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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4976C0 it is the complementary color #B6893F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4976C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4976C0 shade: #4E76BB, #5F88CE, #709AE1, #81ACF4 and #92BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4976C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4976C0 shade: #4976C0, #3864AD, #27529A, #164087 and #052E74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4976C0 shade: #4875C0, #4855C0, #5B48C0, #7C48C0 and #9C48C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4976C0 shade: #4875C0, #4855C0 and #4848C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4976C0 shade matches the following richer shades: #4875C0, #3471D4, #216CE8 and #0D67FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4976C0 shade: #4875C0, #5C7AAC, #707F98, #848485 and #978971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4976C0 shade: #48B6C0, #4896C0, #4876C0, #4856C0 and #5A48C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4976C0 shade: #2E5088, #3962A6, #4875C0, #678DCB and #86A4D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4976C0 shade: #4976C0, #AA48C0 and #A6C048

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4976C0 shade: #4976C0, #C04876 and #76C048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4976C0 shade: #4976C0, #AA48C0, #C09248 and #5EC048

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4976C0 shade: #4976C0, #C048B2, #C09248 and #48C056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 39 / 0 / 25

HEX #4976C0

RGB 73 118 192

HSL 217.31, 0.49%, 0.52%

LAB 49.71, 7.77, -43.42

 

Complementary color

CMYK 0 / 25 / 65 / 29

HEX #B6893F

RGB 182 137 63

HSL 37.31, 0.49%, 0.48%

LAB 60.06, 9.26, 45.3

 

CMYK 58 / 37 / 0 / 27

HEX #4E76BB

RGB 78 118 187

HSL 217.98, 0.44%, 0.52%

LAB 49.69, 7.07, -40.56

 

CMYK 54 / 34 / 0 / 19

HEX #5F88CE

RGB 95 136 206

HSL 217.84, 0.53%, 0.59%

LAB 56.58, 6.06, -40.47

 

CMYK 50 / 32 / 0 / 12

HEX #709AE1

RGB 112 154 225

HSL 217.7, 0.65%, 0.66%

LAB 63.34, 5.24, -40.42

 

CMYK 47 / 30 / 0 / 4

HEX #81ACF4

RGB 129 172 244

HSL 217.57, 0.84%, 0.73%

LAB 69.97, 4.56, -40.4

 

CMYK 43 / 25 / 0 / 0

HEX #92BEFF

RGB 146 190 255

HSL 215.78, 1%, 0.79%

LAB 76.17, 1.78, -36.62

 

CMYK 62 / 39 / 0 / 25

HEX #4976C0

RGB 73 118 192

HSL 217.31, 0.49%, 0.52%

LAB 49.71, 7.77, -43.42

 

CMYK 68 / 42 / 0 / 32

HEX #3864AD

RGB 56 100 173

HSL 217.44, 0.51%, 0.45%

LAB 42.72, 9.25, -43.55

 

CMYK 75 / 47 / 0 / 40

HEX #27529A

RGB 39 82 154

HSL 217.57, 0.6%, 0.38%

LAB 35.59, 11.16, -43.68

 

CMYK 84 / 53 / 0 / 47

HEX #164087

RGB 22 64 135

HSL 217.7, 0.72%, 0.31%

LAB 28.34, 13.72, -43.78

 

CMYK 96 / 60 / 0 / 55

HEX #052E74

RGB 5 46 116

HSL 217.84, 0.92%, 0.24%

LAB 21.01, 17.14, -43.74

 

CMYK 63 / 39 / 0 / 25

HEX #4875C0

RGB 72 117 192

HSL 217.5, 0.49%, 0.52%

LAB 49.38, 8.2, -43.95

 

CMYK 63 / 56 / 0 / 25

HEX #4855C0

RGB 72 85 192

HSL 233.5, 0.49%, 0.52%

LAB 40.7, 28.38, -57.87

 

CMYK 53 / 63 / 0 / 25

HEX #5B48C0

RGB 91 72 192

HSL 249.5, 0.49%, 0.52%

LAB 39.01, 39.8, -60.56

 

CMYK 35 / 63 / 0 / 25

HEX #7C48C0

RGB 124 72 192

HSL 266, 0.49%, 0.52%

LAB 42.35, 46.61, -54.99

 

CMYK 19 / 63 / 0 / 25

HEX #9C48C0

RGB 156 72 192

HSL 282, 0.49%, 0.52%

LAB 46.32, 54.03, -48.39

 

CMYK 63 / 39 / 0 / 25

HEX #4875C0

RGB 72 117 192

HSL 217.5, 0.49%, 0.52%

LAB 49.38, 8.2, -43.95

 

CMYK 63 / 56 / 0 / 25

HEX #4855C0

RGB 72 85 192

HSL 233.5, 0.49%, 0.52%

LAB 40.7, 28.38, -57.87

 

CMYK 63 / 63 / 0 / 25

HEX #4848C0

RGB 72 72 192

HSL 240, 0.49%, 0.52%

LAB 37.51, 36.53, -63.06

 

CMYK 63 / 39 / 0 / 25

HEX #4875C0

RGB 72 117 192

HSL 217.5, 0.49%, 0.52%

LAB 49.38, 8.2, -43.95

 

CMYK 75 / 47 / 0 / 17

HEX #3471D4

RGB 52 113 212

HSL 217.13, 0.65%, 0.52%

LAB 48.63, 14.83, -56.64

 

CMYK 86 / 53 / 0 / 9

HEX #216CE8

RGB 33 108 232

HSL 217.39, 0.81%, 0.52%

LAB 48.1, 23.82, -68.83

 

CMYK 95 / 59 / 0 / 2

HEX #0D67FB

RGB 13 103 251

HSL 217.31, 0.97%, 0.52%

LAB 47.94, 33.35, -79.73

 

