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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4858CC it is the complementary color #B7A733. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4858CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4858CC shade: #4D58C7, #5E6ADA, #6F7CED, #808EFF and #91A0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4858CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4858CC shade: #4858CC, #3746B9, #2634A6, #152293 and #041080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4858CC shade: #4857CB, #5B48CB, #7E48CB, #A248CB and #C548CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4858CC shade: #4857CB and #4848CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4858CC shade matches the following richer shades: #4857CB, #3549DE and #223BF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4858CC shade: #4857CB, #5A66B8, #6D74A5, #808392 and #93917F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4858CC shade: #489FCB, #487CCB, #4859CB, #5948CB and #7C48CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4858CC shade: #2A3796, #3343B6, #4857CB, #6875D4 and #8892DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4858CC shade: #4858CC, #CB48C2 and #8ECB48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4858CC shade: #4858CC, #CB4859 and #59CB48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4858CC shade: #4858CC, #CB48C2, #CBB948 and #48CB50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4858CC shade: #4858CC, #CB489B, #CBB948 and #48CB78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 57 / 0 / 20

HEX #4858CC

RGB 72 88 204

HSL 232.73, 0.56%, 0.54%

LAB 42.33, 30.61, -62.18

 

Complementary color

CMYK 0 / 9 / 72 / 28

HEX #B7A733

RGB 183 167 51

HSL 52.73, 0.56%, 0.46%

LAB 67.98, -7.24, 58.76

 

CMYK 61 / 56 / 0 / 22

HEX #4D58C7

RGB 77 88 199

HSL 234.59, 0.52%, 0.54%

LAB 42.28, 29.73, -59.37

 

CMYK 57 / 51 / 0 / 15

HEX #5E6ADA

RGB 94 106 218

HSL 234.19, 0.63%, 0.61%

LAB 49.19, 27.96, -59.04

 

CMYK 53 / 48 / 0 / 7

HEX #6F7CED

RGB 111 124 237

HSL 233.81, 0.78%, 0.68%

LAB 56, 26.47, -58.72

 

CMYK 50 / 44 / 0 / 0

HEX #808EFF

RGB 128 142 255

HSL 233.39, 1%, 0.75%

LAB 62.64, 24.89, -57.97

 

CMYK 43 / 37 / 0 / 0

HEX #91A0FF

RGB 145 160 255

HSL 231.82, 1%, 0.78%

LAB 68.3, 18.37, -48.92

 

CMYK 65 / 57 / 0 / 20

HEX #4858CC

RGB 72 88 204

HSL 232.73, 0.56%, 0.54%

LAB 42.33, 30.61, -62.18

 

CMYK 70 / 62 / 0 / 27

HEX #3746B9

RGB 55 70 185

HSL 233.08, 0.54%, 0.47%

LAB 35.39, 32.91, -62.46

 

CMYK 77 / 69 / 0 / 35

HEX #2634A6

RGB 38 52 166

HSL 233.44, 0.63%, 0.4%

LAB 28.44, 35.6, -62.56

 

CMYK 86 / 77 / 0 / 42

HEX #152293

RGB 21 34 147

HSL 233.81, 0.75%, 0.33%

LAB 21.62, 38.57, -62.23

 

CMYK 97 / 88 / 0 / 50

HEX #041080

RGB 4 16 128

HSL 234.19, 0.94%, 0.26%

LAB 15.25, 41.11, -60.9

 

CMYK 65 / 57 / 0 / 20

HEX #4857CB

RGB 72 87 203

HSL 233.13, 0.56%, 0.54%

LAB 42.01, 30.9, -62.13

 

CMYK 55 / 65 / 0 / 20

HEX #5B48CB

RGB 91 72 203

HSL 248.7, 0.56%, 0.54%

LAB 39.87, 43.16, -65.56

 

CMYK 38 / 65 / 0 / 20

HEX #7E48CB

RGB 126 72 203

HSL 264.73, 0.56%, 0.54%

LAB 43.33, 49.85, -59.77

 

CMYK 20 / 65 / 0 / 20

HEX #A248CB

RGB 162 72 203

HSL 281.22, 0.56%, 0.54%

LAB 47.79, 57.73, -52.36

 

CMYK 3 / 65 / 0 / 20

HEX #C548CB

RGB 197 72 203

HSL 297.25, 0.56%, 0.54%

LAB 52.75, 65.84, -44.16

 

CMYK 65 / 57 / 0 / 20

HEX #4857CB

RGB 72 87 203

HSL 233.13, 0.56%, 0.54%

LAB 42.01, 30.9, -62.13

 

CMYK 65 / 65 / 0 / 20

HEX #4848CB

RGB 72 72 203

HSL 240, 0.56%, 0.54%

LAB 38.42, 40.18, -67.99

 

CMYK 65 / 57 / 0 / 20

HEX #4857CB

RGB 72 87 203

HSL 233.13, 0.56%, 0.54%

LAB 42.01, 30.9, -62.13

 

CMYK 76 / 67 / 0 / 13

HEX #3549DE

RGB 53 73 222

HSL 232.9, 0.72%, 0.54%

LAB 39.23, 43.83, -77.62

 

CMYK 86 / 76 / 0 / 5

HEX #223BF1

RGB 34 59 241

HSL 232.75, 0.88%, 0.54%

LAB 37.52, 57, -91.28

 

CMYK 65 / 57 / 0 / 20

HEX #4857CB

RGB 72 87 203

HSL 233.13, 0.56%, 0.54%

LAB 42.01, 30.9, -62.13

 

