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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48F7AA it is the complementary color #B70855. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48F7AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48F7AA shade: #4DF7A5, #5EFFB8, #6FFFCB, #80FFDE and #91FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48F7AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48F7AA shade: #48F7AA, #37E597, #26D384, #15C171 and #04AF5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48F7AA shade: #49F7AB, #49F77C, #49F74D, #75F749 and #A3F749

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48F7AA shade: #49F7AB, #49F7D9, #49E6F7, #49B7F7 and #4988F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48F7AA shade matches the following richer shades: #49F7AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48F7AA shade: #49F7AB, #59E8A9, #68D8A7, #77C9A5 and #86BAA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48F7AA shade: #49F74C, #49F77B, #49F7A9, #49F7D7 and #49E8F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48F7AA shade: #09E584, #22F598, #49F7AB, #71F9BD and #99FACF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48F7AA shade: #48F7AA, #4975F7 and #F76349

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48F7AA shade: #48F7AA, #A949F7 and #F7A949

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48F7AA shade: #48F7AA, #4975F7, #F74997 and #F7CC49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48F7AA shade: #48F7AA, #5249F7, #F74997 and #EEF749

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 31 / 3

HEX #48F7AA

RGB 72 247 170

HSL 153.6, 0.92%, 0.63%

LAB 87.39, -61.24, 24.55

 

Complementary color

CMYK 0 / 96 / 54 / 28

HEX #B70855

RGB 183 8 85

HSL 333.6, 0.92%, 0.37%

LAB 39.41, 64.67, 6.58

 

CMYK 69 / 0 / 33 / 3

HEX #4DF7A5

RGB 77 247 165

HSL 151.06, 0.91%, 0.64%

LAB 87.4, -61.5, 27.12

 

CMYK 63 / 0 / 28 / 0

HEX #5EFFB8

RGB 94 255 184

HSL 153.54, 1%, 0.68%

LAB 90.49, -58, 21.76

 

CMYK 56 / 0 / 20 / 0

HEX #6FFFCB

RGB 111 255 203

HSL 158.33, 1%, 0.72%

LAB 91.33, -50.84, 13.27

 

CMYK 50 / 0 / 13 / 0

HEX #80FFDE

RGB 128 255 222

HSL 164.41, 1%, 0.75%

LAB 92.3, -43.09, 4.94

 

CMYK 43 / 0 / 5 / 0

HEX #91FFF1

RGB 145 255 241

HSL 172.36, 1%, 0.78%

LAB 93.4, -34.89, -3.2

 

CMYK 71 / 0 / 31 / 3

HEX #48F7AA

RGB 72 247 170

HSL 153.6, 0.92%, 0.63%

LAB 87.39, -61.24, 24.55

 

CMYK 76 / 0 / 34 / 10

HEX #37E597

RGB 55 229 151

HSL 153.1, 0.77%, 0.56%

LAB 81.34, -60.56, 26

 

CMYK 82 / 0 / 37 / 17

HEX #26D384

RGB 38 211 132

HSL 152.6, 0.69%, 0.49%

LAB 75.24, -59.58, 27.56

 

CMYK 89 / 0 / 41 / 24

HEX #15C171

RGB 21 193 113

HSL 152.09, 0.8%, 0.42%

LAB 69.11, -58.18, 29.26

 

CMYK 98 / 0 / 46 / 31

HEX #04AF5E

RGB 4 175 94

HSL 151.58, 0.96%, 0.35%

LAB 62.92, -56.28, 31.08

 

CMYK 70 / 0 / 31 / 3

HEX #49F7AB

RGB 73 247 171

HSL 153.79, 0.92%, 0.63%

LAB 87.43, -60.9, 24.1

 

CMYK 70 / 0 / 50 / 3

HEX #49F77C

RGB 73 247 124

HSL 137.59, 0.92%, 0.63%

LAB 86.7, -69.08, 46.39

 

CMYK 70 / 0 / 69 / 3

HEX #49F74D

RGB 73 247 77

HSL 121.38, 0.92%, 0.63%

LAB 86.24, -74.48, 65.97

 

CMYK 53 / 0 / 70 / 3

HEX #75F749

RGB 117 247 73

HSL 104.83, 0.92%, 0.63%

LAB 87.38, -65.37, 68.96

 

CMYK 34 / 0 / 70 / 3

HEX #A3F749

RGB 163 247 73

HSL 88.97, 0.92%, 0.63%

LAB 89.29, -51.39, 71.52

 

CMYK 70 / 0 / 31 / 3

HEX #49F7AB

RGB 73 247 171

HSL 153.79, 0.92%, 0.63%

LAB 87.43, -60.9, 24.1

 

CMYK 70 / 0 / 12 / 3

HEX #49F7D9

RGB 73 247 217

HSL 169.66, 0.92%, 0.63%

LAB 88.42, -50.46, 1.72

 

CMYK 70 / 7 / 0 / 3

HEX #49E6F7

RGB 73 230 247

HSL 185.86, 0.92%, 0.63%

LAB 84.34, -34.8, -20.08

 

CMYK 70 / 26 / 0 / 3

HEX #49B7F7

RGB 73 183 247

HSL 202.07, 0.92%, 0.63%

LAB 70.87, -11.11, -40.78

 

CMYK 70 / 45 / 0 / 3

HEX #4988F7

RGB 73 136 247

HSL 218.28, 0.92%, 0.63%

LAB 57.79, 15.98, -61.49

 

CMYK 70 / 0 / 31 / 3

HEX #49F7AB

RGB 73 247 171

HSL 153.79, 0.92%, 0.63%

LAB 87.43, -60.9, 24.1

 

