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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4851CF it is the complementary color #B7AE30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4851CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4851CF shade: #4D51CA, #5E63DD, #6F75F0, #8087FF and #9199FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4851CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4851CF shade: #4851CF, #373FBC, #262DA9, #151B96 and #040983

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4851CF shade: #4952CE, #6449CE, #8849CE, #AC49CE and #CE49CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4851CF shade: #4952CE and #4949CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4851CF shade matches the following richer shades: #4952CE, #3742E1 and #2432F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4851CF shade: #4952CE, #5C62BC, #6E72A9, #818297 and #939284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4851CF shade: #4999CE, #4976CE, #4952CE, #6449CE and #8749CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4851CF shade: #29319C, #323BBD, #4952CE, #6A71D7 and #8A90E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4851CF shade: #4851CF, #CE49BD and #87CE49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4851CF shade: #4851CF, #CE4952 and #52CE49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4851CF shade: #4851CF, #CE49BD, #CEC549 and #49CE5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4851CF shade: #4851CF, #CE4995, #CEC549 and #49CE83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 61 / 0 / 19

HEX #4851CF

RGB 72 81 207

HSL 236, 0.58%, 0.55%

LAB 40.84, 36.02, -66.34

 

Complementary color

CMYK 0 / 5 / 74 / 28

HEX #B7AE30

RGB 183 174 48

HSL 56, 0.58%, 0.45%

LAB 69.86, -11.04, 61.67

 

CMYK 62 / 60 / 0 / 21

HEX #4D51CA

RGB 77 81 202

HSL 238.08, 0.54%, 0.55%

LAB 40.78, 35.11, -63.54

 

CMYK 57 / 55 / 0 / 13

HEX #5E63DD

RGB 94 99 221

HSL 237.64, 0.65%, 0.62%

LAB 47.65, 33.22, -63.22

 

CMYK 54 / 51 / 0 / 6

HEX #6F75F0

RGB 111 117 240

HSL 237.21, 0.81%, 0.69%

LAB 54.44, 31.6, -62.88

 

CMYK 50 / 47 / 0 / 0

HEX #8087FF

RGB 128 135 255

HSL 236.69, 1%, 0.75%

LAB 60.9, 29, -60.74

 

CMYK 43 / 40 / 0 / 0

HEX #9199FF

RGB 145 153 255

HSL 235.64, 1%, 0.78%

LAB 66.54, 22.39, -51.71

 

CMYK 65 / 61 / 0 / 19

HEX #4851CF

RGB 72 81 207

HSL 236, 0.58%, 0.55%

LAB 40.84, 36.02, -66.34

 

CMYK 71 / 66 / 0 / 26

HEX #373FBC

RGB 55 63 188

HSL 236.39, 0.55%, 0.48%

LAB 33.98, 38.37, -66.53

 

CMYK 78 / 73 / 0 / 34

HEX #262DA9

RGB 38 45 169

HSL 236.79, 0.63%, 0.41%

LAB 27.17, 40.98, -66.46

 

CMYK 86 / 82 / 0 / 41

HEX #151B96

RGB 21 27 150

HSL 237.21, 0.75%, 0.34%

LAB 20.62, 43.51, -65.75

 

CMYK 97 / 93 / 0 / 49

HEX #040983

RGB 4 9 131

HSL 237.64, 0.94%, 0.26%

LAB 14.73, 44.92, -63.67

 

CMYK 65 / 60 / 0 / 19

HEX #4952CE

RGB 73 82 206

HSL 235.94, 0.58%, 0.55%

LAB 41.07, 35.21, -65.39

 

CMYK 51 / 65 / 0 / 19

HEX #6449CE

RGB 100 73 206

HSL 252.18, 0.58%, 0.55%

LAB 41.11, 45.07, -65.24

 

CMYK 34 / 65 / 0 / 19

HEX #8849CE

RGB 136 73 206

HSL 268.42, 0.58%, 0.55%

LAB 44.88, 52.19, -58.94

 

CMYK 17 / 65 / 0 / 19

HEX #AC49CE

RGB 172 73 206

HSL 284.66, 0.58%, 0.55%

LAB 49.49, 60.18, -51.29

 

CMYK 0 / 65 / 0 / 19

HEX #CE49CD

RGB 206 73 205

HSL 300.45, 0.58%, 0.55%

LAB 54.34, 67.9, -42.71

 

CMYK 65 / 60 / 0 / 19

HEX #4952CE

RGB 73 82 206

HSL 235.94, 0.58%, 0.55%

LAB 41.07, 35.21, -65.39

 

CMYK 65 / 65 / 0 / 19

HEX #4949CE

RGB 73 73 206

HSL 240, 0.58%, 0.55%

LAB 38.96, 40.71, -68.83

 

CMYK 65 / 60 / 0 / 19

HEX #4952CE

RGB 73 82 206

HSL 235.94, 0.58%, 0.55%

LAB 41.07, 35.21, -65.39

 

CMYK 76 / 71 / 0 / 12

HEX #3742E1

RGB 55 66 225

HSL 236.12, 0.74%, 0.55%

LAB 38.1, 49.15, -81.2

 

CMYK 85 / 79 / 0 / 5

HEX #2432F3

RGB 36 50 243

HSL 235.94, 0.9%, 0.55%

LAB 36.23, 62.25, -94.54

 

CMYK 65 / 60 / 0 / 19

HEX #4952CE

RGB 73 82 206

HSL 235.94, 0.58%, 0.55%

LAB 41.07, 35.21, -65.39

 

