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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48D28A it is the complementary color #B72D75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48D28A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48D28A shade: #4DD285, #5EE498, #6FF6AB, #80FFBE and #91FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48D28A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48D28A shade: #48D28A, #37C077, #26AE64, #159C51 and #048A3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48D28A shade: #46D289, #46D263, #4ED246, #74D246 and #9AD246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48D28A shade: #46D289, #46D2AE, #46CFD2, #46AAD2 and #4684D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48D28A shade matches the following richer shades: #46D289, #33E488 and #21F787

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48D28A shade: #46D289, #58BF8A, #6BAD8A, #7D9A8B and #90878C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48D28A shade: #4FD246, #46D262, #46D287, #46D2AC and #46D2D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48D28A shade: #269F60, #2EC074, #46D289, #67DA9E and #88E2B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48D28A shade: #48D28A, #4674D2 and #D24F46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48D28A shade: #48D28A, #8746D2 and #D28746

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48D28A shade: #48D28A, #4674D2, #D24690 and #D2A346

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48D28A shade: #48D28A, #464AD2, #D24690 and #D2CD46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 34 / 18

HEX #48D28A

RGB 72 210 138

HSL 148.7, 0.61%, 0.55%

LAB 75.64, -53.42, 25.08

 

Complementary color

CMYK 0 / 75 / 36 / 28

HEX #B72D75

RGB 183 45 117

HSL 328.7, 0.61%, 0.45%

LAB 43.11, 59.84, -8.13

 

CMYK 63 / 0 / 37 / 18

HEX #4DD285

RGB 77 210 133

HSL 145.26, 0.6%, 0.56%

LAB 75.68, -53.44, 27.75

 

CMYK 59 / 0 / 33 / 11

HEX #5EE498

RGB 94 228 152

HSL 145.97, 0.71%, 0.63%

LAB 81.91, -53.6, 26.4

 

CMYK 55 / 0 / 30 / 4

HEX #6FF6AB

RGB 111 246 171

HSL 146.67, 0.88%, 0.7%

LAB 88.08, -53.62, 25.15

 

CMYK 50 / 0 / 25 / 0

HEX #80FFBE

RGB 128 255 190

HSL 149.29, 1%, 0.75%

LAB 91.61, -49.82, 20.4

 

CMYK 43 / 0 / 18 / 0

HEX #91FFD1

RGB 145 255 209

HSL 154.91, 1%, 0.78%

LAB 92.64, -41.88, 12.21

 

CMYK 66 / 0 / 34 / 18

HEX #48D28A

RGB 72 210 138

HSL 148.7, 0.61%, 0.55%

LAB 75.64, -53.42, 25.08

 

CMYK 71 / 0 / 38 / 25

HEX #37C077

RGB 55 192 119

HSL 148.03, 0.55%, 0.48%

LAB 69.36, -52.97, 26.54

 

CMYK 78 / 0 / 43 / 32

HEX #26AE64

RGB 38 174 100

HSL 147.35, 0.64%, 0.42%

LAB 63.01, -52.2, 28.13

 

CMYK 87 / 0 / 48 / 39

HEX #159C51

RGB 21 156 81

HSL 146.67, 0.76%, 0.35%

LAB 56.62, -50.95, 29.85

 

CMYK 97 / 0 / 55 / 46

HEX #048A3E

RGB 4 138 62

HSL 145.97, 0.94%, 0.28%

LAB 50.16, -49.05, 31.68

 

CMYK 67 / 0 / 35 / 18

HEX #46D289

RGB 70 210 137

HSL 148.71, 0.61%, 0.55%

LAB 75.58, -53.96, 25.51

 

CMYK 67 / 0 / 53 / 18

HEX #46D263

RGB 70 210 99

HSL 132.43, 0.61%, 0.55%

LAB 75.01, -60.29, 43.87

 

CMYK 63 / 0 / 67 / 18

HEX #4ED246

RGB 78 210 70

HSL 116.57, 0.61%, 0.55%

LAB 74.92, -62.04, 56.66

 

