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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49BB28 it is the complementary color #B644D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49BB28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49BB28 shade: #4EBB23, #5FCD36, #70DF49, #81F15C and #92FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49BB28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49BB28 shade: #49BB28, #38A915, #279702, #168500 and #057300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49BB28 shade: #49BD28, #71BD28, #9ABD28, #BDB828 and #BD9028

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49BB28 shade: #49BD28, #28BD2E, #28BD57, #28BD7F and #28BDA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49BB28 shade matches the following richer shades: #49BD28, #3FCF15 and #35E203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49BB28 shade: #49BD28, #53AA3A, #5E984D, #68855F and #727372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49BB28 shade: #9ABD28, #72BD28, #4ABD28, #28BD2D and #28BD54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49BB28 shade: #2F7919, #3C9B20, #49BD28, #5CD539 and #78DC5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49BB28 shade: #49BB28, #28BDB8 and #BD2886

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49BB28 shade: #49BB28, #284ABD and #BD284A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49BB28 shade: #49BB28, #28BDB8, #9A28BD and #BD282D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49BB28 shade: #49BB28, #2895BD, #9A28BD and #BD4F28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 79 / 27

HEX #49BB28

RGB 73 187 40

HSL 106.53, 0.65%, 0.45%

LAB 67.36, -57.51, 59.72

 

Complementary color

CMYK 15 / 68 / 0 / 16

HEX #B644D7

RGB 182 68 215

HSL 286.53, 0.65%, 0.55%

LAB 50.67, 66.25, -54.47

 

CMYK 58 / 0 / 81 / 27

HEX #4EBB23

RGB 78 187 35

HSL 103.03, 0.68%, 0.44%

LAB 67.49, -56.56, 61.35

 

CMYK 54 / 0 / 74 / 20

HEX #5FCD36

RGB 95 205 54

HSL 103.71, 0.6%, 0.51%

LAB 73.78, -57.42, 61.63

 

CMYK 50 / 0 / 67 / 13

HEX #70DF49

RGB 112 223 73

HSL 104.4, 0.7%, 0.58%

LAB 80.01, -57.96, 61.24

 

CMYK 46 / 0 / 62 / 5

HEX #81F15C

RGB 129 241 92

HSL 105.1, 0.84%, 0.65%

LAB 86.18, -58.27, 60.47

 

CMYK 43 / 0 / 56 / 0

HEX #92FF6F

RGB 146 255 111

HSL 105.42, 1%, 0.72%

LAB 91.13, -56.86, 58.16

 

CMYK 61 / 0 / 79 / 27

HEX #49BB28

RGB 73 187 40

HSL 106.53, 0.65%, 0.45%

LAB 67.36, -57.51, 59.72

 

CMYK 67 / 0 / 88 / 34

HEX #38A915

RGB 56 169 21

HSL 105.81, 0.78%, 0.37%

LAB 61.02, -56.17, 58.78

 

CMYK 74 / 0 / 99 / 41

HEX #279702

RGB 39 151 2

HSL 105.1, 0.97%, 0.3%

LAB 54.63, -54.19, 56.49

 

CMYK 83 / 0 / 100 / 48

HEX #168500

RGB 22 133 0

HSL 110.08, 1%, 0.26%

LAB 48.19, -51.19, 51.56

 

CMYK 96 / 0 / 100 / 55

HEX #057300

RGB 5 115 0

HSL 117.39, 1%, 0.23%

LAB 41.68, -47.42, 46.27

 

CMYK 61 / 0 / 79 / 26

HEX #49BD28

RGB 73 189 40

HSL 106.71, 0.65%, 0.45%

LAB 67.99, -58.21, 60.32

 

CMYK 40 / 0 / 79 / 26

HEX #71BD28

RGB 113 189 40

HSL 90.6, 0.65%, 0.45%

LAB 69.51, -46.57, 62.29

 

