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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #498B91 it is the complementary color #B6746E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #498B91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #498B91 shade: #4E8B8C, #5F9D9F, #70AFB2, #81C1C5 and #92D3D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #498B91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #498B91 shade: #498B91, #38797E, #27676B, #165558 and #054345

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #498B91 shade: #498B91, #497891, #496491, #495191 and #554991

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #498B91 shade: #498B91, #497891, #496491, #495191 and #494991

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #498B91 shade matches the following richer shades: #498B91, #379AA3, #25A9B5, #14B8C7 and #02C6D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #498B91 shade: #498B91, #5B7D80, #6C6E6E, #7E5F5C and #90504A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #498B91 shade: #499171, #499184, #498B91, #497891 and #496591

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #498B91 shade: #2D575A, #3B7176, #498B91, #59A4AB and #74B3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #498B91 shade: #498B91, #5D4991 and #917A49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #498B91 shade: #498B91, #91498B and #8B9149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #498B91 shade: #498B91, #5D4991, #914F49 and #7D9149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #498B91 shade: #498B91, #734991, #914F49 and #679149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

Complementary color

CMYK 0 / 36 / 40 / 29

HEX #B6746E

RGB 182 116 110

HSL 5, 0.33%, 0.57%

LAB 55.65, 25.26, 14.16

 

CMYK 44 / 1 / 0 / 45

HEX #4E8B8C

RGB 78 139 140

HSL 180.97, 0.28%, 0.43%

LAB 54, -19.43, -6.72

 

CMYK 40 / 1 / 0 / 38

HEX #5F9D9F

RGB 95 157 159

HSL 181.88, 0.25%, 0.5%

LAB 60.83, -19.41, -7.35

 

CMYK 37 / 2 / 0 / 30

HEX #70AFB2

RGB 112 175 178

HSL 182.73, 0.3%, 0.57%

LAB 67.52, -19.37, -7.95

 

CMYK 35 / 2 / 0 / 23

HEX #81C1C5

RGB 129 193 197

HSL 183.53, 0.37%, 0.64%

LAB 74.09, -19.31, -8.51

 

CMYK 32 / 2 / 0 / 15

HEX #92D3D8

RGB 146 211 216

HSL 184.29, 0.47%, 0.71%

LAB 80.55, -19.25, -9.05

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 56 / 4 / 0 / 51

HEX #38797E

RGB 56 121 126

HSL 184.29, 0.38%, 0.36%

LAB 47, -19.11, -9.06

 

CMYK 64 / 4 / 0 / 58

HEX #27676B

RGB 39 103 107

HSL 183.53, 0.47%, 0.29%

LAB 39.9, -18.78, -8.34

 

CMYK 75 / 3 / 0 / 65

HEX #165558

RGB 22 85 88

HSL 182.73, 0.6%, 0.22%

LAB 32.64, -18.14, -7.49

 

CMYK 93 / 3 / 0 / 73

HEX #054345

RGB 5 67 69

HSL 181.88, 0.86%, 0.15%

LAB 25.19, -17.03, -6.46

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 50 / 17 / 0 / 43

HEX #497891

RGB 73 120 145

HSL 200.83, 0.33%, 0.43%

LAB 48.13, -8.78, -18.53

 

CMYK 50 / 31 / 0 / 43

HEX #496491

RGB 73 100 145

HSL 217.5, 0.33%, 0.43%

LAB 42.12, 3.2, -27.83

 

CMYK 50 / 44 / 0 / 43

HEX #495191

RGB 73 81 145

HSL 233.33, 0.33%, 0.43%

LAB 36.64, 15.28, -36.46

 

CMYK 41 / 50 / 0 / 43

HEX #554991

RGB 85 73 145

HSL 250, 0.33%, 0.43%

LAB 35.48, 23.52, -38.25

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 50 / 17 / 0 / 43

HEX #497891

RGB 73 120 145

HSL 200.83, 0.33%, 0.43%

LAB 48.13, -8.78, -18.53

 

CMYK 50 / 31 / 0 / 43

HEX #496491

RGB 73 100 145

HSL 217.5, 0.33%, 0.43%

LAB 42.12, 3.2, -27.83

 

CMYK 50 / 44 / 0 / 43

HEX #495191

RGB 73 81 145

HSL 233.33, 0.33%, 0.43%

LAB 36.64, 15.28, -36.46

 

CMYK 50 / 50 / 0 / 43

HEX #494991

RGB 73 73 145

HSL 240, 0.33%, 0.43%

LAB 34.45, 20.47, -39.95

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 66 / 6 / 0 / 36

HEX #379AA3

RGB 55 154 163

HSL 185, 0.5%, 0.43%

LAB 58.57, -25.32, -13.14

 

CMYK 80 / 7 / 0 / 29

HEX #25A9B5

RGB 37 169 181

HSL 185, 0.66%, 0.43%

LAB 63.43, -29.48, -15.99

 

