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Color name
HEX #492836

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #492836 it is the complementary color #B6D7C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #492836. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #492836 shade: #4E2831, #5F3A44, #704C57, #815E6A and #92707D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #492836. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #492836 shade: #492836, #381623, #270410, #160000 and #050000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #492836 shade: #482735, #48272C and #482727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #492836 shade: #482735, #48273E, #482747, #402748 and #382748

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #492836 shade matches the following richer shades: #482735, #511E34, #5A1532, #630C31 and #6C0330

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #492836 shade: #482735, #3F3037, #363938, #2D4339 and #244C3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #492836 shade: #482747, #48273E, #482735, #48272D and #482B27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #492836 shade: #130A0E, #2D1921, #482735, #623649 and #7D455D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #492836 shade: #492836, #484027 and #274248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #492836 shade: #492836, #354827 and #273548

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #492836 shade: #492836, #484027, #27483A and #272F48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #492836 shade: #492836, #464827, #27483A and #2A2748

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 26 / 71

HEX #492836

RGB 73 40 54

HSL 334.55, 0.29%, 0.22%

LAB 20.83, 17.63, -2.36

 

Complementary color

CMYK 15 / 0 / 7 / 16

HEX #B6D7C9

RGB 182 215 201

HSL 154.55, 0.29%, 0.78%

LAB 83.32, -13.63, 3.25

 

CMYK 0 / 49 / 37 / 69

HEX #4E2831

RGB 78 40 49

HSL 345.79, 0.32%, 0.23%

LAB 21.43, 18.95, 2.05

 

CMYK 0 / 39 / 28 / 63

HEX #5F3A44

RGB 95 58 68

HSL 343.78, 0.24%, 0.3%

LAB 29.1, 17.91, 0.73

 

CMYK 0 / 32 / 22 / 56

HEX #704C57

RGB 112 76 87

HSL 341.67, 0.19%, 0.37%

LAB 36.56, 17.02, -0.31

 

CMYK 0 / 27 / 18 / 49

HEX #815E6A

RGB 129 94 106

HSL 339.43, 0.16%, 0.44%

LAB 43.82, 16.25, -1.2

 

CMYK 0 / 23 / 14 / 43

HEX #92707D

RGB 146 112 125

HSL 337.06, 0.13%, 0.51%

LAB 50.9, 15.59, -1.98

 

CMYK 0 / 45 / 26 / 71

HEX #492836

RGB 73 40 54

HSL 334.55, 0.29%, 0.22%

LAB 20.83, 17.63, -2.36

 

CMYK 0 / 61 / 38 / 78

HEX #381623

RGB 56 22 35

HSL 337.06, 0.44%, 0.15%

LAB 12.83, 18.66, -0.94

 

CMYK 0 / 90 / 59 / 85

HEX #270410

RGB 39 4 16

HSL 339.43, 0.81%, 0.08%

LAB 5.02, 17.99, 0.84

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 100 / 100 / 98

HEX #050000

RGB 5 0 0

HSL 0, 1%, 0.01%

LAB 0.29, 1.31, 0.46

 

CMYK 0 / 46 / 26 / 72

HEX #482735

RGB 72 39 53

HSL 334.55, 0.3%, 0.22%

LAB 20.38, 17.68, -2.34

 

CMYK 0 / 46 / 39 / 72

HEX #48272C

RGB 72 39 44

HSL 350.91, 0.3%, 0.22%

LAB 20.09, 16.21, 3.46

 

CMYK 0 / 46 / 46 / 72

HEX #482727

RGB 72 39 39

HSL 0, 0.3%, 0.22%

LAB 19.94, 15.5, 6.72

 

CMYK 0 / 46 / 26 / 72

HEX #482735

RGB 72 39 53

HSL 334.55, 0.3%, 0.22%

LAB 20.38, 17.68, -2.34

 

CMYK 0 / 46 / 14 / 72

HEX #48273E

RGB 72 39 62

HSL 318.18, 0.3%, 0.22%

LAB 20.74, 19.36, -8.02

 

CMYK 0 / 46 / 1 / 72

HEX #482747

RGB 72 39 71

HSL 301.82, 0.3%, 0.22%

LAB 21.15, 21.24, -13.54

 

CMYK 11 / 46 / 0 / 72

HEX #402748

RGB 64 39 72

HSL 285.45, 0.3%, 0.22%

LAB 20.08, 18.54, -15.96

 

CMYK 22 / 46 / 0 / 72

HEX #382748

RGB 56 39 72

HSL 270.91, 0.3%, 0.22%

LAB 19.05, 15.66, -17.64

 

CMYK 0 / 46 / 26 / 72

HEX #482735

RGB 72 39 53

HSL 334.55, 0.3%, 0.22%

LAB 20.38, 17.68, -2.34

 

CMYK 0 / 63 / 36 / 68

HEX #511E34

RGB 81 30 52

HSL 334.12, 0.46%, 0.22%

LAB 19.74, 26.51, -2.43

 

CMYK 0 / 77 / 44 / 65

HEX #5A1532

RGB 90 21 50

HSL 334.78, 0.62%, 0.22%

LAB 19.8, 33.77, -0.74

 

CMYK 0 / 88 / 51 / 61

HEX #630C31

RGB 99 12 49

HSL 334.48, 0.78%, 0.22%

LAB 20.59, 39.51, 1.33

 

CMYK 0 / 97 / 56 / 58

HEX #6C0330

RGB 108 3 48

HSL 334.29, 0.95%, 0.22%

LAB 21.82, 44.03, 4.08

 

