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Color name
HEX #493F2B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #493F2B it is the complementary color #B6C0D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #493F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #493F2B shade: #4E3F26, #5F5139, #70634C, #81755F and #928772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #493F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #493F2B shade: #493F2B, #382D18, #271B05, #160900 and #050000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #493F2B shade: #493F2B, #49372B, #492F2B and #492B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #493F2B shade: #493F2B, #49472B, #43492B, #3B492B and #33492B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #493F2B shade matches the following richer shades: #493F2B, #534221, #5C4618, #66490E and #6F4C05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #493F2B shade: #493F2B, #403C34, #36393E, #2D3647 and #233351

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #493F2B shade: #492F2B, #49372B, #493F2B, #49472B and #43492B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #493F2B shade: #15120C, #2F291C, #493F2B, #63563A and #7D6C49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #493F2B shade: #493F2B, #2F492B and #332B49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #493F2B shade: #493F2B, #2B493F and #3F2B49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #493F2B shade: #493F2B, #2F492B, #2B3549 and #452B49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #493F2B shade: #493F2B, #2B4930, #2B3549 and #492B44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

Complementary color

CMYK 14 / 9 / 0 / 17

HEX #B6C0D4

RGB 182 192 212

HSL 220, 0.26%, 0.77%

LAB 77.52, 0.6, -11.18

 

CMYK 0 / 19 / 51 / 69

HEX #4E3F26

RGB 78 63 38

HSL 37.5, 0.34%, 0.23%

LAB 27.61, 2.66, 17.74

 

CMYK 0 / 15 / 40 / 63

HEX #5F5139

RGB 95 81 57

HSL 37.89, 0.25%, 0.3%

LAB 35.23, 1.9, 16.28

 

CMYK 0 / 12 / 32 / 56

HEX #70634C

RGB 112 99 76

HSL 38.33, 0.19%, 0.37%

LAB 42.6, 1.34, 14.99

 

CMYK 0 / 9 / 26 / 49

HEX #81755F

RGB 129 117 95

HSL 38.82, 0.15%, 0.44%

LAB 49.76, 0.91, 13.84

 

CMYK 0 / 8 / 22 / 43

HEX #928772

RGB 146 135 114

HSL 39.38, 0.13%, 0.51%

LAB 56.74, 0.55, 12.8

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 0 / 20 / 57 / 78

HEX #382D18

RGB 56 45 24

HSL 39.38, 0.4%, 0.16%

LAB 19.15, 1.67, 15.41

 

CMYK 0 / 31 / 87 / 85

HEX #271B05

RGB 39 27 5

HSL 38.82, 0.77%, 0.09%

LAB 10.75, 2.91, 14.04

 

CMYK 0 / 59 / 100 / 91

HEX #160900

RGB 22 9 0

HSL 24.55, 1%, 0.04%

LAB 3.31, 3.31, 5.01

 

CMYK 0 / 100 / 100 / 98

HEX #050000

RGB 5 0 0

HSL 0, 1%, 0.01%

LAB 0.29, 1.31, 0.46

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 0 / 25 / 41 / 71

HEX #49372B

RGB 73 55 43

HSL 24, 0.26%, 0.23%

LAB 24.71, 6.06, 10.6

 

CMYK 0 / 36 / 41 / 71

HEX #492F2B

RGB 73 47 43

HSL 8, 0.26%, 0.23%

LAB 22.39, 11.31, 7.41

 

CMYK 0 / 41 / 41 / 71

HEX #492B2B

RGB 73 43 43

HSL 0, 0.26%, 0.23%

LAB 21.28, 13.93, 5.86

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 0 / 3 / 41 / 71

HEX #49472B

RGB 73 71 43

HSL 56, 0.26%, 0.23%

LAB 29.66, -4.14, 17.15

 

CMYK 8 / 0 / 41 / 71

HEX #43492B

RGB 67 73 43

HSL 72, 0.26%, 0.23%

LAB 29.75, -8.18, 17.16

 

CMYK 19 / 0 / 41 / 71

HEX #3B492B

RGB 59 73 43

HSL 88, 0.26%, 0.23%

LAB 29.08, -11.81, 16.17

 

CMYK 30 / 0 / 41 / 71

HEX #33492B

RGB 51 73 43

HSL 104, 0.26%, 0.23%

LAB 28.49, -15.24, 15.29

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 0 / 20 / 60 / 67

HEX #534221

RGB 83 66 33

HSL 39.6, 0.43%, 0.23%

LAB 29.02, 2.69, 22.64

 

CMYK 0 / 24 / 74 / 64

HEX #5C4618

RGB 92 70 24

HSL 40.59, 0.59%, 0.23%

LAB 31.16, 3.95, 30.32

 

