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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49AF68 it is the complementary color #B65097. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49AF68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49AF68 shade: #4EAF63, #5FC176, #70D389, #81E59C and #92F7AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49AF68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49AF68 shade: #49AF68, #389D55, #278B42, #16792F and #05671C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49AF68 shade: #49B068, #49B04D, #61B049, #7DB049 and #99B049

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49AF68 shade: #49B068, #49B084, #49B0A0, #49A4B0 and #4988B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49AF68 shade matches the following richer shades: #49B068, #35C460, #21D859 and #0DEC51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49AF68 shade: #49B068, #5D9B70, #728778, #867380 and #9A5F88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49AF68 shade: #61B049, #49B04D, #49B068, #49B083 and #49B09F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49AF68 shade: #317646, #3D9357, #49B068, #64BE7F and #81CA97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49AF68 shade: #49AF68, #497CB0 and #B04953

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49AF68 shade: #49AF68, #6849B0 and #B06849

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49AF68 shade: #49AF68, #497CB0, #B04991 and #B07C49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49AF68 shade: #49AF68, #495EB0, #B04991 and #B09B49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 41 / 31

HEX #49AF68

RGB 73 175 104

HSL 138.24, 0.41%, 0.49%

LAB 64.22, -45.56, 27.75

 

Complementary color

CMYK 0 / 56 / 17 / 29

HEX #B65097

RGB 182 80 151

HSL 318.24, 0.41%, 0.51%

LAB 49.4, 49.81, -19.21

 

CMYK 55 / 0 / 43 / 31

HEX #4EAF63

RGB 78 175 99

HSL 132.99, 0.38%, 0.5%

LAB 64.31, -45.21, 30.52

 

CMYK 51 / 0 / 39 / 24

HEX #5FC176

RGB 95 193 118

HSL 134.08, 0.44%, 0.56%

LAB 70.79, -45.16, 29.16

 

CMYK 47 / 0 / 35 / 17

HEX #70D389

RGB 112 211 137

HSL 135.15, 0.53%, 0.63%

LAB 77.18, -45.02, 27.89

 

CMYK 44 / 0 / 32 / 10

HEX #81E59C

RGB 129 229 156

HSL 136.2, 0.66%, 0.7%

LAB 83.5, -44.82, 26.7

 

CMYK 41 / 0 / 29 / 3

HEX #92F7AF

RGB 146 247 175

HSL 137.23, 0.86%, 0.77%

LAB 89.73, -44.58, 25.58

 

CMYK 58 / 0 / 41 / 31

HEX #49AF68

RGB 73 175 104

HSL 138.24, 0.41%, 0.49%

LAB 64.22, -45.56, 27.75

 

CMYK 64 / 0 / 46 / 38

HEX #389D55

RGB 56 157 85

HSL 137.23, 0.47%, 0.42%

LAB 57.67, -45.37, 29.21

 

CMYK 72 / 0 / 53 / 45

HEX #278B42

RGB 39 139 66

HSL 136.2, 0.56%, 0.35%

LAB 51.02, -44.85, 30.78

 

CMYK 82 / 0 / 61 / 53

HEX #16792F

RGB 22 121 47

HSL 135.15, 0.69%, 0.28%

LAB 44.31, -43.76, 32.37

 

CMYK 95 / 0 / 73 / 60

HEX #05671C

RGB 5 103 28

HSL 134.08, 0.91%, 0.21%

LAB 37.51, -41.79, 33.77

 

CMYK 59 / 0 / 41 / 31

HEX #49B068

RGB 73 176 104

HSL 138.06, 0.41%, 0.49%

LAB 64.54, -45.97, 28.16

 

CMYK 59 / 0 / 56 / 31

HEX #49B04D

RGB 73 176 77

HSL 122.33, 0.41%, 0.49%

LAB 64.16, -50.07, 41.38

 

CMYK 45 / 0 / 59 / 31

HEX #61B049

RGB 97 176 73

HSL 106.02, 0.41%, 0.49%

LAB 65.02, -43.83, 44.5

 