CMYK 45 / 0 / 67 / 18

HEX #74D246

RGB 116 210 70

HSL 100.29, 0.61%, 0.55%

LAB 76.22, -52.03, 58.44

 

CMYK 27 / 0 / 67 / 18

HEX #9AD246

RGB 154 210 70

HSL 84, 0.61%, 0.55%

LAB 78.11, -39.01, 61.01

 

CMYK 67 / 0 / 35 / 18

HEX #46D289

RGB 70 210 137

HSL 148.71, 0.61%, 0.55%

LAB 75.58, -53.96, 25.51

 

CMYK 67 / 0 / 17 / 18

HEX #46D2AE

RGB 70 210 174

HSL 164.57, 0.61%, 0.55%

LAB 76.35, -45.87, 6.97

 

CMYK 67 / 1 / 0 / 18

HEX #46CFD2

RGB 70 207 210

HSL 181.29, 0.61%, 0.55%

LAB 76.42, -35.05, -12.28

 

CMYK 67 / 19 / 0 / 18

HEX #46AAD2

RGB 70 170 210

HSL 197.14, 0.61%, 0.55%

LAB 65.52, -16.58, -28.86

 

CMYK 67 / 37 / 0 / 18

HEX #4684D2

RGB 70 132 210

HSL 213.43, 0.61%, 0.55%

LAB 54.51, 4.97, -46.08

 

CMYK 67 / 0 / 35 / 18

HEX #46D289

RGB 70 210 137

HSL 148.71, 0.61%, 0.55%

LAB 75.58, -53.96, 25.51

 

CMYK 78 / 0 / 40 / 11

HEX #33E488

RGB 51 228 136

HSL 148.81, 0.77%, 0.55%

LAB 80.72, -63.53, 32.81

 

CMYK 87 / 0 / 45 / 3

HEX #21F787

RGB 33 247 135

HSL 148.6, 0.93%, 0.55%

LAB 86.3, -71.78, 40.5

 

CMYK 67 / 0 / 35 / 18

HEX #46D289

RGB 70 210 137

HSL 148.71, 0.61%, 0.55%

LAB 75.58, -53.96, 25.51

 

CMYK 54 / 0 / 28 / 25

HEX #58BF8A

RGB 88 191 138

HSL 149.13, 0.45%, 0.55%

LAB 70.3, -42.3, 17.85

 

CMYK 38 / 0 / 20 / 32

HEX #6BAD8A

RGB 107 173 138

HSL 148.18, 0.29%, 0.55%

LAB 65.63, -28.98, 11.44

 

CMYK 19 / 0 / 10 / 40

HEX #7D9A8B

RGB 125 154 139

HSL 148.97, 0.13%, 0.55%

LAB 61.08, -13.27, 4.53

 

CMYK 0 / 6 / 3 / 44

HEX #90878C

RGB 144 135 140

HSL 326.67, 0.04%, 0.55%

LAB 57.22, 4.32, -1.47

 

CMYK 62 / 0 / 67 / 18

HEX #4FD246

RGB 79 210 70

HSL 116.14, 0.61%, 0.55%

LAB 74.95, -61.82, 56.7

 

CMYK 67 / 0 / 53 / 18

HEX #46D262

RGB 70 210 98

HSL 132, 0.61%, 0.55%

LAB 75, -60.43, 44.34

 

CMYK 67 / 0 / 36 / 18

HEX #46D287

RGB 70 210 135

HSL 147.86, 0.61%, 0.55%

LAB 75.54, -54.35, 26.5

 

CMYK 67 / 0 / 18 / 18

HEX #46D2AC

RGB 70 210 172

HSL 163.71, 0.61%, 0.55%

LAB 76.3, -46.35, 7.97

 

CMYK 67 / 0 / 0 / 18

HEX #46D2D2

RGB 70 210 210

HSL 180, 0.61%, 0.55%

LAB 77.31, -36.44, -10.96

 

