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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4884A0 it is the complementary color #B77B5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4884A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4884A0 shade: #4D849B, #5E96AE, #6FA8C1, #80BAD4 and #91CCE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4884A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4884A0 shade: #4884A0, #37728D, #26607A, #154E67 and #043C54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4884A0 shade: #47829E, #476B9E, #47539E, #52479E and #69479E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4884A0 shade: #47829E, #476B9E, #47539E and #47479E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4884A0 shade matches the following richer shades: #47829E, #3489B0, #2290C3 and #0F96D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4884A0 shade: #47829E, #597B8B, #6C7579, #7E6E66 and #916754

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4884A0 shade: #479E8B, #47999E, #47829E, #476B9E and #47549E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4884A0 shade: #2D5365, #3A6B81, #47829E, #5997B4 and #76A9C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4884A0 shade: #4884A0, #74479E and #9E9747

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4884A0 shade: #4884A0, #9E4782 and #829E47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4884A0 shade: #4884A0, #74479E, #9E6247 and #719E47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4884A0 shade: #4884A0, #8E479E, #9E6247 and #579E47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 18 / 0 / 37

HEX #4884A0

RGB 72 132 160

HSL 199.09, 0.38%, 0.45%

LAB 52.31, -11.24, -20.89

 

Complementary color

CMYK 0 / 33 / 48 / 28

HEX #B77B5F

RGB 183 123 95

HSL 19.09, 0.38%, 0.55%

LAB 57.13, 20.12, 24.78

 

CMYK 50 / 15 / 0 / 39

HEX #4D849B

RGB 77 132 155

HSL 197.69, 0.34%, 0.45%

LAB 52.34, -11.6, -17.93

 

CMYK 46 / 14 / 0 / 32

HEX #5E96AE

RGB 94 150 174

HSL 198, 0.33%, 0.53%

LAB 59.2, -11.84, -18.3

 

CMYK 42 / 13 / 0 / 24

HEX #6FA8C1

RGB 111 168 193

HSL 198.29, 0.4%, 0.6%

LAB 65.93, -12.03, -18.66

 

CMYK 40 / 12 / 0 / 17

HEX #80BAD4

RGB 128 186 212

HSL 198.57, 0.49%, 0.67%

LAB 72.54, -12.16, -19.02

 

CMYK 37 / 12 / 0 / 9

HEX #91CCE7

RGB 145 204 231

HSL 198.84, 0.64%, 0.74%

LAB 79.03, -12.28, -19.37

 

CMYK 55 / 18 / 0 / 37

HEX #4884A0

RGB 72 132 160

HSL 199.09, 0.38%, 0.45%

LAB 52.31, -11.24, -20.89

 

CMYK 61 / 19 / 0 / 45

HEX #37728D

RGB 55 114 141

HSL 198.84, 0.44%, 0.38%

LAB 45.32, -10.71, -20.54

 

CMYK 69 / 21 / 0 / 52

HEX #26607A

RGB 38 96 122

HSL 198.57, 0.53%, 0.31%

LAB 38.17, -9.93, -20.16

 

CMYK 80 / 24 / 0 / 60

HEX #154E67

RGB 21 78 103

HSL 198.29, 0.66%, 0.24%

LAB 30.85, -8.75, -19.72

 

CMYK 95 / 29 / 0 / 67

HEX #043C54

RGB 4 60 84

HSL 198, 0.91%, 0.17%

LAB 23.33, -6.97, -19.21

 

CMYK 55 / 18 / 0 / 38

HEX #47829E

RGB 71 130 158

HSL 199.31, 0.38%, 0.45%

LAB 51.58, -10.95, -20.85

 

CMYK 55 / 32 / 0 / 38

HEX #476B9E

RGB 71 107 158

HSL 215.17, 0.38%, 0.45%

LAB 44.69, 2.62, -31.54

 

