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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49641A it is the complementary color #B69BE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49641A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49641A shade: #4E6415, #5F7628, #70883B, #819A4E and #92AC61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49641A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49641A shade: #49641A, #385207, #274000, #162E00 and #051C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49641A shade: #49651A, #5E651A, #65581A, #65431A and #652F1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49641A shade: #49651A, #35651A, #21651A, #1A6527 and #1A653B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49641A shade matches the following richer shades: #49651A, #4C6F0F and #4F7905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49641A shade: #49651A, #475B24, #44502E, #414639 and #3E3C43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49641A shade: #65571A, #5F651A, #4B651A, #36651A and #22651A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49641A shade: #1A2309, #314411, #49651A, #618622 and #79A62B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49641A shade: #49641A, #1A6543 and #611A65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49641A shade: #49641A, #1A4B65 and #651A4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49641A shade: #49641A, #1A6543, #341A65 and #651A3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49641A shade: #49641A, #1A655A, #341A65 and #651A25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 74 / 61

HEX #49641A

RGB 73 100 26

HSL 81.89, 0.59%, 0.25%

LAB 38.91, -22.3, 36.86

 

Complementary color

CMYK 21 / 32 / 0 / 10

HEX #B69BE5

RGB 182 155 229

HSL 261.89, 0.59%, 0.75%

LAB 68.78, 24.7, -33.75

 

CMYK 22 / 0 / 79 / 61

HEX #4E6415

RGB 78 100 21

HSL 76.71, 0.65%, 0.24%

LAB 39.22, -20.42, 39.3

 

CMYK 19 / 0 / 66 / 54

HEX #5F7628

RGB 95 118 40

HSL 77.69, 0.49%, 0.31%

LAB 46.37, -20.96, 38.92

 

CMYK 18 / 0 / 57 / 47

HEX #70883B

RGB 112 136 59

HSL 78.7, 0.39%, 0.38%

LAB 53.35, -21.27, 37.94

 

CMYK 16 / 0 / 49 / 40

HEX #819A4E

RGB 129 154 78

HSL 79.74, 0.33%, 0.45%

LAB 60.18, -21.46, 36.77

 

CMYK 15 / 0 / 44 / 33

HEX #92AC61

RGB 146 172 97

HSL 80.8, 0.31%, 0.53%

LAB 66.88, -21.57, 35.56

 

CMYK 27 / 0 / 74 / 61

HEX #49641A

RGB 73 100 26

HSL 81.89, 0.59%, 0.25%

LAB 38.91, -22.3, 36.86

 

CMYK 32 / 0 / 91 / 68

HEX #385207

RGB 56 82 7

HSL 80.8, 0.84%, 0.17%

LAB 31.56, -21.64, 36.47

 

CMYK 39 / 0 / 100 / 75

HEX #274000

RGB 39 64 0

HSL 83.44, 1%, 0.13%

LAB 23.99, -20.39, 32.07

 

CMYK 52 / 0 / 100 / 82

HEX #162E00

RGB 22 46 0

HSL 91.3, 1%, 0.09%

LAB 16.13, -18.67, 22.93

 

CMYK 82 / 0 / 100 / 89

HEX #051C00

RGB 5 28 0

HSL 109.29, 1%, 0.05%

LAB 7.79, -14.02, 11.42

 

CMYK 28 / 0 / 74 / 60

HEX #49651A

RGB 73 101 26

HSL 82.4, 0.59%, 0.25%

LAB 39.24, -22.81, 37.19

 

CMYK 7 / 0 / 74 / 60

HEX #5E651A

RGB 94 101 26

HSL 65.6, 0.59%, 0.25%

LAB 40.83, -13.29, 39.32

 

CMYK 0 / 13 / 74 / 60

HEX #65581A

RGB 101 88 26

HSL 49.6, 0.59%, 0.25%

LAB 37.52, -2.43, 36.23

 

CMYK 0 / 34 / 74 / 60

HEX #65431A

RGB 101 67 26

HSL 32.8, 0.59%, 0.25%

LAB 31.48, 10.4, 29.96

 

CMYK 0 / 53 / 74 / 60

HEX #652F1A

RGB 101 47 26

HSL 16.8, 0.59%, 0.25%

LAB 26.37, 22.55, 24.36

 

CMYK 28 / 0 / 74 / 60

HEX #49651A

RGB 73 101 26

HSL 82.4, 0.59%, 0.25%

LAB 39.24, -22.81, 37.19

 

CMYK 48 / 0 / 74 / 60

HEX #35651A

RGB 53 101 26

HSL 98.4, 0.59%, 0.25%

LAB 38.09, -30.71, 35.65

 

CMYK 67 / 0 / 74 / 60

HEX #21651A

RGB 33 101 26

HSL 114.4, 0.59%, 0.25%

LAB 37.31, -36.77, 34.6

 

CMYK 74 / 0 / 61 / 60

HEX #1A6527

RGB 26 101 39

HSL 130.4, 0.59%, 0.25%

LAB 37.25, -36.77, 28.22

 

CMYK 74 / 0 / 42 / 60

HEX #1A653B

RGB 26 101 59

HSL 146.4, 0.59%, 0.25%

LAB 37.56, -33.23, 17.4

 

CMYK 28 / 0 / 74 / 60

HEX #49651A

RGB 73 101 26

HSL 82.4, 0.59%, 0.25%

LAB 39.24, -22.81, 37.19

 

CMYK 32 / 0 / 86 / 56

HEX #4C6F0F

RGB 76 111 15

HSL 81.88, 0.76%, 0.25%

LAB 42.67, -27.12, 44.4

 

CMYK 35 / 0 / 96 / 53

HEX #4F7905

RGB 79 121 5

HSL 81.72, 0.92%, 0.25%

LAB 46.11, -30.96, 49.68

 