CMYK 29 / 0 / 59 / 31

HEX #7DB049

RGB 125 176 73

HSL 89.71, 0.41%, 0.49%

LAB 66.44, -34.18, 46.5

 

CMYK 13 / 0 / 59 / 31

HEX #99B049

RGB 153 176 73

HSL 73.4, 0.41%, 0.49%

LAB 68.24, -23.2, 49.03

 

CMYK 59 / 0 / 41 / 31

HEX #49B068

RGB 73 176 104

HSL 138.06, 0.41%, 0.49%

LAB 64.54, -45.97, 28.16

 

CMYK 59 / 0 / 25 / 31

HEX #49B084

RGB 73 176 132

HSL 154.37, 0.41%, 0.49%

LAB 65.07, -40.41, 13.76

 

CMYK 59 / 0 / 9 / 31

HEX #49B0A0

RGB 73 176 160

HSL 170.68, 0.41%, 0.49%

LAB 65.75, -33.66, -0.74

 

CMYK 59 / 7 / 0 / 31

HEX #49A4B0

RGB 73 164 176

HSL 186.99, 0.41%, 0.49%

LAB 62.59, -23.35, -14.37

 

CMYK 59 / 23 / 0 / 31

HEX #4988B0

RGB 73 136 176

HSL 203.3, 0.41%, 0.49%

LAB 54.2, -8.24, -27.2

 

CMYK 59 / 0 / 41 / 31

HEX #49B068

RGB 73 176 104

HSL 138.06, 0.41%, 0.49%

LAB 64.54, -45.97, 28.16

 

CMYK 73 / 0 / 51 / 23

HEX #35C460

RGB 53 196 96

HSL 138.04, 0.57%, 0.49%

LAB 70.23, -58.68, 39.39

 

CMYK 85 / 0 / 59 / 15

HEX #21D859

RGB 33 216 89

HSL 138.36, 0.73%, 0.49%

LAB 76.17, -68.64, 49.73

 

CMYK 94 / 0 / 66 / 7

HEX #0DEC51

RGB 13 236 81

HSL 138.3, 0.9%, 0.49%

LAB 82.2, -76.73, 59.9

 

CMYK 59 / 0 / 41 / 31

HEX #49B068

RGB 73 176 104

HSL 138.06, 0.41%, 0.49%

LAB 64.54, -45.97, 28.16

 

CMYK 40 / 0 / 28 / 39

HEX #5D9B70

RGB 93 155 112

HSL 138.39, 0.25%, 0.49%

LAB 58.92, -29.75, 16.4

 

CMYK 16 / 0 / 11 / 47

HEX #728778

RGB 114 135 120

HSL 137.14, 0.08%, 0.49%

LAB 54.3, -10.71, 5.54

 

CMYK 0 / 14 / 4 / 47

HEX #867380

RGB 134 115 128

HSL 318.95, 0.08%, 0.49%

LAB 50.56, 9.81, -4.4

 

CMYK 0 / 38 / 12 / 40

HEX #9A5F88

RGB 154 95 136

HSL 318.31, 0.24%, 0.49%

LAB 48.05, 30.29, -12.67

 

CMYK 45 / 0 / 59 / 31

HEX #61B049

RGB 97 176 73

HSL 106.02, 0.41%, 0.49%

LAB 65.02, -43.83, 44.5

 

CMYK 59 / 0 / 56 / 31

HEX #49B04D

RGB 73 176 77

HSL 122.33, 0.41%, 0.49%

LAB 64.16, -50.07, 41.38

 

CMYK 59 / 0 / 41 / 31

HEX #49B068

RGB 73 176 104

HSL 138.06, 0.41%, 0.49%

LAB 64.54, -45.97, 28.16

 

CMYK 59 / 0 / 26 / 31

HEX #49B083

RGB 73 176 131

HSL 153.79, 0.41%, 0.49%

LAB 65.05, -40.63, 14.28

 

