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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #495F32 it is the complementary color #B6A0CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #495F32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #495F32 shade: #4E5F2D, #5F7140, #708353, #819566 and #92A779

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #495F32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #495F32 shade: #495F32, #384D1F, #273B0C, #162900 and #051700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #495F32 shade: #475D31, #535D31, #5D5B31, #5D4F31 and #5D4331

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #495F32 shade: #475D31, #3B5D31, #315D32, #315D3E and #315D4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #495F32 shade matches the following richer shades: #475D31, #486925, #48741A, #48800E and #488B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #495F32 shade: #475D31, #47513C, #474648, #473A53 and #462F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #495F32 shade: #5D5B31, #535D31, #485D31, #3C5D31 and #315D32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #495F32 shade: #1E2714, #334223, #475D31, #5C783F and #71934D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #495F32 shade: #495F32, #315D4F and #5D3159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #495F32 shade: #495F32, #31485D and #5D3148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #495F32 shade: #495F32, #315D4F, #46315D and #5D313F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #495F32 shade: #495F32, #315D5C, #46315D and #5D3132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 47 / 63

HEX #495F32

RGB 73 95 50

HSL 89.33, 0.31%, 0.28%

LAB 37.54, -17.11, 23.03

 

Complementary color

CMYK 11 / 22 / 0 / 20

HEX #B6A0CD

RGB 182 160 205

HSL 269.33, 0.31%, 0.72%

LAB 69.11, 16.64, -20.03

 

CMYK 18 / 0 / 53 / 63

HEX #4E5F2D

RGB 78 95 45

HSL 80.4, 0.36%, 0.27%

LAB 37.83, -15.61, 26.3

 

CMYK 16 / 0 / 43 / 56

HEX #5F7140

RGB 95 113 64

HSL 82.04, 0.28%, 0.35%

LAB 45.1, -15.71, 24.99

 

CMYK 15 / 0 / 37 / 49

HEX #708353

RGB 112 131 83

HSL 83.75, 0.22%, 0.42%

LAB 52.18, -15.73, 23.73

 

CMYK 13 / 0 / 32 / 42

HEX #819566

RGB 129 149 102

HSL 85.53, 0.19%, 0.49%

LAB 59.09, -15.73, 22.54

 

CMYK 13 / 0 / 28 / 35

HEX #92A779

RGB 146 167 121

HSL 87.39, 0.21%, 0.56%

LAB 65.85, -15.71, 21.43

 

CMYK 23 / 0 / 47 / 63

HEX #495F32

RGB 73 95 50

HSL 89.33, 0.31%, 0.28%

LAB 37.54, -17.11, 23.03

 

CMYK 27 / 0 / 60 / 70

HEX #384D1F

RGB 56 77 31

HSL 87.39, 0.43%, 0.21%

LAB 30.03, -17.09, 24.37

 

CMYK 34 / 0 / 80 / 77

HEX #273B0C

RGB 39 59 12

HSL 85.53, 0.66%, 0.14%

LAB 22.25, -16.84, 25.35

 

CMYK 46 / 0 / 100 / 84

HEX #162900

RGB 22 41 0

HSL 87.8, 1%, 0.08%

LAB 14.15, -16.06, 20.4

 

CMYK 78 / 0 / 100 / 91

HEX #051700

RGB 5 23 0

HSL 106.96, 1%, 0.05%

LAB 5.83, -10, 8.54

 

CMYK 24 / 0 / 47 / 64

HEX #475D31

RGB 71 93 49

HSL 90, 0.31%, 0.28%

LAB 36.72, -17.01, 22.56

 

CMYK 11 / 0 / 47 / 64

HEX #535D31

RGB 83 93 49

HSL 73.64, 0.31%, 0.28%

LAB 37.64, -11.77, 23.9

 

CMYK 0 / 2 / 47 / 64

HEX #5D5B31

RGB 93 91 49

HSL 57.27, 0.31%, 0.28%

LAB 37.9, -6.04, 24.41

 

