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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4958EE it is the complementary color #B6A711. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4958EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4958EE shade: #4E58E9, #5F6AFC, #707CFF, #818EFF and #92A0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4958EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4958EE shade: #4958EE, #3846DB, #2734C8, #1622B5 and #0510A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4958EE shade: #4958EE, #6649EE, #9349EE, #BF49EE and #EC49EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4958EE shade: #4958EE and #4949EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4958EE shade matches the following richer shades: #4958EE and #384AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4958EE shade: #4958EE, #5965DE, #6972CD, #797FBD and #898CAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4958EE shade: #49B1EE, #4985EE, #4959EE, #6449EE and #9049EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4958EE shade: #1324D1, #2335EA, #4958EE, #6E7AF1 and #949DF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4958EE shade: #4958EE, #EE49DD and #9BEE49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4958EE shade: #4958EE, #EE4959 and #59EE49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4958EE shade: #4958EE, #EE49DD, #EEDD49 and #49EE59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4958EE shade: #4958EE, #EE49AC, #EEDD49 and #49EE8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

Complementary color

CMYK 0 / 8 / 91 / 29

HEX #B6A711

RGB 182 167 17

HSL 54.55, 0.83%, 0.39%

LAB 67.74, -8.79, 68.1

 

CMYK 67 / 62 / 0 / 9

HEX #4E58E9

RGB 78 88 233

HSL 236.13, 0.78%, 0.61%

LAB 44.92, 41.32, -74.51

 

CMYK 62 / 58 / 0 / 1

HEX #5F6AFC

RGB 95 106 252

HSL 235.8, 0.96%, 0.68%

LAB 51.58, 39.2, -74.24

 

CMYK 56 / 51 / 0 / 0

HEX #707CFF

RGB 112 124 255

HSL 234.97, 1%, 0.72%

LAB 57.15, 32.3, -66.82

 

CMYK 49 / 44 / 0 / 0

HEX #818EFF

RGB 129 142 255

HSL 233.81, 1%, 0.75%

LAB 62.7, 25.1, -57.86

 

CMYK 43 / 37 / 0 / 0

HEX #92A0FF

RGB 146 160 255

HSL 232.29, 1%, 0.79%

LAB 68.37, 18.61, -48.81

 

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

CMYK 74 / 68 / 0 / 14

HEX #3846DB

RGB 56 70 219

HSL 234.85, 0.69%, 0.54%

LAB 38.44, 44.88, -77.21

 

CMYK 81 / 74 / 0 / 22

HEX #2734C8

RGB 39 52 200

HSL 235.16, 0.67%, 0.47%

LAB 31.94, 47.58, -76.97

 

CMYK 88 / 81 / 0 / 29

HEX #1622B5

RGB 22 34 181

HSL 235.47, 0.78%, 0.4%

LAB 25.72, 50.12, -76.08

 

CMYK 97 / 90 / 0 / 36

HEX #0510A2

RGB 5 16 162

HSL 235.8, 0.94%, 0.33%

LAB 20.09, 51.7, -74

 

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

CMYK 57 / 69 / 0 / 7

HEX #6649EE

RGB 102 73 238

HSL 250.55, 0.83%, 0.61%

LAB 43.89, 54.75, -78.94

 

CMYK 38 / 69 / 0 / 7

HEX #9349EE

RGB 147 73 238

HSL 266.91, 0.83%, 0.61%

LAB 48.44, 62.11, -71.32

 

CMYK 20 / 69 / 0 / 7

HEX #BF49EE

RGB 191 73 238

HSL 282.91, 0.83%, 0.61%

LAB 54.04, 70.59, -61.99

 

CMYK 1 / 69 / 0 / 7

HEX #EC49EE

RGB 236 73 238

HSL 299.27, 0.83%, 0.61%

LAB 60.58, 79.92, -51.16

 

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

CMYK 69 / 69 / 0 / 7

HEX #4949EE

RGB 73 73 238

HSL 240, 0.83%, 0.61%

LAB 41.77, 51.13, -82.49

 

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

CMYK 78 / 71 / 0 / 0

HEX #384AFE

RGB 56 74 254

HSL 234.55, 0.99%, 0.61%

LAB 42.6, 54.25, -90.14

 

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

CMYK 60 / 55 / 0 / 13

HEX #5965DE

RGB 89 101 222

HSL 234.59, 0.67%, 0.61%

LAB 47.89, 31.43, -63.43

 

CMYK 49 / 44 / 0 / 20

HEX #6972CD

RGB 105 114 205

HSL 234.6, 0.5%, 0.61%

LAB 51.2, 21.28, -48.38

 

