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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49418F it is the complementary color #B6BE70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49418F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49418F shade: #4E418A, #5F539D, #7065B0, #8177C3 and #9289D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49418F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49418F shade: #49418F, #382F7C, #271D69, #160B56 and #050043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49418F shade: #484090, #5E4090, #734090, #894090 and #904081

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49418F shade: #484090 and #404090

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49418F shade matches the following richer shades: #484090, #3B2FA1, #2E1EB2 and #200EC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49418F shade: #484090, #56517F, #63626E, #71735D and #7E844C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49418F shade: #406390, #404E90, #484090, #5D4090 and #734090

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49418F shade: #2C2757, #3A3473, #484090, #574DAC and #7068BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49418F shade: #49418F, #904078 and #589040

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49418F shade: #49418F, #904840 and #409048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49418F shade: #49418F, #904078, #889040 and #409058

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49418F shade: #49418F, #904060, #889040 and #409070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 55 / 0 / 44

HEX #49418F

RGB 73 65 143

HSL 246.15, 0.38%, 0.41%

LAB 32.21, 25, -42.32

 

Complementary color

CMYK 4 / 0 / 41 / 25

HEX #B6BE70

RGB 182 190 112

HSL 66.15, 0.38%, 0.59%

LAB 74.79, -14.68, 38.39

 

CMYK 43 / 53 / 0 / 46

HEX #4E418A

RGB 78 65 138

HSL 250.68, 0.36%, 0.4%

LAB 32.34, 24.66, -39.02

 

CMYK 39 / 47 / 0 / 38

HEX #5F539D

RGB 95 83 157

HSL 249.73, 0.31%, 0.47%

LAB 39.67, 23.46, -38.76

 

CMYK 36 / 43 / 0 / 31

HEX #7065B0

RGB 112 101 176

HSL 248.8, 0.32%, 0.54%

LAB 46.83, 22.43, -38.56

 

CMYK 34 / 39 / 0 / 24

HEX #8177C3

RGB 129 119 195

HSL 247.89, 0.39%, 0.62%

LAB 53.82, 21.56, -38.42

 

CMYK 32 / 36 / 0 / 16

HEX #9289D6

RGB 146 137 214

HSL 247.01, 0.48%, 0.69%

LAB 60.66, 20.79, -38.33

 

CMYK 49 / 55 / 0 / 44

HEX #49418F

RGB 73 65 143

HSL 246.15, 0.38%, 0.41%

LAB 32.21, 25, -42.32

 

CMYK 55 / 62 / 0 / 51

HEX #382F7C

RGB 56 47 124

HSL 247.01, 0.45%, 0.34%

LAB 24.73, 26.63, -42.65

 

CMYK 63 / 72 / 0 / 59

HEX #271D69

RGB 39 29 105

HSL 247.89, 0.57%, 0.26%

LAB 17.13, 28.55, -42.88

 

CMYK 74 / 87 / 0 / 66

HEX #160B56

RGB 22 11 86

HSL 248.8, 0.77%, 0.19%

LAB 9.66, 30.39, -42.57

 

CMYK 93 / 100 / 0 / 74

HEX #050043

RGB 5 0 67

HSL 244.48, 1%, 0.13%

LAB 3.95, 26.26, -38.8

 

CMYK 50 / 56 / 0 / 44

HEX #484090

RGB 72 64 144

HSL 246, 0.38%, 0.41%

LAB 31.94, 25.73, -43.38

 

CMYK 35 / 56 / 0 / 44

HEX #5E4090

RGB 94 64 144

HSL 262.5, 0.38%, 0.41%

LAB 34.11, 31.2, -39.78

 

CMYK 20 / 56 / 0 / 44

HEX #734090

RGB 115 64 144

HSL 278.25, 0.38%, 0.41%

LAB 36.6, 36.93, -35.65

 

CMYK 5 / 56 / 0 / 44

HEX #894090

RGB 137 64 144

HSL 294.75, 0.38%, 0.41%

LAB 39.58, 43.16, -30.75

 

CMYK 0 / 56 / 10 / 44

HEX #904081

RGB 144 64 129

HSL 311.25, 0.38%, 0.41%

LAB 39.88, 42.47, -21.04

 

CMYK 50 / 56 / 0 / 44

HEX #484090

RGB 72 64 144

HSL 246, 0.38%, 0.41%

LAB 31.94, 25.73, -43.38

 

CMYK 56 / 56 / 0 / 44

HEX #404090

RGB 64 64 144

HSL 240, 0.38%, 0.41%

LAB 31.28, 23.96, -44.47

 

CMYK 50 / 56 / 0 / 44

HEX #484090

RGB 72 64 144

HSL 246, 0.38%, 0.41%

LAB 31.94, 25.73, -43.38

 

CMYK 63 / 71 / 0 / 37

HEX #3B2FA1

RGB 59 47 161

HSL 246.32, 0.55%, 0.41%

LAB 28.21, 39.45, -59.86

 

CMYK 74 / 83 / 0 / 30

HEX #2E1EB2

RGB 46 30 178

HSL 246.49, 0.71%, 0.41%

LAB 25.93, 52.32, -73.89

 

CMYK 84 / 93 / 0 / 24

HEX #200EC3

RGB 32 14 195

HSL 245.97, 0.87%, 0.41%

LAB 25.45, 62.05, -84.82

 

CMYK 50 / 56 / 0 / 44

HEX #484090

RGB 72 64 144

HSL 246, 0.38%, 0.41%

LAB 31.94, 25.73, -43.38

 

