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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48DED3 it is the complementary color #B7212C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48DED3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48DED3 shade: #4DDECE, #5EF0E1, #6FFFF4, #80FFFF and #91FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48DED3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48DED3 shade: #48DED3, #37CCC0, #26BAAD, #15A89A and #049687

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48DED3 shade: #4ADDD2, #4ADDAB, #4ADD83, #4ADD5B and #60DD4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48DED3 shade: #4ADDD2, #4AC0DD, #4A98DD, #4A71DD and #4A4ADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48DED3 shade matches the following richer shades: #4ADDD2 and #38EFE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48DED3 shade: #4ADDD2, #5BCCC4, #6CBBB5, #7DA9A6 and #8F9897

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48DED3 shade: #4ADD82, #4ADDAA, #4ADDD1, #4AC2DD and #4A9BDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48DED3 shade: #21B4A9, #27D7CA, #4ADDD2, #6CE4DB and #8FEAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48DED3 shade: #48DED3, #5B4ADD and #DD964A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48DED3 shade: #48DED3, #D14ADD and #DDD14A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48DED3 shade: #48DED3, #5B4ADD, #DD4A56 and #CCDD4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48DED3 shade: #48DED3, #874ADD, #DD4A56 and #A0DD4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 5 / 13

HEX #48DED3

RGB 72 222 211

HSL 175.6, 0.69%, 0.58%

LAB 80.92, -41.34, -6.13

 

Complementary color

CMYK 0 / 82 / 76 / 28

HEX #B7212C

RGB 183 33 44

HSL 355.6, 0.69%, 0.42%

LAB 40.14, 57.99, 33.27

 

CMYK 65 / 0 / 7 / 13

HEX #4DDECE

RGB 77 222 206

HSL 173.38, 0.69%, 0.59%

LAB 80.89, -41.94, -3.49

 

CMYK 61 / 0 / 6 / 6

HEX #5EF0E1

RGB 94 240 225

HSL 173.84, 0.83%, 0.65%

LAB 87.06, -42.32, -4.39

 

CMYK 56 / 0 / 4 / 0

HEX #6FFFF4

RGB 111 255 244

HSL 175.42, 1%, 0.72%

LAB 92.32, -41.25, -6.48

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 68 / 0 / 5 / 13

HEX #48DED3

RGB 72 222 211

HSL 175.6, 0.69%, 0.58%

LAB 80.92, -41.34, -6.13

 

CMYK 73 / 0 / 6 / 20

HEX #37CCC0

RGB 55 204 192

HSL 175.17, 0.59%, 0.51%

LAB 74.7, -40.66, -5.16

 

CMYK 80 / 0 / 7 / 27

HEX #26BAAD

RGB 38 186 173

HSL 174.73, 0.66%, 0.44%

LAB 68.42, -39.72, -4.09

 

CMYK 88 / 0 / 8 / 34

HEX #15A89A

RGB 21 168 154

HSL 174.29, 0.78%, 0.37%

LAB 62.08, -38.45, -2.9

 

CMYK 97 / 0 / 10 / 41

HEX #049687

RGB 4 150 135

HSL 173.84, 0.95%, 0.3%

LAB 55.67, -36.77, -1.56

 

CMYK 67 / 0 / 5 / 13

HEX #4ADDD2

RGB 74 221 210

HSL 175.51, 0.68%, 0.58%

LAB 80.64, -40.88, -6

 

CMYK 67 / 0 / 23 / 13

HEX #4ADDAB

RGB 74 221 171

HSL 159.59, 0.68%, 0.58%

LAB 79.68, -50.53, 13.32

 

CMYK 67 / 0 / 41 / 13

HEX #4ADD83

RGB 74 221 131

HSL 143.27, 0.68%, 0.58%

LAB 78.93, -58.55, 33.06

 

CMYK 67 / 0 / 59 / 13

HEX #4ADD5B

RGB 74 221 91

HSL 126.94, 0.68%, 0.58%

LAB 78.42, -64.4, 51.63

 

CMYK 57 / 0 / 67 / 13

HEX #60DD4A

RGB 96 221 74

HSL 111.02, 0.68%, 0.58%

LAB 78.86, -61.37, 59.46

 

CMYK 67 / 0 / 5 / 13

HEX #4ADDD2

RGB 74 221 210

HSL 175.51, 0.68%, 0.58%

LAB 80.64, -40.88, -6

 

CMYK 67 / 13 / 0 / 13

HEX #4AC0DD

RGB 74 192 221

HSL 191.84, 0.68%, 0.58%

LAB 72.48, -23.93, -24.19

 

CMYK 67 / 31 / 0 / 13

HEX #4A98DD

RGB 74 152 221

HSL 208.16, 0.68%, 0.58%

LAB 60.9, -2.36, -42.14

 

CMYK 67 / 49 / 0 / 13

HEX #4A71DD

RGB 74 113 221

HSL 224.08, 0.68%, 0.58%

LAB 50.08, 21.14, -59.36

 

CMYK 67 / 67 / 0 / 13

HEX #4A4ADD

RGB 74 74 221

HSL 240, 0.68%, 0.58%

LAB 40.53, 45.18, -74.88

 

CMYK 67 / 0 / 5 / 13

HEX #4ADDD2

RGB 74 221 210

HSL 175.51, 0.68%, 0.58%

LAB 80.64, -40.88, -6

 

CMYK 77 / 0 / 6 / 6

HEX #38EFE1

RGB 56 239 225

HSL 175.41, 0.85%, 0.58%

LAB 86.01, -46.89, -6.03

 

CMYK 67 / 0 / 5 / 13

HEX #4ADDD2

RGB 74 221 210

HSL 175.51, 0.68%, 0.58%

LAB 80.64, -40.88, -6

 

