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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49B516 it is the complementary color #B64AE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49B516. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49B516 shade: #4EB511, #5FC724, #70D937, #81EB4A and #92FD5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49B516. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49B516 shade: #49B516, #38A303, #279100, #167F00 and #056D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49B516 shade: #49B516, #74B516, #9FB516, #B5A016 and #B57516

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49B516 shade: #49B516, #1EB516, #16B539, #16B564 and #16B58F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49B516 shade matches the following richer shades: #49B516 and #43C605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49B516 shade: #49B516, #4FA526, #559437, #5B8447 and #617358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49B516 shade: #A0B516, #75B516, #4BB516, #21B516 and #16B536

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49B516 shade: #2B6C0D, #3A9011, #49B516, #58DA1A and #70E638

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49B516 shade: #49B516, #16B5A0 and #B5168B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49B516 shade: #49B516, #164BB5 and #B5164B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49B516 shade: #49B516, #16B5A0, #8016B5 and #B5162B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49B516 shade: #49B516, #169BB5, #8016B5 and #B53016

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

Complementary color

CMYK 22 / 68 / 0 / 9

HEX #B64AE9

RGB 182 74 233

HSL 280.75, 0.78%, 0.6%

LAB 52.65, 67.36, -61.49

 

CMYK 57 / 0 / 91 / 29

HEX #4EB511

RGB 78 181 17

HSL 97.68, 0.83%, 0.39%

LAB 65.52, -55.15, 63.66

 

CMYK 52 / 0 / 82 / 22

HEX #5FC724

RGB 95 199 36

HSL 98.28, 0.69%, 0.46%

LAB 71.83, -56.26, 65.27

 

CMYK 48 / 0 / 75 / 15

HEX #70D937

RGB 112 217 55

HSL 98.89, 0.68%, 0.53%

LAB 78.08, -57.01, 65.75

 

CMYK 45 / 0 / 69 / 8

HEX #81EB4A

RGB 129 235 74

HSL 99.5, 0.8%, 0.61%

LAB 84.27, -57.49, 65.53

 

CMYK 42 / 0 / 63 / 1

HEX #92FD5D

RGB 146 253 93

HSL 100.13, 0.98%, 0.68%

LAB 90.39, -57.79, 64.9

 

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

CMYK 66 / 0 / 98 / 36

HEX #38A303

RGB 56 163 3

HSL 100.13, 0.96%, 0.33%

LAB 59.01, -54.67, 60.04

 

CMYK 73 / 0 / 100 / 43

HEX #279100

RGB 39 145 0

HSL 103.86, 1%, 0.28%

LAB 52.6, -52.31, 55.21

 

CMYK 83 / 0 / 100 / 50

HEX #167F00

RGB 22 127 0

HSL 109.61, 1%, 0.25%

LAB 46.11, -49.32, 49.9

 

CMYK 95 / 0 / 100 / 57

HEX #056D00

RGB 5 109 0

HSL 117.25, 1%, 0.21%

LAB 39.53, -45.59, 44.55

 

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

CMYK 36 / 0 / 88 / 29

HEX #74B516

RGB 116 181 22

HSL 84.53, 0.78%, 0.4%

LAB 67.14, -42.9, 64.75

 

CMYK 12 / 0 / 88 / 29

HEX #9FB516

RGB 159 181 22

HSL 68.3, 0.78%, 0.4%

LAB 69.81, -25.81, 68.05

 

CMYK 0 / 12 / 88 / 29

HEX #B5A016

RGB 181 160 22

HSL 52.08, 0.78%, 0.4%

LAB 65.77, -5.44, 65.53

 

CMYK 0 / 35 / 88 / 29

HEX #B57516

RGB 181 117 22

HSL 35.85, 0.78%, 0.4%

LAB 54.66, 18.16, 56.62

 

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

CMYK 83 / 0 / 88 / 29

HEX #1EB516

RGB 30 181 22

HSL 116.98, 0.78%, 0.4%

LAB 64.47, -64.01, 61.4

 

CMYK 88 / 0 / 69 / 29

HEX #16B539

RGB 22 181 57

HSL 133.21, 0.78%, 0.4%

LAB 64.57, -62.35, 50.49

 

CMYK 88 / 0 / 45 / 29

HEX #16B564

RGB 22 181 100

HSL 149.43, 0.78%, 0.4%

LAB 65.07, -56.3, 30.76

 

CMYK 88 / 0 / 21 / 29

HEX #16B58F

RGB 22 181 143

HSL 165.66, 0.78%, 0.4%

LAB 65.91, -46.92, 8.76

 

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

CMYK 66 / 0 / 97 / 22

HEX #43C605

RGB 67 198 5

HSL 100.73, 0.95%, 0.4%

LAB 70.59, -63.76, 69.23

 

