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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #497493 it is the complementary color #B68B6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #497493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #497493 shade: #4E748E, #5F86A1, #7098B4, #81AAC7 and #92BCDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #497493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #497493 shade: #497493, #386280, #27506D, #163E5A and #052C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #497493 shade: #487392, #485F92, #484B92, #594892 and #6D4892

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #497493 shade: #487392, #485F92, #484B92 and #484892

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #497493 shade matches the following richer shades: #487392, #3676A4, #2479B6, #137CC8 and #017FD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #497493 shade: #487392, #5A7081, #6B6D6F, #7D6B5D and #8F684B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #497493 shade: #48928A, #488792, #487392, #485F92 and #484C92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #497493 shade: #2D485B, #3A5D77, #487392, #5789AC and #739CBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #497493 shade: #497493, #764892 and #919248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #497493 shade: #497493, #924873 and #739248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #497493 shade: #497493, #764892, #926748 and #649248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #497493 shade: #497493, #8C4892, #926748 and #4E9248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 21 / 0 / 42

HEX #497493

RGB 73 116 147

HSL 205.14, 0.34%, 0.43%

LAB 46.99, -5.84, -21.45

 

Complementary color

CMYK 0 / 24 / 41 / 29

HEX #B68B6C

RGB 182 139 108

HSL 25.14, 0.34%, 0.57%

LAB 61.21, 12.21, 22.89

 

CMYK 45 / 18 / 0 / 44

HEX #4E748E

RGB 78 116 142

HSL 204.38, 0.29%, 0.43%

LAB 47.06, -6.06, -18.37

 

CMYK 41 / 17 / 0 / 37

HEX #5F86A1

RGB 95 134 161

HSL 204.55, 0.26%, 0.5%

LAB 54.09, -6.31, -18.65

 

CMYK 38 / 16 / 0 / 29

HEX #7098B4

RGB 112 152 180

HSL 204.71, 0.31%, 0.57%

LAB 60.95, -6.51, -18.94

 

CMYK 35 / 15 / 0 / 22

HEX #81AAC7

RGB 129 170 199

HSL 204.86, 0.38%, 0.64%

LAB 67.68, -6.67, -19.24

 

CMYK 33 / 14 / 0 / 15

HEX #92BCDA

RGB 146 188 218

HSL 205, 0.49%, 0.71%

LAB 74.28, -6.81, -19.54

 

CMYK 50 / 21 / 0 / 42

HEX #497493

RGB 73 116 147

HSL 205.14, 0.34%, 0.43%

LAB 46.99, -5.84, -21.45

 

CMYK 56 / 23 / 0 / 50

HEX #386280

RGB 56 98 128

HSL 205, 0.39%, 0.36%

LAB 39.81, -5.33, -21.23

 

CMYK 64 / 27 / 0 / 57

HEX #27506D

RGB 39 80 109

HSL 204.86, 0.47%, 0.29%

LAB 32.42, -4.6, -21.02

 

CMYK 76 / 31 / 0 / 65

HEX #163E5A

RGB 22 62 90

HSL 204.71, 0.61%, 0.22%

LAB 24.81, -3.46, -20.79

 

CMYK 93 / 38 / 0 / 72

HEX #052C47

RGB 5 44 71

HSL 204.55, 0.87%, 0.15%

LAB 16.93, -1.64, -20.54

 

CMYK 51 / 21 / 0 / 43

HEX #487392

RGB 72 115 146

HSL 205.14, 0.34%, 0.43%

LAB 46.6, -5.81, -21.47

 

CMYK 51 / 35 / 0 / 43

HEX #485F92

RGB 72 95 146

HSL 221.35, 0.34%, 0.43%

LAB 40.63, 6.39, -30.75

 

CMYK 51 / 49 / 0 / 43

HEX #484B92

RGB 72 75 146

HSL 237.57, 0.34%, 0.43%

LAB 34.97, 19.26, -39.73

 

