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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4805B4 it is the complementary color #B7FA4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4805B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4805B4 shade: #4D05AF, #5E17C2, #6F29D5, #803BE8 and #914DFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4805B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4805B4 shade: #4805B4, #3700A1, #26008E, #15007B and #040068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4805B4 shade: #4704B3, #7604B3, #A504B3, #B30491 and #B30462

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4805B4 shade: #4704B3, #1804B3 and #0404B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4805B4 shade matches the following richer shades: #4704B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4805B4 shade: #4704B3, #4A13A4, #4E2295, #513186 and #554077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4805B4 shade: #0421B3, #1604B3, #4404B3, #7304B3 and #A104B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4805B4 shade: #270262, #37038A, #4704B3, #5705DB and #6911F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4805B4 shade: #4805B4, #B30450 and #0AB304

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4805B4 shade: #4805B4, #B34404 and #04B344

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4805B4 shade: #4805B4, #B30450, #73B304 and #04B367

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4805B4 shade: #4805B4, #B3041B, #73B304 and #04B39B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 97 / 0 / 29

HEX #4805B4

RGB 72 5 180

HSL 262.97, 0.95%, 0.36%

LAB 26.1, 61.92, -74.74

 

Complementary color

CMYK 27 / 0 / 70 / 2

HEX #B7FA4B

RGB 183 250 75

HSL 82.97, 0.95%, 0.64%

LAB 91.21, -45.5, 73.09

 

CMYK 56 / 97 / 0 / 31

HEX #4D05AF

RGB 77 5 175

HSL 265.41, 0.94%, 0.35%

LAB 26.1, 61.09, -71.72

 

CMYK 52 / 88 / 0 / 24

HEX #5E17C2

RGB 94 23 194

HSL 264.91, 0.79%, 0.43%

LAB 31.55, 63.19, -73.94

 

CMYK 48 / 81 / 0 / 16

HEX #6F29D5

RGB 111 41 213

HSL 264.42, 0.68%, 0.5%

LAB 37.43, 63.9, -75.26

 

CMYK 45 / 75 / 0 / 9

HEX #803BE8

RGB 128 59 232

HSL 263.93, 0.79%, 0.57%

LAB 43.57, 63.72, -75.97

 

CMYK 42 / 69 / 0 / 2

HEX #914DFB

RGB 145 77 251

HSL 263.45, 0.96%, 0.64%

LAB 49.85, 63.07, -76.31

 

CMYK 60 / 97 / 0 / 29

HEX #4805B4

RGB 72 5 180

HSL 262.97, 0.95%, 0.36%

LAB 26.1, 61.92, -74.74

 

CMYK 66 / 100 / 0 / 37

HEX #3700A1

RGB 55 0 161

HSL 260.5, 1%, 0.32%

LAB 21.53, 57.45, -70.92

 

CMYK 73 / 100 / 0 / 44

HEX #26008E

RGB 38 0 142

HSL 256.06, 1%, 0.28%

LAB 17.3, 51.98, -66.27

 

CMYK 83 / 100 / 0 / 52

HEX #15007B

RGB 21 0 123

HSL 250.24, 1%, 0.24%

LAB 13.17, 46.51, -61.16

 

CMYK 96 / 100 / 0 / 59

HEX #040068

RGB 4 0 104

HSL 242.31, 1%, 0.2%

LAB 9.2, 41.04, -55.44

 

CMYK 60 / 98 / 0 / 30

HEX #4704B3

RGB 71 4 179

HSL 262.97, 0.96%, 0.36%

LAB 25.81, 61.82, -74.64

 

CMYK 34 / 98 / 0 / 30

HEX #7604B3

RGB 118 4 179

HSL 279.09, 0.96%, 0.36%

LAB 32.24, 66.12, -63.8

 

CMYK 8 / 98 / 0 / 30

HEX #A504B3

RGB 165 4 179

HSL 295.2, 0.96%, 0.36%

LAB 40.15, 72.67, -50.59

 

CMYK 0 / 98 / 19 / 30

HEX #B30491

RGB 179 4 145

HSL 311.66, 0.96%, 0.36%

LAB 40.76, 70.25, -29.02

 

CMYK 0 / 98 / 45 / 30

HEX #B30462

RGB 179 4 98

HSL 327.77, 0.96%, 0.36%

LAB 38.82, 65.22, -2.68

 

CMYK 60 / 98 / 0 / 30

HEX #4704B3

RGB 71 4 179

HSL 262.97, 0.96%, 0.36%

LAB 25.81, 61.82, -74.64

 

CMYK 87 / 98 / 0 / 30

HEX #1804B3

RGB 24 4 179

HSL 246.86, 0.96%, 0.36%

LAB 22.07, 59.99, -80.95

 

CMYK 98 / 98 / 0 / 30

HEX #0404B3

RGB 4 4 179

HSL 240, 0.96%, 0.36%

LAB 21.46, 59.74, -82

 

CMYK 60 / 98 / 0 / 30

HEX #4704B3

RGB 71 4 179

HSL 262.97, 0.96%, 0.36%

LAB 25.81, 61.82, -74.64

 

CMYK 60 / 98 / 0 / 30

HEX #4704B3

RGB 71 4 179

HSL 262.97, 0.96%, 0.36%

LAB 25.81, 61.82, -74.64

 

CMYK 55 / 88 / 0 / 36

HEX #4A13A4

RGB 74 19 164

HSL 262.76, 0.79%, 0.36%

LAB 25.57, 54.94, -65.98

 