CMYK 19 / 0 / 79 / 26

HEX #9ABD28

RGB 154 189 40

HSL 74.09, 0.65%, 0.45%

LAB 71.84, -31.11, 65.28

 

CMYK 0 / 3 / 79 / 26

HEX #BDB828

RGB 189 184 40

HSL 57.99, 0.65%, 0.45%

LAB 73.06, -13.89, 67.37

 

CMYK 0 / 24 / 79 / 26

HEX #BD9028

RGB 189 144 40

HSL 41.88, 0.65%, 0.45%

LAB 62.44, 7.34, 57.79

 

CMYK 61 / 0 / 79 / 26

HEX #49BD28

RGB 73 189 40

HSL 106.71, 0.65%, 0.45%

LAB 67.99, -58.21, 60.32

 

CMYK 79 / 0 / 76 / 26

HEX #28BD2E

RGB 40 189 46

HSL 122.42, 0.65%, 0.45%

LAB 67.31, -63.87, 57.48

 

CMYK 79 / 0 / 54 / 26

HEX #28BD57

RGB 40 189 87

HSL 138.93, 0.65%, 0.45%

LAB 67.68, -59.4, 40.6

 

CMYK 79 / 0 / 33 / 26

HEX #28BD7F

RGB 40 189 127

HSL 155.03, 0.65%, 0.45%

LAB 68.3, -52.22, 20.82

 

CMYK 79 / 0 / 12 / 26

HEX #28BDA7

RGB 40 189 167

HSL 171.14, 0.65%, 0.45%

LAB 69.21, -42.51, 0.36

 

CMYK 61 / 0 / 79 / 26

HEX #49BD28

RGB 73 189 40

HSL 106.71, 0.65%, 0.45%

LAB 67.99, -58.21, 60.32

 

CMYK 70 / 0 / 90 / 19

HEX #3FCF15

RGB 63 207 21

HSL 106.45, 0.82%, 0.45%

LAB 73.37, -67.03, 69.48

 

CMYK 77 / 0 / 99 / 11

HEX #35E203

RGB 53 226 3

HSL 106.55, 0.97%, 0.45%

LAB 79.13, -74.68, 76.19

 

CMYK 61 / 0 / 79 / 26

HEX #49BD28

RGB 73 189 40

HSL 106.71, 0.65%, 0.45%

LAB 67.99, -58.21, 60.32

 

CMYK 51 / 0 / 66 / 33

HEX #53AA3A

RGB 83 170 58

HSL 106.61, 0.49%, 0.45%

LAB 62.42, -47.17, 48.15

 

CMYK 38 / 0 / 49 / 40

HEX #5E984D

RGB 94 152 77

HSL 106.4, 0.33%, 0.45%

LAB 57.44, -33.81, 33.43

 

CMYK 22 / 0 / 29 / 48

HEX #68855F

RGB 104 133 95

HSL 105.79, 0.17%, 0.45%

LAB 52.45, -18.02, 17.21

 

CMYK 1 / 0 / 1 / 55

HEX #727372

RGB 114 115 114

HSL 120, 0%, 0.45%

LAB 48.33, -0.58, 0.41

 

CMYK 19 / 0 / 79 / 26

HEX #9ABD28

RGB 154 189 40

HSL 74.09, 0.65%, 0.45%

LAB 71.84, -31.11, 65.28

 

CMYK 40 / 0 / 79 / 26

HEX #72BD28

RGB 114 189 40

HSL 90.2, 0.65%, 0.45%

LAB 69.56, -46.22, 62.35

 

CMYK 61 / 0 / 79 / 26

HEX #4ABD28

RGB 74 189 40

HSL 106.31, 0.65%, 0.45%

LAB 68.02, -57.97, 60.36

 

CMYK 79 / 0 / 76 / 26

HEX #28BD2D

RGB 40 189 45

HSL 122.01, 0.65%, 0.45%

LAB 67.3, -63.94, 57.81

 

CMYK 79 / 0 / 56 / 26

HEX #28BD54

RGB 40 189 84

HSL 137.72, 0.65%, 0.45%

LAB 67.64, -59.83, 42

 