CMYK 76 / 0 / 40 / 38

HEX #269F60

RGB 38 159 96

HSL 148.76, 0.61%, 0.39%

LAB 58.09, -47.3, 23.79

 

CMYK 76 / 0 / 40 / 25

HEX #2EC074

RGB 46 192 116

HSL 148.77, 0.61%, 0.47%

LAB 69.14, -54.83, 27.79

 

CMYK 67 / 0 / 35 / 18

HEX #46D289

RGB 70 210 137

HSL 148.71, 0.61%, 0.55%

LAB 75.58, -53.96, 25.51

 

CMYK 53 / 0 / 28 / 15

HEX #67DA9E

RGB 103 218 158

HSL 148.7, 0.61%, 0.63%

LAB 79.33, -46.34, 19.79

 

CMYK 40 / 0 / 21 / 11

HEX #88E2B3

RGB 136 226 179

HSL 148.67, 0.61%, 0.71%

LAB 83.38, -37.27, 14.63

 

CMYK 66 / 0 / 34 / 18

HEX #48D28A

RGB 72 210 138

HSL 148.7, 0.61%, 0.55%

LAB 75.64, -53.42, 25.08

 

CMYK 67 / 45 / 0 / 18

HEX #4674D2

RGB 70 116 210

HSL 220.29, 0.61%, 0.55%

LAB 50.03, 14.76, -53.21

 

CMYK 0 / 62 / 67 / 18

HEX #D24F46

RGB 210 79 70

HSL 3.86, 0.61%, 0.55%

LAB 51.54, 51.13, 32.69

 

CMYK 66 / 0 / 34 / 18

HEX #48D28A

RGB 72 210 138

HSL 148.7, 0.61%, 0.55%

LAB 75.64, -53.42, 25.08

 

CMYK 36 / 67 / 0 / 18

HEX #8746D2

RGB 135 70 210

HSL 267.86, 0.61%, 0.55%

LAB 44.5, 54.45, -61.87

 

CMYK 0 / 36 / 67 / 18

HEX #D28746

RGB 210 135 70

HSL 27.86, 0.61%, 0.55%

LAB 62.9, 22.82, 45.95

 

CMYK 66 / 0 / 34 / 18

HEX #48D28A

RGB 72 210 138

HSL 148.7, 0.61%, 0.55%

LAB 75.64, -53.42, 25.08

 

CMYK 67 / 45 / 0 / 18

HEX #4674D2

RGB 70 116 210

HSL 220.29, 0.61%, 0.55%

LAB 50.03, 14.76, -53.21

 

CMYK 0 / 67 / 31 / 18

HEX #D24690

RGB 210 70 144

HSL 328.29, 0.61%, 0.55%

LAB 51.95, 61.38, -10.76

 

CMYK 0 / 22 / 67 / 18

HEX #D2A346

RGB 210 163 70

HSL 39.86, 0.61%, 0.55%

LAB 69.71, 7.68, 53.43

 

CMYK 66 / 0 / 34 / 18

HEX #48D28A

RGB 72 210 138

HSL 148.7, 0.61%, 0.55%

LAB 75.64, -53.42, 25.08

 

CMYK 67 / 65 / 0 / 18

HEX #464AD2

RGB 70 74 210

HSL 238.29, 0.61%, 0.55%

LAB 39.33, 41.03, -70.54

 

CMYK 0 / 67 / 31 / 18

HEX #D24690

RGB 210 70 144

HSL 328.29, 0.61%, 0.55%

LAB 51.95, 61.38, -10.76

 

CMYK 0 / 2 / 67 / 18

HEX #D2CD46

RGB 210 205 70

HSL 57.86, 0.61%, 0.55%

LAB 80.63, -14.19, 64.84

 

Description

Color code: HEX #48D28A | qconv.com Color code: HEX #48D28A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 210 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 210 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 34 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 34% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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