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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #495593 it is the complementary color #B6AA6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #495593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #495593 shade: #4E558E, #5F67A1, #7079B4, #818BC7 and #929DDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #495593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #495593 shade: #495593, #384380, #27316D, #161F5A and #050D47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #495593 shade: #485492, #504892, #644892, #784892 and #8C4892

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #495593 shade: #485492 and #484892

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #495593 shade matches the following richer shades: #485492, #3648A4, #243CB6, #1330C8 and #0124D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #495593 shade: #485492, #5A6081, #6B6C6F, #7D785D and #8F844B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #495593 shade: #487C92, #486892, #485492, #4F4892 and #634892

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #495593 shade: #2D345B, #3A4477, #485492, #5765AC and #737EBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #495593 shade: #495593, #924890 and #729248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #495593 shade: #495593, #924854 and #549248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #495593 shade: #495593, #924890, #928648 and #48924A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #495593 shade: #495593, #92487A, #928648 and #489261

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 42 / 0 / 42

HEX #495593

RGB 73 85 147

HSL 230.27, 0.34%, 0.43%

LAB 37.88, 13.35, -35.7

 

Complementary color

CMYK 0 / 7 / 41 / 29

HEX #B6AA6C

RGB 182 170 108

HSL 50.27, 0.34%, 0.57%

LAB 69.31, -4.71, 33.5

 

CMYK 45 / 40 / 0 / 44

HEX #4E558E

RGB 78 85 142

HSL 233.44, 0.29%, 0.43%

LAB 37.97, 13.04, -32.51

 

CMYK 41 / 36 / 0 / 37

HEX #5F67A1

RGB 95 103 161

HSL 232.73, 0.26%, 0.5%

LAB 45.23, 12.17, -32.36

 

CMYK 38 / 33 / 0 / 29

HEX #7079B4

RGB 112 121 180

HSL 232.06, 0.31%, 0.57%

LAB 52.3, 11.45, -32.28

 

CMYK 35 / 30 / 0 / 22

HEX #818BC7

RGB 129 139 199

HSL 231.43, 0.38%, 0.64%

LAB 59.21, 10.85, -32.25

 

CMYK 33 / 28 / 0 / 15

HEX #929DDA

RGB 146 157 218

HSL 230.83, 0.49%, 0.71%

LAB 65.97, 10.32, -32.28

 

CMYK 50 / 42 / 0 / 42

HEX #495593

RGB 73 85 147

HSL 230.27, 0.34%, 0.43%

LAB 37.88, 13.35, -35.7

 

CMYK 56 / 48 / 0 / 50

HEX #384380

RGB 56 67 128

HSL 230.83, 0.39%, 0.36%

LAB 30.43, 14.64, -35.98

 

CMYK 64 / 55 / 0 / 57

HEX #27316D

RGB 39 49 109

HSL 231.43, 0.47%, 0.29%

LAB 22.77, 16.37, -36.32

 

CMYK 76 / 66 / 0 / 65

HEX #161F5A

RGB 22 31 90

HSL 232.06, 0.61%, 0.22%

LAB 14.89, 18.77, -36.66

 

CMYK 93 / 82 / 0 / 72

HEX #050D47

RGB 5 13 71

HSL 232.73, 0.87%, 0.15%

LAB 7, 21.76, -36.62

 

CMYK 51 / 42 / 0 / 43

HEX #485492

RGB 72 84 146

HSL 230.27, 0.34%, 0.43%

LAB 37.47, 13.42, -35.75

 

CMYK 45 / 51 / 0 / 43

HEX #504892

RGB 80 72 146

HSL 246.49, 0.34%, 0.43%

LAB 34.83, 23.17, -39.91

 

CMYK 32 / 51 / 0 / 43

HEX #644892

RGB 100 72 146

HSL 262.7, 0.34%, 0.43%

LAB 36.78, 28.53, -36.7

 

CMYK 18 / 51 / 0 / 43

HEX #784892

RGB 120 72 146

HSL 278.92, 0.34%, 0.43%

LAB 39.08, 34.31, -32.91

 

CMYK 4 / 51 / 0 / 43

HEX #8C4892

RGB 140 72 146

HSL 295.14, 0.34%, 0.43%

LAB 41.67, 40.27, -28.66

 

CMYK 51 / 42 / 0 / 43

HEX #485492

RGB 72 84 146

HSL 230.27, 0.34%, 0.43%

LAB 37.47, 13.42, -35.75

 

CMYK 51 / 51 / 0 / 43

HEX #484892

RGB 72 72 146

HSL 240, 0.34%, 0.43%

LAB 34.17, 21.21, -41.02

 

CMYK 51 / 42 / 0 / 43

HEX #485492

RGB 72 84 146

HSL 230.27, 0.34%, 0.43%

LAB 37.47, 13.42, -35.75

 

CMYK 67 / 56 / 0 / 36

HEX #3648A4

RGB 54 72 164

HSL 230.18, 0.5%, 0.43%

LAB 34.19, 23.88, -51.93

 

CMYK 80 / 67 / 0 / 29

HEX #243CB6

RGB 36 60 182

HSL 230.14, 0.67%, 0.43%

LAB 31.77, 36.17, -66.65

 

CMYK 91 / 76 / 0 / 22

HEX #1330C8

RGB 19 48 200

HSL 230.39, 0.83%, 0.43%

LAB 30.45, 48.85, -79.44

 

CMYK 100 / 83 / 0 / 15

HEX #0124D9

RGB 1 36 217

HSL 230.28, 0.99%, 0.43%

LAB 30.1, 60, -89.91

 

