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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48E2E5 it is the complementary color #B71D1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48E2E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48E2E5 shade: #4DE2E0, #5EF4F3, #6FFFFF, #80FFFF and #91FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48E2E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48E2E5 shade: #48E2E5, #37D0D2, #26BEBF, #15ACAC and #049A99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48E2E5 shade: #48E1E4, #48B7E4, #488DE4, #4862E4 and #5748E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48E2E5 shade: #48E1E4, #48B7E4, #488DE4, #4862E4 and #4848E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48E2E5 shade matches the following richer shades: #48E1E4 and #37F2F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48E2E5 shade: #48E1E4, #58D1D3, #69C1C3, #7AB1B2 and #8BA0A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48E2E5 shade: #48E493, #48E4BD, #48E2E4, #48B8E4 and #488EE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48E2E5 shade: #1BBBBF, #23DCDF, #48E1E4, #6CE7EA and #90EDEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48E2E5 shade: #48E2E5, #6A48E4 and #E4A848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48E2E5 shade: #48E2E5, #E448E2 and #E2E448

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48E2E5 shade: #48E2E5, #6A48E4, #E44A48 and #C2E448

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48E2E5 shade: #48E2E5, #9948E4, #E44A48 and #93E448

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 1 / 0 / 10

HEX #48E2E5

RGB 72 226 229

HSL 181.15, 0.75%, 0.59%

LAB 82.61, -38.21, -13.17

 

Complementary color

CMYK 0 / 84 / 86 / 28

HEX #B71D1A

RGB 183 29 26

HSL 1.15, 0.75%, 0.41%

LAB 39.62, 58.44, 42.75

 

CMYK 66 / 0 / 1 / 11

HEX #4DE2E0

RGB 77 226 224

HSL 179.19, 0.72%, 0.59%

LAB 82.57, -38.92, -10.57

 

CMYK 61 / 0 / 0 / 4

HEX #5EF4F3

RGB 94 244 243

HSL 179.6, 0.87%, 0.66%

LAB 88.71, -39.42, -11.37

 

CMYK 56 / 0 / 0 / 0

HEX #6FFFFF

RGB 111 255 255

HSL 180, 1%, 0.72%

LAB 92.63, -38.44, -11.72

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 69 / 1 / 0 / 10

HEX #48E2E5

RGB 72 226 229

HSL 181.15, 0.75%, 0.59%

LAB 82.61, -38.21, -13.17

 

CMYK 74 / 1 / 0 / 18

HEX #37D0D2

RGB 55 208 210

HSL 180.77, 0.63%, 0.52%

LAB 76.42, -37.4, -12.32

 

CMYK 80 / 1 / 0 / 25

HEX #26BEBF

RGB 38 190 191

HSL 180.39, 0.67%, 0.45%

LAB 70.18, -36.33, -11.37

 

CMYK 88 / 0 / 0 / 33

HEX #15ACAC

RGB 21 172 172

HSL 180, 0.78%, 0.38%

LAB 63.87, -34.93, -10.32

 

CMYK 97 / 0 / 1 / 40

HEX #049A99

RGB 4 154 153

HSL 179.6, 0.95%, 0.31%

LAB 57.5, -33.14, -9.14

 

CMYK 68 / 1 / 0 / 11

HEX #48E1E4

RGB 72 225 228

HSL 181.15, 0.74%, 0.59%

LAB 82.29, -38.03, -13.12

 

CMYK 68 / 20 / 0 / 11

HEX #48B7E4

RGB 72 183 228

HSL 197.31, 0.74%, 0.59%

LAB 70.07, -17.41, -31.71

 

CMYK 68 / 38 / 0 / 11

HEX #488DE4

RGB 72 141 228

HSL 213.46, 0.74%, 0.59%

LAB 58.06, 6.17, -50.52

 

CMYK 68 / 57 / 0 / 11

HEX #4862E4

RGB 72 98 228

HSL 230, 0.74%, 0.59%

LAB 46.6, 32.66, -68.96

 

CMYK 62 / 68 / 0 / 11

HEX #5748E4

RGB 87 72 228

HSL 245.77, 0.74%, 0.59%

LAB 41.63, 50.23, -77.03

 

CMYK 68 / 1 / 0 / 11

HEX #48E1E4

RGB 72 225 228

HSL 181.15, 0.74%, 0.59%

LAB 82.29, -38.03, -13.12

 

CMYK 68 / 20 / 0 / 11

HEX #48B7E4

RGB 72 183 228

HSL 197.31, 0.74%, 0.59%

LAB 70.07, -17.41, -31.71

 

CMYK 68 / 38 / 0 / 11

HEX #488DE4

RGB 72 141 228

HSL 213.46, 0.74%, 0.59%

LAB 58.06, 6.17, -50.52

 

CMYK 68 / 57 / 0 / 11

HEX #4862E4

RGB 72 98 228

HSL 230, 0.74%, 0.59%

LAB 46.6, 32.66, -68.96

 

CMYK 68 / 68 / 0 / 11

HEX #4848E4

RGB 72 72 228

HSL 240, 0.74%, 0.59%

LAB 40.6, 48.37, -78.77

 

CMYK 68 / 1 / 0 / 11

HEX #48E1E4

RGB 72 225 228

HSL 181.15, 0.74%, 0.59%

LAB 82.29, -38.03, -13.12

 

CMYK 78 / 1 / 0 / 4

HEX #37F2F5

RGB 55 242 245

HSL 180.95, 0.9%, 0.59%

LAB 87.44, -42.75, -14.39

 

CMYK 68 / 1 / 0 / 11

HEX #48E1E4

RGB 72 225 228

HSL 181.15, 0.74%, 0.59%

LAB 82.29, -38.03, -13.12

 

