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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49CDCF it is the complementary color #B63230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49CDCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49CDCF shade: #4ECDCA, #5FDFDD, #70F1F0, #81FFFF and #92FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49CDCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49CDCF shade: #49CDCF, #38BBBC, #27A9A9, #169796 and #058583

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49CDCF shade: #49CCCE, #49A8CE, #4985CE, #4961CE and #5649CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49CDCF shade: #49CCCE, #49A8CE, #4985CE, #4961CE and #4949CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49CDCF shade matches the following richer shades: #49CCCE, #37DEE1 and #24F0F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49CDCF shade: #49CCCE, #5CBABC, #6EA8A9, #819697 and #938484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49CDCF shade: #49CE87, #49CEAB, #49CECE, #49ABCE and #4987CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49CDCF shade: #299A9C, #32BABD, #49CCCE, #6AD5D7 and #8ADEE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49CDCF shade: #49CDCF, #6449CE and #CE9949

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49CDCF shade: #49CDCF, #CE49CE and #CECE49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49CDCF shade: #49CDCF, #6449CE, #CE4949 and #B4CE49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49CDCF shade: #49CDCF, #8C49CE, #CE4949 and #8CCE49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 1 / 0 / 19

HEX #49CDCF

RGB 73 205 207

HSL 180.9, 0.58%, 0.55%

LAB 75.81, -34.52, -11.57

 

Complementary color

CMYK 0 / 73 / 74 / 29

HEX #B63230

RGB 182 50 48

HSL 0.9, 0.58%, 0.45%

LAB 41.91, 52.51, 32.84

 

CMYK 62 / 0 / 1 / 20

HEX #4ECDCA

RGB 78 205 202

HSL 178.58, 0.56%, 0.55%

LAB 75.79, -35.11, -8.89

 

CMYK 57 / 0 / 1 / 13

HEX #5FDFDD

RGB 95 223 221

HSL 179.06, 0.67%, 0.62%

LAB 82.07, -35.47, -9.67

 

CMYK 54 / 0 / 0 / 5

HEX #70F1F0

RGB 112 241 240

HSL 179.53, 0.82%, 0.69%

LAB 88.28, -35.71, -10.39

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 65 / 1 / 0 / 19

HEX #49CDCF

RGB 73 205 207

HSL 180.9, 0.58%, 0.55%

LAB 75.81, -34.52, -11.57

 

CMYK 70 / 1 / 0 / 26

HEX #38BBBC

RGB 56 187 188

HSL 180.45, 0.54%, 0.48%

LAB 69.48, -33.86, -10.74

 

CMYK 77 / 0 / 0 / 34

HEX #27A9A9

RGB 39 169 169

HSL 180, 0.63%, 0.41%

LAB 63.07, -32.96, -9.81

 

CMYK 85 / 0 / 1 / 41

HEX #169796

RGB 22 151 150

HSL 179.53, 0.75%, 0.34%

LAB 56.59, -31.72, -8.77

 

CMYK 96 / 0 / 2 / 48

HEX #058583

RGB 5 133 131

HSL 179.06, 0.93%, 0.27%

LAB 50.03, -30.04, -7.58

 

CMYK 65 / 1 / 0 / 19

HEX #49CCCE

RGB 73 204 206

HSL 180.9, 0.58%, 0.55%

LAB 75.49, -34.33, -11.52

 

CMYK 65 / 18 / 0 / 19

HEX #49A8CE

RGB 73 168 206

HSL 197.14, 0.58%, 0.55%

LAB 64.87, -16.3, -27.64

 

CMYK 65 / 35 / 0 / 19

HEX #4985CE

RGB 73 133 206

HSL 212.93, 0.58%, 0.55%

LAB 54.71, 3.5, -43.49

 

CMYK 65 / 53 / 0 / 19

HEX #4961CE

RGB 73 97 206

HSL 229.17, 0.58%, 0.55%

LAB 44.83, 25.79, -59.28

 

CMYK 58 / 65 / 0 / 19

HEX #5649CE

RGB 86 73 206

HSL 245.86, 0.58%, 0.55%

LAB 39.91, 42.68, -67.23

 

CMYK 65 / 1 / 0 / 19

HEX #49CCCE

RGB 73 204 206

HSL 180.9, 0.58%, 0.55%

LAB 75.49, -34.33, -11.52

 

CMYK 65 / 18 / 0 / 19

HEX #49A8CE

RGB 73 168 206

HSL 197.14, 0.58%, 0.55%

LAB 64.87, -16.3, -27.64

 

CMYK 65 / 35 / 0 / 19

HEX #4985CE

RGB 73 133 206

HSL 212.93, 0.58%, 0.55%

LAB 54.71, 3.5, -43.49

 

CMYK 65 / 53 / 0 / 19

HEX #4961CE

RGB 73 97 206

HSL 229.17, 0.58%, 0.55%

LAB 44.83, 25.79, -59.28

 

CMYK 65 / 65 / 0 / 19

HEX #4949CE

RGB 73 73 206

HSL 240, 0.58%, 0.55%

LAB 38.96, 40.71, -68.83

 

CMYK 65 / 1 / 0 / 19

HEX #49CCCE

RGB 73 204 206

HSL 180.9, 0.58%, 0.55%

LAB 75.49, -34.33, -11.52

 

CMYK 76 / 1 / 0 / 12

HEX #37DEE1

RGB 55 222 225

HSL 181.06, 0.74%, 0.55%

LAB 81.01, -39.48, -13.47

 

CMYK 85 / 1 / 0 / 5

HEX #24F0F3

RGB 36 240 243

HSL 180.87, 0.9%, 0.55%

LAB 86.59, -43.83, -14.65

 