CMYK 32 / 36 / 0 / 50

HEX #56517F

RGB 86 81 127

HSL 246.52, 0.22%, 0.41%

LAB 36.74, 13.45, -25.24

 

CMYK 10 / 11 / 0 / 57

HEX #63626E

RGB 99 98 110

HSL 245, 0.06%, 0.41%

LAB 42.02, 3, -6.63

 

CMYK 2 / 0 / 19 / 55

HEX #71735D

RGB 113 115 93

HSL 65.45, 0.11%, 0.41%

LAB 47.7, -4.89, 11.95

 

CMYK 5 / 0 / 42 / 48

HEX #7E844C

RGB 126 132 76

HSL 66.43, 0.27%, 0.41%

LAB 53.45, -11.37, 29.44

 

CMYK 56 / 31 / 0 / 44

HEX #406390

RGB 64 99 144

HSL 213.75, 0.38%, 0.41%

LAB 41.26, 1.28, -28.6

 

CMYK 56 / 46 / 0 / 44

HEX #404E90

RGB 64 78 144

HSL 229.5, 0.38%, 0.41%

LAB 35.11, 14.75, -38.33

 

CMYK 50 / 56 / 0 / 44

HEX #484090

RGB 72 64 144

HSL 246, 0.38%, 0.41%

LAB 31.94, 25.73, -43.38

 

CMYK 35 / 56 / 0 / 44

HEX #5D4090

RGB 93 64 144

HSL 261.75, 0.38%, 0.41%

LAB 34, 30.94, -39.96

 

CMYK 20 / 56 / 0 / 44

HEX #734090

RGB 115 64 144

HSL 278.25, 0.38%, 0.41%

LAB 36.6, 36.93, -35.65

 

CMYK 49 / 55 / 0 / 66

HEX #2C2757

RGB 44 39 87

HSL 246.25, 0.38%, 0.25%

LAB 18.69, 16.57, -28.42

 

CMYK 50 / 55 / 0 / 55

HEX #3A3473

RGB 58 52 115

HSL 245.71, 0.38%, 0.33%

LAB 25.54, 20.76, -35.62

 

CMYK 50 / 56 / 0 / 44

HEX #484090

RGB 72 64 144

HSL 246, 0.38%, 0.41%

LAB 31.94, 25.73, -43.38

 

CMYK 49 / 55 / 0 / 33

HEX #574DAC

RGB 87 77 172

HSL 246.32, 0.38%, 0.49%

LAB 38.4, 29.78, -49.78

 

CMYK 40 / 44 / 0 / 27

HEX #7068BB

RGB 112 104 187

HSL 245.78, 0.38%, 0.57%

LAB 48.18, 23.73, -42.82

 

CMYK 49 / 55 / 0 / 44

HEX #49418F

RGB 73 65 143

HSL 246.15, 0.38%, 0.41%

LAB 32.21, 25, -42.32

 

CMYK 0 / 56 / 17 / 44

HEX #904078

RGB 144 64 120

HSL 318, 0.38%, 0.41%

LAB 39.5, 40.96, -16.08

 

CMYK 39 / 0 / 56 / 44

HEX #589040

RGB 88 144 64

HSL 102, 0.38%, 0.41%

LAB 54.44, -33.88, 36.36

 

CMYK 49 / 55 / 0 / 44

HEX #49418F

RGB 73 65 143

HSL 246.15, 0.38%, 0.41%

LAB 32.21, 25, -42.32

 

CMYK 0 / 50 / 56 / 44

HEX #904840

RGB 144 72 64

HSL 6, 0.38%, 0.41%

LAB 39.47, 29.57, 18.76

 

CMYK 56 / 0 / 50 / 44

HEX #409048

RGB 64 144 72

HSL 126, 0.38%, 0.41%

LAB 53.5, -40.25, 30.86

 

CMYK 49 / 55 / 0 / 44

HEX #49418F

RGB 73 65 143

HSL 246.15, 0.38%, 0.41%

LAB 32.21, 25, -42.32

 

CMYK 0 / 56 / 17 / 44

HEX #904078

RGB 144 64 120

HSL 318, 0.38%, 0.41%

LAB 39.5, 40.96, -16.08

 

CMYK 6 / 0 / 56 / 44

HEX #889040

RGB 136 144 64

HSL 66, 0.38%, 0.41%

LAB 57.61, -14.76, 40.86

 

CMYK 56 / 0 / 39 / 44

HEX #409058

RGB 64 144 88

HSL 138, 0.38%, 0.41%

LAB 53.75, -37.55, 22.54

 

CMYK 49 / 55 / 0 / 44

HEX #49418F

RGB 73 65 143

HSL 246.15, 0.38%, 0.41%

LAB 32.21, 25, -42.32

 

CMYK 0 / 56 / 33 / 44

HEX #904060

RGB 144 64 96

HSL 336, 0.38%, 0.41%

LAB 38.62, 37.42, -2.42

 

CMYK 6 / 0 / 56 / 44

HEX #889040

RGB 136 144 64

HSL 66, 0.38%, 0.41%

LAB 57.61, -14.76, 40.86

 

CMYK 56 / 0 / 22 / 44

HEX #409070

RGB 64 144 112

HSL 156, 0.38%, 0.41%

LAB 54.25, -32.51, 9.7

 

Description

Color code: HEX #49418F | qconv.com Color code: HEX #49418F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 65 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 65 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 55 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 55% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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