CMYK 58 / 1 / 0 / 17

HEX #58D1D3

RGB 88 209 211

HSL 180.98, 0.58%, 0.59%

LAB 77.51, -32.83, -11.15

 

CMYK 46 / 1 / 0 / 24

HEX #69C1C3

RGB 105 193 195

HSL 181.33, 0.43%, 0.59%

LAB 72.95, -25.88, -9.23

 

CMYK 31 / 1 / 0 / 30

HEX #7AB1B2

RGB 122 177 178

HSL 181.07, 0.27%, 0.59%

LAB 68.6, -17.62, -6.28

 

CMYK 14 / 1 / 0 / 37

HEX #8BA0A1

RGB 139 160 161

HSL 182.73, 0.1%, 0.59%

LAB 64.33, -7.12, -3.01

 

CMYK 68 / 0 / 36 / 11

HEX #48E493

RGB 72 228 147

HSL 148.85, 0.74%, 0.59%

LAB 81.28, -58.6, 28.02

 

CMYK 68 / 0 / 17 / 11

HEX #48E4BD

RGB 72 228 189

HSL 165, 0.74%, 0.59%

LAB 82.13, -49.53, 7.3

 

CMYK 68 / 1 / 0 / 11

HEX #48E2E4

RGB 72 226 228

HSL 180.77, 0.74%, 0.59%

LAB 82.58, -38.49, -12.69

 

CMYK 68 / 19 / 0 / 11

HEX #48B8E4

RGB 72 184 228

HSL 196.92, 0.74%, 0.59%

LAB 70.36, -17.94, -31.26

 

CMYK 68 / 38 / 0 / 11

HEX #488EE4

RGB 72 142 228

HSL 213.08, 0.74%, 0.59%

LAB 58.34, 5.57, -50.08

 

CMYK 86 / 2 / 0 / 25

HEX #1BBBBF

RGB 27 187 191

HSL 181.46, 0.75%, 0.43%

LAB 69.14, -35.76, -12.94

 

CMYK 84 / 1 / 0 / 13

HEX #23DCDF

RGB 35 220 223

HSL 180.96, 0.75%, 0.51%

LAB 80.11, -40.8, -13.79

 

CMYK 68 / 1 / 0 / 11

HEX #48E1E4

RGB 72 225 228

HSL 181.15, 0.74%, 0.59%

LAB 82.29, -38.03, -13.12

 

CMYK 54 / 1 / 0 / 8

HEX #6CE7EA

RGB 108 231 234

HSL 181.43, 0.75%, 0.67%

LAB 85.14, -33.37, -11.93

 

CMYK 40 / 1 / 0 / 6

HEX #90EDEF

RGB 144 237 239

HSL 181.26, 0.75%, 0.75%

LAB 88.32, -27.1, -9.68

 

CMYK 69 / 1 / 0 / 10

HEX #48E2E5

RGB 72 226 229

HSL 181.15, 0.75%, 0.59%

LAB 82.61, -38.21, -13.17

 

CMYK 54 / 68 / 0 / 11

HEX #6A48E4

RGB 106 72 228

HSL 253.08, 0.74%, 0.59%

LAB 43.21, 53, -74.38

 

CMYK 0 / 26 / 68 / 11

HEX #E4A848

RGB 228 168 72

HSL 36.92, 0.74%, 0.59%

LAB 72.87, 12.79, 56.48

 

CMYK 69 / 1 / 0 / 10

HEX #48E2E5

RGB 72 226 229

HSL 181.15, 0.75%, 0.59%

LAB 82.61, -38.21, -13.17

 

CMYK 0 / 68 / 1 / 11

HEX #E448E2

RGB 228 72 226

HSL 300.77, 0.74%, 0.59%

LAB 58.62, 76.64, -47.63

 

CMYK 1 / 0 / 68 / 11

HEX #E2E448

RGB 226 228 72

HSL 60.77, 0.74%, 0.59%

LAB 88.03, -18.82, 71.93

 

CMYK 69 / 1 / 0 / 10

HEX #48E2E5

RGB 72 226 229

HSL 181.15, 0.75%, 0.59%

LAB 82.61, -38.21, -13.17

 

CMYK 54 / 68 / 0 / 11

HEX #6A48E4

RGB 106 72 228

HSL 253.08, 0.74%, 0.59%

LAB 43.21, 53, -74.38

 

CMYK 0 / 68 / 68 / 11

HEX #E44A48

RGB 228 74 72

HSL 0.77, 0.74%, 0.59%

LAB 53.88, 59.27, 35.09

 

CMYK 15 / 0 / 68 / 11

HEX #C2E448

RGB 194 228 72

HSL 73.08, 0.74%, 0.59%

LAB 85.72, -31.71, 68.86

 

CMYK 69 / 1 / 0 / 10

HEX #48E2E5

RGB 72 226 229

HSL 181.15, 0.75%, 0.59%

LAB 82.61, -38.21, -13.17

 

CMYK 33 / 68 / 0 / 11

HEX #9948E4

RGB 153 72 228

HSL 271.15, 0.74%, 0.59%

LAB 48.27, 61.34, -65.92

 

CMYK 0 / 68 / 68 / 11

HEX #E44A48

RGB 228 74 72

HSL 0.77, 0.74%, 0.59%

LAB 53.88, 59.27, 35.09

 

CMYK 36 / 0 / 68 / 11

HEX #93E448

RGB 147 228 72

HSL 91.15, 0.74%, 0.59%

LAB 83, -49.09, 65.21

 

Description

Color code: HEX #48E2E5 | qconv.com Color code: HEX #48E2E5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 226 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 226 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 1 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 1% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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