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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49250C it is the complementary color #B6DAF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49250C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49250C shade: #4E2507, #5F371A, #70492D, #815B40 and #926D53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49250C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49250C shade: #49250C, #381300, #270100, #160000 and #050000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49250C shade: #4A250C, #4A140C and #4A0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49250C shade: #4A250C, #4A360C, #4A470C, #3C4A0C and #2C4A0C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49250C shade matches the following richer shades: #4A250C and #512405

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49250C shade: #4A250C, #432613, #3C281A, #352921 and #2E2A28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49250C shade: #4A0C14, #4A140C, #4A250C, #4A350C and #4A460C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49250C shade: #030100, #271306, #4A250C, #6E3711 and #914917

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49250C shade: #49250C, #254A0C and #0C0C4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49250C shade: #49250C, #0C4A25 and #250C4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49250C shade: #49250C, #254A0C, #0C314A and #310C4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49250C shade: #49250C, #124A0C, #0C314A and #440C4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 84 / 71

HEX #49250C

RGB 73 37 12

HSL 24.59, 0.72%, 0.17%

LAB 19.08, 14.74, 22.91

 

Complementary color

CMYK 25 / 10 / 0 / 5

HEX #B6DAF3

RGB 182 218 243

HSL 204.59, 0.72%, 0.83%

LAB 85.28, -6.35, -16.12

 

CMYK 0 / 53 / 91 / 69

HEX #4E2507

RGB 78 37 7

HSL 25.35, 0.84%, 0.17%

LAB 19.88, 16.96, 26.12

 

CMYK 0 / 42 / 73 / 63

HEX #5F371A

RGB 95 55 26

HSL 25.22, 0.57%, 0.24%

LAB 27.41, 14.95, 25.27

 

CMYK 0 / 35 / 60 / 56

HEX #70492D

RGB 112 73 45

HSL 25.07, 0.43%, 0.31%

LAB 34.8, 13.38, 23.39

 

CMYK 0 / 29 / 50 / 49

HEX #815B40

RGB 129 91 64

HSL 24.92, 0.34%, 0.38%

LAB 42.03, 12.15, 21.71

 

CMYK 0 / 25 / 43 / 43

HEX #926D53

RGB 146 109 83

HSL 24.76, 0.28%, 0.45%

LAB 49.1, 11.17, 20.23

 

CMYK 0 / 49 / 84 / 71

HEX #49250C

RGB 73 37 12

HSL 24.59, 0.72%, 0.17%

LAB 19.08, 14.74, 22.91

 

CMYK 0 / 66 / 100 / 78

HEX #381300

RGB 56 19 0

HSL 20.36, 1%, 0.11%

LAB 11.32, 17.07, 17.32

 

CMYK 0 / 97 / 100 / 85

HEX #270100

RGB 39 1 0

HSL 1.54, 1%, 0.08%

LAB 4.09, 17.08, 6.44

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 100 / 100 / 98

HEX #050000

RGB 5 0 0

HSL 0, 1%, 0.01%

LAB 0.29, 1.31, 0.46

 

CMYK 0 / 50 / 84 / 71

HEX #4A250C

RGB 74 37 12

HSL 24.19, 0.72%, 0.17%

LAB 19.25, 15.24, 23.14

 

CMYK 0 / 73 / 84 / 71

HEX #4A140C

RGB 74 20 12

HSL 7.74, 0.72%, 0.17%

LAB 15.4, 25.12, 18.46

 

CMYK 0 / 84 / 84 / 71

HEX #4A0C0C

RGB 74 12 12

HSL 0, 0.72%, 0.17%

LAB 14.09, 28.7, 16.78

 

CMYK 0 / 50 / 84 / 71

HEX #4A250C

RGB 74 37 12

HSL 24.19, 0.72%, 0.17%

LAB 19.25, 15.24, 23.14

 

CMYK 0 / 27 / 84 / 71

HEX #4A360C

RGB 74 54 12

HSL 40.65, 0.72%, 0.17%

LAB 24.07, 4.2, 28.32

 

CMYK 0 / 4 / 84 / 71

HEX #4A470C

RGB 74 71 12

HSL 57.1, 0.72%, 0.17%

LAB 29.38, -6.5, 33.34

 

CMYK 19 / 0 / 84 / 71

HEX #3C4A0C

RGB 60 74 12

HSL 73.55, 0.72%, 0.17%

LAB 29.12, -15.24, 32.64

 

CMYK 41 / 0 / 84 / 71

HEX #2C4A0C

RGB 44 74 12

HSL 89.03, 0.72%, 0.17%

LAB 28.01, -22.49, 31.19

 

CMYK 0 / 50 / 84 / 71

HEX #4A250C

RGB 74 37 12

HSL 24.19, 0.72%, 0.17%

LAB 19.25, 15.24, 23.14

 

CMYK 0 / 56 / 94 / 68

HEX #512405

RGB 81 36 5

HSL 24.47, 0.88%, 0.17%

LAB 20.13, 18.92, 27.37

 

CMYK 0 / 50 / 84 / 71

HEX #4A250C

RGB 74 37 12

HSL 24.19, 0.72%, 0.17%

LAB 19.25, 15.24, 23.14

 

CMYK 0 / 43 / 72 / 74

HEX #432613

RGB 67 38 19

HSL 23.75, 0.56%, 0.17%

LAB 18.48, 11.56, 18.16

 

