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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48ACBB it is the complementary color #B75344. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48ACBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48ACBB shade: #4DACB6, #5EBEC9, #6FD0DC, #80E2EF and #91F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48ACBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48ACBB shade: #48ACBB, #379AA8, #268895, #157682 and #04646F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48ACBB shade: #48ACBB, #488DBB, #486EBB, #484FBB and #6048BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48ACBB shade: #48ACBB, #488DBB, #486EBB, #484FBB and #4848BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48ACBB shade matches the following richer shades: #48ACBB, #34BBCF, #20CAE3 and #0BD9F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48ACBB shade: #48ACBB, #5C9DA7, #718E93, #857F7E and #99706A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48ACBB shade: #48BB8B, #48BBAA, #48AEBB, #488FBB and #4870BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48ACBB shade: #2F7681, #3B929F, #48ACBB, #66BAC6 and #84C7D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48ACBB shade: #48ACBB, #6C48BB and #BB9A48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48ACBB shade: #48ACBB, #BB48AE and #AEBB48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48ACBB shade: #48ACBB, #6C48BB, #BB5548 and #97BB48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48ACBB shade: #48ACBB, #8F48BB, #BB5548 and #74BB48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

Complementary color

CMYK 0 / 55 / 63 / 28

HEX #B75344

RGB 183 83 68

HSL 7.83, 0.46%, 0.49%

LAB 47.84, 39.37, 28.31

 

CMYK 58 / 5 / 0 / 29

HEX #4DACB6

RGB 77 172 182

HSL 185.71, 0.42%, 0.51%

LAB 65.33, -24.9, -13.59

 

CMYK 53 / 5 / 0 / 21

HEX #5EBEC9

RGB 94 190 201

HSL 186.17, 0.5%, 0.58%

LAB 71.84, -25.19, -14.2

 

CMYK 50 / 5 / 0 / 14

HEX #6FD0DC

RGB 111 208 220

HSL 186.61, 0.61%, 0.65%

LAB 78.26, -25.37, -14.78

 

CMYK 46 / 5 / 0 / 6

HEX #80E2EF

RGB 128 226 239

HSL 187.03, 0.78%, 0.72%

LAB 84.59, -25.5, -15.31

 

CMYK 43 / 4 / 0 / 0

HEX #91F4FF

RGB 145 244 255

HSL 186, 1%, 0.78%

LAB 90.75, -26.33, -14.4

 

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

CMYK 67 / 8 / 0 / 34

HEX #379AA8

RGB 55 154 168

HSL 187.43, 0.51%, 0.44%

LAB 58.74, -23.79, -15.73

 

CMYK 74 / 9 / 0 / 42

HEX #268895

RGB 38 136 149

HSL 187.03, 0.59%, 0.37%

LAB 52.05, -22.96, -15

 

CMYK 84 / 9 / 0 / 49

HEX #157682

RGB 21 118 130

HSL 186.61, 0.72%, 0.3%

LAB 45.26, -21.75, -14.16

 

CMYK 96 / 10 / 0 / 56

HEX #04646F

RGB 4 100 111

HSL 186.17, 0.93%, 0.23%

LAB 38.35, -20.05, -13.19

 

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

CMYK 61 / 25 / 0 / 27

HEX #488DBB

RGB 72 141 187

HSL 204, 0.46%, 0.51%

LAB 56.1, -7.72, -30.53

 

CMYK 61 / 41 / 0 / 27

HEX #486EBB

RGB 72 110 187

HSL 220.17, 0.46%, 0.51%

LAB 47.13, 10.81, -44.65

 

CMYK 61 / 58 / 0 / 27

HEX #484FBB

RGB 72 79 187

HSL 236.35, 0.46%, 0.51%

LAB 38.83, 30.47, -58

 

CMYK 49 / 61 / 0 / 27

HEX #6048BB

RGB 96 72 187

HSL 252.52, 0.46%, 0.51%

LAB 39.09, 39.27, -57.48

 

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

CMYK 61 / 25 / 0 / 27

HEX #488DBB

RGB 72 141 187

HSL 204, 0.46%, 0.51%

LAB 56.1, -7.72, -30.53

 

CMYK 61 / 41 / 0 / 27

HEX #486EBB

RGB 72 110 187

HSL 220.17, 0.46%, 0.51%

LAB 47.13, 10.81, -44.65

 

CMYK 61 / 58 / 0 / 27

HEX #484FBB

RGB 72 79 187

HSL 236.35, 0.46%, 0.51%

LAB 38.83, 30.47, -58

 

CMYK 61 / 61 / 0 / 27

HEX #4848BB

RGB 72 72 187

HSL 240, 0.46%, 0.51%

LAB 37.12, 34.86, -60.78

 

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

CMYK 75 / 10 / 0 / 19

HEX #34BBCF

RGB 52 187 207

HSL 187.74, 0.62%, 0.51%

LAB 70.02, -28.65, -20.35

 

CMYK 86 / 11 / 0 / 11

HEX #20CAE3

RGB 32 202 227

HSL 187.69, 0.78%, 0.51%

LAB 74.88, -31.39, -23.83

 

