB 146 255 130

HSL 112.32, 1%, 0.75%

LAB 91.34, -54.69, 49.8

 

CMYK 66 / 0 / 73 / 16

HEX #49D73B

RGB 73 215 59

HSL 114.62, 0.66%, 0.54%

LAB 76.27, -65.68, 62.19

 

CMYK 72 / 0 / 80 / 23

HEX #38C528

RGB 56 197 40

HSL 113.89, 0.66%, 0.46%

LAB 70.12, -64.32, 62.19

 

CMYK 78 / 0 / 88 / 30

HEX #27B315

RGB 39 179 21

HSL 113.16, 0.79%, 0.39%

LAB 63.94, -62.34, 61.19

 

CMYK 86 / 0 / 99 / 37

HEX #16A102

RGB 22 161 2

HSL 112.45, 0.98%, 0.32%

LAB 57.72, -59.56, 58.88

 

CMYK 97 / 0 / 100 / 44

HEX #058F00

RGB 5 143 0

HSL 117.9, 1%, 0.28%

LAB 51.47, -55.69, 54.12

 

CMYK 66 / 0 / 72 / 16

HEX #4AD73C

RGB 74 215 60

HSL 114.58, 0.66%, 0.54%

LAB 76.3, -65.41, 61.87

 

CMYK 47 / 0 / 72 / 16

HEX #73D73C

RGB 115 215 60

HSL 98.71, 0.66%, 0.54%

LAB 77.62, -55.03, 63.63

 

CMYK 27 / 0 / 72 / 16

HEX #9DD73C

RGB 157 215 60

HSL 82.45, 0.66%, 0.54%

LAB 79.67, -40.75, 66.35

 

CMYK 7 / 0 / 72 / 16

HEX #C7D73C

RGB 199 215 60

HSL 66.19, 0.66%, 0.54%

LAB 82.42, -24.19, 69.96

 

CMYK 0 / 12 / 72 / 16

HEX #D7BD3C

RGB 215 189 60

HSL 49.94, 0.66%, 0.54%

LAB 76.78, -4.43, 64.96

 

CMYK 66 / 0 / 72 / 16

HEX #4AD73C

RGB 74 215 60

HSL 114.58, 0.66%, 0.54%

LAB 76.3, -65.41, 61.87

 

CMYK 72 / 0 / 59 / 16

HEX #3CD758

RGB 60 215 88

HSL 130.84, 0.66%, 0.54%

LAB 76.23, -65.16, 50.36

 

CMYK 72 / 0 / 40 / 16

HEX #3CD781

RGB 60 215 129

HSL 146.71, 0.66%, 0.54%

LAB 76.77, -58.95, 31.19

 

CMYK 72 / 0 / 20 / 16

HEX #3CD7AB

RGB 60 215 171

HSL 162.97, 0.66%, 0.54%

LAB 77.58, -50.12, 10.31

 

CMYK 72 / 0 / 1 / 16

HEX #3CD7D5

RGB 60 215 213

HSL 179.23, 0.66%, 0.54%

LAB 78.67, -39.18, -10.55

 

CMYK 66 / 0 / 72 / 16

HEX #4AD73C

RGB 74 215 60

HSL 114.58, 0.66%, 0.54%

LAB 76.3, -65.41, 61.87

 

CMYK 75 / 0 / 82 / 8

HEX #3AEA29

RGB 58 234 41

HSL 114.72, 0.82%, 0.54%

LAB 81.79, -75.23, 72.72

 

CMYK 83 / 0 / 91 / 1

HEX #2BFD16

RGB 43 253 22

HSL 114.55, 0.98%, 0.54%

LAB 87.4, -83.03, 81.02

 

CMYK 66 / 0 / 72 / 16

HEX #4AD73C

RGB 74 215 60

HSL 114.58, 0.66%, 0.54%

LAB 76.3, -65.41, 61.87

 

CMYK 55 / 0 / 60 / 23

HEX #59C44F

RGB 89 196 79

HSL 114.87, 0.5%, 0.54%

LAB 70.99, -53.43, 48.54

 

CMYK 41 / 0 / 45 / 31

HEX #69B162

RGB 105 177 98

HSL 114.68, 0.34%, 0.54%

LAB 66, -38.53, 33.43

 

CMYK 24 / 0 / 26 / 38

HEX #789E75

RGB 120 158 117

HSL 115.61, 0.17%, 0.54%

LAB 61.42, -21.31, 17.3

 

CMYK 2 / 0 / 2 / 45

HEX #888B88

RGB 136 139 136

HSL 120, 0.01%, 0.54%

LAB 57.54, -1.69, 1.21

 

CMYK 27 / 0 / 72 / 16

HEX #9ED73C

RGB 158 215 60

HSL 82.06, 0.66%, 0.54%

LAB 79.73, -40.38, 66.42

 

