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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #487F93 it is the complementary color #B7806C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #487F93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #487F93 shade: #4D7F8E, #5E91A1, #6FA3B4, #80B5C7 and #91C7DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #487F93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #487F93 shade: #487F93, #376D80, #265B6D, #15495A and #043747

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #487F93 shade: #487F92, #486A92, #485692, #4E4892 and #624892

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #487F93 shade: #487F92, #486A92, #485692 and #484892

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #487F93 shade matches the following richer shades: #487F92, #3687A4, #248FB6, #1397C8 and #01A0D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #487F93 shade: #487F92, #5A7681, #6B6E6F, #7D665D and #8F5D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #487F93 shade: #48927F, #489292, #487F92, #486B92 and #485792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #487F93 shade: #2D4F5B, #3A6777, #487F92, #5796AC and #73A7BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #487F93 shade: #487F93, #6B4892 and #928848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #487F93 shade: #487F93, #92487F and #7F9248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #487F93 shade: #487F93, #6B4892, #925C48 and #709248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #487F93 shade: #487F93, #814892, #925C48 and #599248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 14 / 0 / 42

HEX #487F93

RGB 72 127 147

HSL 196, 0.34%, 0.43%

LAB 50.29, -12.4, -16.41

 

Complementary color

CMYK 0 / 30 / 41 / 28

HEX #B7806C

RGB 183 128 108

HSL 16, 0.34%, 0.57%

LAB 58.59, 18.75, 19.37

 

CMYK 46 / 11 / 0 / 44

HEX #4D7F8E

RGB 77 127 142

HSL 193.85, 0.3%, 0.43%

LAB 50.35, -12.61, -13.37

 

CMYK 42 / 10 / 0 / 37

HEX #5E91A1

RGB 94 145 161

HSL 194.33, 0.26%, 0.5%

LAB 57.27, -12.73, -13.82

 

CMYK 38 / 9 / 0 / 29

HEX #6FA3B4

RGB 111 163 180

HSL 194.78, 0.32%, 0.57%

LAB 64.05, -12.8, -14.25

 

CMYK 36 / 9 / 0 / 22

HEX #80B5C7

RGB 128 181 199

HSL 195.21, 0.39%, 0.64%

LAB 70.71, -12.86, -14.67

 

CMYK 33 / 9 / 0 / 15

HEX #91C7DA

RGB 145 199 218

HSL 195.62, 0.5%, 0.71%

LAB 77.24, -12.9, -15.08

 

CMYK 51 / 14 / 0 / 42

HEX #487F93

RGB 72 127 147

HSL 196, 0.34%, 0.43%

LAB 50.29, -12.4, -16.41

 

CMYK 57 / 15 / 0 / 50

HEX #376D80

RGB 55 109 128

HSL 195.62, 0.4%, 0.36%

LAB 43.22, -12.05, -15.98

 

CMYK 65 / 17 / 0 / 57

HEX #265B6D

RGB 38 91 109

HSL 195.21, 0.48%, 0.29%

LAB 35.98, -11.51, -15.52

 

CMYK 77 / 19 / 0 / 65

HEX #15495A

RGB 21 73 90

HSL 194.78, 0.62%, 0.22%

LAB 28.55, -10.62, -14.99

 

CMYK 94 / 23 / 0 / 72

HEX #043747

RGB 4 55 71

HSL 194.33, 0.89%, 0.15%

LAB 20.88, -9.2, -14.37

 

CMYK 51 / 13 / 0 / 43

HEX #487F92

RGB 72 127 146

HSL 195.41, 0.34%, 0.43%

LAB 50.25, -12.7, -15.88

 

CMYK 51 / 27 / 0 / 43

HEX #486A92

RGB 72 106 146

HSL 212.43, 0.34%, 0.43%

LAB 43.89, -0.43, -25.67

 

CMYK 51 / 41 / 0 / 43

HEX #485692

RGB 72 86 146

HSL 228.65, 0.34%, 0.43%

LAB 38.04, 12.13, -34.85

 

