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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49CAAC it is the complementary color #B63553. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49CAAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49CAAC shade: #4ECAA7, #5FDCBA, #70EECD, #81FFE0 and #92FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49CAAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49CAAC shade: #49CAAC, #38B899, #27A686, #169473 and #058260

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49CAAC shade: #49CAAC, #49CA89, #49CA66, #4ECA49 and #71CA49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49CAAC shade: #49CAAC, #49C5CA, #49A2CA, #497FCA and #495DCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49CAAC shade matches the following richer shades: #49CAAC, #36DDB6 and #23F0C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49CAAC shade: #49CAAC, #5CB7A2, #6FA497, #82918D and #957E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49CAAC shade: #49CA67, #49CA89, #49CAAC, #49C5CA and #49A3CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49CAAC shade: #2B957C, #34B597, #49CAAC, #69D3BA and #89DCC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49CAAC shade: #49CAAC, #494DCA and #CA7849

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49CAAC shade: #49CAAC, #AC49CA and #CAAC49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49CAAC shade: #49CAAC, #494DCA, #CA4967 and #CAC549

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49CAAC shade: #49CAAC, #6B49CA, #CA4967 and #A7CA49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

Complementary color

CMYK 0 / 71 / 54 / 29

HEX #B63553

RGB 182 53 83

HSL 346.05, 0.55%, 0.46%

LAB 42.94, 53.54, 12.76

 

CMYK 61 / 0 / 17 / 21

HEX #4ECAA7

RGB 78 202 167

HSL 163.06, 0.54%, 0.55%

LAB 73.97, -42.73, 7.34

 

CMYK 57 / 0 / 15 / 14

HEX #5FDCBA

RGB 95 220 186

HSL 163.68, 0.64%, 0.62%

LAB 80.27, -42.86, 6.3

 

CMYK 53 / 0 / 14 / 7

HEX #70EECD

RGB 112 238 205

HSL 164.29, 0.79%, 0.69%

LAB 86.5, -42.9, 5.33

 

CMYK 49 / 0 / 12 / 0

HEX #81FFE0

RGB 129 255 224

HSL 165.24, 1%, 0.75%

LAB 92.38, -42.42, 4.03

 

CMYK 43 / 0 / 5 / 0

HEX #92FFF3

RGB 146 255 243

HSL 173.39, 1%, 0.79%

LAB 93.49, -34.19, -4.1

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 70 / 0 / 17 / 28

HEX #38B899

RGB 56 184 153

HSL 165.47, 0.53%, 0.47%

LAB 67.59, -42.01, 5.74

 

CMYK 77 / 0 / 19 / 35

HEX #27A686

RGB 39 166 134

HSL 164.88, 0.62%, 0.4%

LAB 61.15, -41.36, 7

 

CMYK 85 / 0 / 22 / 42

HEX #169473

RGB 22 148 115

HSL 164.29, 0.74%, 0.33%

LAB 54.65, -40.35, 8.42

 

CMYK 96 / 0 / 26 / 49

HEX #058260

RGB 5 130 96

HSL 163.68, 0.93%, 0.26%

LAB 48.06, -38.85, 10.03

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 64 / 0 / 32 / 21

HEX #49CA89

RGB 73 202 137

HSL 149.77, 0.55%, 0.54%

LAB 73.2, -50.26, 22.29

 

CMYK 64 / 0 / 50 / 21

HEX #49CA66

RGB 73 202 102

HSL 133.49, 0.55%, 0.54%

LAB 72.64, -56.38, 39.52

 

CMYK 61 / 0 / 64 / 21

HEX #4ECA49

RGB 78 202 73

HSL 117.67, 0.55%, 0.54%

LAB 72.46, -58.94, 52.73

 

CMYK 44 / 0 / 64 / 21

HEX #71CA49

RGB 113 202 73

HSL 101.4, 0.55%, 0.54%

LAB 73.7, -49.5, 54.45

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 64 / 2 / 0 / 21

HEX #49C5CA

RGB 73 197 202

HSL 182.33, 0.55%, 0.54%

LAB 73.29, -32.14, -12.63

 

CMYK 64 / 20 / 0 / 21

HEX #49A2CA

RGB 73 162 202

HSL 198.6, 0.55%, 0.54%

LAB 62.95, -14.34, -28.38

 

CMYK 64 / 37 / 0 / 21

HEX #497FCA

RGB 73 127 202

HSL 214.88, 0.55%, 0.54%

LAB 52.8, 5.73, -44.25

 

CMYK 64 / 54 / 0 / 21

HEX #495DCA

RGB 73 93 202

HSL 230.7, 0.55%, 0.54%

LAB 43.52, 26.93, -59.1

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 76 / 0 / 18 / 13

HEX #36DDB6

RGB 54 221 182

HSL 165.99, 0.71%, 0.54%

LAB 79.54, -50.66, 7.25

 