CMYK 0 / 15 / 47 / 64

HEX #5D4F31

RGB 93 79 49

HSL 40.91, 0.31%, 0.28%

LAB 34.27, 1.18, 19.85

 

CMYK 0 / 28 / 47 / 64

HEX #5D4331

RGB 93 67 49

HSL 24.55, 0.31%, 0.28%

LAB 30.79, 8.65, 15.32

 

CMYK 24 / 0 / 47 / 64

HEX #475D31

RGB 71 93 49

HSL 90, 0.31%, 0.28%

LAB 36.72, -17.01, 22.56

 

CMYK 37 / 0 / 47 / 64

HEX #3B5D31

RGB 59 93 49

HSL 106.36, 0.31%, 0.28%

LAB 35.95, -21.85, 21.41

 

CMYK 47 / 0 / 46 / 64

HEX #315D32

RGB 49 93 50

HSL 121.36, 0.31%, 0.28%

LAB 35.42, -25.3, 20.05

 

CMYK 47 / 0 / 33 / 64

HEX #315D3E

RGB 49 93 62

HSL 137.73, 0.31%, 0.28%

LAB 35.65, -23, 13.19

 

CMYK 47 / 0 / 20 / 64

HEX #315D4A

RGB 49 93 74

HSL 154.09, 0.31%, 0.28%

LAB 35.94, -20.28, 6.23

 

CMYK 24 / 0 / 47 / 64

HEX #475D31

RGB 71 93 49

HSL 90, 0.31%, 0.28%

LAB 36.72, -17.01, 22.56

 

CMYK 31 / 0 / 65 / 59

HEX #486925

RGB 72 105 37

HSL 89.12, 0.48%, 0.28%

LAB 40.6, -24.3, 33.58

 

CMYK 38 / 0 / 78 / 55

HEX #48741A

RGB 72 116 26

HSL 89.33, 0.63%, 0.28%

LAB 44.15, -30.5, 42.06

 

CMYK 44 / 0 / 89 / 50

HEX #48800E

RGB 72 128 14

HSL 89.47, 0.8%, 0.28%

LAB 48.07, -36.46, 49.29

 

CMYK 48 / 0 / 98 / 45

HEX #488B03

RGB 72 139 3

HSL 89.56, 0.96%, 0.28%

LAB 51.67, -41.38, 54.38

 

CMYK 24 / 0 / 47 / 64

HEX #475D31

RGB 71 93 49

HSL 90, 0.31%, 0.28%

LAB 36.72, -17.01, 22.56

 

CMYK 12 / 0 / 26 / 68

HEX #47513C

RGB 71 81 60

HSL 88.57, 0.15%, 0.28%

LAB 33.03, -8.38, 11.06

 

CMYK 1 / 3 / 0 / 72

HEX #474648

RGB 71 70 72

HSL 270, 0.01%, 0.28%

LAB 29.88, 0.86, -1.06

 

CMYK 14 / 30 / 0 / 67

HEX #473A53

RGB 71 58 83

HSL 271.2, 0.18%, 0.28%

LAB 26.71, 11.32, -12.99

 

CMYK 26 / 51 / 0 / 63

HEX #462F5F

RGB 70 47 95

HSL 268.75, 0.34%, 0.28%

LAB 24.2, 21.38, -24.78

 

CMYK 0 / 2 / 47 / 64

HEX #5D5B31

RGB 93 91 49

HSL 57.27, 0.31%, 0.28%

LAB 37.9, -6.04, 24.41

 

CMYK 11 / 0 / 47 / 64

HEX #535D31

RGB 83 93 49

HSL 73.64, 0.31%, 0.28%

LAB 37.64, -11.77, 23.9

 

CMYK 23 / 0 / 47 / 64

HEX #485D31

RGB 72 93 49

HSL 88.64, 0.31%, 0.28%

LAB 36.8, -16.59, 22.66

 

CMYK 35 / 0 / 47 / 64

HEX #3C5D31

RGB 60 93 49

HSL 105, 0.31%, 0.28%

LAB 36.01, -21.47, 21.5

 

