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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #485042 it is the complementary color #B7AFBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #485042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #485042 shade: #4D503D, #5E6250, #6F7463, #808676 and #919889

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #485042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #485042 shade: #485042, #373E2F, #262C1C, #151A09 and #040800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #485042 shade: #485142, #4C5142, #505142, #514D42 and #514942

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #485042 shade: #485142, #445142, #425144, #425148 and #42514C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #485042 shade matches the following richer shades: #485142, #475D36, #45692A, #43751E and #428112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #485042 shade: #485142, #4A454E, #4C395A, #4E2D66 and #4F2172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #485042 shade: #505142, #4C5142, #485142, #455142 and #425144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #485042 shade: #20231D, #343A2F, #485142, #5D6855 and #717E67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #485042 shade: #485042, #42514D and #51424E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #485042 shade: #485042, #424851 and #514248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #485042 shade: #485042, #42514D, #4A4251 and #514246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #485042 shade: #485042, #425051, #4A4251 and #514342

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 18 / 69

HEX #485042

RGB 72 80 66

HSL 94.29, 0.1%, 0.29%

LAB 32.94, -6.21, 7.18

 

Complementary color

CMYK 3 / 7 / 0 / 26

HEX #B7AFBD

RGB 183 175 189

HSL 274.29, 0.1%, 0.71%

LAB 72.5, 5.47, -6.11

 

CMYK 4 / 0 / 24 / 69

HEX #4D503D

RGB 77 80 61

HSL 69.47, 0.13%, 0.28%

LAB 33.25, -5, 10.82

 

CMYK 4 / 0 / 18 / 62

HEX #5E6250

RGB 94 98 80

HSL 73.33, 0.1%, 0.35%

LAB 40.73, -5.12, 9.73

 

CMYK 4 / 0 / 15 / 55

HEX #6F7463

RGB 111 116 99

HSL 77.65, 0.08%, 0.42%

LAB 47.97, -5.21, 8.76

 

CMYK 4 / 0 / 12 / 47

HEX #808676

RGB 128 134 118

HSL 82.5, 0.06%, 0.49%

LAB 55.02, -5.3, 7.86

 

CMYK 5 / 0 / 10 / 40

HEX #919889

RGB 145 152 137

HSL 88, 0.07%, 0.57%

LAB 61.9, -5.38, 7.02

 

CMYK 10 / 0 / 18 / 69

HEX #485042

RGB 72 80 66

HSL 94.29, 0.1%, 0.29%

LAB 32.94, -6.21, 7.18

 

CMYK 11 / 0 / 24 / 76

HEX #373E2F

RGB 55 62 47

HSL 88, 0.14%, 0.21%

LAB 25.15, -6.21, 8.27

 

CMYK 14 / 0 / 36 / 83

HEX #262C1C

RGB 38 44 28

HSL 82.5, 0.22%, 0.14%

LAB 16.98, -6.21, 9.54

 

CMYK 19 / 0 / 65 / 90

HEX #151A09

RGB 21 26 9

HSL 77.65, 0.49%, 0.07%

LAB 8.29, -5.91, 8.61

 

CMYK 50 / 0 / 100 / 97

HEX #040800

RGB 4 8 0

HSL 90, 1%, 0.02%

LAB 1.8, -2.16, 2.66

 

CMYK 11 / 0 / 19 / 68

HEX #485142

RGB 72 81 66

HSL 96, 0.1%, 0.29%

LAB 33.26, -6.81, 7.63

 

CMYK 6 / 0 / 19 / 68

HEX #4C5142

RGB 76 81 66

HSL 80, 0.1%, 0.29%

LAB 33.59, -5.12, 8.16

 

CMYK 1 / 0 / 19 / 68

HEX #505142

RGB 80 81 66

HSL 64, 0.1%, 0.29%

LAB 33.95, -3.4, 8.71

 

CMYK 0 / 5 / 19 / 68

HEX #514D42

RGB 81 77 66

HSL 44, 0.1%, 0.29%

LAB 32.81, -0.5, 7.12

 