CMYK 61 / 0 / 79 / 53

HEX #2F7919

RGB 47 121 25

HSL 106.25, 0.66%, 0.29%

LAB 44.73, -40.97, 42.62

 

CMYK 61 / 0 / 79 / 39

HEX #3C9B20

RGB 60 155 32

HSL 106.34, 0.66%, 0.37%

LAB 56.59, -49.82, 51.83

 

CMYK 61 / 0 / 79 / 26

HEX #49BD28

RGB 73 189 40

HSL 106.71, 0.65%, 0.45%

LAB 67.99, -58.21, 60.32

 

CMYK 57 / 0 / 73 / 16

HEX #5CD539

RGB 92 213 57

HSL 106.54, 0.65%, 0.53%

LAB 76.17, -60.87, 62.95

 

CMYK 45 / 0 / 59 / 14

HEX #78DC5B

RGB 120 220 91

HSL 106.51, 0.65%, 0.61%

LAB 79.58, -52.81, 53.35

 

CMYK 61 / 0 / 79 / 27

HEX #49BB28

RGB 73 187 40

HSL 106.53, 0.65%, 0.45%

LAB 67.36, -57.51, 59.72

 

CMYK 79 / 0 / 3 / 26

HEX #28BDB8

RGB 40 189 184

HSL 177.99, 0.65%, 0.45%

LAB 69.69, -37.75, -8.26

 

CMYK 0 / 79 / 29 / 26

HEX #BD2886

RGB 189 40 134

HSL 322.15, 0.65%, 0.45%

LAB 44.32, 64.79, -16.64

 

CMYK 61 / 0 / 79 / 27

HEX #49BB28

RGB 73 187 40

HSL 106.53, 0.65%, 0.45%

LAB 67.36, -57.51, 59.72

 

CMYK 79 / 61 / 0 / 26

HEX #284ABD

RGB 40 74 189

HSL 226.31, 0.65%, 0.45%

LAB 36.03, 30.07, -63.8

 

CMYK 0 / 79 / 61 / 26

HEX #BD284A

RGB 189 40 74

HSL 346.31, 0.65%, 0.45%

LAB 42.51, 59.31, 18.01

 

CMYK 61 / 0 / 79 / 27

HEX #49BB28

RGB 73 187 40

HSL 106.53, 0.65%, 0.45%

LAB 67.36, -57.51, 59.72

 

CMYK 79 / 0 / 3 / 26

HEX #28BDB8

RGB 40 189 184

HSL 177.99, 0.65%, 0.45%

LAB 69.69, -37.75, -8.26

 

CMYK 19 / 79 / 0 / 26

HEX #9A28BD

RGB 154 40 189

HSL 285.91, 0.65%, 0.45%

LAB 41.31, 65.75, -54.7

 

CMYK 0 / 79 / 76 / 26

HEX #BD282D

RGB 189 40 45

HSL 357.99, 0.65%, 0.45%

LAB 42.04, 57.84, 35.12

 

CMYK 61 / 0 / 79 / 27

HEX #49BB28

RGB 73 187 40

HSL 106.53, 0.65%, 0.45%

LAB 67.36, -57.51, 59.72

 

CMYK 79 / 21 / 0 / 26

HEX #2895BD

RGB 40 149 189

HSL 196.11, 0.65%, 0.45%

LAB 57.67, -16.22, -29.3

 

CMYK 19 / 79 / 0 / 26

HEX #9A28BD

RGB 154 40 189

HSL 285.91, 0.65%, 0.45%

LAB 41.31, 65.75, -54.7

 

CMYK 0 / 58 / 79 / 26

HEX #BD4F28

RGB 189 79 40

HSL 15.7, 0.65%, 0.45%

LAB 47.71, 42.16, 43.74

 

Description

Color code: HEX #49BB28 | qconv.com Color code: HEX #49BB28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 187 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 187 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 79 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 79% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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