CMYK 46 / 0 / 72 / 16

HEX #75D73C

RGB 117 215 60

HSL 97.94, 0.66%, 0.54%

LAB 77.7, -54.43, 63.74

 

CMYK 65 / 0 / 72 / 16

HEX #4BD73C

RGB 75 215 60

HSL 114.19, 0.66%, 0.54%

LAB 76.33, -65.2, 61.9

 

CMYK 72 / 0 / 60 / 16

HEX #3CD756

RGB 60 215 86

HSL 130.06, 0.66%, 0.54%

LAB 76.21, -65.39, 51.22

 

CMYK 72 / 0 / 41 / 16

HEX #3CD77F

RGB 60 215 127

HSL 145.94, 0.66%, 0.54%

LAB 76.74, -59.31, 32.16

 

CMYK 73 / 0 / 80 / 37

HEX #2CA020

RGB 44 160 32

HSL 114.38, 0.67%, 0.38%

LAB 57.83, -54.99, 52.86

 

CMYK 73 / 0 / 80 / 24

HEX #35C227

RGB 53 194 39

HSL 114.58, 0.67%, 0.46%

LAB 69.1, -63.95, 61.49

 

CMYK 66 / 0 / 72 / 16

HEX #4AD73C

RGB 74 215 60

HSL 114.58, 0.66%, 0.54%

LAB 76.3, -65.41, 61.87

 

CMYK 53 / 0 / 58 / 13

HEX #69DE5E

RGB 105 222 94

HSL 114.84, 0.66%, 0.62%

LAB 79.64, -57.44, 51.94

 

CMYK 40 / 0 / 44 / 10

HEX #89E580

RGB 137 229 128

HSL 114.65, 0.66%, 0.7%

LAB 83.4, -46.9, 40.74

 

CMYK 66 / 0 / 73 / 16

HEX #49D73B

RGB 73 215 59

HSL 114.62, 0.66%, 0.54%

LAB 76.27, -65.68, 62.19

 

CMYK 72 / 7 / 0 / 16

HEX #3CC7D7

RGB 60 199 215

HSL 186.19, 0.66%, 0.54%

LAB 74.01, -31.11, -18.64

 

CMYK 0 / 72 / 36 / 16

HEX #D73C89

RGB 215 60 137

HSL 330.19, 0.66%, 0.54%

LAB 51.25, 65.61, -7.54

 

CMYK 66 / 0 / 73 / 16

HEX #49D73B

RGB 73 215 59

HSL 114.62, 0.66%, 0.54%

LAB 76.27, -65.68, 62.19

 

CMYK 72 / 65 / 0 / 16

HEX #3C4BD7

RGB 60 75 215

HSL 234.19, 0.66%, 0.54%

LAB 39.41, 40.9, -73.31

 

CMYK 0 / 72 / 65 / 16

HEX #D73C4B

RGB 215 60 75

HSL 354.19, 0.66%, 0.54%

LAB 49.72, 60.56, 27.71

 

CMYK 66 / 0 / 73 / 16

HEX #49D73B

RGB 73 215 59

HSL 114.62, 0.66%, 0.54%

LAB 76.27, -65.68, 62.19

 

CMYK 72 / 7 / 0 / 16

HEX #3CC7D7

RGB 60 199 215

HSL 186.19, 0.66%, 0.54%

LAB 74.01, -31.11, -18.64

 

CMYK 7 / 72 / 0 / 16

HEX #C73CD7

RGB 199 60 215

HSL 293.81, 0.66%, 0.54%

LAB 52.15, 72.75, -51.95

 

CMYK 0 / 65 / 72 / 16

HEX #D74B3C

RGB 215 75 60

HSL 5.81, 0.66%, 0.54%

LAB 51.62, 54.04, 38.64

 

CMYK 66 / 0 / 73 / 16

HEX #49D73B

RGB 73 215 59

HSL 114.62, 0.66%, 0.54%

LAB 76.27, -65.68, 62.19

 

CMYK 72 / 29 / 0 / 16

HEX #3C99D7

RGB 60 153 215

HSL 204, 0.66%, 0.54%

LAB 60.47, -7.05, -39.5

 

CMYK 7 / 72 / 0 / 16

HEX #C73CD7

RGB 199 60 215

HSL 293.81, 0.66%, 0.54%

LAB 52.15, 72.75, -51.95

 

CMYK 0 / 43 / 72 / 16

HEX #D77A3C

RGB 215 122 60

HSL 24, 0.66%, 0.54%

LAB 60.51, 31.31, 48.4

 

Description

Color code: HEX #49D73B | qconv.com Color code: HEX #49D73B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 215 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 215 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 73 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 73% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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