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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #493C5F it is the complementary color #B6C3A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #493C5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #493C5F shade: #4E3C5A, #5F4E6D, #706080, #817293 and #9284A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #493C5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #493C5F shade: #493C5F, #382A4C, #271839, #160626 and #050013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #493C5F shade: #473A5E, #513A5E, #5A3A5E, #5E3A57 and #5E3A4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #493C5F shade: #473A5E, #3E3A5E and #3A3A5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #493C5F shade matches the following richer shades: #473A5E, #442E6A, #412276, #3E1583 and #3B098F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #493C5F shade: #473A5E, #4B4751, #4E5345, #516038 and #546C2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #493C5F shade: #3A405E, #3E3A5E, #473A5E, #513A5E and #5A3A5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #493C5F shade: #211B2B, #342B44, #473A5E, #5B4A77 and #6E5A90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #493C5F shade: #493C5F, #5E3A4A and #3C5E3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #493C5F shade: #493C5F, #5E473A and #3A5E47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #493C5F shade: #493C5F, #5E3A4A, #515E3A and #3A5E4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #493C5F shade: #493C5F, #5E3A3F, #515E3A and #3A5E59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 37 / 0 / 63

HEX #493C5F

RGB 73 60 95

HSL 262.29, 0.23%, 0.3%

LAB 28.05, 13.87, -18.72

 

Complementary color

CMYK 7 / 0 / 18 / 24

HEX #B6C3A0

RGB 182 195 160

HSL 82.29, 0.23%, 0.7%

LAB 76.99, -10.68, 16.11

 

CMYK 13 / 33 / 0 / 65

HEX #4E3C5A

RGB 78 60 90

HSL 276, 0.2%, 0.29%

LAB 28.35, 14.37, -14.96

 

CMYK 13 / 28 / 0 / 57

HEX #5F4E6D

RGB 95 78 109

HSL 272.9, 0.17%, 0.37%

LAB 35.96, 13.68, -15.22

 

CMYK 13 / 25 / 0 / 50

HEX #706080

RGB 112 96 128

HSL 270, 0.14%, 0.44%

LAB 43.31, 13.1, -15.49

 

CMYK 12 / 22 / 0 / 42

HEX #817293

RGB 129 114 147

HSL 267.27, 0.13%, 0.51%

LAB 50.46, 12.58, -15.79

 

CMYK 12 / 20 / 0 / 35

HEX #9284A6

RGB 146 132 166

HSL 264.71, 0.16%, 0.58%

LAB 57.43, 12.12, -16.1

 

CMYK 23 / 37 / 0 / 63

HEX #493C5F

RGB 73 60 95

HSL 262.29, 0.23%, 0.3%

LAB 28.05, 13.87, -18.72

 

CMYK 26 / 45 / 0 / 70

HEX #382A4C

RGB 56 42 76

HSL 264.71, 0.29%, 0.23%

LAB 20.12, 14.74, -18.69

 

CMYK 32 / 58 / 0 / 78

HEX #271839

RGB 39 24 57

HSL 267.27, 0.41%, 0.16%

LAB 11.82, 15.81, -18.72

 

CMYK 42 / 84 / 0 / 85

HEX #160626

RGB 22 6 38

HSL 270, 0.73%, 0.09%

LAB 3.98, 13.39, -17.24

 

CMYK 74 / 100 / 0 / 93

HEX #050013

RGB 5 0 19

HSL 255.79, 1%, 0.04%

LAB 0.72, 4.29, -7.66

 

CMYK 24 / 38 / 0 / 63

HEX #473A5E

RGB 71 58 94

HSL 261.67, 0.24%, 0.3%

LAB 27.22, 14.22, -19.37

 

CMYK 14 / 38 / 0 / 63

HEX #513A5E

RGB 81 58 94

HSL 278.33, 0.24%, 0.3%

LAB 28.34, 17.74, -17.55

 

