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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #494022 it is the complementary color #B6BFDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #494022. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #494022 shade: #4E401D, #5F5230, #706443, #817656 and #928869

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #494022. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #494022 shade: #494022, #382E0F, #271C00, #160A00 and #050000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #494022 shade: #483F22, #483522, #482B22 and #482222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #494022 shade: #483F22, #474822, #3C4822, #324822 and #284822

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #494022 shade matches the following richer shades: #483F22, #514419, #5A4910 and #624D08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #494022 shade: #483F22, #403B2A, #373633, #2E313C and #262D44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #494022 shade: #482B22, #483522, #483F22, #474822 and #3D4822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #494022 shade: #100E07, #2C2715, #483F22, #64582F and #80713C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #494022 shade: #494022, #234822 and #302248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #494022 shade: #494022, #22483F and #3F2248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #494022 shade: #494022, #234822, #222B48 and #472248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #494022 shade: #494022, #22482C, #222B48 and #48223E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 53 / 71

HEX #494022

RGB 73 64 34

HSL 46.15, 0.36%, 0.21%

LAB 27.29, -0.9, 19.68

 

Complementary color

CMYK 18 / 14 / 0 / 13

HEX #B6BFDD

RGB 182 191 221

HSL 226.15, 0.36%, 0.79%

LAB 77.54, 3.06, -16.02

 

CMYK 0 / 18 / 63 / 69

HEX #4E401D

RGB 78 64 29

HSL 42.86, 0.46%, 0.21%

LAB 27.78, 1.08, 23.37

 

CMYK 0 / 14 / 49 / 63

HEX #5F5230

RGB 95 82 48

HSL 43.4, 0.33%, 0.28%

LAB 35.36, 0.17, 21.87

 

CMYK 0 / 11 / 40 / 56

HEX #706443

RGB 112 100 67

HSL 44, 0.25%, 0.35%

LAB 42.71, -0.48, 20.47

 

CMYK 0 / 9 / 33 / 49

HEX #817656

RGB 129 118 86

HSL 44.65, 0.2%, 0.42%

LAB 49.85, -0.97, 19.2

 

CMYK 0 / 7 / 28 / 43

HEX #928869

RGB 146 136 105

HSL 45.37, 0.16%, 0.49%

LAB 56.82, -1.37, 18.03

 

CMYK 0 / 12 / 53 / 71

HEX #494022

RGB 73 64 34

HSL 46.15, 0.36%, 0.21%

LAB 27.29, -0.9, 19.68

 

CMYK 0 / 18 / 73 / 78

HEX #382E0F

RGB 56 46 15

HSL 45.37, 0.58%, 0.14%

LAB 19.35, 0.09, 21.11

 

CMYK 0 / 28 / 100 / 85

HEX #271C00

RGB 39 28 0

HSL 43.08, 1%, 0.08%

LAB 11.01, 1.68, 16.44

 

CMYK 0 / 55 / 100 / 91

HEX #160A00

RGB 22 10 0

HSL 27.27, 1%, 0.04%

LAB 3.5, 2.91, 5.3

 

CMYK 0 / 100 / 100 / 98

HEX #050000

RGB 5 0 0

HSL 0, 1%, 0.01%

LAB 0.29, 1.31, 0.46

 

CMYK 0 / 13 / 53 / 72

HEX #483F22

RGB 72 63 34

HSL 45.79, 0.36%, 0.21%

LAB 26.87, -0.77, 19.13

 

CMYK 0 / 26 / 53 / 72

HEX #483522

RGB 72 53 34

HSL 30, 0.36%, 0.21%

LAB 23.8, 5.69, 15.25

 

CMYK 0 / 40 / 53 / 72

HEX #482B22

RGB 72 43 34

HSL 14.21, 0.36%, 0.21%

LAB 20.91, 12.26, 11.46

 

CMYK 0 / 53 / 53 / 72

HEX #482222

RGB 72 34 34

HSL 0, 0.36%, 0.21%

LAB 18.53, 18.04, 8.24

 

CMYK 0 / 13 / 53 / 72

HEX #483F22

RGB 72 63 34

HSL 45.79, 0.36%, 0.21%

LAB 26.87, -0.77, 19.13

 

CMYK 1 / 0 / 53 / 72

HEX #474822

RGB 71 72 34

HSL 61.58, 0.36%, 0.21%

LAB 29.64, -6.85, 22.5

 

CMYK 17 / 0 / 53 / 72

HEX #3C4822

RGB 60 72 34

HSL 78.95, 0.36%, 0.21%

LAB 28.67, -12.07, 21.1

 

CMYK 31 / 0 / 53 / 72

HEX #324822

RGB 50 72 34

HSL 94.74, 0.36%, 0.21%

LAB 27.92, -16.55, 20.01

 

CMYK 44 / 0 / 53 / 72

HEX #284822

RGB 40 72 34

HSL 110.53, 0.36%, 0.21%

LAB 27.3, -20.59, 19.1

 

CMYK 0 / 13 / 53 / 72

HEX #483F22

RGB 72 63 34

HSL 45.79, 0.36%, 0.21%

LAB 26.87, -0.77, 19.13

 

CMYK 0 / 16 / 69 / 68

HEX #514419

RGB 81 68 25

HSL 46.07, 0.53%, 0.21%

LAB 29.3, -0.26, 27.41

 

CMYK 0 / 19 / 82 / 65

HEX #5A4910

RGB 90 73 16

HSL 46.22, 0.7%, 0.21%

LAB 31.75, 0.64, 34.56

 

CMYK 0 / 21 / 92 / 62

HEX #624D08

RGB 98 77 8

HSL 46, 0.85%, 0.21%

LAB 33.82, 1.93, 39.59

 