CMYK 59 / 0 / 10 / 31

HEX #49B09F

RGB 73 176 159

HSL 170.1, 0.41%, 0.49%

LAB 65.73, -33.92, -0.22

 

CMYK 58 / 0 / 41 / 54

HEX #317646

RGB 49 118 70

HSL 138.26, 0.41%, 0.33%

LAB 44.31, -33.32, 20.07

 

CMYK 59 / 0 / 41 / 42

HEX #3D9357

RGB 61 147 87

HSL 138.14, 0.41%, 0.41%

LAB 54.6, -39.77, 24.2

 

CMYK 59 / 0 / 41 / 31

HEX #49B068

RGB 73 176 104

HSL 138.06, 0.41%, 0.49%

LAB 64.54, -45.97, 28.16

 

CMYK 47 / 0 / 33 / 25

HEX #64BE7F

RGB 100 190 127

HSL 138, 0.41%, 0.57%

LAB 70.22, -40.96, 23.7

 

CMYK 36 / 0 / 25 / 21

HEX #81CA97

RGB 129 202 151

HSL 138.08, 0.41%, 0.65%

LAB 75.54, -33.61, 18.41

 

CMYK 58 / 0 / 41 / 31

HEX #49AF68

RGB 73 175 104

HSL 138.24, 0.41%, 0.49%

LAB 64.22, -45.56, 27.75

 

CMYK 59 / 30 / 0 / 31

HEX #497CB0

RGB 73 124 176

HSL 210.29, 0.41%, 0.49%

LAB 50.65, -1.25, -32.73

 

CMYK 0 / 59 / 53 / 31

HEX #B04953

RGB 176 73 83

HSL 354.17, 0.41%, 0.49%

LAB 45.11, 42.89, 15.57

 

CMYK 58 / 0 / 41 / 31

HEX #49AF68

RGB 73 175 104

HSL 138.24, 0.41%, 0.49%

LAB 64.22, -45.56, 27.75

 

CMYK 41 / 59 / 0 / 31

HEX #6849B0

RGB 104 73 176

HSL 258.06, 0.41%, 0.49%

LAB 39.31, 37.24, -50.6

 

CMYK 0 / 41 / 59 / 31

HEX #B06849

RGB 176 104 73

HSL 18.06, 0.41%, 0.49%

LAB 51.4, 25.78, 29.66

 

CMYK 58 / 0 / 41 / 31

HEX #49AF68

RGB 73 175 104

HSL 138.24, 0.41%, 0.49%

LAB 64.22, -45.56, 27.75

 

CMYK 59 / 30 / 0 / 31

HEX #497CB0

RGB 73 124 176

HSL 210.29, 0.41%, 0.49%

LAB 50.65, -1.25, -32.73

 

CMYK 0 / 59 / 18 / 31

HEX #B04991

RGB 176 73 145

HSL 318.06, 0.41%, 0.49%

LAB 47.03, 50.38, -19.34

 

CMYK 0 / 30 / 59 / 31

HEX #B07C49

RGB 176 124 73

HSL 29.71, 0.41%, 0.49%

LAB 56.21, 14.61, 35.57

 

CMYK 58 / 0 / 41 / 31

HEX #49AF68

RGB 73 175 104

HSL 138.24, 0.41%, 0.49%

LAB 64.22, -45.56, 27.75

 

CMYK 59 / 47 / 0 / 31

HEX #495EB0

RGB 73 94 176

HSL 227.77, 0.41%, 0.49%

LAB 42.09, 17.32, -46.28

 

CMYK 0 / 59 / 18 / 31

HEX #B04991

RGB 176 73 145

HSL 318.06, 0.41%, 0.49%

LAB 47.03, 50.38, -19.34

 

CMYK 0 / 12 / 59 / 31

HEX #B09B49

RGB 176 155 73

HSL 47.77, 0.41%, 0.49%

LAB 64.29, -2.52, 45.06

 

Description

Color code: HEX #49AF68 | qconv.com Color code: HEX #49AF68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 175 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 175 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 41 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 41% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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