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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #489848 it is the complementary color #B767B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #489848. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #489848 shade: #4D9843, #5EAA56, #6FBC69, #80CE7C and #91E08F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #489848. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #489848 shade: #489848, #378635, #267422, #15620F and #045000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #489848 shade: #479847, #5D9847, #739847, #899847 and #989247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #489848 shade: #479847, #47985D, #479873, #479889 and #479298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #489848 shade matches the following richer shades: #479847, #35AA35, #23BC23 and #11CF11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #489848 shade: #479847, #598659, #6C746C, #7E627E and #904F90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #489848 shade: #729847, #5D9847, #479847, #47985D and #479872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #489848 shade: #2D602D, #3A7C3A, #479847, #58B058 and #74BE74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #489848 shade: #489848, #478898 and #984768

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #489848 shade: #489848, #474798 and #984747

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #489848 shade: #489848, #478898, #984798 and #985747

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #489848 shade: #489848, #477098, #984798 and #987047

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 53 / 40

HEX #489848

RGB 72 152 72

HSL 120, 0.36%, 0.44%

LAB 56.39, -41.4, 34.49

 

Complementary color

CMYK 0 / 44 / 0 / 28

HEX #B767B7

RGB 183 103 183

HSL 300, 0.36%, 0.56%

LAB 55.26, 43.99, -28.86

 

CMYK 49 / 0 / 56 / 40

HEX #4D9843

RGB 77 152 67

HSL 112.94, 0.39%, 0.43%

LAB 56.53, -40.61, 37.21

 

CMYK 45 / 0 / 49 / 33

HEX #5EAA56

RGB 94 170 86

HSL 114.29, 0.33%, 0.5%

LAB 63.18, -40.6, 35.92

 

CMYK 41 / 0 / 44 / 26

HEX #6FBC69

RGB 111 188 105

HSL 115.66, 0.38%, 0.57%

LAB 69.73, -40.48, 34.64

 

CMYK 38 / 0 / 40 / 19

HEX #80CE7C

RGB 128 206 124

HSL 117.07, 0.46%, 0.65%

LAB 76.18, -40.29, 33.39

 

CMYK 35 / 0 / 36 / 12

HEX #91E08F

RGB 145 224 143

HSL 118.52, 0.57%, 0.72%

LAB 82.55, -40.07, 32.2

 

CMYK 53 / 0 / 53 / 40

HEX #489848

RGB 72 152 72

HSL 120, 0.36%, 0.44%

LAB 56.39, -41.4, 34.49

 

CMYK 59 / 0 / 60 / 47

HEX #378635

RGB 55 134 53

HSL 118.52, 0.43%, 0.37%

LAB 49.64, -41.18, 35.82

 

CMYK 67 / 0 / 71 / 55

HEX #267422

RGB 38 116 34

HSL 117.07, 0.55%, 0.29%

LAB 42.79, -40.55, 36.94

 

CMYK 79 / 0 / 85 / 62

HEX #15620F

RGB 21 98 15

HSL 115.66, 0.73%, 0.22%

LAB 35.85, -39.14, 37.3

 

CMYK 95 / 0 / 100 / 69

HEX #045000

RGB 4 80 0

HSL 117, 1%, 0.16%

LAB 28.81, -36.56, 35.96

 

CMYK 53 / 0 / 53 / 40

HEX #479847

RGB 71 152 71

HSL 120, 0.36%, 0.44%

LAB 56.34, -41.82, 34.93

 

CMYK 39 / 0 / 53 / 40

HEX #5D9847

RGB 93 152 71

HSL 103.7, 0.36%, 0.44%

LAB 57.31, -34.93, 36.33

 

CMYK 24 / 0 / 53 / 40

HEX #739847

RGB 115 152 71

HSL 87.41, 0.36%, 0.44%

LAB 58.56, -26.81, 38.13

 

CMYK 10 / 0 / 53 / 40

HEX #899847

RGB 137 152 71

HSL 71.11, 0.36%, 0.44%

LAB 60.1, -17.86, 40.32

 

CMYK 0 / 4 / 53 / 40

HEX #989247

RGB 152 146 71

HSL 55.56, 0.36%, 0.44%

LAB 59.61, -8.26, 40.06

 

CMYK 53 / 0 / 53 / 40

HEX #479847

RGB 71 152 71

HSL 120, 0.36%, 0.44%

LAB 56.34, -41.82, 34.93

 

CMYK 53 / 0 / 39 / 40

HEX #47985D

RGB 71 152 93

HSL 136.3, 0.36%, 0.44%

LAB 56.67, -38.3, 23.71

 

CMYK 53 / 0 / 24 / 40

HEX #479873

RGB 71 152 115

HSL 152.59, 0.36%, 0.44%

LAB 57.11, -33.84, 12.06

 

CMYK 53 / 0 / 10 / 40

HEX #479889

RGB 71 152 137

HSL 168.89, 0.36%, 0.44%

LAB 57.66, -28.55, 0.36

 

CMYK 53 / 4 / 0 / 40

HEX #479298

RGB 71 146 152

HSL 184.44, 0.36%, 0.44%

LAB 56.25, -21.43, -10.3

 

CMYK 53 / 0 / 53 / 40

HEX #479847

RGB 71 152 71

HSL 120, 0.36%, 0.44%

LAB 56.34, -41.82, 34.93

 

CMYK 69 / 0 / 69 / 33

HEX #35AA35

RGB 53 170 53

HSL 120, 0.52%, 0.44%

LAB 61.45, -54.99, 48.92

 

CMYK 81 / 0 / 81 / 26

HEX #23BC23

RGB 35 188 35

HSL 120, 0.69%, 0.44%

LAB 66.86, -64.9, 60.42

 