CMYK 63 / 39 / 0 / 25

HEX #4875C0

RGB 72 117 192

HSL 217.5, 0.49%, 0.52%

LAB 49.38, 8.2, -43.95

 

CMYK 47 / 29 / 0 / 33

HEX #5C7AAC

RGB 92 122 172

HSL 217.5, 0.33%, 0.52%

LAB 50.89, 3.11, -29.96

 

CMYK 26 / 16 / 0 / 40

HEX #707F98

RGB 112 127 152

HSL 217.5, 0.16%, 0.52%

LAB 52.83, 0.41, -15.25

 

CMYK 1 / 1 / 0 / 48

HEX #848485

RGB 132 132 133

HSL 240, 0%, 0.52%

LAB 55.18, 0.2, -0.54

 

CMYK 0 / 9 / 25 / 41

HEX #978971

RGB 151 137 113

HSL 37.89, 0.15%, 0.52%

LAB 57.72, 1.28, 14.8

 

CMYK 63 / 5 / 0 / 25

HEX #48B6C0

RGB 72 182 192

HSL 185, 0.49%, 0.52%

LAB 68.49, -27.9, -14.38

 

CMYK 63 / 22 / 0 / 25

HEX #4896C0

RGB 72 150 192

HSL 201, 0.49%, 0.52%

LAB 58.97, -11.15, -28.92

 

CMYK 63 / 39 / 0 / 25

HEX #4876C0

RGB 72 118 192

HSL 217, 0.49%, 0.52%

LAB 49.67, 7.58, -43.5

 

CMYK 63 / 55 / 0 / 25

HEX #4856C0

RGB 72 86 192

HSL 233, 0.49%, 0.52%

LAB 40.96, 27.74, -57.46

 

CMYK 53 / 63 / 0 / 25

HEX #5A48C0

RGB 90 72 192

HSL 249, 0.49%, 0.52%

LAB 38.92, 39.62, -60.7

 

CMYK 66 / 41 / 0 / 47

HEX #2E5088

RGB 46 80 136

HSL 217.33, 0.49%, 0.36%

LAB 34.18, 6.76, -34.98

 

CMYK 66 / 41 / 0 / 35

HEX #3962A6

RGB 57 98 166

HSL 217.43, 0.49%, 0.44%

LAB 41.78, 8.15, -40.92

 

CMYK 63 / 39 / 0 / 25

HEX #4875C0

RGB 72 117 192

HSL 217.5, 0.49%, 0.52%

LAB 49.38, 8.2, -43.95

 

CMYK 49 / 31 / 0 / 20

HEX #678DCB

RGB 103 141 203

HSL 217.2, 0.49%, 0.6%

LAB 58.27, 4.02, -36.1

 

CMYK 37 / 23 / 0 / 16

HEX #86A4D5

RGB 134 164 213

HSL 217.22, 0.48%, 0.68%

LAB 66.84, 1.7, -28.23

 

CMYK 62 / 39 / 0 / 25

HEX #4976C0

RGB 73 118 192

HSL 217.31, 0.49%, 0.52%

LAB 49.71, 7.77, -43.42

 

CMYK 11 / 63 / 0 / 25

HEX #AA48C0

RGB 170 72 192

HSL 289, 0.49%, 0.52%

LAB 48.24, 57.4, -45.22

 

CMYK 14 / 0 / 63 / 25

HEX #A6C048

RGB 166 192 72

HSL 73, 0.49%, 0.52%

LAB 73.72, -25.83, 55.76

 

CMYK 62 / 39 / 0 / 25

HEX #4976C0

RGB 73 118 192

HSL 217.31, 0.49%, 0.52%

LAB 49.71, 7.77, -43.42

 

CMYK 0 / 63 / 39 / 25

HEX #C04876

RGB 192 72 118

HSL 337, 0.49%, 0.52%

LAB 48.45, 52.21, -0.66

 

CMYK 39 / 0 / 63 / 25

HEX #76C048

RGB 118 192 72

HSL 97, 0.49%, 0.52%

LAB 70.88, -43.84, 51.84

 

CMYK 62 / 39 / 0 / 25

HEX #4976C0

RGB 73 118 192

HSL 217.31, 0.49%, 0.52%

LAB 49.71, 7.77, -43.42

 

CMYK 11 / 63 / 0 / 25

HEX #AA48C0

RGB 170 72 192

HSL 289, 0.49%, 0.52%

LAB 48.24, 57.4, -45.22

 

CMYK 0 / 24 / 63 / 25

HEX #C09248

RGB 192 146 72

HSL 37, 0.49%, 0.52%

LAB 63.53, 9.26, 45.11

 

CMYK 51 / 0 / 63 / 25

HEX #5EC048

RGB 94 192 72

HSL 109, 0.49%, 0.52%

LAB 69.86, -51.28, 50.42

 

CMYK 62 / 39 / 0 / 25

HEX #4976C0

RGB 73 118 192

HSL 217.31, 0.49%, 0.52%

LAB 49.71, 7.77, -43.42

 

CMYK 0 / 63 / 7 / 25

HEX #C048B2

RGB 192 72 178

HSL 307, 0.49%, 0.52%

LAB 50.75, 60.44, -32.89

 

CMYK 0 / 24 / 63 / 25

HEX #C09248

RGB 192 146 72

HSL 37, 0.49%, 0.52%

LAB 63.53, 9.26, 45.11

 

CMYK 63 / 0 / 55 / 25

HEX #48C056

RGB 72 192 86

HSL 127, 0.49%, 0.52%

LAB 69.29, -55.14, 43.18

 

Description

Color code: HEX #4976C0 | qconv.com Color code: HEX #4976C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 118 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 118 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 39 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 39% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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