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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4896D5 it is the complementary color #B7692A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4896D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4896D5 shade: #4D96D0, #5EA8E3, #6FBAF6, #80CCFF and #91DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4896D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4896D5 shade: #4896D5, #3784C2, #2672AF, #15609C and #044E89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4896D5 shade: #4896D5, #4870D5, #484AD5, #6C48D5 and #9248D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4896D5 shade: #4896D5, #4870D5, #484AD5 and #4848D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4896D5 shade matches the following richer shades: #4896D5, #3598E7 and #239AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4896D5 shade: #4896D5, #5A94C3, #6C92B1, #7E909F and #908E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4896D5 shade: #48D5C7, #48BDD5, #4898D5, #4872D5 and #484CD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4896D5 shade: #256CA5, #2D82C7, #4896D5, #69A9DD and #8BBCE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4896D5 shade: #4896D5, #A148D5 and #D0D548

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4896D5 shade: #4896D5, #D54898 and #98D548

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4896D5 shade: #4896D5, #A148D5, #D58548 and #7BD548

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4896D5 shade: #4896D5, #CC48D5, #D58548 and #51D548

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

Complementary color

CMYK 0 / 43 / 77 / 28

HEX #B7692A

RGB 183 105 42

HSL 26.81, 0.63%, 0.44%

LAB 52.22, 26.31, 46.97

 

CMYK 63 / 28 / 0 / 18

HEX #4D96D0

RGB 77 150 208

HSL 206.56, 0.58%, 0.56%

LAB 59.84, -5.03, -36.54

 

CMYK 59 / 26 / 0 / 11

HEX #5EA8E3

RGB 94 168 227

HSL 206.62, 0.7%, 0.63%

LAB 66.47, -5.88, -36.69

 

CMYK 55 / 24 / 0 / 4

HEX #6FBAF6

RGB 111 186 246

HSL 206.67, 0.88%, 0.7%

LAB 72.99, -6.56, -36.84

 

CMYK 50 / 20 / 0 / 0

HEX #80CCFF

RGB 128 204 255

HSL 204.09, 1%, 0.75%

LAB 79.04, -9.97, -32.26

 

CMYK 43 / 13 / 0 / 0

HEX #91DEFF

RGB 145 222 255

HSL 198, 1%, 0.78%

LAB 84.73, -15.4, -23.48

 

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

CMYK 72 / 32 / 0 / 24

HEX #3784C2

RGB 55 132 194

HSL 206.76, 0.56%, 0.49%

LAB 53.18, -2.96, -39.14

 

CMYK 78 / 35 / 0 / 31

HEX #2672AF

RGB 38 114 175

HSL 206.72, 0.64%, 0.42%

LAB 46.37, -1.33, -38.97

 

CMYK 87 / 38 / 0 / 39

HEX #15609C

RGB 21 96 156

HSL 206.67, 0.76%, 0.35%

LAB 39.45, 0.83, -38.74

 

CMYK 97 / 43 / 0 / 46

HEX #044E89

RGB 4 78 137

HSL 206.62, 0.94%, 0.28%

LAB 32.44, 3.65, -38.44

 

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

CMYK 66 / 47 / 0 / 16

HEX #4870D5

RGB 72 112 213

HSL 222.98, 0.63%, 0.56%

LAB 49.22, 18.64, -56.22

 

CMYK 66 / 65 / 0 / 16

HEX #484AD5

RGB 72 74 213

HSL 239.15, 0.63%, 0.56%

LAB 39.71, 42.29, -71.64

 

CMYK 49 / 66 / 0 / 16

HEX #6C48D5

RGB 108 72 213

HSL 255.32, 0.63%, 0.56%

LAB 42.2, 49.07, -67.46

 

CMYK 31 / 66 / 0 / 16

HEX #9248D5

RGB 146 72 213

HSL 271.49, 0.63%, 0.56%

LAB 46.38, 56.46, -60.48

 

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

CMYK 66 / 47 / 0 / 16

HEX #4870D5

RGB 72 112 213

HSL 222.98, 0.63%, 0.56%

LAB 49.22, 18.64, -56.22

 

CMYK 66 / 65 / 0 / 16

HEX #484AD5

RGB 72 74 213

HSL 239.15, 0.63%, 0.56%

LAB 39.71, 42.29, -71.64

 

CMYK 66 / 66 / 0 / 16

HEX #4848D5

RGB 72 72 213

HSL 240, 0.63%, 0.56%

LAB 39.27, 43.48, -72.37

 

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

CMYK 77 / 34 / 0 / 9

HEX #3598E7

RGB 53 152 231

HSL 206.63, 0.79%, 0.56%

LAB 60.77, -1.72, -47.94

 

CMYK 86 / 38 / 0 / 2

HEX #239AF9

RGB 35 154 249

HSL 206.64, 0.95%, 0.56%

LAB 61.92, 2.09, -56.04

 