CMYK 0 / 13 / 53 / 72

HEX #483F22

RGB 72 63 34

HSL 45.79, 0.36%, 0.21%

LAB 26.87, -0.77, 19.13

 

CMYK 0 / 8 / 34 / 75

HEX #403B2A

RGB 64 59 42

HSL 46.36, 0.21%, 0.21%

LAB 24.91, -1.02, 11.35

 

CMYK 0 / 2 / 7 / 78

HEX #373633

RGB 55 54 51

HSL 45, 0.04%, 0.21%

LAB 22.62, -0.23, 2.04

 

CMYK 23 / 18 / 0 / 76

HEX #2E313C

RGB 46 49 60

HSL 227.14, 0.13%, 0.21%

LAB 20.45, 1.59, -7.37

 

CMYK 44 / 34 / 0 / 73

HEX #262D44

RGB 38 45 68

HSL 226, 0.28%, 0.21%

LAB 18.83, 3.96, -15.4

 

CMYK 0 / 40 / 53 / 72

HEX #482B22

RGB 72 43 34

HSL 14.21, 0.36%, 0.21%

LAB 20.91, 12.26, 11.46

 

CMYK 0 / 26 / 53 / 72

HEX #483522

RGB 72 53 34

HSL 30, 0.36%, 0.21%

LAB 23.8, 5.69, 15.25

 

CMYK 0 / 13 / 53 / 72

HEX #483F22

RGB 72 63 34

HSL 45.79, 0.36%, 0.21%

LAB 26.87, -0.77, 19.13

 

CMYK 1 / 0 / 53 / 72

HEX #474822

RGB 71 72 34

HSL 61.58, 0.36%, 0.21%

LAB 29.64, -6.85, 22.5

 

CMYK 15 / 0 / 53 / 72

HEX #3D4822

RGB 61 72 34

HSL 77.37, 0.36%, 0.21%

LAB 28.75, -11.61, 21.22

 

CMYK 0 / 13 / 56 / 94

HEX #100E07

RGB 16 14 7

HSL 46.67, 0.39%, 0.05%

LAB 3.97, -0.36, 3.07

 

CMYK 0 / 11 / 52 / 83

HEX #2C2715

RGB 44 39 21

HSL 46.96, 0.35%, 0.13%

LAB 15.7, -0.95, 12.73

 

CMYK 0 / 13 / 53 / 72

HEX #483F22

RGB 72 63 34

HSL 45.79, 0.36%, 0.21%

LAB 26.87, -0.77, 19.13

 

CMYK 0 / 12 / 53 / 61

HEX #64582F

RGB 100 88 47

HSL 46.42, 0.36%, 0.29%

LAB 37.65, -1.2, 25.41

 

CMYK 0 / 12 / 53 / 50

HEX #80713C

RGB 128 113 60

HSL 46.76, 0.36%, 0.37%

LAB 47.91, -1.59, 31.31

 

CMYK 0 / 12 / 53 / 71

HEX #494022

RGB 73 64 34

HSL 46.15, 0.36%, 0.21%

LAB 27.29, -0.9, 19.68

 

CMYK 51 / 0 / 53 / 72

HEX #234822

RGB 35 72 34

HSL 118.42, 0.36%, 0.21%

LAB 27.04, -22.41, 18.72

 

CMYK 33 / 53 / 0 / 72

HEX #302248

RGB 48 34 72

HSL 262.11, 0.36%, 0.21%

LAB 16.7, 16.37, -21.41

 

CMYK 0 / 12 / 53 / 71

HEX #494022

RGB 73 64 34

HSL 46.15, 0.36%, 0.21%

LAB 27.29, -0.9, 19.68

 

CMYK 53 / 0 / 13 / 72

HEX #22483F

RGB 34 72 63

HSL 165.79, 0.36%, 0.21%

LAB 27.67, -16.14, 1.23

 

CMYK 13 / 53 / 0 / 72

HEX #3F2248

RGB 63 34 72

HSL 285.79, 0.36%, 0.21%

LAB 18.66, 21.43, -18.18

 

CMYK 0 / 12 / 53 / 71

HEX #494022

RGB 73 64 34

HSL 46.15, 0.36%, 0.21%

LAB 27.29, -0.9, 19.68

 

CMYK 51 / 0 / 53 / 72

HEX #234822

RGB 35 72 34

HSL 118.42, 0.36%, 0.21%

LAB 27.04, -22.41, 18.72

 

CMYK 53 / 40 / 0 / 72

HEX #222B48

RGB 34 43 72

HSL 225.79, 0.36%, 0.21%

LAB 18.08, 5.54, -19.32

 

CMYK 1 / 53 / 0 / 72

HEX #472248

RGB 71 34 72

HSL 298.42, 0.36%, 0.21%

LAB 19.85, 24.2, -16.24

 

CMYK 0 / 12 / 53 / 71

HEX #494022

RGB 73 64 34

HSL 46.15, 0.36%, 0.21%

LAB 27.29, -0.9, 19.68

 

CMYK 53 / 0 / 39 / 72

HEX #22482C

RGB 34 72 44

HSL 135.79, 0.36%, 0.21%

LAB 27.18, -20.85, 12.74

 

CMYK 53 / 40 / 0 / 72

HEX #222B48

RGB 34 43 72

HSL 225.79, 0.36%, 0.21%

LAB 18.08, 5.54, -19.32

 

CMYK 0 / 53 / 14 / 72

HEX #48223E

RGB 72 34 62

HSL 315.79, 0.36%, 0.21%

LAB 19.51, 22.48, -9.88

 

Description

Color code: HEX #494022 | qconv.com Color code: HEX #494022 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 64 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 64 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 53 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 53% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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