CMYK 92 / 0 / 92 / 19

HEX #11CF11

RGB 17 207 17

HSL 120, 0.85%, 0.44%

LAB 72.75, -72.58, 69.32

 

CMYK 53 / 0 / 53 / 40

HEX #479847

RGB 71 152 71

HSL 120, 0.36%, 0.44%

LAB 56.34, -41.82, 34.93

 

CMYK 34 / 0 / 34 / 47

HEX #598659

RGB 89 134 89

HSL 120, 0.2%, 0.44%

LAB 51.72, -25.04, 19.48

 

CMYK 7 / 0 / 7 / 55

HEX #6C746C

RGB 108 116 108

HSL 120, 0.04%, 0.44%

LAB 47.96, -4.66, 3.38

 

CMYK 0 / 22 / 0 / 51

HEX #7E627E

RGB 126 98 126

HSL 300, 0.13%, 0.44%

LAB 45.19, 16.51, -11.31

 

CMYK 0 / 45 / 0 / 44

HEX #904F90

RGB 144 79 144

HSL 300, 0.29%, 0.44%

LAB 43.56, 37.33, -24.46

 

CMYK 25 / 0 / 53 / 40

HEX #729847

RGB 114 152 71

HSL 88.15, 0.36%, 0.44%

LAB 58.5, -27.2, 38.04

 

CMYK 39 / 0 / 53 / 40

HEX #5D9847

RGB 93 152 71

HSL 103.7, 0.36%, 0.44%

LAB 57.31, -34.93, 36.33

 

CMYK 53 / 0 / 53 / 40

HEX #479847

RGB 71 152 71

HSL 120, 0.36%, 0.44%

LAB 56.34, -41.82, 34.93

 

CMYK 53 / 0 / 39 / 40

HEX #47985D

RGB 71 152 93

HSL 136.3, 0.36%, 0.44%

LAB 56.67, -38.3, 23.71

 

CMYK 53 / 0 / 25 / 40

HEX #479872

RGB 71 152 114

HSL 151.85, 0.36%, 0.44%

LAB 57.09, -34.07, 12.59

 

CMYK 53 / 0 / 53 / 62

HEX #2D602D

RGB 45 96 45

HSL 120, 0.36%, 0.28%

LAB 36.2, -28.85, 23.85

 

CMYK 53 / 0 / 53 / 51

HEX #3A7C3A

RGB 58 124 58

HSL 120, 0.36%, 0.36%

LAB 46.47, -35.49, 29.52

 

CMYK 53 / 0 / 53 / 40

HEX #479847

RGB 71 152 71

HSL 120, 0.36%, 0.44%

LAB 56.34, -41.82, 34.93

 

CMYK 50 / 0 / 50 / 31

HEX #58B058

RGB 88 176 88

HSL 120, 0.36%, 0.52%

LAB 64.83, -44.64, 36.9

 

CMYK 39 / 0 / 39 / 25

HEX #74BE74

RGB 116 190 116

HSL 120, 0.36%, 0.6%

LAB 70.73, -38.14, 30.3

 

CMYK 53 / 0 / 53 / 40

HEX #489848

RGB 72 152 72

HSL 120, 0.36%, 0.44%

LAB 56.39, -41.4, 34.49

 

CMYK 53 / 11 / 0 / 40

HEX #478898

RGB 71 136 152

HSL 191.85, 0.36%, 0.44%

LAB 53.18, -16.11, -14.93

 

CMYK 0 / 53 / 32 / 40

HEX #984768

RGB 152 71 104

HSL 335.56, 0.36%, 0.44%

LAB 41.5, 37.67, -3.03

 

CMYK 53 / 0 / 53 / 40

HEX #489848

RGB 72 152 72

HSL 120, 0.36%, 0.44%

LAB 56.39, -41.4, 34.49

 

CMYK 53 / 53 / 0 / 40

HEX #474798

RGB 71 71 152

HSL 240, 0.36%, 0.44%

LAB 34.22, 23.61, -44.59

 

CMYK 0 / 53 / 53 / 40

HEX #984747

RGB 152 71 71

HSL 0, 0.36%, 0.44%

LAB 40.63, 33.91, 16.22

 

CMYK 53 / 0 / 53 / 40

HEX #489848

RGB 72 152 72

HSL 120, 0.36%, 0.44%

LAB 56.39, -41.4, 34.49

 

CMYK 53 / 11 / 0 / 40

HEX #478898

RGB 71 136 152

HSL 191.85, 0.36%, 0.44%

LAB 53.18, -16.11, -14.93

 

CMYK 0 / 53 / 0 / 40

HEX #984798

RGB 152 71 152

HSL 300, 0.36%, 0.44%

LAB 43.43, 45.47, -29.39

 

CMYK 0 / 43 / 53 / 40

HEX #985747

RGB 152 87 71

HSL 11.85, 0.36%, 0.44%

LAB 44.16, 25.12, 20.9

 

CMYK 53 / 0 / 53 / 40

HEX #489848

RGB 72 152 72

HSL 120, 0.36%, 0.44%

LAB 56.39, -41.4, 34.49

 

CMYK 53 / 26 / 0 / 40

HEX #477098

RGB 71 112 152

HSL 209.63, 0.36%, 0.44%

LAB 45.9, -2.37, -26.11

 

CMYK 0 / 53 / 0 / 40

HEX #984798

RGB 152 71 152

HSL 300, 0.36%, 0.44%

LAB 43.43, 45.47, -29.39

 

CMYK 0 / 26 / 53 / 40

HEX #987047

RGB 152 112 71

HSL 30.37, 0.36%, 0.44%

LAB 50.36, 10.78, 28.84

 

Description

Color code: HEX #489848 | qconv.com Color code: HEX #489848 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 152 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 152 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 53 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 53% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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