CMYK 70 / 0 / 31 / 3

HEX #49F7AB

RGB 73 247 171

HSL 153.79, 0.92%, 0.63%

LAB 87.43, -60.9, 24.1

 

CMYK 62 / 0 / 27 / 9

HEX #59E8A9

RGB 89 232 169

HSL 153.57, 0.76%, 0.63%

LAB 83.29, -52.83, 19.47

 

CMYK 52 / 0 / 23 / 15

HEX #68D8A7

RGB 104 216 167

HSL 153.75, 0.59%, 0.63%

LAB 78.95, -43.41, 14.53

 

CMYK 41 / 0 / 18 / 21

HEX #77C9A5

RGB 119 201 165

HSL 153.66, 0.43%, 0.63%

LAB 75.08, -33.25, 10.21

 

CMYK 28 / 0 / 12 / 27

HEX #86BAA3

RGB 134 186 163

HSL 153.46, 0.27%, 0.63%

LAB 71.44, -21.95, 6.19

 

CMYK 70 / 0 / 69 / 3

HEX #49F74C

RGB 73 247 76

HSL 121.03, 0.92%, 0.63%

LAB 86.24, -74.56, 66.33

 

CMYK 70 / 0 / 50 / 3

HEX #49F77B

RGB 73 247 123

HSL 137.24, 0.92%, 0.63%

LAB 86.69, -69.22, 46.84

 

CMYK 70 / 0 / 32 / 3

HEX #49F7A9

RGB 73 247 169

HSL 153.1, 0.92%, 0.63%

LAB 87.39, -61.3, 25.07

 

CMYK 70 / 0 / 13 / 3

HEX #49F7D7

RGB 73 247 215

HSL 168.97, 0.92%, 0.63%

LAB 88.37, -50.96, 2.69

 

CMYK 70 / 6 / 0 / 3

HEX #49E8F7

RGB 73 232 247

HSL 185.17, 0.92%, 0.63%

LAB 84.92, -35.73, -19.21

 

CMYK 96 / 0 / 42 / 10

HEX #09E584

RGB 9 229 132

HSL 153.55, 0.92%, 0.47%

LAB 80.61, -67.5, 34.6

 

CMYK 86 / 0 / 38 / 4

HEX #22F598

RGB 34 245 152

HSL 153.55, 0.91%, 0.55%

LAB 85.96, -68.01, 31.66

 

CMYK 70 / 0 / 31 / 3

HEX #49F7AB

RGB 73 247 171

HSL 153.79, 0.92%, 0.63%

LAB 87.43, -60.9, 24.1

 

CMYK 55 / 0 / 24 / 2

HEX #71F9BD

RGB 113 249 189

HSL 153.53, 0.92%, 0.71%

LAB 89.36, -50.87, 17.71

 

CMYK 39 / 0 / 17 / 2

HEX #99FACF

RGB 153 250 207

HSL 153.4, 0.91%, 0.79%

LAB 91.53, -37.96, 11.7

 

CMYK 71 / 0 / 31 / 3

HEX #48F7AA

RGB 72 247 170

HSL 153.6, 0.92%, 0.63%

LAB 87.39, -61.24, 24.55

 

CMYK 70 / 53 / 0 / 3

HEX #4975F7

RGB 73 117 247

HSL 224.83, 0.92%, 0.63%

LAB 52.79, 27.64, -69.55

 

CMYK 0 / 60 / 70 / 3

HEX #F76349

RGB 247 99 73

HSL 8.97, 0.92%, 0.63%

LAB 60.94, 55.22, 43.59

 

CMYK 71 / 0 / 31 / 3

HEX #48F7AA

RGB 72 247 170

HSL 153.6, 0.92%, 0.63%

LAB 87.39, -61.24, 24.55

 

CMYK 32 / 70 / 0 / 3

HEX #A949F7

RGB 169 73 247

HSL 273.1, 0.92%, 0.63%

LAB 51.74, 68.2, -70.88

 

CMYK 0 / 32 / 70 / 3

HEX #F7A949

RGB 247 169 73

HSL 33.1, 0.92%, 0.63%

LAB 75.22, 20.28, 59.16

 

CMYK 71 / 0 / 31 / 3

HEX #48F7AA

RGB 72 247 170

HSL 153.6, 0.92%, 0.63%

LAB 87.39, -61.24, 24.55

 

CMYK 70 / 53 / 0 / 3

HEX #4975F7

RGB 73 117 247

HSL 224.83, 0.92%, 0.63%

LAB 52.79, 27.64, -69.55

 

CMYK 0 / 70 / 39 / 3

HEX #F74997

RGB 247 73 151

HSL 333.1, 0.92%, 0.63%

LAB 58.76, 71.23, -4.07

 

CMYK 0 / 17 / 70 / 3

HEX #F7CC49

RGB 247 204 73

HSL 45.17, 0.92%, 0.63%

LAB 83.67, 2.02, 67.82

 

CMYK 71 / 0 / 31 / 3

HEX #48F7AA

RGB 72 247 170

HSL 153.6, 0.92%, 0.63%

LAB 87.39, -61.24, 24.55

 

CMYK 67 / 70 / 0 / 3

HEX #5249F7

RGB 82 73 247

HSL 243.1, 0.92%, 0.63%

LAB 43.17, 54.93, -85.23

 

CMYK 0 / 70 / 39 / 3

HEX #F74997

RGB 247 73 151

HSL 333.1, 0.92%, 0.63%

LAB 58.76, 71.23, -4.07

 

CMYK 4 / 0 / 70 / 3

HEX #EEF749

RGB 238 247 73

HSL 63.1, 0.92%, 0.63%

LAB 93.96, -23.03, 77.69

 

Description

Color code: HEX #48F7AA | qconv.com Color code: HEX #48F7AA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 247 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 247 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 31 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 31% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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