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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49481C it is the complementary color #B6B7E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49481C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49481C shade: #4E4817, #5F5A2A, #706C3D, #817E50 and #929063

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49481C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49481C shade: #49481C, #383609, #272400, #161200 and #050000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49481C shade: #49481C, #493C1C, #49301C, #49231C and #491C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49481C shade: #49481C, #3E491C, #32491C, #25491C and #1C491E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49481C shade matches the following richer shades: #49481C, #525013, #5A580B and #626003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49481C shade: #49481C, #414124, #39392C, #313134 and #28293D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49481C shade: #492F1C, #493C1C, #49481C, #3F491C and #33491C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49481C shade: #0E0D05, #2C2B10, #49481C, #676627 and #858332

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49481C shade: #49481C, #1C4923 and #361C49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49481C shade: #49481C, #1C4948 and #481C49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49481C shade: #49481C, #1C4923, #1C1D49 and #491C42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49481C shade: #49481C, #1C4931, #1C1D49 and #491C34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

Complementary color

CMYK 20 / 19 / 0 / 11

HEX #B6B7E3

RGB 182 183 227

HSL 238.67, 0.45%, 0.8%

LAB 75.67, 8.72, -22.08

 

CMYK 0 / 8 / 71 / 69

HEX #4E4817

RGB 78 72 23

HSL 53.45, 0.54%, 0.2%

LAB 30.2, -4.4, 29.33

 

CMYK 0 / 5 / 56 / 63

HEX #5F5A2A

RGB 95 90 42

HSL 54.34, 0.39%, 0.27%

LAB 37.68, -5.26, 28.13

 

CMYK 0 / 4 / 46 / 56

HEX #706C3D

RGB 112 108 61

HSL 55.29, 0.29%, 0.34%

LAB 44.95, -5.85, 26.78

 

CMYK 0 / 2 / 38 / 49

HEX #817E50

RGB 129 126 80

HSL 56.33, 0.23%, 0.41%

LAB 52.03, -6.29, 25.47

 

CMYK 0 / 1 / 32 / 43

HEX #929063

RGB 146 144 99

HSL 57.45, 0.19%, 0.48%

LAB 58.94, -6.62, 24.24

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 0 / 4 / 84 / 78

HEX #383609

RGB 56 54 9

HSL 57.45, 0.72%, 0.13%

LAB 21.94, -5.53, 26.73

 

CMYK 0 / 8 / 100 / 85

HEX #272400

RGB 39 36 0

HSL 55.38, 1%, 0.08%

LAB 13.79, -3.88, 20.2

 

CMYK 0 / 18 / 100 / 91

HEX #161200

RGB 22 18 0

HSL 49.09, 1%, 0.04%

LAB 5.45, -1.07, 8.14

 

CMYK 0 / 100 / 100 / 98

HEX #050000

RGB 5 0 0

HSL 0, 1%, 0.01%

LAB 0.29, 1.31, 0.46

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 0 / 18 / 62 / 71

HEX #493C1C

RGB 73 60 28

HSL 42.67, 0.45%, 0.2%

LAB 25.96, 1.01, 21.67

 

CMYK 0 / 34 / 62 / 71

HEX #49301C

RGB 73 48 28

HSL 26.67, 0.45%, 0.2%

LAB 22.35, 8.81, 17.3

 

CMYK 0 / 52 / 62 / 71

HEX #49231C

RGB 73 35 28

HSL 9.33, 0.45%, 0.2%

LAB 18.81, 17.22, 12.8

 

CMYK 0 / 62 / 62 / 71

HEX #491C1C

RGB 73 28 28

HSL 0, 0.45%, 0.2%

LAB 17.14, 21.48, 10.6

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 15 / 0 / 62 / 71

HEX #3E491C

RGB 62 73 28

HSL 74.67, 0.45%, 0.2%

LAB 29.09, -12.42, 25.05

 

CMYK 32 / 0 / 62 / 71

HEX #32491C

RGB 50 73 28

HSL 90.67, 0.45%, 0.2%

LAB 28.19, -17.89, 23.77

 

CMYK 49 / 0 / 62 / 71

HEX #25491C

RGB 37 73 28

HSL 108, 0.45%, 0.2%

LAB 27.41, -23.11, 22.67

 

CMYK 62 / 0 / 59 / 71

HEX #1C491E

RGB 28 73 30

HSL 122.67, 0.45%, 0.2%

LAB 27.03, -25.81, 20.98

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 0 / 2 / 77 / 68

HEX #525013

RGB 82 80 19

HSL 58.1, 0.62%, 0.2%

LAB 33.09, -7.48, 34.28

 

