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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #484D9C it is the complementary color #B7B263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #484D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #484D9C shade: #4D4D97, #5E5FAA, #6F71BD, #8083D0 and #9195E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #484D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #484D9C shade: #484D9C, #373B89, #262976, #151763 and #040550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #484D9C shade: #484D9D, #5A489D, #71489D, #87489D and #9D489B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #484D9C shade: #484D9D and #48489D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #484D9C shade matches the following richer shades: #484D9D, #353CAF, #232CC2 and #101CD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #484D9C shade: #484D9D, #5A5D8A, #6D6E78, #7F7E65 and #928E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #484D9C shade: #487B9D, #48649D, #484D9D, #59489D and #6F489D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #484D9C shade: #2E3164, #3B3F80, #484D9D, #5B60B3 and #777BC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #484D9C shade: #484D9C, #9D4891 and #6F9D48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #484D9C shade: #484D9C, #9D484D and #4D9D48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #484D9C shade: #484D9C, #9D4891, #9D9748 and #489D53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #484D9C shade: #484D9C, #9D4878, #9D9748 and #489D6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 51 / 0 / 39

HEX #484D9C

RGB 72 77 156

HSL 236.43, 0.37%, 0.45%

LAB 36.15, 21.27, -43.9

 

Complementary color

CMYK 0 / 3 / 46 / 28

HEX #B7B263

RGB 183 178 99

HSL 56.43, 0.37%, 0.55%

LAB 71.43, -9.46, 40.8

 

CMYK 49 / 49 / 0 / 41

HEX #4D4D97

RGB 77 77 151

HSL 240, 0.32%, 0.45%

LAB 36.21, 20.8, -40.75

 

CMYK 45 / 44 / 0 / 33

HEX #5E5FAA

RGB 94 95 170

HSL 239.21, 0.31%, 0.52%

LAB 43.46, 19.59, -40.47

 

CMYK 41 / 40 / 0 / 26

HEX #6F71BD

RGB 111 113 189

HSL 238.46, 0.37%, 0.59%

LAB 50.53, 18.58, -40.26

 

CMYK 38 / 37 / 0 / 18

HEX #8083D0

RGB 128 131 208

HSL 237.75, 0.46%, 0.66%

LAB 57.44, 17.73, -40.1

 

CMYK 36 / 34 / 0 / 11

HEX #9195E3

RGB 145 149 227

HSL 237.07, 0.59%, 0.73%

LAB 64.21, 17, -40

 

CMYK 54 / 51 / 0 / 39

HEX #484D9C

RGB 72 77 156

HSL 236.43, 0.37%, 0.45%

LAB 36.15, 21.27, -43.9

 

CMYK 60 / 57 / 0 / 46

HEX #373B89

RGB 55 59 137

HSL 237.07, 0.43%, 0.38%

LAB 28.76, 22.98, -44.26

 

CMYK 68 / 65 / 0 / 54

HEX #262976

RGB 38 41 118

HSL 237.75, 0.51%, 0.31%

LAB 21.23, 25.14, -44.6

 

CMYK 79 / 77 / 0 / 61

HEX #151763

RGB 21 23 99

HSL 238.46, 0.65%, 0.24%

LAB 13.67, 27.78, -44.67

 

CMYK 95 / 94 / 0 / 69

HEX #040550

RGB 4 5 80

HSL 239.21, 0.9%, 0.16%

LAB 6.45, 30.11, -43.81

 

CMYK 54 / 51 / 0 / 38

HEX #484D9D

RGB 72 77 157

HSL 236.47, 0.37%, 0.45%

LAB 36.21, 21.61, -44.4

 

CMYK 43 / 54 / 0 / 38

HEX #5A489D

RGB 90 72 157

HSL 252.71, 0.37%, 0.45%

LAB 36.45, 29.01, -43.94

 

CMYK 28 / 54 / 0 / 38

HEX #71489D

RGB 113 72 157

HSL 268.94, 0.37%, 0.45%

LAB 38.86, 35, -39.94

 

CMYK 14 / 54 / 0 / 38

HEX #87489D

RGB 135 72 157

HSL 284.47, 0.37%, 0.45%

LAB 41.56, 41.1, -35.48

 

CMYK 0 / 54 / 1 / 38

HEX #9D489B

RGB 157 72 155

HSL 301.41, 0.37%, 0.45%

LAB 44.47, 46.97, -29.5

 

CMYK 54 / 51 / 0 / 38

HEX #484D9D

RGB 72 77 157

HSL 236.47, 0.37%, 0.45%

LAB 36.21, 21.61, -44.4

 

CMYK 54 / 54 / 0 / 38

HEX #48489D

RGB 72 72 157

HSL 240, 0.37%, 0.45%

LAB 34.9, 24.84, -46.52

 

CMYK 54 / 51 / 0 / 38

HEX #484D9D

RGB 72 77 157

HSL 236.47, 0.37%, 0.45%

LAB 36.21, 21.61, -44.4

 

CMYK 70 / 66 / 0 / 31

HEX #353CAF

RGB 53 60 175

HSL 236.56, 0.54%, 0.45%

LAB 32, 35.46, -62.09

 

CMYK 82 / 77 / 0 / 24

HEX #232CC2

RGB 35 44 194

HSL 236.6, 0.69%, 0.45%

LAB 29.55, 49.76, -77.41

 

CMYK 92 / 87 / 0 / 17

HEX #101CD4

RGB 16 28 212

HSL 236.33, 0.86%, 0.45%

LAB 28.63, 62, -89.47

 

CMYK 54 / 51 / 0 / 38

HEX #484D9D

RGB 72 77 157

HSL 236.47, 0.37%, 0.45%

LAB 36.21, 21.61, -44.4

 