CMYK 51 / 42 / 0 / 43

HEX #485492

RGB 72 84 146

HSL 230.27, 0.34%, 0.43%

LAB 37.47, 13.42, -35.75

 

CMYK 30 / 26 / 0 / 49

HEX #5A6081

RGB 90 96 129

HSL 230.77, 0.18%, 0.43%

LAB 41.41, 5.86, -19.18

 

CMYK 4 / 3 / 0 / 56

HEX #6B6C6F

RGB 107 108 111

HSL 225, 0.02%, 0.43%

LAB 45.63, 0.24, -1.81

 

CMYK 0 / 4 / 26 / 51

HEX #7D785D

RGB 125 120 93

HSL 50.63, 0.15%, 0.43%

LAB 50.2, -2.79, 15.55

 

CMYK 0 / 8 / 48 / 44

HEX #8F844B

RGB 143 132 75

HSL 50.29, 0.31%, 0.43%

LAB 54.92, -4.13, 32.13

 

CMYK 51 / 15 / 0 / 43

HEX #487C92

RGB 72 124 146

HSL 197.84, 0.34%, 0.43%

LAB 49.34, -11.01, -17.27

 

CMYK 51 / 29 / 0 / 43

HEX #486892

RGB 72 104 146

HSL 214.05, 0.34%, 0.43%

LAB 43.29, 0.8, -26.6

 

CMYK 51 / 42 / 0 / 43

HEX #485492

RGB 72 84 146

HSL 230.27, 0.34%, 0.43%

LAB 37.47, 13.42, -35.75

 

CMYK 46 / 51 / 0 / 43

HEX #4F4892

RGB 79 72 146

HSL 245.68, 0.34%, 0.43%

LAB 34.75, 22.92, -40.06

 

CMYK 32 / 51 / 0 / 43

HEX #634892

RGB 99 72 146

HSL 261.89, 0.34%, 0.43%

LAB 36.67, 28.25, -36.87

 

CMYK 51 / 43 / 0 / 64

HEX #2D345B

RGB 45 52 91

HSL 230.87, 0.34%, 0.27%

LAB 22.89, 9.1, -24.38

 

CMYK 51 / 43 / 0 / 53

HEX #3A4477

RGB 58 68 119

HSL 230.16, 0.34%, 0.35%

LAB 30.32, 11.35, -30.53

 

CMYK 51 / 42 / 0 / 43

HEX #485492

RGB 72 84 146

HSL 230.27, 0.34%, 0.43%

LAB 37.47, 13.42, -35.75

 

CMYK 49 / 41 / 0 / 33

HEX #5765AC

RGB 87 101 172

HSL 230.12, 0.34%, 0.51%

LAB 44.68, 14.71, -39.75

 

CMYK 38 / 32 / 0 / 27

HEX #737EBA

RGB 115 126 186

HSL 230.7, 0.34%, 0.59%

LAB 54.15, 11, -32.83

 

CMYK 50 / 42 / 0 / 42

HEX #495593

RGB 73 85 147

HSL 230.27, 0.34%, 0.43%

LAB 37.88, 13.35, -35.7

 

CMYK 0 / 51 / 1 / 43

HEX #924890

RGB 146 72 144

HSL 301.62, 0.34%, 0.43%

LAB 42.4, 41.69, -26.25

 

CMYK 22 / 0 / 51 / 43

HEX #729248

RGB 114 146 72

HSL 85.95, 0.34%, 0.43%

LAB 56.69, -24.12, 35.36

 

CMYK 50 / 42 / 0 / 42

HEX #495593

RGB 73 85 147

HSL 230.27, 0.34%, 0.43%

LAB 37.88, 13.35, -35.7

 

CMYK 0 / 51 / 42 / 43

HEX #924854

RGB 146 72 84

HSL 350.27, 0.34%, 0.43%

LAB 40.22, 32.42, 7.45

 

CMYK 42 / 0 / 51 / 43

HEX #549248

RGB 84 146 72

HSL 110.27, 0.34%, 0.43%

LAB 54.98, -35.12, 32.88

 

CMYK 50 / 42 / 0 / 42

HEX #495593

RGB 73 85 147

HSL 230.27, 0.34%, 0.43%

LAB 37.88, 13.35, -35.7

 

CMYK 0 / 51 / 1 / 43

HEX #924890

RGB 146 72 144

HSL 301.62, 0.34%, 0.43%

LAB 42.4, 41.69, -26.25

 

CMYK 0 / 8 / 51 / 43

HEX #928648

RGB 146 134 72

HSL 50.27, 0.34%, 0.43%

LAB 55.71, -4.23, 34.77

 

CMYK 51 / 0 / 49 / 43

HEX #48924A

RGB 72 146 74

HSL 121.62, 0.34%, 0.43%

LAB 54.48, -38.56, 31.1

 

CMYK 50 / 42 / 0 / 42

HEX #495593

RGB 73 85 147

HSL 230.27, 0.34%, 0.43%

LAB 37.88, 13.35, -35.7

 

CMYK 0 / 51 / 16 / 43

HEX #92487A

RGB 146 72 122

HSL 319.46, 0.34%, 0.43%

LAB 41.45, 37.79, -14.3

 

CMYK 0 / 8 / 51 / 43

HEX #928648

RGB 146 134 72

HSL 50.27, 0.34%, 0.43%

LAB 55.71, -4.23, 34.77

 

CMYK 51 / 0 / 34 / 43

HEX #489261

RGB 72 146 97

HSL 140.27, 0.34%, 0.43%

LAB 54.86, -34.59, 19.08

 

Description

Color code: HEX #495593 | qconv.com Color code: HEX #495593 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 85 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 85 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 42 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 42% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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