CMYK 47 / 51 / 0 / 43

HEX #4E4892

RGB 78 72 146

HSL 244.86, 0.34%, 0.43%

LAB 34.66, 22.67, -40.2

 

CMYK 33 / 51 / 0 / 43

HEX #624892

RGB 98 72 146

HSL 261.08, 0.34%, 0.43%

LAB 36.57, 27.97, -37.04

 

CMYK 51 / 13 / 0 / 43

HEX #487F92

RGB 72 127 146

HSL 195.41, 0.34%, 0.43%

LAB 50.25, -12.7, -15.88

 

CMYK 51 / 27 / 0 / 43

HEX #486A92

RGB 72 106 146

HSL 212.43, 0.34%, 0.43%

LAB 43.89, -0.43, -25.67

 

CMYK 51 / 41 / 0 / 43

HEX #485692

RGB 72 86 146

HSL 228.65, 0.34%, 0.43%

LAB 38.04, 12.13, -34.85

 

CMYK 51 / 51 / 0 / 43

HEX #484892

RGB 72 72 146

HSL 240, 0.34%, 0.43%

LAB 34.17, 21.21, -41.02

 

CMYK 51 / 13 / 0 / 43

HEX #487F92

RGB 72 127 146

HSL 195.41, 0.34%, 0.43%

LAB 50.25, -12.7, -15.88

 

CMYK 67 / 18 / 0 / 36

HEX #3687A4

RGB 54 135 164

HSL 195.82, 0.5%, 0.43%

LAB 52.72, -15.13, -22.63

 

CMYK 80 / 21 / 0 / 29

HEX #248FB6

RGB 36 143 182

HSL 196.03, 0.67%, 0.43%

LAB 55.48, -15.78, -28.73

 

CMYK 91 / 25 / 0 / 22

HEX #1397C8

RGB 19 151 200

HSL 196.24, 0.83%, 0.43%

LAB 58.45, -15.05, -34.31

 

CMYK 100 / 26 / 0 / 15

HEX #01A0D9

RGB 1 160 217

HSL 195.83, 0.99%, 0.43%

LAB 61.79, -14.48, -38.61

 

CMYK 51 / 13 / 0 / 43

HEX #487F92

RGB 72 127 146

HSL 195.41, 0.34%, 0.43%

LAB 50.25, -12.7, -15.88

 

CMYK 30 / 9 / 0 / 49

HEX #5A7681

RGB 90 118 129

HSL 196.92, 0.18%, 0.43%

LAB 47.9, -7.3, -9.32

 

CMYK 4 / 1 / 0 / 56

HEX #6B6E6F

RGB 107 110 111

HSL 195, 0.02%, 0.43%

LAB 46.21, -0.93, -0.96

 

CMYK 0 / 18 / 26 / 51

HEX #7D665D

RGB 125 102 93

HSL 16.88, 0.15%, 0.43%

LAB 45.16, 7.71, 8.54

 

CMYK 0 / 35 / 48 / 44

HEX #8F5D4B

RGB 143 93 75

HSL 15.88, 0.31%, 0.43%

LAB 44.48, 18.28, 18.73

 

CMYK 51 / 0 / 13 / 43

HEX #48927F

RGB 72 146 127

HSL 164.59, 0.34%, 0.43%

LAB 55.55, -27.9, 3.02

 

CMYK 51 / 0 / 0 / 43

HEX #489292

RGB 72 146 146

HSL 180, 0.34%, 0.43%

LAB 56.1, -22.9, -7.08

 

CMYK 51 / 13 / 0 / 43

HEX #487F92

RGB 72 127 146

HSL 195.41, 0.34%, 0.43%

LAB 50.25, -12.7, -15.88

 

CMYK 51 / 27 / 0 / 43

HEX #486B92

RGB 72 107 146

HSL 211.62, 0.34%, 0.43%

LAB 44.19, -1.03, -25.2

 

