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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #495CBC it is the complementary color #B6A343. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #495CBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #495CBC shade: #4E5CB7, #5F6ECA, #7080DD, #8192F0 and #92A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #495CBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #495CBC shade: #495CBC, #384AA9, #273896, #162683 and #051470

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #495CBC shade: #485BBB, #5448BB, #7348BB, #9248BB and #B148BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #495CBC shade: #485BBB and #4848BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #495CBC shade matches the following richer shades: #485BBB, #344ECF, #2040E3 and #0B32F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #495CBC shade: #485BBB, #5C69A7, #717693, #85847E and #99916A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #495CBC shade: #4899BB, #487ABB, #485BBB, #5448BB and #7248BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #495CBC shade: #2F3D81, #3B4B9F, #485BBB, #6676C6 and #8491D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #495CBC shade: #495CBC, #BB48B7 and #89BB48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #495CBC shade: #495CBC, #BB485B and #5BBB48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #495CBC shade: #495CBC, #BB48B7, #BBA848 and #48BB4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #495CBC shade: #495CBC, #BB4895, #BBA848 and #48BB6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 51 / 0 / 26

HEX #495CBC

RGB 73 92 188

HSL 230.09, 0.46%, 0.51%

LAB 42.31, 22.72, -52.94

 

Complementary color

CMYK 0 / 10 / 63 / 29

HEX #B6A343

RGB 182 163 67

HSL 50.09, 0.46%, 0.49%

LAB 66.93, -4.63, 50.97

 

CMYK 57 / 50 / 0 / 28

HEX #4E5CB7

RGB 78 92 183

HSL 232, 0.42%, 0.51%

LAB 42.3, 21.99, -50.03

 

CMYK 53 / 46 / 0 / 21

HEX #5F6ECA

RGB 95 110 202

HSL 231.59, 0.5%, 0.58%

LAB 49.31, 20.54, -49.72

 

CMYK 49 / 42 / 0 / 13

HEX #7080DD

RGB 112 128 221

HSL 231.19, 0.62%, 0.65%

LAB 56.19, 19.34, -49.46

 

CMYK 46 / 39 / 0 / 6

HEX #8192F0

RGB 129 146 240

HSL 230.81, 0.79%, 0.72%

LAB 62.94, 18.33, -49.25

 

CMYK 43 / 36 / 0 / 0

HEX #92A4FF

RGB 146 164 255

HSL 230.09, 1%, 0.79%

LAB 69.39, 16.33, -47.21

 

CMYK 61 / 51 / 0 / 26

HEX #495CBC

RGB 73 92 188

HSL 230.09, 0.46%, 0.51%

LAB 42.31, 22.72, -52.94

 

CMYK 67 / 56 / 0 / 34

HEX #384AA9

RGB 56 74 169

HSL 230.44, 0.5%, 0.44%

LAB 35.21, 24.7, -53.26

 

CMYK 74 / 63 / 0 / 41

HEX #273896

RGB 39 56 150

HSL 230.81, 0.59%, 0.37%

LAB 28.01, 27.17, -53.53

 

CMYK 83 / 71 / 0 / 49

HEX #162683

RGB 22 38 131

HSL 231.19, 0.71%, 0.3%

LAB 20.81, 30.18, -53.57

 

CMYK 96 / 82 / 0 / 56

HEX #051470

RGB 5 20 112

HSL 231.59, 0.91%, 0.23%

LAB 13.84, 33.45, -52.95

 

CMYK 61 / 51 / 0 / 27

HEX #485BBB

RGB 72 91 187

HSL 230.09, 0.46%, 0.51%

LAB 41.92, 22.83, -52.99

 

CMYK 55 / 61 / 0 / 27

HEX #5448BB

RGB 84 72 187

HSL 246.26, 0.46%, 0.51%

LAB 38.03, 36.95, -59.24

 

CMYK 39 / 61 / 0 / 27

HEX #7348BB

RGB 115 72 187

HSL 262.43, 0.46%, 0.51%

LAB 41, 43.31, -54.29

 

CMYK 22 / 61 / 0 / 27

HEX #9248BB

RGB 146 72 187

HSL 278.61, 0.46%, 0.51%

LAB 44.71, 50.54, -48.14

 

CMYK 5 / 61 / 0 / 27

HEX #B148BB

RGB 177 72 187

HSL 294.78, 0.46%, 0.51%

LAB 48.97, 58.18, -41.1

 

CMYK 61 / 51 / 0 / 27

HEX #485BBB

RGB 72 91 187

HSL 230.09, 0.46%, 0.51%

LAB 41.92, 22.83, -52.99

 

CMYK 61 / 61 / 0 / 27

HEX #4848BB

RGB 72 72 187

HSL 240, 0.46%, 0.51%

LAB 37.12, 34.86, -60.78

 

CMYK 61 / 51 / 0 / 27

HEX #485BBB

RGB 72 91 187

HSL 230.09, 0.46%, 0.51%

LAB 41.92, 22.83, -52.99

 

CMYK 75 / 62 / 0 / 19

HEX #344ECF

RGB 52 78 207

HSL 229.94, 0.62%, 0.51%

LAB 39.04, 35.35, -69.32

 

CMYK 86 / 72 / 0 / 11

HEX #2040E3

RGB 32 64 227

HSL 230.15, 0.78%, 0.51%

LAB 36.97, 49.45, -84.24

 

CMYK 96 / 80 / 0 / 3

HEX #0B32F8

RGB 11 50 248

HSL 230.13, 0.94%, 0.51%

LAB 36.23, 63.17, -97.37

 

CMYK 61 / 51 / 0 / 27

HEX #485BBB

RGB 72 91 187

HSL 230.09, 0.46%, 0.51%

LAB 41.92, 22.83, -52.99

 