CMYK 0 / 28 / 86 / 60

HEX #66490E

RGB 102 73 14

HSL 40.23, 0.76%, 0.23%

LAB 33.18, 6.59, 37.2

 

CMYK 0 / 32 / 95 / 56

HEX #6F4C05

RGB 111 76 5

HSL 40.19, 0.91%, 0.23%

LAB 35.12, 8.95, 42.28

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 0 / 6 / 19 / 75

HEX #403C34

RGB 64 60 52

HSL 40, 0.1%, 0.23%

LAB 25.47, 0.09, 5.57

 

CMYK 13 / 8 / 0 / 76

HEX #36393E

RGB 54 57 62

HSL 217.5, 0.07%, 0.23%

LAB 23.86, -0.05, -3.54

 

CMYK 37 / 24 / 0 / 72

HEX #2D3647

RGB 45 54 71

HSL 219.23, 0.22%, 0.23%

LAB 22.48, 1.08, -11.73

 

CMYK 57 / 37 / 0 / 68

HEX #233351

RGB 35 51 81

HSL 219.13, 0.4%, 0.23%

LAB 21.28, 3.45, -20.35

 

CMYK 0 / 36 / 41 / 71

HEX #492F2B

RGB 73 47 43

HSL 8, 0.26%, 0.23%

LAB 22.39, 11.31, 7.41

 

CMYK 0 / 25 / 41 / 71

HEX #49372B

RGB 73 55 43

HSL 24, 0.26%, 0.23%

LAB 24.71, 6.06, 10.6

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 0 / 3 / 41 / 71

HEX #49472B

RGB 73 71 43

HSL 56, 0.26%, 0.23%

LAB 29.66, -4.14, 17.15

 

CMYK 8 / 0 / 41 / 71

HEX #43492B

RGB 67 73 43

HSL 72, 0.26%, 0.23%

LAB 29.75, -8.18, 17.16

 

CMYK 0 / 14 / 43 / 92

HEX #15120C

RGB 21 18 12

HSL 40, 0.27%, 0.06%

LAB 5.59, 0.16, 3.4

 

CMYK 0 / 13 / 40 / 82

HEX #2F291C

RGB 47 41 28

HSL 41.05, 0.25%, 0.15%

LAB 16.86, 0.29, 9.55

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 0 / 13 / 41 / 61

HEX #63563A

RGB 99 86 58

HSL 40.98, 0.26%, 0.31%

LAB 37.14, 0.83, 18.27

 

CMYK 0 / 14 / 42 / 51

HEX #7D6C49

RGB 125 108 73

HSL 40.38, 0.26%, 0.39%

LAB 46.4, 1.37, 22.06

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 36 / 0 / 41 / 71

HEX #2F492B

RGB 47 73 43

HSL 112, 0.26%, 0.23%

LAB 28.23, -16.87, 14.89

 

CMYK 30 / 41 / 0 / 71

HEX #332B49

RGB 51 43 73

HSL 256, 0.26%, 0.23%

LAB 19.69, 11.42, -17.36

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 41 / 0 / 14 / 71

HEX #2B493F

RGB 43 73 63

HSL 160, 0.26%, 0.23%

LAB 28.48, -13.89, 2.46

 

CMYK 14 / 41 / 0 / 71

HEX #3F2B49

RGB 63 43 73

HSL 280, 0.26%, 0.23%

LAB 21.08, 15.77, -15.1

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 36 / 0 / 41 / 71

HEX #2F492B

RGB 47 73 43

HSL 112, 0.26%, 0.23%

LAB 28.23, -16.87, 14.89

 

CMYK 41 / 27 / 0 / 71

HEX #2B3549

RGB 43 53 73

HSL 220, 0.26%, 0.23%

LAB 22.09, 1.71, -13.69

 

CMYK 5 / 41 / 0 / 71

HEX #452B49

RGB 69 43 73

HSL 292, 0.26%, 0.23%

LAB 21.85, 18.01, -13.84

 

CMYK 0 / 14 / 41 / 71

HEX #493F2B

RGB 73 63 43

HSL 40, 0.26%, 0.23%

LAB 27.15, 0.89, 13.87

 

CMYK 41 / 0 / 34 / 71

HEX #2B4930

RGB 43 73 48

HSL 130, 0.26%, 0.23%

LAB 28.09, -17.42, 11.53

 

CMYK 41 / 27 / 0 / 71

HEX #2B3549

RGB 43 53 73

HSL 220, 0.26%, 0.23%

LAB 22.09, 1.71, -13.69

 

CMYK 0 / 41 / 7 / 71

HEX #492B44

RGB 73 43 68

HSL 310, 0.26%, 0.23%

LAB 22.17, 18.43, -9.93

 

Description

Color code: HEX #493F2B | qconv.com Color code: HEX #493F2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 63 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 63 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 41 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 41% 71% C M Y K

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Provide designers and agencies with accurate color values.

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