CMYK 51 / 45 / 0 / 28

HEX #5A66B8

RGB 90 102 184

HSL 232.34, 0.4%, 0.54%

LAB 45.82, 18.62, -44.93

 

CMYK 34 / 30 / 0 / 35

HEX #6D74A5

RGB 109 116 165

HSL 232.5, 0.24%, 0.54%

LAB 50.05, 9.42, -27.11

 

CMYK 12 / 10 / 0 / 43

HEX #808392

RGB 128 131 146

HSL 230, 0.08%, 0.54%

LAB 54.97, 2.06, -8.42

 

CMYK 0 / 1 / 14 / 42

HEX #93917F

RGB 147 145 127

HSL 54, 0.08%, 0.54%

LAB 59.88, -2.52, 9.82

 

CMYK 65 / 22 / 0 / 20

HEX #489FCB

RGB 72 159 203

HSL 200.15, 0.56%, 0.54%

LAB 62.07, -12.56, -30.29

 

CMYK 65 / 39 / 0 / 20

HEX #487CCB

RGB 72 124 203

HSL 216.18, 0.56%, 0.54%

LAB 51.96, 7.72, -46.16

 

CMYK 65 / 56 / 0 / 20

HEX #4859CB

RGB 72 89 203

HSL 232.21, 0.56%, 0.54%

LAB 42.51, 29.64, -61.32

 

CMYK 56 / 65 / 0 / 20

HEX #5948CB

RGB 89 72 203

HSL 247.79, 0.56%, 0.54%

LAB 39.7, 42.82, -65.84

 

CMYK 39 / 65 / 0 / 20

HEX #7C48CB

RGB 124 72 203

HSL 263.82, 0.56%, 0.54%

LAB 43.11, 49.44, -60.14

 

CMYK 72 / 63 / 0 / 41

HEX #2A3796

RGB 42 55 150

HSL 232.78, 0.56%, 0.38%

LAB 27.92, 28.22, -53.68

 

CMYK 72 / 63 / 0 / 29

HEX #3343B6

RGB 51 67 182

HSL 232.67, 0.56%, 0.46%

LAB 34.18, 33.25, -62.67

 

CMYK 65 / 57 / 0 / 20

HEX #4857CB

RGB 72 87 203

HSL 233.13, 0.56%, 0.54%

LAB 42.01, 30.9, -62.13

 

CMYK 51 / 45 / 0 / 17

HEX #6875D4

RGB 104 117 212

HSL 232.78, 0.56%, 0.62%

LAB 52.31, 21.4, -50.6

 

CMYK 38 / 34 / 0 / 13

HEX #8892DD

RGB 136 146 221

HSL 232.94, 0.56%, 0.7%

LAB 62.52, 14.69, -39.37

 

CMYK 65 / 57 / 0 / 20

HEX #4858CC

RGB 72 88 204

HSL 232.73, 0.56%, 0.54%

LAB 42.33, 30.61, -62.18

 

CMYK 0 / 65 / 4 / 20

HEX #CB48C2

RGB 203 72 194

HSL 304.12, 0.56%, 0.54%

LAB 53.2, 65.78, -38.22

 

CMYK 30 / 0 / 65 / 20

HEX #8ECB48

RGB 142 203 72

HSL 87.94, 0.56%, 0.54%

LAB 75.41, -40.18, 57.14

 

CMYK 65 / 57 / 0 / 20

HEX #4858CC

RGB 72 88 204

HSL 232.73, 0.56%, 0.54%

LAB 42.33, 30.61, -62.18

 

CMYK 0 / 65 / 56 / 20

HEX #CB4859

RGB 203 72 89

HSL 352.21, 0.56%, 0.54%

LAB 49.56, 53.05, 18.71

 

CMYK 56 / 0 / 65 / 20

HEX #59CB48

RGB 89 203 72

HSL 112.21, 0.56%, 0.54%

LAB 73.09, -56.78, 53.95

 

CMYK 65 / 57 / 0 / 20

HEX #4858CC

RGB 72 88 204

HSL 232.73, 0.56%, 0.54%

LAB 42.33, 30.61, -62.18

 

CMYK 0 / 65 / 4 / 20

HEX #CB48C2

RGB 203 72 194

HSL 304.12, 0.56%, 0.54%

LAB 53.2, 65.78, -38.22

 

CMYK 0 / 9 / 65 / 20

HEX #CBB948

RGB 203 185 72

HSL 51.76, 0.56%, 0.54%

LAB 74.74, -6.84, 57.72

 

CMYK 65 / 0 / 61 / 20

HEX #48CB50

RGB 72 203 80

HSL 123.66, 0.56%, 0.54%

LAB 72.67, -59.83, 49.89

 

CMYK 65 / 57 / 0 / 20

HEX #4858CC

RGB 72 88 204

HSL 232.73, 0.56%, 0.54%

LAB 42.33, 30.61, -62.18

 

CMYK 0 / 65 / 24 / 20

HEX #CB489B

RGB 203 72 155

HSL 321.98, 0.56%, 0.54%

LAB 51.49, 60.01, -18.08

 

CMYK 0 / 9 / 65 / 20

HEX #CBB948

RGB 203 185 72

HSL 51.76, 0.56%, 0.54%

LAB 74.74, -6.84, 57.72

 

CMYK 65 / 0 / 41 / 20

HEX #48CB78

RGB 72 203 120

HSL 141.98, 0.56%, 0.54%

LAB 73.18, -54.04, 31.14

 

Description

Color code: HEX #4858CC | qconv.com Color code: HEX #4858CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 88 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 88 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 57 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 57% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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