CMYK 39 / 51 / 0 / 43

HEX #594892

RGB 89 72 146

HSL 253.78, 0.34%, 0.43%

LAB 35.66, 25.51, -38.54

 

CMYK 25 / 51 / 0 / 43

HEX #6D4892

RGB 109 72 146

HSL 270, 0.34%, 0.43%

LAB 37.77, 31.09, -35.06

 

CMYK 51 / 21 / 0 / 43

HEX #487392

RGB 72 115 146

HSL 205.14, 0.34%, 0.43%

LAB 46.6, -5.81, -21.47

 

CMYK 51 / 35 / 0 / 43

HEX #485F92

RGB 72 95 146

HSL 221.35, 0.34%, 0.43%

LAB 40.63, 6.39, -30.75

 

CMYK 51 / 49 / 0 / 43

HEX #484B92

RGB 72 75 146

HSL 237.57, 0.34%, 0.43%

LAB 34.97, 19.26, -39.73

 

CMYK 51 / 51 / 0 / 43

HEX #484892

RGB 72 72 146

HSL 240, 0.34%, 0.43%

LAB 34.17, 21.21, -41.02

 

CMYK 51 / 21 / 0 / 43

HEX #487392

RGB 72 115 146

HSL 205.14, 0.34%, 0.43%

LAB 46.6, -5.81, -21.47

 

CMYK 67 / 28 / 0 / 36

HEX #3676A4

RGB 54 118 164

HSL 205.09, 0.5%, 0.43%

LAB 47.52, -5.41, -30.69

 

CMYK 80 / 34 / 0 / 29

HEX #2479B6

RGB 36 121 182

HSL 205.07, 0.67%, 0.43%

LAB 48.79, -3.16, -39.2

 

CMYK 91 / 38 / 0 / 22

HEX #137CC8

RGB 19 124 200

HSL 205.19, 0.83%, 0.43%

LAB 50.36, 0.56, -47.07

 

CMYK 100 / 41 / 0 / 15

HEX #017FD9

RGB 1 127 217

HSL 205, 0.99%, 0.43%

LAB 52.06, 4.67, -54.02

 

CMYK 51 / 21 / 0 / 43

HEX #487392

RGB 72 115 146

HSL 205.14, 0.34%, 0.43%

LAB 46.6, -5.81, -21.47

 

CMYK 30 / 13 / 0 / 49

HEX #5A7081

RGB 90 112 129

HSL 206.15, 0.18%, 0.43%

LAB 46.11, -3.81, -12.02

 

CMYK 4 / 2 / 0 / 56

HEX #6B6D6F

RGB 107 109 111

HSL 210, 0.02%, 0.43%

LAB 45.92, -0.35, -1.39

 

CMYK 0 / 14 / 26 / 51

HEX #7D6B5D

RGB 125 107 93

HSL 26.25, 0.15%, 0.43%

LAB 46.53, 4.75, 10.48

 

CMYK 0 / 27 / 48 / 44

HEX #8F684B

RGB 143 104 75

HSL 25.59, 0.31%, 0.43%

LAB 47.3, 11.87, 22.44

 

CMYK 51 / 0 / 5 / 43

HEX #48928A

RGB 72 146 138

HSL 173.51, 0.34%, 0.43%

LAB 55.86, -25.07, -2.85

 

CMYK 51 / 8 / 0 / 43

HEX #488792

RGB 72 135 146

HSL 188.92, 0.34%, 0.43%

LAB 52.71, -17.1, -12.16

 

CMYK 51 / 21 / 0 / 43

HEX #487392

RGB 72 115 146

HSL 205.14, 0.34%, 0.43%

LAB 46.6, -5.81, -21.47

 

CMYK 51 / 35 / 0 / 43

HEX #485F92

RGB 72 95 146

HSL 221.35, 0.34%, 0.43%

LAB 40.63, 6.39, -30.75

 