CMYK 4 / 38 / 0 / 63

HEX #5A3A5E

RGB 90 58 94

HSL 293.33, 0.24%, 0.3%

LAB 29.43, 20.99, -15.77

 

CMYK 0 / 38 / 7 / 63

HEX #5E3A57

RGB 94 58 87

HSL 311.67, 0.24%, 0.3%

LAB 29.65, 20.98, -10.86

 

CMYK 0 / 38 / 17 / 63

HEX #5E3A4E

RGB 94 58 78

HSL 326.67, 0.24%, 0.3%

LAB 29.3, 19.24, -5.53

 

CMYK 24 / 38 / 0 / 63

HEX #473A5E

RGB 71 58 94

HSL 261.67, 0.24%, 0.3%

LAB 27.22, 14.22, -19.37

 

CMYK 34 / 38 / 0 / 63

HEX #3E3A5E

RGB 62 58 94

HSL 246.67, 0.24%, 0.3%

LAB 26.33, 11.18, -20.83

 

CMYK 38 / 38 / 0 / 63

HEX #3A3A5E

RGB 58 58 94

HSL 240, 0.24%, 0.3%

LAB 25.96, 9.89, -21.43

 

CMYK 24 / 38 / 0 / 63

HEX #473A5E

RGB 71 58 94

HSL 261.67, 0.24%, 0.3%

LAB 27.22, 14.22, -19.37

 

CMYK 36 / 57 / 0 / 58

HEX #442E6A

RGB 68 46 106

HSL 262, 0.39%, 0.3%

LAB 24.4, 24.54, -31.62

 

CMYK 45 / 71 / 0 / 54

HEX #412276

RGB 65 34 118

HSL 262.14, 0.55%, 0.3%

LAB 22.22, 34.6, -42.87

 

CMYK 53 / 84 / 0 / 49

HEX #3E1583

RGB 62 21 131

HSL 262.36, 0.72%, 0.3%

LAB 20.82, 44.17, -53.43

 

CMYK 59 / 94 / 0 / 44

HEX #3B098F

RGB 59 9 143

HSL 262.39, 0.88%, 0.3%

LAB 20.47, 50.96, -61.55

 

CMYK 24 / 38 / 0 / 63

HEX #473A5E

RGB 71 58 94

HSL 261.67, 0.24%, 0.3%

LAB 27.22, 14.22, -19.37

 

CMYK 7 / 12 / 0 / 68

HEX #4B4751

RGB 75 71 81

HSL 264, 0.07%, 0.3%

LAB 30.87, 3.9, -5.36

 

CMYK 6 / 0 / 17 / 67

HEX #4E5345

RGB 78 83 69

HSL 81.43, 0.09%, 0.3%

LAB 34.47, -4.91, 7.53

 

CMYK 16 / 0 / 42 / 62

HEX #516038

RGB 81 96 56

HSL 82.5, 0.26%, 0.3%

LAB 38.55, -13.4, 20.98

 

CMYK 22 / 0 / 59 / 58

HEX #546C2C

RGB 84 108 44

HSL 82.5, 0.42%, 0.3%

LAB 42.45, -20.11, 32.39

 

CMYK 38 / 32 / 0 / 63

HEX #3A405E

RGB 58 64 94

HSL 230, 0.24%, 0.3%

LAB 27.78, 5.85, -18.6

 

CMYK 34 / 38 / 0 / 63

HEX #3E3A5E

RGB 62 58 94

HSL 246.67, 0.24%, 0.3%

LAB 26.33, 11.18, -20.83

 

CMYK 24 / 38 / 0 / 63

HEX #473A5E

RGB 71 58 94

HSL 261.67, 0.24%, 0.3%

LAB 27.22, 14.22, -19.37

 

CMYK 14 / 38 / 0 / 63

HEX #513A5E

RGB 81 58 94

HSL 278.33, 0.24%, 0.3%

LAB 28.34, 17.74, -17.55

 

CMYK 4 / 38 / 0 / 63

HEX #5A3A5E

RGB 90 58 94

HSL 293.33, 0.24%, 0.3%

LAB 29.43, 20.99, -15.77

 