CMYK 0 / 10 / 19 / 68

HEX #514942

RGB 81 73 66

HSL 28, 0.1%, 0.29%

LAB 31.6, 2, 5.4

 

CMYK 11 / 0 / 19 / 68

HEX #485142

RGB 72 81 66

HSL 96, 0.1%, 0.29%

LAB 33.26, -6.81, 7.63

 

CMYK 16 / 0 / 19 / 68

HEX #445142

RGB 68 81 66

HSL 112, 0.1%, 0.29%

LAB 32.93, -8.47, 7.13

 

CMYK 19 / 0 / 16 / 68

HEX #425144

RGB 66 81 68

HSL 128, 0.1%, 0.29%

LAB 32.83, -8.86, 5.71

 

CMYK 19 / 0 / 11 / 68

HEX #425148

RGB 66 81 72

HSL 144, 0.1%, 0.29%

LAB 32.94, -7.98, 3.34

 

CMYK 19 / 0 / 6 / 68

HEX #42514C

RGB 66 81 76

HSL 160, 0.1%, 0.29%

LAB 33.06, -7.06, 0.97

 

CMYK 11 / 0 / 19 / 68

HEX #485142

RGB 72 81 66

HSL 96, 0.1%, 0.29%

LAB 33.26, -6.81, 7.63

 

CMYK 24 / 0 / 42 / 64

HEX #475D36

RGB 71 93 54

HSL 93.85, 0.27%, 0.29%

LAB 36.81, -16.27, 19.75

 

CMYK 34 / 0 / 60 / 59

HEX #45692A

RGB 69 105 42

HSL 94.29, 0.43%, 0.29%

LAB 40.47, -24.97, 30.88

 

CMYK 43 / 0 / 74 / 54

HEX #43751E

RGB 67 117 30

HSL 94.48, 0.59%, 0.29%

LAB 44.25, -32.55, 40.51

 

CMYK 49 / 0 / 86 / 49

HEX #428112

RGB 66 129 18

HSL 94.05, 0.76%, 0.29%

LAB 48.14, -38.8, 48.24

 

CMYK 11 / 0 / 19 / 68

HEX #485142

RGB 72 81 66

HSL 96, 0.1%, 0.29%

LAB 33.26, -6.81, 7.63

 

CMYK 5 / 12 / 0 / 69

HEX #4A454E

RGB 74 69 78

HSL 273.33, 0.06%, 0.29%

LAB 30.06, 4.09, -4.63

 

CMYK 16 / 37 / 0 / 65

HEX #4C395A

RGB 76 57 90

HSL 274.55, 0.22%, 0.29%

LAB 27.3, 15.6, -16.61

 

CMYK 24 / 56 / 0 / 60

HEX #4E2D66

RGB 78 45 102

HSL 274.74, 0.39%, 0.29%

LAB 25.12, 26.98, -27.8

 

CMYK 31 / 71 / 0 / 55

HEX #4F2172

RGB 79 33 114

HSL 274.07, 0.55%, 0.29%

LAB 23.56, 37.13, -38.05

 

CMYK 1 / 0 / 19 / 68

HEX #505142

RGB 80 81 66

HSL 64, 0.1%, 0.29%

LAB 33.95, -3.4, 8.71

 

CMYK 6 / 0 / 19 / 68

HEX #4C5142

RGB 76 81 66

HSL 80, 0.1%, 0.29%

LAB 33.59, -5.12, 8.16

 

CMYK 11 / 0 / 19 / 68

HEX #485142

RGB 72 81 66

HSL 96, 0.1%, 0.29%

LAB 33.26, -6.81, 7.63

 

CMYK 15 / 0 / 19 / 68

HEX #455142

RGB 69 81 66

HSL 108, 0.1%, 0.29%

LAB 33.01, -8.06, 7.26

 

CMYK 19 / 0 / 16 / 68

HEX #425144

RGB 66 81 68

HSL 128, 0.1%, 0.29%

LAB 32.83, -8.86, 5.71

 