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

CMYK 54 / 24 / 0 / 24

HEX #5A94C3

RGB 90 148 195

HSL 206.86, 0.47%, 0.56%

LAB 59.25, -5.45, -30.12

 

CMYK 39 / 18 / 0 / 31

HEX #6C92B1

RGB 108 146 177

HSL 206.96, 0.31%, 0.56%

LAB 58.9, -5.08, -20.39

 

CMYK 21 / 9 / 0 / 38

HEX #7E909F

RGB 126 144 159

HSL 207.27, 0.15%, 0.56%

LAB 58.87, -3.05, -10.08

 

CMYK 0 / 1 / 3 / 44

HEX #908E8C

RGB 144 142 140

HSL 30, 0.02%, 0.56%

LAB 59.13, 0.36, 1.32

 

CMYK 66 / 0 / 7 / 16

HEX #48D5C7

RGB 72 213 199

HSL 174.04, 0.63%, 0.56%

LAB 77.93, -40.52, -4.13

 

CMYK 66 / 11 / 0 / 16

HEX #48BDD5

RGB 72 189 213

HSL 190.21, 0.63%, 0.56%

LAB 71.27, -25.15, -21.69

 

CMYK 66 / 29 / 0 / 16

HEX #4898D5

RGB 72 152 213

HSL 205.96, 0.63%, 0.56%

LAB 60.46, -5.37, -38.38

 

CMYK 66 / 46 / 0 / 16

HEX #4872D5

RGB 72 114 213

HSL 222.13, 0.63%, 0.56%

LAB 49.76, 17.39, -55.35

 

CMYK 66 / 64 / 0 / 16

HEX #484CD5

RGB 72 76 213

HSL 238.3, 0.63%, 0.56%

LAB 40.16, 41.09, -70.9

 

CMYK 78 / 35 / 0 / 35

HEX #256CA5

RGB 37 108 165

HSL 206.72, 0.63%, 0.4%

LAB 44, -1.53, -36.86

 

CMYK 77 / 35 / 0 / 22

HEX #2D82C7

RGB 45 130 199

HSL 206.88, 0.63%, 0.48%

LAB 52.56, -1.26, -42.98

 

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

CMYK 52 / 24 / 0 / 13

HEX #69A9DD

RGB 105 169 221

HSL 206.9, 0.63%, 0.64%

LAB 66.98, -6, -32.56

 

CMYK 39 / 18 / 0 / 11

HEX #8BBCE4

RGB 139 188 228

HSL 206.97, 0.62%, 0.72%

LAB 74.23, -6.16, -25.08

 

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

CMYK 24 / 66 / 0 / 16

HEX #A148D5

RGB 161 72 213

HSL 277.87, 0.63%, 0.56%

LAB 48.28, 59.64, -57.32

 

CMYK 2 / 0 / 66 / 16

HEX #D0D548

RGB 208 213 72

HSL 62.13, 0.63%, 0.56%

LAB 82.63, -18.89, 66.05

 

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

CMYK 0 / 66 / 29 / 16

HEX #D54898

RGB 213 72 152

HSL 325.96, 0.63%, 0.56%

LAB 53, 62.41, -13.87

 

CMYK 29 / 0 / 66 / 16

HEX #98D548

RGB 152 213 72

HSL 85.96, 0.63%, 0.56%

LAB 78.89, -40.93, 61

 

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

CMYK 24 / 66 / 0 / 16

HEX #A148D5

RGB 161 72 213

HSL 277.87, 0.63%, 0.56%

LAB 48.28, 59.64, -57.32

 

CMYK 0 / 38 / 66 / 16

HEX #D58548

RGB 213 133 72

HSL 25.96, 0.63%, 0.56%

LAB 62.83, 25.27, 44.97

 

CMYK 42 / 0 / 66 / 16

HEX #7BD548

RGB 123 213 72

HSL 98.3, 0.63%, 0.56%

LAB 77.44, -50.87, 59.03

 

CMYK 66 / 30 / 0 / 16

HEX #4896D5

RGB 72 150 213

HSL 206.81, 0.63%, 0.56%

LAB 59.88, -4.23, -39.28

 

CMYK 4 / 66 / 0 / 16

HEX #CC48D5

RGB 204 72 213

HSL 296.17, 0.63%, 0.56%

LAB 54.32, 69.17, -47.32

 

CMYK 0 / 38 / 66 / 16

HEX #D58548

RGB 213 133 72

HSL 25.96, 0.63%, 0.56%

LAB 62.83, 25.27, 44.97

 

CMYK 62 / 0 / 66 / 16

HEX #51D548

RGB 81 213 72

HSL 116.17, 0.63%, 0.56%

LAB 75.95, -62.23, 56.99

 

Description

Color code: HEX #4896D5 | qconv.com Color code: HEX #4896D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 150 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 150 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 30 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 30% 0% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Harry Potter - The P...
Link: https://store.usps.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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