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

CMYK 52 / 0 / 77 / 35

HEX #4FA526

RGB 79 165 38

HSL 100.63, 0.63%, 0.4%

LAB 60.53, -47.98, 53.87

 

CMYK 43 / 0 / 63 / 42

HEX #559437

RGB 85 148 55

HSL 100.65, 0.46%, 0.4%

LAB 55.47, -37.7, 41.84

 

CMYK 31 / 0 / 46 / 48

HEX #5B8447

RGB 91 132 71

HSL 100.33, 0.3%, 0.4%

LAB 50.9, -26.18, 28.41

 

CMYK 16 / 0 / 23 / 55

HEX #617358

RGB 97 115 88

HSL 100, 0.13%, 0.4%

LAB 46.32, -12.19, 12.78

 

CMYK 12 / 0 / 88 / 29

HEX #A0B516

RGB 160 181 22

HSL 67.92, 0.78%, 0.4%

LAB 69.88, -25.39, 68.14

 

CMYK 35 / 0 / 88 / 29

HEX #75B516

RGB 117 181 22

HSL 84.15, 0.78%, 0.4%

LAB 67.19, -42.54, 64.82

 

CMYK 59 / 0 / 88 / 29

HEX #4BB516

RGB 75 181 22

HSL 100, 0.78%, 0.4%

LAB 65.44, -55.77, 62.62

 

CMYK 82 / 0 / 88 / 29

HEX #21B516

RGB 33 181 22

HSL 115.85, 0.78%, 0.4%

LAB 64.51, -63.67, 61.45

 

CMYK 88 / 0 / 70 / 29

HEX #16B536

RGB 22 181 54

HSL 132.08, 0.78%, 0.4%

LAB 64.55, -62.64, 51.66

 

CMYK 60 / 0 / 88 / 58

HEX #2B6C0D

RGB 43 108 13

HSL 101.05, 0.79%, 0.24%

LAB 40.03, -37.75, 41.99

 

CMYK 60 / 0 / 88 / 44

HEX #3A9011

RGB 58 144 17

HSL 100.63, 0.79%, 0.32%

LAB 52.83, -47.09, 52.52

 

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

CMYK 60 / 0 / 88 / 15

HEX #58DA1A

RGB 88 218 26

HSL 100.63, 0.79%, 0.48%

LAB 77.46, -65.13, 72.34

 

CMYK 51 / 0 / 76 / 10

HEX #70E638

RGB 112 230 56

HSL 100.69, 0.78%, 0.56%

LAB 82.01, -61.74, 69.25

 

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

CMYK 88 / 0 / 12 / 29

HEX #16B5A0

RGB 22 181 160

HSL 172.08, 0.78%, 0.4%

LAB 66.33, -42.41, -0

 

CMYK 0 / 88 / 23 / 29

HEX #B5168B

RGB 181 22 139

HSL 315.85, 0.78%, 0.4%

LAB 41.63, 67.64, -23.96

 

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

CMYK 88 / 59 / 0 / 29

HEX #164BB5

RGB 22 75 181

HSL 220, 0.78%, 0.4%

LAB 35.08, 24.86, -60.66

 

CMYK 0 / 88 / 59 / 29

HEX #B5164B

RGB 181 22 75

HSL 340, 0.78%, 0.4%

LAB 39.42, 61.52, 12.94

 

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

CMYK 88 / 0 / 12 / 29

HEX #16B5A0

RGB 22 181 160

HSL 172.08, 0.78%, 0.4%

LAB 66.33, -42.41, -0

 

CMYK 29 / 88 / 0 / 29

HEX #8016B5

RGB 128 22 181

HSL 280, 0.78%, 0.4%

LAB 35, 64.77, -60.41

 

CMYK 0 / 88 / 76 / 29

HEX #B5162B

RGB 181 22 43

HSL 352.08, 0.78%, 0.4%

LAB 38.85, 59.87, 32.32

 

CMYK 60 / 0 / 88 / 29

HEX #49B516

RGB 73 181 22

HSL 100.75, 0.78%, 0.4%

LAB 65.37, -56.28, 62.54

 

CMYK 88 / 14 / 0 / 29

HEX #169BB5

RGB 22 155 181

HSL 189.81, 0.78%, 0.4%

LAB 58.93, -23.63, -22.86

 

CMYK 29 / 88 / 0 / 29

HEX #8016B5

RGB 128 22 181

HSL 280, 0.78%, 0.4%

LAB 35, 64.77, -60.41

 

CMYK 0 / 73 / 88 / 29

HEX #B53016

RGB 181 48 22

HSL 9.81, 0.78%, 0.4%

LAB 41.21, 52.08, 45.81

 

Description

Color code: HEX #49B516 | qconv.com Color code: HEX #49B516 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 181 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 181 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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