CMYK 45 / 37 / 0 / 35

HEX #5C69A7

RGB 92 105 167

HSL 229.6, 0.3%, 0.51%

LAB 45.86, 11.93, -34.91

 

CMYK 23 / 20 / 0 / 42

HEX #717693

RGB 113 118 147

HSL 231.18, 0.14%, 0.51%

LAB 50.19, 4.77, -16.33

 

CMYK 0 / 1 / 5 / 48

HEX #85847E

RGB 133 132 126

HSL 51.43, 0.03%, 0.51%

LAB 55.07, -0.78, 3.36

 

CMYK 0 / 5 / 31 / 40

HEX #99916A

RGB 153 145 106

HSL 49.79, 0.19%, 0.51%

LAB 59.95, -3.35, 21.81

 

CMYK 61 / 18 / 0 / 27

HEX #4899BB

RGB 72 153 187

HSL 197.74, 0.46%, 0.51%

LAB 59.66, -14.39, -25.03

 

CMYK 61 / 35 / 0 / 27

HEX #487ABB

RGB 72 122 187

HSL 213.91, 0.46%, 0.51%

LAB 50.55, 3.43, -39.22

 

CMYK 61 / 51 / 0 / 27

HEX #485BBB

RGB 72 91 187

HSL 230.09, 0.46%, 0.51%

LAB 41.92, 22.83, -52.99

 

CMYK 55 / 61 / 0 / 27

HEX #5448BB

RGB 84 72 187

HSL 246.26, 0.46%, 0.51%

LAB 38.03, 36.95, -59.24

 

CMYK 39 / 61 / 0 / 27

HEX #7248BB

RGB 114 72 187

HSL 261.91, 0.46%, 0.51%

LAB 40.9, 43.09, -54.47

 

CMYK 64 / 53 / 0 / 49

HEX #2F3D81

RGB 47 61 129

HSL 229.76, 0.47%, 0.35%

LAB 28.19, 17.15, -40.24

 

CMYK 63 / 53 / 0 / 38

HEX #3B4B9F

RGB 59 75 159

HSL 230.4, 0.46%, 0.43%

LAB 34.93, 20.96, -47.71

 

CMYK 61 / 51 / 0 / 27

HEX #485BBB

RGB 72 91 187

HSL 230.09, 0.46%, 0.51%

LAB 41.92, 22.83, -52.99

 

CMYK 48 / 40 / 0 / 22

HEX #6676C6

RGB 102 118 198

HSL 230, 0.46%, 0.59%

LAB 51.68, 15.98, -43.64

 

CMYK 37 / 31 / 0 / 18

HEX #8491D1

RGB 132 145 209

HSL 229.87, 0.46%, 0.67%

LAB 61.45, 10.91, -34.38

 

CMYK 61 / 51 / 0 / 26

HEX #495CBC

RGB 73 92 188

HSL 230.09, 0.46%, 0.51%

LAB 42.31, 22.72, -52.94

 

CMYK 0 / 61 / 2 / 27

HEX #BB48B7

RGB 187 72 183

HSL 302.09, 0.46%, 0.51%

LAB 50.24, 59.99, -36.67

 

CMYK 27 / 0 / 61 / 27

HEX #89BB48

RGB 137 187 72

HSL 86.09, 0.46%, 0.51%

LAB 70.4, -34.84, 51.6

 

CMYK 61 / 51 / 0 / 26

HEX #495CBC

RGB 73 92 188

HSL 230.09, 0.46%, 0.51%

LAB 42.31, 22.72, -52.94

 

CMYK 0 / 61 / 51 / 27

HEX #BB485B

RGB 187 72 91

HSL 350.09, 0.46%, 0.51%

LAB 46.92, 47.88, 13.46

 

CMYK 51 / 0 / 61 / 27

HEX #5BBB48

RGB 91 187 72

HSL 110.09, 0.46%, 0.51%

LAB 68.19, -50.17, 48.52

 

CMYK 61 / 51 / 0 / 26

HEX #495CBC

RGB 73 92 188

HSL 230.09, 0.46%, 0.51%

LAB 42.31, 22.72, -52.94

 

CMYK 0 / 61 / 2 / 27

HEX #BB48B7

RGB 187 72 183

HSL 302.09, 0.46%, 0.51%

LAB 50.24, 59.99, -36.67

 

CMYK 0 / 10 / 61 / 27

HEX #BBA848

RGB 187 168 72

HSL 50.09, 0.46%, 0.51%

LAB 68.78, -4.78, 50.85

 

CMYK 61 / 0 / 59 / 27

HEX #48BB4C

RGB 72 187 76

HSL 122.09, 0.46%, 0.51%

LAB 67.61, -54.56, 45.87

 

CMYK 61 / 51 / 0 / 26

HEX #495CBC

RGB 73 92 188

HSL 230.09, 0.46%, 0.51%

LAB 42.31, 22.72, -52.94

 

CMYK 0 / 61 / 20 / 27

HEX #BB4895

RGB 187 72 149

HSL 319.83, 0.46%, 0.51%

LAB 48.72, 54.65, -18.98

 

CMYK 0 / 10 / 61 / 27

HEX #BBA848

RGB 187 168 72

HSL 50.09, 0.46%, 0.51%

LAB 68.78, -4.78, 50.85

 

CMYK 61 / 0 / 41 / 27

HEX #48BB6E

RGB 72 187 110

HSL 139.83, 0.46%, 0.51%

LAB 68.05, -49.56, 29.61

 

Description

Color code: HEX #495CBC | qconv.com Color code: HEX #495CBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 92 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 92 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 51 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 51% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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