CMYK 9 / 0 / 17 / 86

HEX #20231D

RGB 32 35 29

HSL 90, 0.09%, 0.13%

LAB 13.22, -2.83, 3.56

 

CMYK 10 / 0 / 19 / 77

HEX #343A2F

RGB 52 58 47

HSL 92.73, 0.1%, 0.21%

LAB 23.54, -5.02, 6

 

CMYK 11 / 0 / 19 / 68

HEX #485142

RGB 72 81 66

HSL 96, 0.1%, 0.29%

LAB 33.26, -6.81, 7.63

 

CMYK 11 / 0 / 18 / 59

HEX #5D6855

RGB 93 104 85

HSL 94.74, 0.1%, 0.37%

LAB 42.59, -8.1, 9.31

 

CMYK 10 / 0 / 18 / 51

HEX #717E67

RGB 113 126 103

HSL 93.91, 0.1%, 0.45%

LAB 51.17, -9.35, 10.93

 

CMYK 10 / 0 / 18 / 69

HEX #485042

RGB 72 80 66

HSL 94.29, 0.1%, 0.29%

LAB 32.94, -6.21, 7.18

 

CMYK 19 / 0 / 5 / 68

HEX #42514D

RGB 66 81 77

HSL 164, 0.1%, 0.29%

LAB 33.09, -6.82, 0.39

 

CMYK 0 / 19 / 4 / 68

HEX #51424E

RGB 81 66 78

HSL 312, 0.1%, 0.29%

LAB 29.9, 8.87, -4.8

 

CMYK 10 / 0 / 18 / 69

HEX #485042

RGB 72 80 66

HSL 94.29, 0.1%, 0.29%

LAB 32.94, -6.21, 7.18

 

CMYK 19 / 11 / 0 / 68

HEX #424851

RGB 66 72 81

HSL 216, 0.1%, 0.29%

LAB 30.37, -0.23, -6.19

 

CMYK 0 / 19 / 11 / 68

HEX #514248

RGB 81 66 72

HSL 336, 0.1%, 0.29%

LAB 29.7, 7.62, -1.21

 

CMYK 10 / 0 / 18 / 69

HEX #485042

RGB 72 80 66

HSL 94.29, 0.1%, 0.29%

LAB 32.94, -6.21, 7.18

 

CMYK 19 / 0 / 5 / 68

HEX #42514D

RGB 66 81 77

HSL 164, 0.1%, 0.29%

LAB 33.09, -6.82, 0.39

 

CMYK 9 / 19 / 0 / 68

HEX #4A4251

RGB 74 66 81

HSL 272, 0.1%, 0.29%

LAB 29.28, 6.74, -7.76

 

CMYK 0 / 19 / 14 / 68

HEX #514246

RGB 81 66 70

HSL 344, 0.1%, 0.29%

LAB 29.63, 7.22, -0

 

CMYK 10 / 0 / 18 / 69

HEX #485042

RGB 72 80 66

HSL 94.29, 0.1%, 0.29%

LAB 32.94, -6.21, 7.18

 

CMYK 19 / 1 / 0 / 68

HEX #425051

RGB 66 80 81

HSL 184, 0.1%, 0.29%

LAB 32.9, -5.24, -2.44

 

CMYK 9 / 19 / 0 / 68

HEX #4A4251

RGB 74 66 81

HSL 272, 0.1%, 0.29%

LAB 29.28, 6.74, -7.76

 

CMYK 0 / 17 / 19 / 68

HEX #514342

RGB 81 67 66

HSL 4, 0.1%, 0.29%

LAB 29.81, 5.81, 2.84

 

Description

Color code: HEX #485042 | qconv.com Color code: HEX #485042 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 80 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 80 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 18 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 18% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - www.tinydesignstudio...
Link: http://tinydesignstudio.com

22% - www.tinydesignstudio...
Link: http://www.tinydesignstudio.com

19% - 船橋駅生活圏|パークホームズ船橋塚田|三...
Link: http://www.31sumai.com

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