CMYK 55 / 47 / 0 / 38

HEX #47539E

RGB 71 83 158

HSL 231.72, 0.38%, 0.45%

LAB 37.83, 17.84, -42.41

 

CMYK 48 / 55 / 0 / 38

HEX #52479E

RGB 82 71 158

HSL 247.59, 0.38%, 0.45%

LAB 35.54, 28.03, -46.05

 

CMYK 34 / 55 / 0 / 38

HEX #69479E

RGB 105 71 158

HSL 263.45, 0.38%, 0.45%

LAB 37.8, 33.71, -42.28

 

CMYK 55 / 18 / 0 / 38

HEX #47829E

RGB 71 130 158

HSL 199.31, 0.38%, 0.45%

LAB 51.58, -10.95, -20.85

 

CMYK 55 / 32 / 0 / 38

HEX #476B9E

RGB 71 107 158

HSL 215.17, 0.38%, 0.45%

LAB 44.69, 2.62, -31.54

 

CMYK 55 / 47 / 0 / 38

HEX #47539E

RGB 71 83 158

HSL 231.72, 0.38%, 0.45%

LAB 37.83, 17.84, -42.41

 

CMYK 55 / 55 / 0 / 38

HEX #47479E

RGB 71 71 158

HSL 240, 0.38%, 0.45%

LAB 34.63, 25.6, -47.55

 

CMYK 55 / 18 / 0 / 38

HEX #47829E

RGB 71 130 158

HSL 199.31, 0.38%, 0.45%

LAB 51.58, -10.95, -20.85

 

CMYK 70 / 22 / 0 / 31

HEX #3489B0

RGB 52 137 176

HSL 198.87, 0.54%, 0.45%

LAB 53.77, -12.54, -27.93

 

CMYK 83 / 26 / 0 / 24

HEX #2290C3

RGB 34 144 195

HSL 199.01, 0.7%, 0.45%

LAB 56.31, -11.93, -34.82

 

CMYK 93 / 30 / 0 / 16

HEX #0F96D6

RGB 15 150 214

HSL 199.3, 0.87%, 0.45%

LAB 58.76, -9.58, -41.69

 

CMYK 55 / 18 / 0 / 38

HEX #47829E

RGB 71 130 158

HSL 199.31, 0.38%, 0.45%

LAB 51.58, -10.95, -20.85

 

CMYK 36 / 12 / 0 / 45

HEX #597B8B

RGB 89 123 139

HSL 199.2, 0.22%, 0.45%

LAB 49.68, -7.83, -12.55

 

CMYK 11 / 3 / 0 / 53

HEX #6C7579

RGB 108 117 121

HSL 198.46, 0.06%, 0.45%

LAB 48.62, -2.5, -3.36

 

CMYK 0 / 13 / 19 / 51

HEX #7E6E66

RGB 126 110 102

HSL 20, 0.11%, 0.45%

LAB 47.68, 4.87, 6.76

 

CMYK 0 / 29 / 42 / 43

HEX #916754

RGB 145 103 84

HSL 18.69, 0.27%, 0.45%

LAB 47.44, 14.34, 17.41

 

CMYK 55 / 0 / 12 / 38

HEX #479E8B

RGB 71 158 139

HSL 166.9, 0.38%, 0.45%

LAB 59.58, -30.94, 2.02

 

CMYK 55 / 3 / 0 / 38

HEX #47999E

RGB 71 153 158

HSL 183.45, 0.38%, 0.45%

LAB 58.59, -23.33, -10.22

 

CMYK 55 / 18 / 0 / 38

HEX #47829E

RGB 71 130 158

HSL 199.31, 0.38%, 0.45%

LAB 51.58, -10.95, -20.85

 

CMYK 55 / 32 / 0 / 38

HEX #476B9E

RGB 71 107 158

HSL 215.17, 0.38%, 0.45%

LAB 44.69, 2.62, -31.54

 

CMYK 55 / 47 / 0 / 38

HEX #47549E

RGB 71 84 158

HSL 231.03, 0.38%, 0.45%

LAB 38.11, 17.19, -41.97

 

