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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #489D2F it is the complementary color #B762D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #489D2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #489D2F shade: #4D9D2A, #5EAF3D, #6FC150, #80D363 and #91E576

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #489D2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #489D2F shade: #489D2F, #378B1C, #267909, #156700 and #045500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #489D2F shade: #479D2E, #659D2E, #839D2E, #9D992E and #9D7B2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #489D2F shade: #479D2E, #2E9D33, #2E9D51, #2E9D6E and #2E9D8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #489D2F shade matches the following richer shades: #479D2E, #3EAD1E and #35BE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #489D2F shade: #479D2E, #508C3F, #597C4F, #626B60 and #6B5B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #489D2F shade: #839D2E, #669D2E, #489D2E, #2E9D32 and #2E9D4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #489D2F shade: #2A5D1B, #397D25, #479D2E, #56BC38 and #6ECB52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #489D2F shade: #489D2F, #2E9D99 and #9D2E74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #489D2F shade: #489D2F, #2E489D and #9D2E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #489D2F shade: #489D2F, #2E9D99, #832E9D and #9D2E32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #489D2F shade: #489D2F, #2E7F9D, #832E9D and #9D4C2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 70 / 38

HEX #489D2F

RGB 72 157 47

HSL 106.36, 0.54%, 0.4%

LAB 57.75, -46.23, 47.62

 

Complementary color

CMYK 12 / 53 / 0 / 18

HEX #B762D0

RGB 183 98 208

HSL 286.36, 0.54%, 0.6%

LAB 55.44, 51.42, -42.89

 

CMYK 51 / 0 / 73 / 38

HEX #4D9D2A

RGB 77 157 42

HSL 101.74, 0.58%, 0.39%

LAB 57.9, -45.17, 49.81

 

CMYK 46 / 0 / 65 / 31

HEX #5EAF3D

RGB 94 175 61

HSL 102.63, 0.48%, 0.46%

LAB 64.46, -45.58, 49.22

 

CMYK 42 / 0 / 59 / 24

HEX #6FC150

RGB 111 193 80

HSL 103.54, 0.48%, 0.54%

LAB 70.94, -45.75, 48.26

 

CMYK 39 / 0 / 53 / 17

HEX #80D363

RGB 128 211 99

HSL 104.46, 0.56%, 0.61%

LAB 77.33, -45.79, 47.14

 

CMYK 37 / 0 / 48 / 10

HEX #91E576

RGB 145 229 118

HSL 105.41, 0.68%, 0.68%

LAB 83.63, -45.72, 45.97

 

CMYK 54 / 0 / 70 / 38

HEX #489D2F

RGB 72 157 47

HSL 106.36, 0.54%, 0.4%

LAB 57.75, -46.23, 47.62

 

CMYK 60 / 0 / 80 / 45

HEX #378B1C

RGB 55 139 28

HSL 105.41, 0.66%, 0.33%

LAB 51.11, -45.46, 47.83

 

CMYK 69 / 0 / 93 / 53

HEX #267909

RGB 38 121 9

HSL 104.46, 0.86%, 0.25%

LAB 44.39, -44.06, 46.7

 

CMYK 80 / 0 / 100 / 60

HEX #156700

RGB 21 103 0

HSL 107.77, 1%, 0.2%

LAB 37.59, -41.67, 43.09

 

CMYK 95 / 0 / 100 / 67

HEX #045500

RGB 4 85 0

HSL 117.18, 1%, 0.17%

LAB 30.69, -38.18, 37.47

 

CMYK 55 / 0 / 71 / 38

HEX #479D2E

RGB 71 157 46

HSL 106.49, 0.55%, 0.4%

LAB 57.7, -46.6, 47.97

 

CMYK 36 / 0 / 71 / 38

HEX #659D2E

RGB 101 157 46

HSL 90.27, 0.55%, 0.4%

LAB 59.05, -36.79, 49.78

 

