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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #494456 it is the complementary color #B6BBA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #494456. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #494456 shade: #4E4451, #5F5664, #706877, #817A8A and #928C9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #494456. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #494456 shade: #494456, #383243, #272030, #160E1D and #05000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #494456 shade: #484355, #4D4355, #524355, #554354 and #55434F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #494456 shade: #484355, #434355 and #434355

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #494456 shade matches the following richer shades: #484355, #423662, #3D2A6E, #371E7A and #321187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #494456 shade: #484355, #4D4F49, #535C3C, #586830 and #5E7424

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #494456 shade: #434855, #434355, #484355, #4D4355 and #524355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #494456 shade: #211F27, #34313E, #484355, #5B556C and #6F6783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #494456 shade: #494456, #55434D and #455543

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #494456 shade: #494456, #554843 and #435548

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #494456 shade: #494456, #55434D, #505543 and #43554B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #494456 shade: #494456, #554347, #505543 and #435551

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 21 / 0 / 66

HEX #494456

RGB 73 68 86

HSL 256.67, 0.12%, 0.3%

LAB 29.97, 6.28, -9.96

 

Complementary color

CMYK 3 / 0 / 10 / 27

HEX #B6BBA9

RGB 182 187 169

HSL 76.67, 0.12%, 0.7%

LAB 75.05, -4.99, 8.51

 

CMYK 4 / 16 / 0 / 68

HEX #4E4451

RGB 78 68 81

HSL 286.15, 0.09%, 0.29%

LAB 30.27, 7.03, -6.22

 

CMYK 5 / 14 / 0 / 61

HEX #5F5664

RGB 95 86 100

HSL 278.57, 0.08%, 0.36%

LAB 37.86, 6.6, -6.73

 

CMYK 6 / 13 / 0 / 53

HEX #706877

RGB 112 104 119

HSL 272, 0.07%, 0.44%

LAB 45.19, 6.23, -7.23

 

CMYK 7 / 12 / 0 / 46

HEX #817A8A

RGB 129 122 138

HSL 266.25, 0.06%, 0.51%

LAB 52.31, 5.9, -7.72

 

CMYK 7 / 11 / 0 / 38

HEX #928C9D

RGB 146 140 157

HSL 261.18, 0.08%, 0.58%

LAB 59.25, 5.61, -8.2

 

CMYK 15 / 21 / 0 / 66

HEX #494456

RGB 73 68 86

HSL 256.67, 0.12%, 0.3%

LAB 29.97, 6.28, -9.96

 

CMYK 16 / 25 / 0 / 74

HEX #383243

RGB 56 50 67

HSL 261.18, 0.15%, 0.23%

LAB 22.04, 6.76, -9.63

 

CMYK 19 / 33 / 0 / 81

HEX #272030

RGB 39 32 48

HSL 266.25, 0.2%, 0.16%

LAB 13.7, 7.38, -9.34

 

CMYK 24 / 52 / 0 / 89

HEX #160E1D

RGB 22 14 29

HSL 272, 0.35%, 0.08%

LAB 5.18, 6.75, -8.43

 

CMYK 50 / 100 / 0 / 96

HEX #05000A

RGB 5 0 10

HSL 270, 1%, 0.02%

LAB 0.49, 2.7, -3.32

 

CMYK 15 / 21 / 0 / 67

HEX #484355

RGB 72 67 85

HSL 256.67, 0.12%, 0.3%

LAB 29.53, 6.29, -9.98

 

CMYK 9 / 21 / 0 / 67

HEX #4D4355

RGB 77 67 85

HSL 273.33, 0.12%, 0.3%

LAB 30.03, 8.22, -9.18

 

CMYK 4 / 21 / 0 / 67

HEX #524355

RGB 82 67 85

HSL 290, 0.12%, 0.3%

LAB 30.55, 10.17, -8.34

 

CMYK 0 / 21 / 1 / 67

HEX #554354

RGB 85 67 84

HSL 303.33, 0.12%, 0.3%

LAB 30.84, 11.14, -7.22

 

CMYK 0 / 21 / 7 / 67

HEX #55434F

RGB 85 67 79

HSL 320, 0.12%, 0.3%

LAB 30.66, 10.07, -4.26

 

CMYK 15 / 21 / 0 / 67

HEX #484355

RGB 72 67 85

HSL 256.67, 0.12%, 0.3%

LAB 29.53, 6.29, -9.98

 

CMYK 21 / 21 / 0 / 67

HEX #434355

RGB 67 67 85

HSL 240, 0.12%, 0.3%

LAB 29.07, 4.41, -10.73

 

CMYK 21 / 21 / 0 / 67

HEX #434355

RGB 67 67 85

HSL 240, 0.12%, 0.3%

LAB 29.07, 4.41, -10.73

 

CMYK 15 / 21 / 0 / 67

HEX #484355

RGB 72 67 85

HSL 256.67, 0.12%, 0.3%

LAB 29.53, 6.29, -9.98

 

CMYK 33 / 45 / 0 / 62

HEX #423662

RGB 66 54 98

HSL 256.36, 0.29%, 0.3%

LAB 25.8, 16.35, -24.23

 

CMYK 45 / 62 / 0 / 57

HEX #3D2A6E

RGB 61 42 110

HSL 256.76, 0.45%, 0.3%

LAB 22.91, 26.46, -36.64

 

CMYK 55 / 75 / 0 / 52

HEX #371E7A

RGB 55 30 122

HSL 256.3, 0.61%, 0.3%

LAB 20.62, 36.17, -48.09

 

CMYK 63 / 87 / 0 / 47

HEX #321187

RGB 50 17 135

HSL 256.78, 0.78%, 0.3%

LAB 19.34, 45.51, -58.45

 