CMYK 55 / 18 / 0 / 60

HEX #2D5365

RGB 45 83 101

HSL 199.29, 0.38%, 0.29%

LAB 33.32, -7.84, -14.58

 

CMYK 55 / 17 / 0 / 49

HEX #3A6B81

RGB 58 107 129

HSL 198.59, 0.38%, 0.37%

LAB 42.76, -9.89, -17.28

 

CMYK 55 / 18 / 0 / 38

HEX #47829E

RGB 71 130 158

HSL 199.31, 0.38%, 0.45%

LAB 51.58, -10.95, -20.85

 

CMYK 51 / 16 / 0 / 29

HEX #5997B4

RGB 89 151 180

HSL 199.12, 0.38%, 0.53%

LAB 59.48, -11.87, -21.29

 

CMYK 39 / 12 / 0 / 24

HEX #76A9C1

RGB 118 169 193

HSL 199.2, 0.38%, 0.61%

LAB 66.58, -10.72, -17.64

 

CMYK 55 / 18 / 0 / 37

HEX #4884A0

RGB 72 132 160

HSL 199.09, 0.38%, 0.45%

LAB 52.31, -11.24, -20.89

 

CMYK 27 / 55 / 0 / 38

HEX #74479E

RGB 116 71 158

HSL 271.03, 0.38%, 0.45%

LAB 39.05, 36.63, -40.22

 

CMYK 0 / 4 / 55 / 38

HEX #9E9747

RGB 158 151 71

HSL 55.17, 0.38%, 0.45%

LAB 61.53, -8.35, 42.43

 

CMYK 55 / 18 / 0 / 37

HEX #4884A0

RGB 72 132 160

HSL 199.09, 0.38%, 0.45%

LAB 52.31, -11.24, -20.89

 

CMYK 0 / 55 / 18 / 38

HEX #9E4782

RGB 158 71 130

HSL 319.31, 0.38%, 0.45%

LAB 43.34, 43.5, -16.15

 

CMYK 18 / 0 / 55 / 38

HEX #829E47

RGB 130 158 71

HSL 79.31, 0.38%, 0.45%

LAB 61.35, -23.8, 41.67

 

CMYK 55 / 18 / 0 / 37

HEX #4884A0

RGB 72 132 160

HSL 199.09, 0.38%, 0.45%

LAB 52.31, -11.24, -20.89

 

CMYK 27 / 55 / 0 / 38

HEX #74479E

RGB 116 71 158

HSL 271.03, 0.38%, 0.45%

LAB 39.05, 36.63, -40.22

 

CMYK 0 / 38 / 55 / 38

HEX #9E6247

RGB 158 98 71

HSL 18.62, 0.38%, 0.45%

LAB 47.57, 21.41, 25.47

 

CMYK 28 / 0 / 55 / 38

HEX #719E47

RGB 113 158 71

HSL 91.03, 0.38%, 0.45%

LAB 60.27, -30.48, 40.12

 

CMYK 55 / 18 / 0 / 37

HEX #4884A0

RGB 72 132 160

HSL 199.09, 0.38%, 0.45%

LAB 52.31, -11.24, -20.89

 

CMYK 10 / 55 / 0 / 38

HEX #8E479E

RGB 142 71 158

HSL 288.97, 0.38%, 0.45%

LAB 42.35, 43.8, -34.78

 

CMYK 0 / 38 / 55 / 38

HEX #9E6247

RGB 158 98 71

HSL 18.62, 0.38%, 0.45%

LAB 47.57, 21.41, 25.47

 

CMYK 45 / 0 / 55 / 38

HEX #579E47

RGB 87 158 71

HSL 108.97, 0.38%, 0.45%

LAB 58.91, -39.57, 38.18

 

Description

Color code: HEX #4884A0 | qconv.com Color code: HEX #4884A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 132 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 132 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 18 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 18% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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