CMYK 17 / 0 / 71 / 38

HEX #839D2E

RGB 131 157 46

HSL 74.05, 0.55%, 0.4%

LAB 60.9, -24.9, 52.26

 

CMYK 0 / 3 / 71 / 38

HEX #9D992E

RGB 157 153 46

HSL 57.84, 0.55%, 0.4%

LAB 61.78, -11.57, 53.82

 

CMYK 0 / 22 / 71 / 38

HEX #9D7B2E

RGB 157 123 46

HSL 41.62, 0.55%, 0.4%

LAB 53.53, 4.88, 45.46

 

CMYK 55 / 0 / 71 / 38

HEX #479D2E

RGB 71 157 46

HSL 106.49, 0.55%, 0.4%

LAB 57.7, -46.6, 47.97

 

CMYK 71 / 0 / 68 / 38

HEX #2E9D33

RGB 46 157 51

HSL 122.7, 0.55%, 0.4%

LAB 57.01, -52.03, 44.94

 

CMYK 71 / 0 / 48 / 38

HEX #2E9D51

RGB 46 157 81

HSL 138.92, 0.55%, 0.4%

LAB 57.36, -47.99, 30.87

 

CMYK 71 / 0 / 30 / 38

HEX #2E9D6E

RGB 46 157 110

HSL 154.59, 0.55%, 0.4%

LAB 57.87, -42.32, 15.8

 

CMYK 71 / 0 / 11 / 38

HEX #2E9D8C

RGB 46 157 140

HSL 170.81, 0.55%, 0.4%

LAB 58.59, -34.82, -0.07

 

CMYK 55 / 0 / 71 / 38

HEX #479D2E

RGB 71 157 46

HSL 106.49, 0.55%, 0.4%

LAB 57.7, -46.6, 47.97

 

CMYK 64 / 0 / 83 / 32

HEX #3EAD1E

RGB 62 173 30

HSL 106.57, 0.7%, 0.4%

LAB 62.51, -55.79, 57.98

 

CMYK 72 / 0 / 93 / 25

HEX #35BE0D

RGB 53 190 13

HSL 106.44, 0.87%, 0.4%

LAB 67.73, -63.76, 65.85

 

CMYK 55 / 0 / 71 / 38

HEX #479D2E

RGB 71 157 46

HSL 106.49, 0.55%, 0.4%

LAB 57.7, -46.6, 47.97

 

CMYK 43 / 0 / 55 / 45

HEX #508C3F

RGB 80 140 63

HSL 106.75, 0.38%, 0.4%

LAB 52.75, -34.93, 34.75

 

CMYK 28 / 0 / 36 / 51

HEX #597C4F

RGB 89 124 79

HSL 106.67, 0.22%, 0.4%

LAB 48.39, -21.67, 20.7

 

CMYK 8 / 0 / 10 / 58

HEX #626B60

RGB 98 107 96

HSL 109.09, 0.05%, 0.4%

LAB 44.17, -5.73, 4.99

 

CMYK 4 / 19 / 0 / 56

HEX #6B5B70

RGB 107 91 112

HSL 285.71, 0.1%, 0.4%

LAB 40.86, 10.72, -9.51

 

CMYK 17 / 0 / 71 / 38

HEX #839D2E

RGB 131 157 46

HSL 74.05, 0.55%, 0.4%

LAB 60.9, -24.9, 52.26

 

CMYK 35 / 0 / 71 / 38

HEX #669D2E

RGB 102 157 46

HSL 89.73, 0.55%, 0.4%

LAB 59.1, -36.42, 49.85

 

CMYK 54 / 0 / 71 / 38

HEX #489D2E

RGB 72 157 46

HSL 105.95, 0.55%, 0.4%

LAB 57.74, -46.32, 48.02

 

CMYK 71 / 0 / 68 / 38

HEX #2E9D32

RGB 46 157 50

HSL 122.16, 0.55%, 0.4%

LAB 57, -52.13, 45.35

 

CMYK 71 / 0 / 50 / 38

HEX #2E9D4F

RGB 46 157 79

HSL 137.84, 0.55%, 0.4%

LAB 57.33, -48.32, 31.88

 