CMYK 90 / 8 / 0 / 22

HEX #14B8C7

RGB 20 184 199

HSL 185.03, 0.82%, 0.43%

LAB 68.43, -32.26, -18.42

 

CMYK 99 / 8 / 0 / 15

HEX #02C6D8

RGB 2 198 216

HSL 185.05, 0.98%, 0.43%

LAB 73.13, -34.13, -20.58

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 29 / 2 / 0 / 50

HEX #5B7D80

RGB 91 125 128

HSL 184.86, 0.17%, 0.43%

LAB 50.04, -11.21, -5.54

 

CMYK 2 / 0 / 0 / 57

HEX #6C6E6E

RGB 108 110 110

HSL 180, 0.01%, 0.43%

LAB 46.27, -0.76, -0.27

 

CMYK 0 / 25 / 27 / 51

HEX #7E5F5C

RGB 126 95 92

HSL 5.29, 0.16%, 0.43%

LAB 43.35, 12.13, 6.6

 

CMYK 0 / 44 / 49 / 44

HEX #90504A

RGB 144 80 74

HSL 5.14, 0.32%, 0.43%

LAB 41.47, 26.07, 15.31

 

CMYK 50 / 0 / 22 / 43

HEX #499171

RGB 73 145 113

HSL 153.33, 0.33%, 0.43%

LAB 54.93, -30.49, 10.14

 

CMYK 50 / 0 / 9 / 43

HEX #499184

RGB 73 145 132

HSL 169.17, 0.33%, 0.43%

LAB 55.41, -25.9, -0.05

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 50 / 17 / 0 / 43

HEX #497891

RGB 73 120 145

HSL 200.83, 0.33%, 0.43%

LAB 48.13, -8.78, -18.53

 

CMYK 50 / 30 / 0 / 43

HEX #496591

RGB 73 101 145

HSL 216.67, 0.33%, 0.43%

LAB 42.41, 2.58, -27.36

 

CMYK 50 / 3 / 0 / 65

HEX #2D575A

RGB 45 87 90

HSL 184, 0.33%, 0.26%

LAB 34.22, -13.71, -6.3

 

CMYK 50 / 4 / 0 / 54

HEX #3B7176

RGB 59 113 118

HSL 185.08, 0.33%, 0.35%

LAB 44.3, -16.42, -8.33

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 48 / 4 / 0 / 33

HEX #59A4AB

RGB 89 164 171

HSL 185.12, 0.33%, 0.51%

LAB 63.02, -21.35, -10.86

 

CMYK 37 / 3 / 0 / 27

HEX #74B3B9

RGB 116 179 185

HSL 185.22, 0.33%, 0.59%

LAB 69.08, -18.6, -9.46

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 36 / 50 / 0 / 43

HEX #5D4991

RGB 93 73 145

HSL 256.67, 0.33%, 0.43%

LAB 36.25, 25.69, -36.98

 

CMYK 0 / 16 / 50 / 43

HEX #917A49

RGB 145 122 73

HSL 40.83, 0.33%, 0.43%

LAB 52.31, 2.16, 30.01

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 0 / 50 / 4 / 43

HEX #91498B

RGB 145 73 139

HSL 305, 0.33%, 0.43%

LAB 42.23, 39.92, -23.49

 

CMYK 4 / 0 / 50 / 43

HEX #8B9149

RGB 139 145 73

HSL 65, 0.33%, 0.43%

LAB 58.25, -13.15, 37.16

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 36 / 50 / 0 / 43

HEX #5D4991

RGB 93 73 145

HSL 256.67, 0.33%, 0.43%

LAB 36.25, 25.69, -36.98

 

CMYK 0 / 46 / 50 / 43

HEX #914F49

RGB 145 79 73

HSL 5, 0.33%, 0.43%

LAB 41.36, 26.94, 15.8

 

CMYK 14 / 0 / 50 / 43

HEX #7D9149

RGB 125 145 73

HSL 76.67, 0.33%, 0.43%

LAB 57.16, -19.04, 35.6

 

CMYK 50 / 4 / 0 / 43

HEX #498B91

RGB 73 139 145

HSL 185, 0.33%, 0.43%

LAB 53.95, -19.29, -9.71

 

CMYK 21 / 50 / 0 / 43

HEX #734991

RGB 115 73 145

HSL 275, 0.33%, 0.43%

LAB 38.65, 32.01, -33.02

 

CMYK 0 / 46 / 50 / 43

HEX #914F49

RGB 145 79 73

HSL 5, 0.33%, 0.43%

LAB 41.36, 26.94, 15.8

 

CMYK 29 / 0 / 50 / 43

HEX #679149

RGB 103 145 73

HSL 95, 0.33%, 0.43%

LAB 55.7, -27.78, 33.48

 

Description

Color code: HEX #498B91 | qconv.com Color code: HEX #498B91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 139 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 139 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 4 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 4% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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