CMYK 47 / 0 / 46 / 64

HEX #315D32

RGB 49 93 50

HSL 121.36, 0.31%, 0.28%

LAB 35.42, -25.3, 20.05

 

CMYK 23 / 0 / 49 / 85

HEX #1E2714

RGB 30 39 20

HSL 88.42, 0.32%, 0.12%

LAB 14.27, -8.3, 11.28

 

CMYK 23 / 0 / 47 / 74

HEX #334223

RGB 51 66 35

HSL 89.03, 0.31%, 0.2%

LAB 25.93, -12.54, 16.91

 

CMYK 24 / 0 / 47 / 64

HEX #475D31

RGB 71 93 49

HSL 90, 0.31%, 0.28%

LAB 36.72, -17.01, 22.56

 

CMYK 23 / 0 / 48 / 53

HEX #5C783F

RGB 92 120 63

HSL 89.47, 0.31%, 0.36%

LAB 47.06, -20.8, 27.96

 

CMYK 23 / 0 / 48 / 42

HEX #71934D

RGB 113 147 77

HSL 89.14, 0.31%, 0.44%

LAB 56.99, -24.42, 33.12

 

CMYK 23 / 0 / 47 / 63

HEX #495F32

RGB 73 95 50

HSL 89.33, 0.31%, 0.28%

LAB 37.54, -17.11, 23.03

 

CMYK 47 / 0 / 15 / 64

HEX #315D4F

RGB 49 93 79

HSL 160.91, 0.31%, 0.28%

LAB 36.07, -19.02, 3.32

 

CMYK 0 / 47 / 4 / 64

HEX #5D3159

RGB 93 49 89

HSL 305.45, 0.31%, 0.28%

LAB 27.42, 26.49, -15.59

 

CMYK 23 / 0 / 47 / 63

HEX #495F32

RGB 73 95 50

HSL 89.33, 0.31%, 0.28%

LAB 37.54, -17.11, 23.03

 

CMYK 47 / 23 / 0 / 64

HEX #31485D

RGB 49 72 93

HSL 208.64, 0.31%, 0.28%

LAB 29.61, -2.5, -15.17

 

CMYK 0 / 47 / 23 / 64

HEX #5D3148

RGB 93 49 72

HSL 328.64, 0.31%, 0.28%

LAB 26.71, 23.29, -5.46

 

CMYK 23 / 0 / 47 / 63

HEX #495F32

RGB 73 95 50

HSL 89.33, 0.31%, 0.28%

LAB 37.54, -17.11, 23.03

 

CMYK 47 / 0 / 15 / 64

HEX #315D4F

RGB 49 93 79

HSL 160.91, 0.31%, 0.28%

LAB 36.07, -19.02, 3.32

 

CMYK 25 / 47 / 0 / 64

HEX #46315D

RGB 70 49 93

HSL 268.64, 0.31%, 0.28%

LAB 24.6, 19.54, -22.82

 

CMYK 0 / 47 / 32 / 64

HEX #5D313F

RGB 93 49 63

HSL 340.91, 0.31%, 0.28%

LAB 26.4, 21.82, 0.07

 

CMYK 23 / 0 / 47 / 63

HEX #495F32

RGB 73 95 50

HSL 89.33, 0.31%, 0.28%

LAB 37.54, -17.11, 23.03

 

CMYK 47 / 0 / 1 / 64

HEX #315D5C

RGB 49 93 92

HSL 178.64, 0.31%, 0.28%

LAB 36.47, -15.46, -4.17

 

CMYK 25 / 47 / 0 / 64

HEX #46315D

RGB 70 49 93

HSL 268.64, 0.31%, 0.28%

LAB 24.6, 19.54, -22.82

 

CMYK 0 / 47 / 46 / 64

HEX #5D3132

RGB 93 49 50

HSL 358.64, 0.31%, 0.28%

LAB 26.02, 20.02, 8.21

 

Description

Color code: HEX #495F32 | qconv.com Color code: HEX #495F32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 95 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 95 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 47 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 47% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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