CMYK 55 / 0 / 71 / 64

HEX #2A5D1B

RGB 42 93 27

HSL 106.36, 0.55%, 0.24%

LAB 34.8, -30.8, 31.58

 

CMYK 54 / 0 / 70 / 51

HEX #397D25

RGB 57 125 37

HSL 106.36, 0.54%, 0.32%

LAB 46.54, -38.71, 39.81

 

CMYK 55 / 0 / 71 / 38

HEX #479D2E

RGB 71 157 46

HSL 106.49, 0.55%, 0.4%

LAB 57.7, -46.6, 47.97

 

CMYK 54 / 0 / 70 / 26

HEX #56BC38

RGB 86 188 56

HSL 106.36, 0.54%, 0.48%

LAB 68.19, -53.43, 55.12

 

CMYK 46 / 0 / 60 / 20

HEX #6ECB52

RGB 110 203 82

HSL 106.12, 0.54%, 0.56%

LAB 73.96, -49.94, 50.8

 

CMYK 54 / 0 / 70 / 38

HEX #489D2F

RGB 72 157 47

HSL 106.36, 0.54%, 0.4%

LAB 57.75, -46.23, 47.62

 

CMYK 71 / 0 / 3 / 38

HEX #2E9D99

RGB 46 157 153

HSL 177.84, 0.55%, 0.4%

LAB 58.97, -31.13, -6.89

 

CMYK 0 / 71 / 26 / 38

HEX #9D2E74

RGB 157 46 116

HSL 322.16, 0.55%, 0.4%

LAB 38.52, 52.31, -14.9

 

CMYK 54 / 0 / 70 / 38

HEX #489D2F

RGB 72 157 47

HSL 106.36, 0.54%, 0.4%

LAB 57.75, -46.23, 47.62

 

CMYK 71 / 54 / 0 / 38

HEX #2E489D

RGB 46 72 157

HSL 225.95, 0.55%, 0.4%

LAB 33.24, 20.03, -49.27

 

CMYK 0 / 71 / 54 / 38

HEX #9D2E48

RGB 157 46 72

HSL 345.95, 0.55%, 0.4%

LAB 37.1, 47.51, 10.91

 

CMYK 54 / 0 / 70 / 38

HEX #489D2F

RGB 72 157 47

HSL 106.36, 0.54%, 0.4%

LAB 57.75, -46.23, 47.62

 

CMYK 71 / 0 / 3 / 38

HEX #2E9D99

RGB 46 157 153

HSL 177.84, 0.55%, 0.4%

LAB 58.97, -31.13, -6.89

 

CMYK 17 / 71 / 0 / 38

HEX #832E9D

RGB 131 46 157

HSL 285.95, 0.55%, 0.4%

LAB 36.39, 52.66, -43.75

 

CMYK 0 / 71 / 68 / 38

HEX #9D2E32

RGB 157 46 50

HSL 357.84, 0.55%, 0.4%

LAB 36.65, 45.96, 24.25

 

CMYK 54 / 0 / 70 / 38

HEX #489D2F

RGB 72 157 47

HSL 106.36, 0.54%, 0.4%

LAB 57.75, -46.23, 47.62

 

CMYK 71 / 19 / 0 / 38

HEX #2E7F9D

RGB 46 127 157

HSL 196.22, 0.55%, 0.4%

LAB 49.73, -14.31, -23.19

 

CMYK 17 / 71 / 0 / 38

HEX #832E9D

RGB 131 46 157

HSL 285.95, 0.55%, 0.4%

LAB 36.39, 52.66, -43.75

 

CMYK 0 / 52 / 71 / 38

HEX #9D4C2E

RGB 157 76 46

HSL 16.22, 0.55%, 0.4%

LAB 42.05, 31.39, 33.01

 

Description

Color code: HEX #489D2F | qconv.com Color code: HEX #489D2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 157 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 157 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 70 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 70% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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