CMYK 0 / 2 / 88 / 65

HEX #5A580B

RGB 90 88 11

HSL 58.48, 0.78%, 0.2%

LAB 36.32, -8.56, 40.44

 

CMYK 0 / 2 / 97 / 62

HEX #626003

RGB 98 96 3

HSL 58.74, 0.94%, 0.2%

LAB 39.53, -9.47, 45.59

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 0 / 0 / 45 / 75

HEX #414124

RGB 65 65 36

HSL 60, 0.29%, 0.2%

LAB 26.83, -5.21, 17.69

 

CMYK 0 / 0 / 23 / 78

HEX #39392C

RGB 57 57 44

HSL 60, 0.13%, 0.2%

LAB 23.6, -2.69, 8.13

 

CMYK 6 / 6 / 0 / 80

HEX #313134

RGB 49 49 52

HSL 240, 0.03%, 0.2%

LAB 20.43, 0.72, -1.91

 

CMYK 34 / 33 / 0 / 76

HEX #28293D

RGB 40 41 61

HSL 237.14, 0.21%, 0.2%

LAB 17.34, 5.2, -12.88

 

CMYK 0 / 36 / 62 / 71

HEX #492F1C

RGB 73 47 28

HSL 25.33, 0.45%, 0.2%

LAB 22.06, 9.47, 16.94

 

CMYK 0 / 18 / 62 / 71

HEX #493C1C

RGB 73 60 28

HSL 42.67, 0.45%, 0.2%

LAB 25.96, 1.01, 21.67

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 14 / 0 / 62 / 71

HEX #3F491C

RGB 63 73 28

HSL 73.33, 0.45%, 0.2%

LAB 29.17, -11.95, 25.17

 

CMYK 30 / 0 / 62 / 71

HEX #33491C

RGB 51 73 28

HSL 89.33, 0.45%, 0.2%

LAB 28.25, -17.46, 23.87

 

CMYK 0 / 7 / 64 / 95

HEX #0E0D05

RGB 14 13 5

HSL 53.33, 0.47%, 0.04%

LAB 3.54, -0.83, 3.24

 

CMYK 0 / 2 / 64 / 83

HEX #2C2B10

RGB 44 43 16

HSL 57.86, 0.47%, 0.12%

LAB 16.99, -4.26, 17.44

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 0 / 1 / 62 / 60

HEX #676627

RGB 103 102 39

HSL 59.06, 0.45%, 0.28%

LAB 42.05, -8.71, 34.88

 

CMYK 0 / 2 / 62 / 48

HEX #858332

RGB 133 131 50

HSL 58.55, 0.45%, 0.36%

LAB 53.44, -10.24, 42.82

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 62 / 0 / 52 / 71

HEX #1C4923

RGB 28 73 35

HSL 129.33, 0.45%, 0.2%

LAB 27.11, -24.97, 18.14

 

CMYK 26 / 62 / 0 / 71

HEX #361C49

RGB 54 28 73

HSL 274.67, 0.45%, 0.2%

LAB 15.98, 22.57, -23.19

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 62 / 0 / 1 / 71

HEX #1C4948

RGB 28 73 72

HSL 178.67, 0.45%, 0.2%

LAB 28.06, -15.55, -4.06

 

CMYK 1 / 62 / 0 / 71

HEX #481C49

RGB 72 28 73

HSL 298.67, 0.45%, 0.2%

LAB 18.75, 28.23, -18.63

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 62 / 0 / 52 / 71

HEX #1C4923

RGB 28 73 35

HSL 129.33, 0.45%, 0.2%

LAB 27.11, -24.97, 18.14

 

CMYK 62 / 60 / 0 / 71

HEX #1C1D49

RGB 28 29 73

HSL 238.67, 0.45%, 0.2%

LAB 13.27, 14.6, -27.71

 

CMYK 0 / 62 / 10 / 71

HEX #491C42

RGB 73 28 66

HSL 309.33, 0.45%, 0.2%

LAB 18.54, 27.13, -14.13

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 62 / 0 / 33 / 71

HEX #1C4931

RGB 28 73 49

HSL 148, 0.45%, 0.2%

LAB 27.39, -22.03, 9.82

 

CMYK 62 / 60 / 0 / 71

HEX #1C1D49

RGB 28 29 73

HSL 238.67, 0.45%, 0.2%

LAB 13.27, 14.6, -27.71

 

CMYK 0 / 62 / 29 / 71

HEX #491C34

RGB 73 28 52

HSL 328, 0.45%, 0.2%

LAB 17.9, 24.61, -5.34

 

Description

Color code: HEX #49481C | qconv.com Color code: HEX #49481C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 72 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 72 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 62 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 62% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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