CMYK 85 / 0 / 20 / 6

HEX #23F0C0

RGB 35 240 192

HSL 165.95, 0.87%, 0.54%

LAB 85.24, -57.47, 10.11

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 50 / 0 / 11 / 28

HEX #5CB7A2

RGB 92 183 162

HSL 166.15, 0.39%, 0.54%

LAB 68.57, -32.36, 2.34

 

CMYK 32 / 0 / 8 / 36

HEX #6FA497

RGB 111 164 151

HSL 165.28, 0.23%, 0.54%

LAB 63.48, -20.45, 1.15

 

CMYK 10 / 0 / 3 / 43

HEX #82918D

RGB 130 145 141

HSL 164, 0.06%, 0.54%

LAB 58.9, -6.21, 0.28

 

CMYK 0 / 15 / 12 / 42

HEX #957E83

RGB 149 126 131

HSL 346.96, 0.1%, 0.54%

LAB 55.02, 9.69, 0.57

 

CMYK 64 / 0 / 49 / 21

HEX #49CA67

RGB 73 202 103

HSL 133.95, 0.55%, 0.54%

LAB 72.65, -56.24, 39.04

 

CMYK 64 / 0 / 32 / 21

HEX #49CA89

RGB 73 202 137

HSL 149.77, 0.55%, 0.54%

LAB 73.2, -50.26, 22.29

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 64 / 2 / 0 / 21

HEX #49C5CA

RGB 73 197 202

HSL 182.33, 0.55%, 0.54%

LAB 73.29, -32.14, -12.63

 

CMYK 64 / 19 / 0 / 21

HEX #49A3CA

RGB 73 163 202

HSL 198.14, 0.55%, 0.54%

LAB 63.24, -14.88, -27.92

 

CMYK 71 / 0 / 17 / 42

HEX #2B957C

RGB 43 149 124

HSL 165.85, 0.55%, 0.38%

LAB 55.55, -35.92, 4.61

 

CMYK 71 / 0 / 17 / 29

HEX #34B597

RGB 52 181 151

HSL 166.05, 0.55%, 0.46%

LAB 66.53, -41.79, 5.3

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 50 / 0 / 12 / 17

HEX #69D3BA

RGB 105 211 186

HSL 165.85, 0.55%, 0.62%

LAB 77.96, -36.69, 2.99

 

CMYK 38 / 0 / 9 / 14

HEX #89DCC9

RGB 137 220 201

HSL 166.27, 0.54%, 0.7%

LAB 82.23, -29.55, 1.36

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 64 / 62 / 0 / 21

HEX #494DCA

RGB 73 77 202

HSL 238.14, 0.55%, 0.54%

LAB 39.56, 36.95, -65.54

 

CMYK 0 / 41 / 64 / 21

HEX #CA7849

RGB 202 120 73

HSL 21.86, 0.55%, 0.54%

LAB 58.48, 27.79, 39.06

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 15 / 64 / 0 / 21

HEX #AC49CA

RGB 172 73 202

HSL 286.05, 0.55%, 0.54%

LAB 49.25, 59.38, -49.37

 

CMYK 0 / 15 / 64 / 21

HEX #CAAC49

RGB 202 172 73

HSL 46.05, 0.55%, 0.54%

LAB 71.24, -0.38, 53.5

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 64 / 62 / 0 / 21

HEX #494DCA

RGB 73 77 202

HSL 238.14, 0.55%, 0.54%

LAB 39.56, 36.95, -65.54

 

CMYK 0 / 64 / 49 / 21

HEX #CA4967

RGB 202 73 103

HSL 346.05, 0.55%, 0.54%

LAB 49.86, 53.46, 10.66

 

CMYK 0 / 2 / 64 / 21

HEX #CAC549

RGB 202 197 73

HSL 57.67, 0.55%, 0.54%

LAB 77.86, -13.35, 60.57

 

CMYK 64 / 0 / 15 / 21

HEX #49CAAC

RGB 73 202 172

HSL 166.05, 0.55%, 0.54%

LAB 73.96, -42.41, 4.61

 

CMYK 47 / 64 / 0 / 21

HEX #6B49CA

RGB 107 73 202

HSL 255.81, 0.55%, 0.54%

LAB 41.46, 45.22, -62.32

 

CMYK 0 / 64 / 49 / 21

HEX #CA4967

RGB 202 73 103

HSL 346.05, 0.55%, 0.54%

LAB 49.86, 53.46, 10.66

 

CMYK 17 / 0 / 64 / 21

HEX #A7CA49

RGB 167 202 73

HSL 76.28, 0.55%, 0.54%

LAB 76.64, -30.14, 58.5

 

Description

Color code: HEX #49CAAC | qconv.com Color code: HEX #49CAAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 202 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 202 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 15 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 15% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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