CMYK 48 / 77 / 0 / 42

HEX #4E2295

RGB 78 34 149

HSL 262.96, 0.63%, 0.36%

LAB 26.54, 45.68, -55.18

 

CMYK 40 / 63 / 0 / 47

HEX #513186

RGB 81 49 134

HSL 262.59, 0.46%, 0.36%

LAB 28.56, 34.1, -42.61

 

CMYK 29 / 46 / 0 / 53

HEX #554077

RGB 85 64 119

HSL 262.91, 0.3%, 0.36%

LAB 31.65, 21.76, -28.26

 

CMYK 98 / 82 / 0 / 30

HEX #0421B3

RGB 4 33 179

HSL 230.06, 0.96%, 0.36%

LAB 24.85, 49.51, -76.33

 

CMYK 88 / 98 / 0 / 30

HEX #1604B3

RGB 22 4 179

HSL 246.17, 0.96%, 0.36%

LAB 21.99, 59.95, -81.1

 

CMYK 62 / 98 / 0 / 30

HEX #4404B3

RGB 68 4 179

HSL 261.94, 0.96%, 0.36%

LAB 25.47, 61.63, -75.2

 

CMYK 36 / 98 / 0 / 30

HEX #7304B3

RGB 115 4 179

HSL 278.06, 0.96%, 0.36%

LAB 31.78, 65.77, -64.58

 

CMYK 10 / 98 / 0 / 30

HEX #A104B3

RGB 161 4 179

HSL 293.83, 0.96%, 0.36%

LAB 39.44, 72.05, -51.77

 

CMYK 60 / 98 / 0 / 62

HEX #270262

RGB 39 2 98

HSL 263.13, 0.96%, 0.2%

LAB 11.67, 39.86, -47.26

 

CMYK 60 / 98 / 0 / 46

HEX #37038A

RGB 55 3 138

HSL 263.11, 0.96%, 0.28%

LAB 18.85, 51, -61.13

 

CMYK 60 / 98 / 0 / 30

HEX #4704B3

RGB 71 4 179

HSL 262.97, 0.96%, 0.36%

LAB 25.81, 61.82, -74.64

 

CMYK 60 / 98 / 0 / 14

HEX #5705DB

RGB 87 5 219

HSL 262.99, 0.96%, 0.44%

LAB 32.37, 71.96, -87.17

 

CMYK 58 / 93 / 0 / 3

HEX #6911F8

RGB 105 17 248

HSL 262.86, 0.94%, 0.52%

LAB 38.17, 77.96, -94

 

CMYK 60 / 97 / 0 / 29

HEX #4805B4

RGB 72 5 180

HSL 262.97, 0.95%, 0.36%

LAB 26.1, 61.92, -74.74

 

CMYK 0 / 98 / 55 / 30

HEX #B30450

RGB 179 4 80

HSL 333.94, 0.96%, 0.36%

LAB 38.29, 63.8, 8.09

 

CMYK 94 / 0 / 98 / 30

HEX #0AB304

RGB 10 179 4

HSL 117.94, 0.96%, 0.36%

LAB 63.6, -65.5, 63.34

 

CMYK 60 / 97 / 0 / 29

HEX #4805B4

RGB 72 5 180

HSL 262.97, 0.95%, 0.36%

LAB 26.1, 61.92, -74.74

 

CMYK 0 / 62 / 98 / 30

HEX #B34404

RGB 179 68 4

HSL 21.94, 0.96%, 0.36%

LAB 43.84, 42.8, 53.43

 

CMYK 98 / 0 / 62 / 30

HEX #04B344

RGB 4 179 68

HSL 141.94, 0.96%, 0.36%

LAB 63.9, -61.52, 44.98

 

CMYK 60 / 97 / 0 / 29

HEX #4805B4

RGB 72 5 180

HSL 262.97, 0.95%, 0.36%

LAB 26.1, 61.92, -74.74

 

CMYK 0 / 98 / 55 / 30

HEX #B30450

RGB 179 4 80

HSL 333.94, 0.96%, 0.36%

LAB 38.29, 63.8, 8.09

 

CMYK 36 / 0 / 98 / 30

HEX #73B304

RGB 115 179 4

HSL 81.94, 0.96%, 0.36%

LAB 66.44, -42.81, 66.8

 

CMYK 98 / 0 / 42 / 30

HEX #04B367

RGB 4 179 103

HSL 153.94, 0.96%, 0.36%

LAB 64.36, -55.99, 28.24

 

CMYK 60 / 97 / 0 / 29

HEX #4805B4

RGB 72 5 180

HSL 262.97, 0.95%, 0.36%

LAB 26.1, 61.92, -74.74

 

CMYK 0 / 98 / 85 / 30

HEX #B3041B

RGB 179 4 27

HSL 352.11, 0.96%, 0.36%

LAB 37.39, 61.36, 39.94

 

CMYK 36 / 0 / 98 / 30

HEX #73B304

RGB 115 179 4

HSL 81.94, 0.96%, 0.36%

LAB 66.44, -42.81, 66.8

 

CMYK 98 / 0 / 13 / 30

HEX #04B39B

RGB 4 179 155

HSL 171.77, 0.96%, 0.36%

LAB 65.46, -43.73, 1.48

 

Description

Color code: HEX #4805B4 | qconv.com Color code: HEX #4805B4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 5 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 5 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 97 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 97% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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