CMYK 51 / 40 / 0 / 43

HEX #485792

RGB 72 87 146

HSL 227.84, 0.34%, 0.43%

LAB 38.32, 11.49, -34.4

 

CMYK 51 / 13 / 0 / 64

HEX #2D4F5B

RGB 45 79 91

HSL 195.65, 0.34%, 0.27%

LAB 31.59, -8.66, -10.89

 

CMYK 51 / 13 / 0 / 53

HEX #3A6777

RGB 58 103 119

HSL 195.74, 0.34%, 0.35%

LAB 41.11, -10.7, -13.75

 

CMYK 51 / 13 / 0 / 43

HEX #487F92

RGB 72 127 146

HSL 195.41, 0.34%, 0.43%

LAB 50.25, -12.7, -15.88

 

CMYK 49 / 13 / 0 / 33

HEX #5796AC

RGB 87 150 172

HSL 195.53, 0.34%, 0.51%

LAB 58.81, -14.13, -17.8

 

CMYK 38 / 10 / 0 / 27

HEX #73A7BA

RGB 115 167 186

HSL 196.06, 0.34%, 0.59%

LAB 65.61, -12.29, -15.22

 

CMYK 51 / 14 / 0 / 42

HEX #487F93

RGB 72 127 147

HSL 196, 0.34%, 0.43%

LAB 50.29, -12.4, -16.41

 

CMYK 27 / 51 / 0 / 43

HEX #6B4892

RGB 107 72 146

HSL 268.38, 0.34%, 0.43%

LAB 37.55, 30.52, -35.43

 

CMYK 0 / 7 / 51 / 43

HEX #928848

RGB 146 136 72

HSL 51.89, 0.34%, 0.43%

LAB 56.27, -5.34, 35.44

 

CMYK 51 / 14 / 0 / 42

HEX #487F93

RGB 72 127 147

HSL 196, 0.34%, 0.43%

LAB 50.29, -12.4, -16.41

 

CMYK 0 / 51 / 13 / 43

HEX #92487F

RGB 146 72 127

HSL 315.41, 0.34%, 0.43%

LAB 41.65, 38.63, -17.06

 

CMYK 13 / 0 / 51 / 43

HEX #7F9248

RGB 127 146 72

HSL 75.41, 0.34%, 0.43%

LAB 57.6, -18.83, 36.67

 

CMYK 51 / 14 / 0 / 42

HEX #487F93

RGB 72 127 147

HSL 196, 0.34%, 0.43%

LAB 50.29, -12.4, -16.41

 

CMYK 27 / 51 / 0 / 43

HEX #6B4892

RGB 107 72 146

HSL 268.38, 0.34%, 0.43%

LAB 37.55, 30.52, -35.43

 

CMYK 0 / 37 / 51 / 43

HEX #925C48

RGB 146 92 72

HSL 16.22, 0.34%, 0.43%

LAB 44.57, 19.83, 20.69

 

CMYK 23 / 0 / 51 / 43

HEX #709248

RGB 112 146 72

HSL 87.57, 0.34%, 0.43%

LAB 56.56, -24.92, 35.17

 

CMYK 51 / 14 / 0 / 42

HEX #487F93

RGB 72 127 147

HSL 196, 0.34%, 0.43%

LAB 50.29, -12.4, -16.41

 

CMYK 12 / 51 / 0 / 43

HEX #814892

RGB 129 72 146

HSL 286.22, 0.34%, 0.43%

LAB 40.21, 36.98, -31.05

 

CMYK 0 / 37 / 51 / 43

HEX #925C48

RGB 146 92 72

HSL 16.22, 0.34%, 0.43%

LAB 44.57, 19.83, 20.69

 

CMYK 39 / 0 / 51 / 43

HEX #599248

RGB 89 146 72

HSL 106.22, 0.34%, 0.43%

LAB 55.23, -33.44, 33.24

 

Description

Color code: HEX #487F93 | qconv.com Color code: HEX #487F93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 127 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 127 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 14 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 14% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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