CMYK 36 / 33 / 0 / 26

HEX #797FBD

RGB 121 127 189

HSL 234.71, 0.34%, 0.61%

LAB 54.99, 12.92, -33.2

 

CMYK 21 / 19 / 0 / 32

HEX #898CAD

RGB 137 140 173

HSL 235, 0.18%, 0.61%

LAB 59.06, 6.11, -17.7

 

CMYK 69 / 26 / 0 / 7

HEX #49B1EE

RGB 73 177 238

HSL 202.18, 0.83%, 0.61%

LAB 68.78, -10.82, -39.16

 

CMYK 69 / 44 / 0 / 7

HEX #4985EE

RGB 73 133 238

HSL 218.18, 0.83%, 0.61%

LAB 56.45, 14.63, -58.65

 

CMYK 69 / 63 / 0 / 7

HEX #4959EE

RGB 73 89 238

HSL 234.18, 0.83%, 0.61%

LAB 45.27, 41.75, -76.76

 

CMYK 58 / 69 / 0 / 7

HEX #6449EE

RGB 100 73 238

HSL 249.82, 0.83%, 0.61%

LAB 43.72, 54.47, -79.22

 

CMYK 39 / 69 / 0 / 7

HEX #9049EE

RGB 144 73 238

HSL 265.82, 0.83%, 0.61%

LAB 48.09, 61.57, -71.9

 

CMYK 91 / 83 / 0 / 18

HEX #1324D1

RGB 19 36 209

HSL 234.63, 0.83%, 0.45%

LAB 29.42, 57.86, -86.4

 

CMYK 85 / 77 / 0 / 8

HEX #2335EA

RGB 35 53 234

HSL 234.57, 0.83%, 0.53%

LAB 35.68, 57.93, -90.35

 

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

CMYK 54 / 49 / 0 / 5

HEX #6E7AF1

RGB 110 122 241

HSL 234.5, 0.82%, 0.69%

LAB 55.67, 28.72, -61.47

 

CMYK 40 / 36 / 0 / 4

HEX #949DF5

RGB 148 157 245

HSL 234.43, 0.83%, 0.77%

LAB 67.28, 18.06, -45.07

 

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

CMYK 0 / 69 / 7 / 7

HEX #EE49DD

RGB 238 73 221

HSL 306.18, 0.83%, 0.61%

LAB 60.04, 77.75, -42.48

 

CMYK 35 / 0 / 69 / 7

HEX #9BEE49

RGB 155 238 73

HSL 90.18, 0.83%, 0.61%

LAB 86.3, -50.42, 68.36

 

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

CMYK 0 / 69 / 63 / 7

HEX #EE4959

RGB 238 73 89

HSL 354.18, 0.83%, 0.61%

LAB 55.75, 63.69, 27.98

 

CMYK 63 / 0 / 69 / 7

HEX #59EE49

RGB 89 238 73

HSL 114.18, 0.83%, 0.61%

LAB 83.84, -68.92, 65.04

 

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

CMYK 0 / 69 / 7 / 7

HEX #EE49DD

RGB 238 73 221

HSL 306.18, 0.83%, 0.61%

LAB 60.04, 77.75, -42.48

 

CMYK 0 / 7 / 69 / 7

HEX #EEDD49

RGB 238 221 73

HSL 53.82, 0.83%, 0.61%

LAB 87.18, -10.36, 71.05

 

CMYK 69 / 0 / 63 / 7

HEX #49EE59

RGB 73 238 89

HSL 125.82, 0.83%, 0.61%

LAB 83.59, -70.47, 58.37

 

CMYK 69 / 63 / 0 / 7

HEX #4958EE

RGB 73 88 238

HSL 234.55, 0.83%, 0.61%

LAB 45.04, 42.36, -77.14

 

CMYK 0 / 69 / 28 / 7

HEX #EE49AC

RGB 238 73 172

HSL 324, 0.83%, 0.61%

LAB 57.96, 71.15, -17.67

 

CMYK 0 / 7 / 69 / 7

HEX #EEDD49

RGB 238 221 73

HSL 53.82, 0.83%, 0.61%

LAB 87.18, -10.36, 71.05

 

CMYK 69 / 0 / 42 / 7

HEX #49EE8B

RGB 73 238 139

HSL 144, 0.83%, 0.61%

LAB 84.19, -63.56, 35.92

 

Description

Color code: HEX #4958EE | qconv.com Color code: HEX #4958EE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 88 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 88 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 63 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 63% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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