CMYK 23 / 37 / 0 / 83

HEX #211B2B

RGB 33 27 43

HSL 262.5, 0.23%, 0.14%

LAB 11.15, 7.14, -9.71

 

CMYK 24 / 37 / 0 / 73

HEX #342B44

RGB 52 43 68

HSL 261.6, 0.23%, 0.22%

LAB 19.54, 10.32, -14.19

 

CMYK 24 / 38 / 0 / 63

HEX #473A5E

RGB 71 58 94

HSL 261.67, 0.24%, 0.3%

LAB 27.22, 14.22, -19.37

 

CMYK 24 / 38 / 0 / 53

HEX #5B4A77

RGB 91 74 119

HSL 262.67, 0.23%, 0.38%

LAB 34.91, 17.33, -23.1

 

CMYK 24 / 38 / 0 / 44

HEX #6E5A90

RGB 110 90 144

HSL 262.22, 0.23%, 0.46%

LAB 42.22, 19.99, -26.85

 

CMYK 23 / 37 / 0 / 63

HEX #493C5F

RGB 73 60 95

HSL 262.29, 0.23%, 0.3%

LAB 28.05, 13.87, -18.72

 

CMYK 0 / 38 / 21 / 63

HEX #5E3A4A

RGB 94 58 74

HSL 333.33, 0.24%, 0.3%

LAB 29.16, 18.51, -3.12

 

CMYK 36 / 0 / 38 / 63

HEX #3C5E3A

RGB 60 94 58

HSL 116.67, 0.24%, 0.3%

LAB 36.5, -20.48, 16.84

 

CMYK 23 / 37 / 0 / 63

HEX #493C5F

RGB 73 60 95

HSL 262.29, 0.23%, 0.3%

LAB 28.05, 13.87, -18.72

 

CMYK 0 / 24 / 38 / 63

HEX #5E473A

RGB 94 71 58

HSL 21.67, 0.24%, 0.3%

LAB 32.24, 7.79, 11.6

 

CMYK 38 / 0 / 24 / 63

HEX #3A5E47

RGB 58 94 71

HSL 141.67, 0.24%, 0.3%

LAB 36.67, -18.59, 9.17

 

CMYK 23 / 37 / 0 / 63

HEX #493C5F

RGB 73 60 95

HSL 262.29, 0.23%, 0.3%

LAB 28.05, 13.87, -18.72

 

CMYK 0 / 38 / 21 / 63

HEX #5E3A4A

RGB 94 58 74

HSL 333.33, 0.24%, 0.3%

LAB 29.16, 18.51, -3.12

 

CMYK 14 / 0 / 38 / 63

HEX #515E3A

RGB 81 94 58

HSL 81.67, 0.24%, 0.3%

LAB 37.95, -11.97, 19.02

 

CMYK 38 / 0 / 17 / 63

HEX #3A5E4E

RGB 58 94 78

HSL 153.33, 0.24%, 0.3%

LAB 36.85, -16.98, 5.11

 

CMYK 23 / 37 / 0 / 63

HEX #493C5F

RGB 73 60 95

HSL 262.29, 0.23%, 0.3%

LAB 28.05, 13.87, -18.72

 

CMYK 0 / 38 / 33 / 63

HEX #5E3A3F

RGB 94 58 63

HSL 351.67, 0.24%, 0.3%

LAB 28.81, 16.7, 3.58

 

CMYK 14 / 0 / 38 / 63

HEX #515E3A

RGB 81 94 58

HSL 81.67, 0.24%, 0.3%

LAB 37.95, -11.97, 19.02

 

CMYK 38 / 0 / 5 / 63

HEX #3A5E59

RGB 58 94 89

HSL 171.67, 0.24%, 0.3%

LAB 37.16, -14.21, -1.24

 

Description

Color code: HEX #493C5F | qconv.com Color code: HEX #493C5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 60 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 60 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 37 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 37% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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