CMYK 65 / 1 / 0 / 19

HEX #49CCCE

RGB 73 204 206

HSL 180.9, 0.58%, 0.55%

LAB 75.49, -34.33, -11.52

 

CMYK 51 / 1 / 0 / 26

HEX #5CBABC

RGB 92 186 188

HSL 181.25, 0.42%, 0.55%

LAB 70.19, -27.16, -9.56

 

CMYK 35 / 1 / 0 / 34

HEX #6EA8A9

RGB 110 168 169

HSL 181.02, 0.26%, 0.55%

LAB 65.11, -18.53, -6.53

 

CMYK 15 / 1 / 0 / 41

HEX #819697

RGB 129 150 151

HSL 182.73, 0.1%, 0.55%

LAB 60.53, -7.19, -3.04

 

CMYK 0 / 10 / 10 / 42

HEX #938484

RGB 147 132 132

HSL 0, 0.06%, 0.55%

LAB 56.46, 5.67, 2.06

 

CMYK 65 / 0 / 34 / 19

HEX #49CE87

RGB 73 206 135

HSL 147.97, 0.58%, 0.55%

LAB 74.39, -52.25, 24.96

 

CMYK 65 / 0 / 17 / 19

HEX #49CEAB

RGB 73 206 171

HSL 164.21, 0.58%, 0.55%

LAB 75.14, -44.39, 6.85

 

CMYK 65 / 0 / 0 / 19

HEX #49CECE

RGB 73 206 206

HSL 180, 0.58%, 0.55%

LAB 76.08, -35.26, -10.63

 

CMYK 65 / 17 / 0 / 19

HEX #49ABCE

RGB 73 171 206

HSL 195.79, 0.58%, 0.55%

LAB 65.75, -17.89, -26.28

 

CMYK 65 / 34 / 0 / 19

HEX #4987CE

RGB 73 135 206

HSL 212.03, 0.58%, 0.55%

LAB 55.28, 2.31, -42.59

 

CMYK 74 / 1 / 0 / 39

HEX #299A9C

RGB 41 154 156

HSL 181.04, 0.58%, 0.39%

LAB 58.02, -29.44, -10.02

 

CMYK 74 / 2 / 0 / 26

HEX #32BABD

RGB 50 186 189

HSL 181.29, 0.58%, 0.47%

LAB 69.09, -33.84, -11.88

 

CMYK 65 / 1 / 0 / 19

HEX #49CCCE

RGB 73 204 206

HSL 180.9, 0.58%, 0.55%

LAB 75.49, -34.33, -11.52

 

CMYK 51 / 1 / 0 / 16

HEX #6AD5D7

RGB 106 213 215

HSL 181.1, 0.58%, 0.63%

LAB 79.36, -30.19, -10.47

 

CMYK 38 / 1 / 0 / 12

HEX #8ADEE0

RGB 138 222 224

HSL 181.4, 0.58%, 0.71%

LAB 83.46, -24.91, -9.03

 

CMYK 65 / 1 / 0 / 19

HEX #49CDCF

RGB 73 205 207

HSL 180.9, 0.58%, 0.55%

LAB 75.81, -34.52, -11.57

 

CMYK 51 / 65 / 0 / 19

HEX #6449CE

RGB 100 73 206

HSL 252.18, 0.58%, 0.55%

LAB 41.11, 45.07, -65.24

 

CMYK 0 / 26 / 65 / 19

HEX #CE9949

RGB 206 153 73

HSL 36.09, 0.58%, 0.55%

LAB 66.81, 11.54, 48.74

 

CMYK 65 / 1 / 0 / 19

HEX #49CDCF

RGB 73 205 207

HSL 180.9, 0.58%, 0.55%

LAB 75.81, -34.52, -11.57

 

CMYK 0 / 65 / 0 / 19

HEX #CE49CE

RGB 206 73 206

HSL 300, 0.58%, 0.55%

LAB 54.39, 68.07, -43.2

 

CMYK 0 / 0 / 65 / 19

HEX #CECE49

RGB 206 206 73

HSL 60, 0.58%, 0.55%

LAB 80.6, -16.19, 63.53

 

CMYK 65 / 1 / 0 / 19

HEX #49CDCF

RGB 73 205 207

HSL 180.9, 0.58%, 0.55%

LAB 75.81, -34.52, -11.57

 

CMYK 51 / 65 / 0 / 19

HEX #6449CE

RGB 100 73 206

HSL 252.18, 0.58%, 0.55%

LAB 41.11, 45.07, -65.24

 

CMYK 0 / 65 / 65 / 19

HEX #CE4949

RGB 206 73 73

HSL 0, 0.58%, 0.55%

LAB 49.94, 52.54, 28.83

 

CMYK 13 / 0 / 65 / 19

HEX #B4CE49

RGB 180 206 73

HSL 71.73, 0.58%, 0.55%

LAB 78.65, -26.85, 60.89

 

CMYK 65 / 1 / 0 / 19

HEX #49CDCF

RGB 73 205 207

HSL 180.9, 0.58%, 0.55%

LAB 75.81, -34.52, -11.57

 

CMYK 32 / 65 / 0 / 19

HEX #8C49CE

RGB 140 73 206

HSL 270.23, 0.58%, 0.55%

LAB 45.35, 53.05, -58.15

 

CMYK 0 / 65 / 65 / 19

HEX #CE4949

RGB 206 73 73

HSL 0, 0.58%, 0.55%

LAB 49.94, 52.54, 28.83

 

CMYK 32 / 0 / 65 / 19

HEX #8CCE49

RGB 140 206 73

HSL 89.77, 0.58%, 0.55%

LAB 76.19, -42.13, 57.54

 

Description

Color code: HEX #49CDCF | qconv.com Color code: HEX #49CDCF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 205 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 205 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 1 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 1% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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