CMYK 51 / 48 / 0 / 26

HEX #5C62BC

RGB 92 98 188

HSL 236.25, 0.42%, 0.55%

LAB 45.14, 22.85, -48.33

 

CMYK 35 / 33 / 0 / 34

HEX #6E72A9

RGB 110 114 169

HSL 235.93, 0.26%, 0.55%

LAB 49.75, 12.02, -29.89

 

CMYK 15 / 14 / 0 / 41

HEX #818297

RGB 129 130 151

HSL 237.27, 0.1%, 0.55%

LAB 54.93, 4.11, -11.36

 

CMYK 0 / 1 / 10 / 42

HEX #939284

RGB 147 146 132

HSL 56, 0.06%, 0.55%

LAB 60.27, -2.21, 7.55

 

CMYK 65 / 26 / 0 / 19

HEX #4999CE

RGB 73 153 206

HSL 203.91, 0.58%, 0.55%

LAB 60.48, -8.09, -34.44

 

CMYK 65 / 43 / 0 / 19

HEX #4976CE

RGB 73 118 206

HSL 219.7, 0.58%, 0.55%

LAB 50.49, 12.62, -50.2

 

CMYK 65 / 60 / 0 / 19

HEX #4952CE

RGB 73 82 206

HSL 235.94, 0.58%, 0.55%

LAB 41.07, 35.21, -65.39

 

CMYK 51 / 65 / 0 / 19

HEX #6449CE

RGB 100 73 206

HSL 252.18, 0.58%, 0.55%

LAB 41.11, 45.07, -65.24

 

CMYK 34 / 65 / 0 / 19

HEX #8749CE

RGB 135 73 206

HSL 267.97, 0.58%, 0.55%

LAB 44.76, 51.98, -59.14

 

CMYK 74 / 69 / 0 / 39

HEX #29319C

RGB 41 49 156

HSL 235.83, 0.58%, 0.39%

LAB 26.93, 34.21, -58.97

 

CMYK 74 / 69 / 0 / 26

HEX #323BBD

RGB 50 59 189

HSL 236.12, 0.58%, 0.47%

LAB 32.88, 40.61, -68.95

 

CMYK 65 / 60 / 0 / 19

HEX #4952CE

RGB 73 82 206

HSL 235.94, 0.58%, 0.55%

LAB 41.07, 35.21, -65.39

 

CMYK 51 / 47 / 0 / 16

HEX #6A71D7

RGB 106 113 215

HSL 236.15, 0.58%, 0.63%

LAB 51.59, 25.2, -53.44

 

CMYK 38 / 36 / 0 / 12

HEX #8A90E0

RGB 138 144 224

HSL 235.81, 0.58%, 0.71%

LAB 62.28, 17.2, -41.4

 

CMYK 65 / 61 / 0 / 19

HEX #4851CF

RGB 72 81 207

HSL 236, 0.58%, 0.55%

LAB 40.84, 36.02, -66.34

 

CMYK 0 / 65 / 8 / 19

HEX #CE49BD

RGB 206 73 189

HSL 307.67, 0.58%, 0.55%

LAB 53.56, 65.33, -34.74

 

CMYK 34 / 0 / 65 / 19

HEX #87CE49

RGB 135 206 73

HSL 92.03, 0.58%, 0.55%

LAB 75.93, -43.89, 57.18

 

CMYK 65 / 61 / 0 / 19

HEX #4851CF

RGB 72 81 207

HSL 236, 0.58%, 0.55%

LAB 40.84, 36.02, -66.34

 

CMYK 0 / 65 / 60 / 19

HEX #CE4952

RGB 206 73 82

HSL 355.94, 0.58%, 0.55%

LAB 50.09, 53.11, 23.7

 

CMYK 60 / 0 / 65 / 19

HEX #52CE49

RGB 82 206 73

HSL 115.94, 0.58%, 0.55%

LAB 73.82, -59.46, 54.26

 

CMYK 65 / 61 / 0 / 19

HEX #4851CF

RGB 72 81 207

HSL 236, 0.58%, 0.55%

LAB 40.84, 36.02, -66.34

 

CMYK 0 / 65 / 8 / 19

HEX #CE49BD

RGB 206 73 189

HSL 307.67, 0.58%, 0.55%

LAB 53.56, 65.33, -34.74

 

CMYK 0 / 4 / 65 / 19

HEX #CEC549

RGB 206 197 73

HSL 55.94, 0.58%, 0.55%

LAB 78.19, -11.67, 61.02

 

CMYK 65 / 0 / 56 / 19

HEX #49CE5B

RGB 73 206 91

HSL 128.12, 0.58%, 0.55%

LAB 73.75, -59.36, 46.15

 

CMYK 65 / 61 / 0 / 19

HEX #4851CF

RGB 72 81 207

HSL 236, 0.58%, 0.55%

LAB 40.84, 36.02, -66.34

 

CMYK 0 / 65 / 28 / 19

HEX #CE4995

RGB 206 73 149

HSL 325.71, 0.58%, 0.55%

LAB 51.9, 59.67, -13.86

 

CMYK 0 / 4 / 65 / 19

HEX #CEC549

RGB 206 197 73

HSL 55.94, 0.58%, 0.55%

LAB 78.19, -11.67, 61.02

 

CMYK 65 / 0 / 36 / 19

HEX #49CE83

RGB 73 206 131

HSL 146.17, 0.58%, 0.55%

LAB 74.32, -53.01, 26.95

 

Description

Color code: HEX #4851CF | qconv.com Color code: HEX #4851CF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 81 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 81 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 61 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 61% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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