CMYK 0 / 33 / 57 / 76

HEX #3C281A

RGB 60 40 26

HSL 24.71, 0.4%, 0.17%

LAB 18.16, 7.36, 12.92

 

CMYK 0 / 23 / 38 / 79

HEX #352921

RGB 53 41 33

HSL 24, 0.23%, 0.17%

LAB 17.7, 4.13, 7.36

 

CMYK 0 / 9 / 13 / 82

HEX #2E2A28

RGB 46 42 40

HSL 20, 0.07%, 0.17%

LAB 17.41, 1.38, 1.96

 

CMYK 0 / 84 / 73 / 71

HEX #4A0C14

RGB 74 12 20

HSL 352.26, 0.72%, 0.17%

LAB 14.23, 29.15, 12.5

 

CMYK 0 / 73 / 84 / 71

HEX #4A140C

RGB 74 20 12

HSL 7.74, 0.72%, 0.17%

LAB 15.4, 25.12, 18.46

 

CMYK 0 / 50 / 84 / 71

HEX #4A250C

RGB 74 37 12

HSL 24.19, 0.72%, 0.17%

LAB 19.25, 15.24, 23.14

 

CMYK 0 / 28 / 84 / 71

HEX #4A350C

RGB 74 53 12

HSL 39.68, 0.72%, 0.17%

LAB 23.77, 4.85, 28.02

 

CMYK 0 / 5 / 84 / 71

HEX #4A460C

RGB 74 70 12

HSL 56.13, 0.72%, 0.17%

LAB 29.06, -5.89, 33.04

 

CMYK 0 / 67 / 100 / 99

HEX #030100

RGB 3 1 0

HSL 20, 1%, 0.01%

LAB 0.37, 0.38, 0.56

 

CMYK 0 / 51 / 85 / 85

HEX #271306

RGB 39 19 6

HSL 23.64, 0.73%, 0.09%

LAB 8.22, 8.78, 10.03

 

CMYK 0 / 50 / 84 / 71

HEX #4A250C

RGB 74 37 12

HSL 24.19, 0.72%, 0.17%

LAB 19.25, 15.24, 23.14

 

CMYK 0 / 50 / 85 / 57

HEX #6E3711

RGB 110 55 17

HSL 24.52, 0.73%, 0.25%

LAB 29.63, 21.49, 33.09

 

CMYK 0 / 50 / 84 / 43

HEX #914917

RGB 145 73 23

HSL 24.59, 0.73%, 0.33%

LAB 39.32, 26.95, 41.28

 

CMYK 0 / 49 / 84 / 71

HEX #49250C

RGB 73 37 12

HSL 24.59, 0.72%, 0.17%

LAB 19.08, 14.74, 22.91

 

CMYK 50 / 0 / 84 / 71

HEX #254A0C

RGB 37 74 12

HSL 95.81, 0.72%, 0.17%

LAB 27.62, -25.27, 30.68

 

CMYK 84 / 84 / 0 / 71

HEX #0C0C4A

RGB 12 12 74

HSL 240, 0.72%, 0.17%

LAB 7.55, 24.45, -37.81

 

CMYK 0 / 49 / 84 / 71

HEX #49250C

RGB 73 37 12

HSL 24.59, 0.72%, 0.17%

LAB 19.08, 14.74, 22.91

 

CMYK 84 / 0 / 50 / 71

HEX #0C4A25

RGB 12 74 37

HSL 144.19, 0.72%, 0.17%

LAB 27.04, -28.68, 16.76

 

CMYK 50 / 84 / 0 / 71

HEX #250C4A

RGB 37 12 74

HSL 264.19, 0.72%, 0.17%

LAB 10.19, 28.1, -33.37

 

CMYK 0 / 49 / 84 / 71

HEX #49250C

RGB 73 37 12

HSL 24.59, 0.72%, 0.17%

LAB 19.08, 14.74, 22.91

 

CMYK 50 / 0 / 84 / 71

HEX #254A0C

RGB 37 74 12

HSL 95.81, 0.72%, 0.17%

LAB 27.62, -25.27, 30.68

 

CMYK 84 / 34 / 0 / 71

HEX #0C314A

RGB 12 49 74

HSL 204.19, 0.72%, 0.17%

LAB 19.09, -2.85, -19.16

 

CMYK 34 / 84 / 0 / 71

HEX #310C4A

RGB 49 12 74

HSL 275.81, 0.72%, 0.17%

LAB 12.03, 30.51, -30.29

 

CMYK 0 / 49 / 84 / 71

HEX #49250C

RGB 73 37 12

HSL 24.59, 0.72%, 0.17%

LAB 19.08, 14.74, 22.91

 

CMYK 76 / 0 / 84 / 71

HEX #124A0C

RGB 18 74 12

HSL 114.19, 0.72%, 0.17%

LAB 26.88, -31.08, 29.71

 

CMYK 84 / 34 / 0 / 71

HEX #0C314A

RGB 12 49 74

HSL 204.19, 0.72%, 0.17%

LAB 19.09, -2.85, -19.16

 

CMYK 8 / 84 / 0 / 71

HEX #440C4A

RGB 68 12 74

HSL 294.19, 0.72%, 0.17%

LAB 15.42, 34.83, -24.65

 

Description

Color code: HEX #49250C | qconv.com Color code: HEX #49250C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 37 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 37 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 84 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 84% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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