CMYK 96 / 13 / 0 / 3

HEX #0BD9F8

RGB 11 217 248

HSL 187.85, 0.94%, 0.51%

LAB 79.88, -32.77, -27.46

 

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

CMYK 45 / 6 / 0 / 35

HEX #5C9DA7

RGB 92 157 167

HSL 188, 0.3%, 0.51%

LAB 60.94, -18.06, -11.72

 

CMYK 23 / 3 / 0 / 42

HEX #718E93

RGB 113 142 147

HSL 188.82, 0.14%, 0.51%

LAB 57.04, -9, -6.03

 

CMYK 0 / 5 / 5 / 48

HEX #857F7E

RGB 133 127 126

HSL 8.57, 0.03%, 0.51%

LAB 53.68, 2.07, 1.34

 

CMYK 0 / 27 / 31 / 40

HEX #99706A

RGB 153 112 106

HSL 7.66, 0.19%, 0.51%

LAB 51.15, 15.35, 9.7

 

CMYK 61 / 0 / 26 / 27

HEX #48BB8B

RGB 72 187 139

HSL 154.96, 0.46%, 0.51%

LAB 68.59, -43.83, 14.86

 

CMYK 61 / 0 / 9 / 27

HEX #48BBAA

RGB 72 187 170

HSL 171.13, 0.46%, 0.51%

LAB 69.34, -36.36, -1.01

 

CMYK 61 / 7 / 0 / 27

HEX #48AEBB

RGB 72 174 187

HSL 186.78, 0.46%, 0.51%

LAB 65.93, -25.38, -15.47

 

CMYK 61 / 24 / 0 / 27

HEX #488FBB

RGB 72 143 187

HSL 202.96, 0.46%, 0.51%

LAB 56.69, -8.85, -29.61

 

CMYK 61 / 40 / 0 / 27

HEX #4870BB

RGB 72 112 187

HSL 219.13, 0.46%, 0.51%

LAB 47.69, 9.56, -43.75

 

CMYK 64 / 9 / 0 / 49

HEX #2F7681

RGB 47 118 129

HSL 188.05, 0.47%, 0.35%

LAB 45.83, -18.42, -12.64

 

CMYK 63 / 8 / 0 / 38

HEX #3B929F

RGB 59 146 159

HSL 187.8, 0.46%, 0.43%

LAB 56.08, -21.75, -14.62

 

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

CMYK 48 / 6 / 0 / 22

HEX #66BAC6

RGB 102 186 198

HSL 187.5, 0.46%, 0.59%

LAB 70.88, -22.26, -13.97

 

CMYK 37 / 5 / 0 / 18

HEX #84C7D1

RGB 132 199 209

HSL 187.79, 0.46%, 0.67%

LAB 76.29, -18.63, -11.72

 

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

CMYK 42 / 61 / 0 / 27

HEX #6C48BB

RGB 108 72 187

HSL 258.78, 0.46%, 0.51%

LAB 40.26, 41.78, -55.52

 

CMYK 0 / 18 / 61 / 27

HEX #BB9A48

RGB 187 154 72

HSL 42.78, 0.46%, 0.51%

LAB 65.08, 2.73, 46.72

 

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

CMYK 0 / 61 / 7 / 27

HEX #BB48AE

RGB 187 72 174

HSL 306.78, 0.46%, 0.51%

LAB 49.8, 58.49, -32.09

 

CMYK 7 / 0 / 61 / 27

HEX #AEBB48

RGB 174 187 72

HSL 66.78, 0.46%, 0.51%

LAB 72.9, -20.09, 55.04

 

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

CMYK 42 / 61 / 0 / 27

HEX #6C48BB

RGB 108 72 187

HSL 258.78, 0.46%, 0.51%

LAB 40.26, 41.78, -55.52

 

CMYK 0 / 55 / 61 / 27

HEX #BB5548

RGB 187 85 72

HSL 6.78, 0.46%, 0.51%

LAB 48.92, 40.15, 27.47

 

CMYK 19 / 0 / 61 / 27

HEX #97BB48

RGB 151 187 72

HSL 78.78, 0.46%, 0.51%

LAB 71.27, -29.43, 52.8

 

CMYK 61 / 8 / 0 / 27

HEX #48ACBB

RGB 72 172 187

HSL 187.83, 0.46%, 0.51%

LAB 65.33, -24.37, -16.38

 

CMYK 24 / 61 / 0 / 27

HEX #8F48BB

RGB 143 72 187

HSL 277.04, 0.46%, 0.51%

LAB 44.32, 49.82, -48.78

 

CMYK 0 / 55 / 61 / 27

HEX #BB5548

RGB 187 85 72

HSL 6.78, 0.46%, 0.51%

LAB 48.92, 40.15, 27.47

 

CMYK 38 / 0 / 61 / 27

HEX #74BB48

RGB 116 187 72

HSL 97.04, 0.46%, 0.51%

LAB 69.27, -42.38, 50.02

 

Description

Color code: HEX #48ACBB | qconv.com Color code: HEX #48ACBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 172 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 172 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 8 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 8% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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