CMYK 0 / 46 / 26 / 72

HEX #482735

RGB 72 39 53

HSL 334.55, 0.3%, 0.22%

LAB 20.38, 17.68, -2.34

 

CMYK 0 / 24 / 13 / 75

HEX #3F3037

RGB 63 48 55

HSL 332, 0.14%, 0.22%

LAB 21.75, 8.2, -1.84

 

CMYK 5 / 0 / 2 / 78

HEX #363938

RGB 54 57 56

HSL 160, 0.03%, 0.22%

LAB 23.66, -1.51, 0.17

 

CMYK 33 / 0 / 15 / 74

HEX #2D4339

RGB 45 67 57

HSL 152.73, 0.2%, 0.22%

LAB 26.35, -11.17, 3.32

 

CMYK 53 / 0 / 22 / 70

HEX #244C3B

RGB 36 76 59

HSL 154.5, 0.36%, 0.22%

LAB 29.06, -18.83, 5.81

 

CMYK 0 / 46 / 1 / 72

HEX #482747

RGB 72 39 71

HSL 301.82, 0.3%, 0.22%

LAB 21.15, 21.24, -13.54

 

CMYK 0 / 46 / 14 / 72

HEX #48273E

RGB 72 39 62

HSL 318.18, 0.3%, 0.22%

LAB 20.74, 19.36, -8.02

 

CMYK 0 / 46 / 26 / 72

HEX #482735

RGB 72 39 53

HSL 334.55, 0.3%, 0.22%

LAB 20.38, 17.68, -2.34

 

CMYK 0 / 46 / 38 / 72

HEX #48272D

RGB 72 39 45

HSL 349.09, 0.3%, 0.22%

LAB 20.12, 16.36, 2.81

 

CMYK 0 / 40 / 46 / 72

HEX #482B27

RGB 72 43 39

HSL 7.27, 0.3%, 0.22%

LAB 21.03, 12.9, 8.22

 

CMYK 0 / 47 / 26 / 93

HEX #130A0E

RGB 19 10 14

HSL 333.33, 0.31%, 0.06%

LAB 3.5, 3.62, -0.64

 

CMYK 0 / 44 / 27 / 82

HEX #2D1921

RGB 45 25 33

HSL 336, 0.29%, 0.14%

LAB 11.71, 11.44, -1.34

 

CMYK 0 / 46 / 26 / 72

HEX #482735

RGB 72 39 53

HSL 334.55, 0.3%, 0.22%

LAB 20.38, 17.68, -2.34

 

CMYK 0 / 45 / 26 / 62

HEX #623649

RGB 98 54 73

HSL 334.09, 0.29%, 0.3%

LAB 28.68, 22.41, -3.11

 

CMYK 0 / 45 / 26 / 51

HEX #7D455D

RGB 125 69 93

HSL 334.29, 0.29%, 0.38%

LAB 36.76, 27.29, -3.61

 

CMYK 0 / 45 / 26 / 71

HEX #492836

RGB 73 40 54

HSL 334.55, 0.29%, 0.22%

LAB 20.83, 17.63, -2.36

 

CMYK 0 / 11 / 46 / 72

HEX #484027

RGB 72 64 39

HSL 45.45, 0.3%, 0.22%

LAB 27.27, -0.78, 16.54

 

CMYK 46 / 8 / 0 / 72

HEX #274248

RGB 39 66 72

HSL 190.91, 0.3%, 0.22%

LAB 26.14, -8.4, -6.87

 

CMYK 0 / 45 / 26 / 71

HEX #492836

RGB 73 40 54

HSL 334.55, 0.29%, 0.22%

LAB 20.83, 17.63, -2.36

 

CMYK 26 / 0 / 46 / 72

HEX #354827

RGB 53 72 39

HSL 94.55, 0.3%, 0.22%

LAB 28.22, -14.5, 17.42

 

CMYK 46 / 26 / 0 / 72

HEX #273548

RGB 39 53 72

HSL 214.55, 0.3%, 0.22%

LAB 21.75, 0.08, -13.58

 

CMYK 0 / 45 / 26 / 71

HEX #492836

RGB 73 40 54

HSL 334.55, 0.29%, 0.22%

LAB 20.83, 17.63, -2.36

 

CMYK 0 / 11 / 46 / 72

HEX #484027

RGB 72 64 39

HSL 45.45, 0.3%, 0.22%

LAB 27.27, -0.78, 16.54

 

CMYK 46 / 0 / 19 / 72

HEX #27483A

RGB 39 72 58

HSL 154.55, 0.3%, 0.22%

LAB 27.77, -15.94, 4.65

 

CMYK 46 / 35 / 0 / 72

HEX #272F48

RGB 39 47 72

HSL 225.45, 0.3%, 0.22%

LAB 19.77, 4.23, -16.64

 

CMYK 0 / 45 / 26 / 71

HEX #492836

RGB 73 40 54

HSL 334.55, 0.29%, 0.22%

LAB 20.83, 17.63, -2.36

 

CMYK 3 / 0 / 46 / 72

HEX #464827

RGB 70 72 39

HSL 63.64, 0.3%, 0.22%

LAB 29.62, -6.72, 19.49

 

CMYK 46 / 0 / 19 / 72

HEX #27483A

RGB 39 72 58

HSL 154.55, 0.3%, 0.22%

LAB 27.77, -15.94, 4.65

 

CMYK 42 / 46 / 0 / 72

HEX #2A2748

RGB 42 39 72

HSL 245.45, 0.3%, 0.22%

LAB 17.51, 10.89, -20.17

 

Description

Color code: HEX #492836 | qconv.com Color code: HEX #492836 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 40 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 40 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 26 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 26% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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