CMYK 35 / 33 / 0 / 46

HEX #5A5D8A

RGB 90 93 138

HSL 236.25, 0.21%, 0.45%

LAB 40.96, 10.24, -25.33

 

CMYK 9 / 8 / 0 / 53

HEX #6D6E78

RGB 109 110 120

HSL 234.55, 0.05%, 0.45%

LAB 46.66, 1.76, -5.67

 

CMYK 0 / 1 / 20 / 50

HEX #7F7E65

RGB 127 126 101

HSL 57.69, 0.11%, 0.45%

LAB 52.26, -4.12, 13.78

 

CMYK 0 / 3 / 44 / 43

HEX #928E52

RGB 146 142 82

HSL 56.25, 0.28%, 0.45%

LAB 58.1, -7.59, 32.41

 

CMYK 54 / 22 / 0 / 38

HEX #487B9D

RGB 72 123 157

HSL 204, 0.37%, 0.45%

LAB 49.47, -7.03, -23.51

 

CMYK 54 / 36 / 0 / 38

HEX #48649D

RGB 72 100 157

HSL 220.24, 0.37%, 0.45%

LAB 42.65, 6.87, -34.15

 

CMYK 54 / 51 / 0 / 38

HEX #484D9D

RGB 72 77 157

HSL 236.47, 0.37%, 0.45%

LAB 36.21, 21.61, -44.4

 

CMYK 43 / 54 / 0 / 38

HEX #59489D

RGB 89 72 157

HSL 252, 0.37%, 0.45%

LAB 36.35, 28.77, -44.1

 

CMYK 29 / 54 / 0 / 38

HEX #6F489D

RGB 111 72 157

HSL 267.53, 0.37%, 0.45%

LAB 38.64, 34.45, -40.31

 

CMYK 54 / 51 / 0 / 61

HEX #2E3164

RGB 46 49 100

HSL 236.67, 0.37%, 0.29%

LAB 22.65, 14.65, -30.66

 

CMYK 54 / 51 / 0 / 50

HEX #3B3F80

RGB 59 63 128

HSL 236.52, 0.37%, 0.37%

LAB 29.52, 18.03, -37.42

 

CMYK 54 / 51 / 0 / 38

HEX #484D9D

RGB 72 77 157

HSL 236.47, 0.37%, 0.45%

LAB 36.21, 21.61, -44.4

 

CMYK 49 / 46 / 0 / 30

HEX #5B60B3

RGB 91 96 179

HSL 236.59, 0.37%, 0.53%

LAB 44.01, 21.02, -44.89

 

CMYK 38 / 36 / 0 / 25

HEX #777BC0

RGB 119 123 192

HSL 236.71, 0.37%, 0.61%

LAB 53.91, 15.57, -36.61

 

CMYK 54 / 51 / 0 / 39

HEX #484D9C

RGB 72 77 156

HSL 236.43, 0.37%, 0.45%

LAB 36.15, 21.27, -43.9

 

CMYK 0 / 54 / 8 / 38

HEX #9D4891

RGB 157 72 145

HSL 308.47, 0.37%, 0.45%

LAB 44.01, 45.18, -24.22

 

CMYK 29 / 0 / 54 / 38

HEX #6F9D48

RGB 111 157 72

HSL 92.47, 0.37%, 0.45%

LAB 59.85, -30.64, 39.11

 

CMYK 54 / 51 / 0 / 39

HEX #484D9C

RGB 72 77 156

HSL 236.43, 0.37%, 0.45%

LAB 36.15, 21.27, -43.9

 

CMYK 0 / 54 / 51 / 38

HEX #9D484D

RGB 157 72 77

HSL 356.47, 0.37%, 0.45%

LAB 41.75, 35.86, 14.17

 

CMYK 51 / 0 / 54 / 38

HEX #4D9D48

RGB 77 157 72

HSL 116.47, 0.37%, 0.45%

LAB 58.19, -42.06, 36.72

 

CMYK 54 / 51 / 0 / 39

HEX #484D9C

RGB 72 77 156

HSL 236.43, 0.37%, 0.45%

LAB 36.15, 21.27, -43.9

 

CMYK 0 / 54 / 8 / 38

HEX #9D4891

RGB 157 72 145

HSL 308.47, 0.37%, 0.45%

LAB 44.01, 45.18, -24.22

 

CMYK 0 / 4 / 54 / 38

HEX #9D9748

RGB 157 151 72

HSL 55.76, 0.37%, 0.45%

LAB 61.45, -8.7, 41.83

 

CMYK 54 / 0 / 47 / 38

HEX #489D53

RGB 72 157 83

HSL 127.76, 0.37%, 0.45%

LAB 58.15, -41.86, 30.99

 

CMYK 54 / 51 / 0 / 39

HEX #484D9C

RGB 72 77 156

HSL 236.43, 0.37%, 0.45%

LAB 36.15, 21.27, -43.9

 

CMYK 0 / 54 / 24 / 38

HEX #9D4878

RGB 157 72 120

HSL 326.12, 0.37%, 0.45%

LAB 43, 41.14, -10.57

 

CMYK 0 / 4 / 54 / 38

HEX #9D9748

RGB 157 151 72

HSL 55.76, 0.37%, 0.45%

LAB 61.45, -8.7, 41.83

 

CMYK 54 / 0 / 31 / 38

HEX #489D6D

RGB 72 157 109

HSL 146.12, 0.37%, 0.45%

LAB 58.6, -37.15, 17.49

 

Description

Color code: HEX #484D9C | qconv.com Color code: HEX #484D9C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 77 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 77 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 51 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 51% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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