CMYK 28 / 0 / 74 / 60

HEX #49651A

RGB 73 101 26

HSL 82.4, 0.59%, 0.25%

LAB 39.24, -22.81, 37.19

 

CMYK 22 / 0 / 60 / 64

HEX #475B24

RGB 71 91 36

HSL 81.82, 0.43%, 0.25%

LAB 35.89, -17.53, 28.75

 

CMYK 15 / 0 / 43 / 69

HEX #44502E

RGB 68 80 46

HSL 81.18, 0.27%, 0.25%

LAB 32.18, -11.42, 18.49

 

CMYK 7 / 0 / 19 / 73

HEX #414639

RGB 65 70 57

HSL 83.08, 0.1%, 0.25%

LAB 28.9, -4.84, 7.15

 

CMYK 7 / 10 / 0 / 74

HEX #3E3C43

RGB 62 60 67

HSL 257.14, 0.06%, 0.25%

LAB 25.75, 2.48, -3.99

 

CMYK 0 / 14 / 74 / 60

HEX #65571A

RGB 101 87 26

HSL 48.8, 0.59%, 0.25%

LAB 37.22, -1.83, 35.93

 

CMYK 6 / 0 / 74 / 60

HEX #5F651A

RGB 95 101 26

HSL 64.8, 0.59%, 0.25%

LAB 40.92, -12.82, 39.43

 

CMYK 26 / 0 / 74 / 60

HEX #4B651A

RGB 75 101 26

HSL 80.8, 0.59%, 0.25%

LAB 39.37, -21.94, 37.38

 

CMYK 47 / 0 / 74 / 60

HEX #36651A

RGB 54 101 26

HSL 97.6, 0.59%, 0.25%

LAB 38.14, -30.35, 35.72

 

CMYK 66 / 0 / 74 / 60

HEX #22651A

RGB 34 101 26

HSL 113.6, 0.59%, 0.25%

LAB 37.34, -36.52, 34.64

 

CMYK 26 / 0 / 74 / 86

HEX #1A2309

RGB 26 35 9

HSL 80.77, 0.59%, 0.09%

LAB 12.23, -9.4, 14.22

 

CMYK 28 / 0 / 75 / 73

HEX #314411

RGB 49 68 17

HSL 82.35, 0.6%, 0.17%

LAB 26.24, -16.75, 27.34

 

CMYK 28 / 0 / 74 / 60

HEX #49651A

RGB 73 101 26

HSL 82.4, 0.59%, 0.25%

LAB 39.24, -22.81, 37.19

 

CMYK 28 / 0 / 75 / 47

HEX #618622

RGB 97 134 34

HSL 82.2, 0.6%, 0.33%

LAB 51.5, -28.53, 46.77

 

CMYK 27 / 0 / 74 / 35

HEX #79A62B

RGB 121 166 43

HSL 81.95, 0.59%, 0.41%

LAB 62.94, -33.45, 55.18

 

CMYK 27 / 0 / 74 / 61

HEX #49641A

RGB 73 100 26

HSL 81.89, 0.59%, 0.25%

LAB 38.91, -22.3, 36.86

 

CMYK 74 / 0 / 34 / 60

HEX #1A6543

RGB 26 101 67

HSL 152.8, 0.59%, 0.25%

LAB 37.72, -31.45, 12.86

 

CMYK 4 / 74 / 0 / 60

HEX #611A65

RGB 97 26 101

HSL 296.8, 0.59%, 0.25%

LAB 24.39, 41.79, -28.15

 

CMYK 27 / 0 / 74 / 61

HEX #49641A

RGB 73 100 26

HSL 81.89, 0.59%, 0.25%

LAB 38.91, -22.3, 36.86

 

CMYK 74 / 26 / 0 / 60

HEX #1A4B65

RGB 26 75 101

HSL 200.8, 0.59%, 0.25%

LAB 29.89, -6.89, -19.93

 

CMYK 0 / 74 / 26 / 60

HEX #651A4B

RGB 101 26 75

HSL 320.8, 0.59%, 0.25%

LAB 23.72, 38.46, -11.88

 

CMYK 27 / 0 / 74 / 61

HEX #49641A

RGB 73 100 26

HSL 81.89, 0.59%, 0.25%

LAB 38.91, -22.3, 36.86

 

CMYK 74 / 0 / 34 / 60

HEX #1A6543

RGB 26 101 67

HSL 152.8, 0.59%, 0.25%

LAB 37.72, -31.45, 12.86

 

CMYK 49 / 74 / 0 / 60

HEX #341A65

RGB 52 26 101

HSL 260.8, 0.59%, 0.25%

LAB 17.5, 31.45, -39.6

 

CMYK 0 / 74 / 42 / 60

HEX #651A3B

RGB 101 26 59

HSL 333.6, 0.59%, 0.25%

LAB 23.07, 36.33, -1.94

 

CMYK 27 / 0 / 74 / 61

HEX #49641A

RGB 73 100 26

HSL 81.89, 0.59%, 0.25%

LAB 38.91, -22.3, 36.86

 

CMYK 74 / 0 / 11 / 60

HEX #1A655A

RGB 26 101 90

HSL 171.2, 0.59%, 0.25%

LAB 38.31, -25.28, -0.31

 

CMYK 49 / 74 / 0 / 60

HEX #341A65

RGB 52 26 101

HSL 260.8, 0.59%, 0.25%

LAB 17.5, 31.45, -39.6

 

CMYK 0 / 74 / 63 / 60

HEX #651A25

RGB 101 26 37

HSL 351.2, 0.59%, 0.25%

LAB 22.44, 34.17, 12.36

 

Description

Color code: HEX #49641A | qconv.com Color code: HEX #49641A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 100 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 100 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 74 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 74% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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