CMYK 51 / 48 / 0 / 43

HEX #484C92

RGB 72 76 146

HSL 236.76, 0.34%, 0.43%

LAB 35.25, 18.61, -39.29

 

CMYK 51 / 21 / 0 / 64

HEX #2D485B

RGB 45 72 91

HSL 204.78, 0.34%, 0.27%

LAB 29.28, -4.3, -14.42

 

CMYK 51 / 22 / 0 / 53

HEX #3A5D77

RGB 58 93 119

HSL 205.57, 0.34%, 0.35%

LAB 37.95, -4.74, -18.59

 

CMYK 51 / 21 / 0 / 43

HEX #487392

RGB 72 115 146

HSL 205.14, 0.34%, 0.43%

LAB 46.6, -5.81, -21.47

 

CMYK 49 / 20 / 0 / 33

HEX #5789AC

RGB 87 137 172

HSL 204.71, 0.34%, 0.51%

LAB 54.97, -6.9, -23.67

 

CMYK 38 / 16 / 0 / 27

HEX #739CBA

RGB 115 156 186

HSL 205.35, 0.34%, 0.59%

LAB 62.48, -6.29, -19.98

 

CMYK 50 / 21 / 0 / 42

HEX #497493

RGB 73 116 147

HSL 205.14, 0.34%, 0.43%

LAB 46.99, -5.84, -21.45

 

CMYK 19 / 51 / 0 / 43

HEX #764892

RGB 118 72 146

HSL 277.3, 0.34%, 0.43%

LAB 38.83, 33.72, -33.31

 

CMYK 1 / 0 / 51 / 43

HEX #919248

RGB 145 146 72

HSL 60.81, 0.34%, 0.43%

LAB 59.02, -11.2, 38.71

 

CMYK 50 / 21 / 0 / 42

HEX #497493

RGB 73 116 147

HSL 205.14, 0.34%, 0.43%

LAB 46.99, -5.84, -21.45

 

CMYK 0 / 51 / 21 / 43

HEX #924873

RGB 146 72 115

HSL 325.14, 0.34%, 0.43%

LAB 41.19, 36.67, -10.39

 

CMYK 21 / 0 / 51 / 43

HEX #739248

RGB 115 146 72

HSL 85.14, 0.34%, 0.43%

LAB 56.75, -23.73, 35.45

 

CMYK 50 / 21 / 0 / 42

HEX #497493

RGB 73 116 147

HSL 205.14, 0.34%, 0.43%

LAB 46.99, -5.84, -21.45

 

CMYK 19 / 51 / 0 / 43

HEX #764892

RGB 118 72 146

HSL 277.3, 0.34%, 0.43%

LAB 38.83, 33.72, -33.31

 

CMYK 0 / 29 / 51 / 43

HEX #926748

RGB 146 103 72

HSL 25.14, 0.34%, 0.43%

LAB 47.34, 13.45, 24.3

 

CMYK 32 / 0 / 51 / 43

HEX #649248

RGB 100 146 72

HSL 97.3, 0.34%, 0.43%

LAB 55.82, -29.51, 34.1

 

CMYK 50 / 21 / 0 / 42

HEX #497493

RGB 73 116 147

HSL 205.14, 0.34%, 0.43%

LAB 46.99, -5.84, -21.45

 

CMYK 4 / 51 / 0 / 43

HEX #8C4892

RGB 140 72 146

HSL 295.14, 0.34%, 0.43%

LAB 41.67, 40.27, -28.66

 

CMYK 0 / 29 / 51 / 43

HEX #926748

RGB 146 103 72

HSL 25.14, 0.34%, 0.43%

LAB 47.34, 13.45, 24.3

 

CMYK 47 / 0 / 51 / 43

HEX #4E9248

RGB 78 146 72

HSL 115.14, 0.34%, 0.43%

LAB 54.71, -37.04, 32.48

 

Description

Color code: HEX #497493 | qconv.com Color code: HEX #497493 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 116 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 116 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 21 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 21% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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