CMYK 15 / 21 / 0 / 67

HEX #484355

RGB 72 67 85

HSL 256.67, 0.12%, 0.3%

LAB 29.53, 6.29, -9.98

 

CMYK 3 / 0 / 8 / 69

HEX #4D4F49

RGB 77 79 73

HSL 80, 0.04%, 0.3%

LAB 33.24, -2.09, 3.26

 

CMYK 10 / 0 / 35 / 64

HEX #535C3C

RGB 83 92 60

HSL 76.88, 0.21%, 0.3%

LAB 37.52, -9.65, 17.29

 

CMYK 15 / 0 / 54 / 59

HEX #586830

RGB 88 104 48

HSL 77.14, 0.37%, 0.3%

LAB 41.51, -15.8, 29.27

 

CMYK 19 / 0 / 69 / 55

HEX #5E7424

RGB 94 116 36

HSL 76.5, 0.53%, 0.3%

LAB 45.63, -20.67, 39.92

 

CMYK 21 / 15 / 0 / 67

HEX #434855

RGB 67 72 85

HSL 223.33, 0.12%, 0.3%

LAB 30.6, 1.18, -8.41

 

CMYK 21 / 21 / 0 / 67

HEX #434355

RGB 67 67 85

HSL 240, 0.12%, 0.3%

LAB 29.07, 4.41, -10.73

 

CMYK 15 / 21 / 0 / 67

HEX #484355

RGB 72 67 85

HSL 256.67, 0.12%, 0.3%

LAB 29.53, 6.29, -9.98

 

CMYK 9 / 21 / 0 / 67

HEX #4D4355

RGB 77 67 85

HSL 273.33, 0.12%, 0.3%

LAB 30.03, 8.22, -9.18

 

CMYK 4 / 21 / 0 / 67

HEX #524355

RGB 82 67 85

HSL 290, 0.12%, 0.3%

LAB 30.55, 10.17, -8.34

 

CMYK 15 / 21 / 0 / 85

HEX #211F27

RGB 33 31 39

HSL 255, 0.11%, 0.14%

LAB 12.29, 3.03, -5.05

 

CMYK 16 / 21 / 0 / 76

HEX #34313E

RGB 52 49 62

HSL 253.85, 0.12%, 0.22%

LAB 21.11, 4.53, -7.69

 

CMYK 15 / 21 / 0 / 67

HEX #484355

RGB 72 67 85

HSL 256.67, 0.12%, 0.3%

LAB 29.53, 6.29, -9.98

 

CMYK 16 / 21 / 0 / 58

HEX #5B556C

RGB 91 85 108

HSL 255.65, 0.12%, 0.38%

LAB 37.49, 7.59, -12.29

 

CMYK 15 / 21 / 0 / 49

HEX #6F6783

RGB 111 103 131

HSL 257.14, 0.12%, 0.46%

LAB 45.25, 9.19, -14.37

 

CMYK 15 / 21 / 0 / 66

HEX #494456

RGB 73 68 86

HSL 256.67, 0.12%, 0.3%

LAB 29.97, 6.28, -9.96

 

CMYK 0 / 21 / 9 / 67

HEX #55434D

RGB 85 67 77

HSL 326.67, 0.12%, 0.3%

LAB 30.6, 9.66, -3.07

 

CMYK 19 / 0 / 21 / 67

HEX #455543

RGB 69 85 67

HSL 113.33, 0.12%, 0.3%

LAB 34.33, -10.23, 8.48

 

CMYK 15 / 21 / 0 / 66

HEX #494456

RGB 73 68 86

HSL 256.67, 0.12%, 0.3%

LAB 29.97, 6.28, -9.96

 

CMYK 0 / 15 / 21 / 67

HEX #554843

RGB 85 72 67

HSL 16.67, 0.12%, 0.3%

LAB 31.74, 4.56, 5.03

 

CMYK 21 / 0 / 15 / 67

HEX #435548

RGB 67 85 72

HSL 136.67, 0.12%, 0.3%

LAB 34.31, -9.97, 5.31

 

CMYK 15 / 21 / 0 / 66

HEX #494456

RGB 73 68 86

HSL 256.67, 0.12%, 0.3%

LAB 29.97, 6.28, -9.96

 

CMYK 0 / 21 / 9 / 67

HEX #55434D

RGB 85 67 77

HSL 326.67, 0.12%, 0.3%

LAB 30.6, 9.66, -3.07

 

CMYK 6 / 0 / 21 / 67

HEX #505543

RGB 80 85 67

HSL 76.67, 0.12%, 0.3%

LAB 35.22, -5.64, 9.85

 

CMYK 21 / 0 / 12 / 67

HEX #43554B

RGB 67 85 75

HSL 146.67, 0.12%, 0.3%

LAB 34.39, -9.3, 3.54

 

CMYK 15 / 21 / 0 / 66

HEX #494456

RGB 73 68 86

HSL 256.67, 0.12%, 0.3%

LAB 29.97, 6.28, -9.96

 

CMYK 0 / 21 / 16 / 67

HEX #554347

RGB 85 67 71

HSL 346.67, 0.12%, 0.3%

LAB 30.4, 8.48, 0.52

 

CMYK 6 / 0 / 21 / 67

HEX #505543

RGB 80 85 67

HSL 76.67, 0.12%, 0.3%

LAB 35.22, -5.64, 9.85

 

CMYK 21 / 0 / 5 / 67

HEX #435551

RGB 67 85 81

HSL 166.67, 0.12%, 0.3%

LAB 34.57, -7.9, 0.03

 

Description

Color code: HEX #494456 | qconv.com Color code: HEX #494456 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 68 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 68 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 21 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 21% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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