CMYK 55 / 0 / 4 / 20

HEX #5BCCC4

RGB 91 204 196

HSL 175.75, 0.53%, 0.58%

LAB 75.7, -33.91, -5.75

 

CMYK 42 / 0 / 3 / 27

HEX #6CBBB5

RGB 108 187 181

HSL 175.44, 0.37%, 0.58%

LAB 70.92, -25.74, -4.58

 

CMYK 26 / 0 / 2 / 34

HEX #7DA9A6

RGB 125 169 166

HSL 175.91, 0.2%, 0.58%

LAB 66.13, -15.36, -3.26

 

CMYK 6 / 0 / 1 / 40

HEX #8F9897

RGB 143 152 151

HSL 173.33, 0.04%, 0.58%

LAB 62.11, -3.42, -0.6

 

CMYK 67 / 0 / 41 / 13

HEX #4ADD82

RGB 74 221 130

HSL 142.86, 0.68%, 0.58%

LAB 78.91, -58.73, 33.55

 

CMYK 67 / 0 / 23 / 13

HEX #4ADDAA

RGB 74 221 170

HSL 159.18, 0.68%, 0.58%

LAB 79.65, -50.75, 13.81

 

CMYK 67 / 0 / 5 / 13

HEX #4ADDD1

RGB 74 221 209

HSL 175.1, 0.68%, 0.58%

LAB 80.61, -41.15, -5.51

 

CMYK 67 / 12 / 0 / 13

HEX #4AC2DD

RGB 74 194 221

HSL 191.02, 0.68%, 0.58%

LAB 73.06, -24.94, -23.3

 

CMYK 67 / 30 / 0 / 13

HEX #4A9BDD

RGB 74 155 221

HSL 206.94, 0.68%, 0.58%

LAB 61.76, -4.07, -40.79

 

CMYK 82 / 0 / 6 / 29

HEX #21B4A9

RGB 33 180 169

HSL 175.51, 0.69%, 0.42%

LAB 66.39, -38.62, -4.89

 

CMYK 82 / 0 / 6 / 16

HEX #27D7CA

RGB 39 215 202

HSL 175.57, 0.69%, 0.5%

LAB 78.05, -44.3, -5.62

 

CMYK 67 / 0 / 5 / 13

HEX #4ADDD2

RGB 74 221 210

HSL 175.51, 0.68%, 0.58%

LAB 80.64, -40.88, -6

 

CMYK 53 / 0 / 4 / 11

HEX #6CE4DB

RGB 108 228 219

HSL 175.5, 0.69%, 0.66%

LAB 83.86, -35.83, -5.92

 

CMYK 39 / 0 / 3 / 8

HEX #8FEAE3

RGB 143 234 227

HSL 175.38, 0.68%, 0.74%

LAB 87.11, -28.76, -5.18

 

CMYK 68 / 0 / 5 / 13

HEX #48DED3

RGB 72 222 211

HSL 175.6, 0.69%, 0.58%

LAB 80.92, -41.34, -6.13

 

CMYK 59 / 67 / 0 / 13

HEX #5B4ADD

RGB 91 74 221

HSL 246.94, 0.68%, 0.58%

LAB 41.75, 47.53, -72.83

 

CMYK 0 / 32 / 67 / 13

HEX #DD964A

RGB 221 150 74

HSL 31.02, 0.68%, 0.58%

LAB 67.78, 19.58, 49.81

 

CMYK 68 / 0 / 5 / 13

HEX #48DED3

RGB 72 222 211

HSL 175.6, 0.69%, 0.58%

LAB 80.92, -41.34, -6.13

 

CMYK 5 / 67 / 0 / 13

HEX #D14ADD

RGB 209 74 221

HSL 295.1, 0.68%, 0.58%

LAB 55.76, 70.91, -49.52

 

CMYK 0 / 5 / 67 / 13

HEX #DDD14A

RGB 221 209 74

HSL 55.1, 0.68%, 0.58%

LAB 82.63, -11.38, 65.61

 

CMYK 68 / 0 / 5 / 13

HEX #48DED3

RGB 72 222 211

HSL 175.6, 0.69%, 0.58%

LAB 80.92, -41.34, -6.13

 

CMYK 59 / 67 / 0 / 13

HEX #5B4ADD

RGB 91 74 221

HSL 246.94, 0.68%, 0.58%

LAB 41.75, 47.53, -72.83

 

CMYK 0 / 67 / 61 / 13

HEX #DD4A56

RGB 221 74 86

HSL 355.1, 0.68%, 0.58%

LAB 52.89, 57.83, 25.46

 

CMYK 8 / 0 / 67 / 13

HEX #CCDD4A

RGB 204 221 74

HSL 66.94, 0.68%, 0.58%

LAB 84.51, -24.29, 67.11

 

CMYK 68 / 0 / 5 / 13

HEX #48DED3

RGB 72 222 211

HSL 175.6, 0.69%, 0.58%

LAB 80.92, -41.34, -6.13

 

CMYK 39 / 67 / 0 / 13

HEX #874ADD

RGB 135 74 221

HSL 264.9, 0.68%, 0.58%

LAB 46, 55.2, -65.73

 

CMYK 0 / 67 / 61 / 13

HEX #DD4A56

RGB 221 74 86

HSL 355.1, 0.68%, 0.58%

LAB 52.89, 57.83, 25.46

 

CMYK 28 / 0 / 67 / 13

HEX #A0DD4A

RGB 160 221 74

HSL 84.9, 0.68%, 0.58%

LAB 81.66, -41.37, 63.28

 

Description

Color code: HEX #48DED3 | qconv.com Color code: HEX #48DED3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 222 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 222 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 5 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 5% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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